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In 1652 the governors of the " Old Men's Home" at
Rotterdam agreed to receive him into the institution on condition of his paying a sum of 1225 florins and painting a picture representing them assembled together. Cool died there in 1660, and was buried in the church of the institution. The work,
115:, where it has been since its removal from the Old Men's Home in 1849. It is dated 1653, and represents 'Five Governors, clothed in black, ranged round a table.' (See Obreen's ' Archief voor Nederlandsche Kunstgeschiedenis,' vol. I.)
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According to the RKD he was probably a pupil of the painter Daemen Cool. He married in Delft in 1613 to
Agniesje Jaspersdr. In 1614, he was admitted into the
70:; but by 1618 he had returned to Rotterdam, and in 1623 he married Lysbeth, the widow of the painter Lowys Percelles. He is known as a follower of
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which he executed in accordance with the agreement, was the only one known to be by him when
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was writing; and it had been shortly before that reattributed to him. Lamme ascribed it to
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202: This article incorporates text from a publication now in the
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219:. Vol. I (3rd ed.). London: George Bell & Sons.
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and made dated portraits. He influenced the painters
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in the collection of the
Historisch Museum Rotterdam
217:Bryan's Dictionary of Painters and Engravers (A–K)
58:, 1629 copy after a lost 1625 original by Daemen.
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118:Today several of his works hang in the
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215:. In Graves, Robert Edmund (ed.).
23:Portrait of an unknown lady, 1636.
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72:Michiel Jansz. van Mierevelt
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16:Dutch Golden Age painter
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103:; Bürger gave it to
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213:"Cool, Jan Daemen"
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171:References
56:Piet Hein
46:Biography
42:painter.
38:), was a
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211:(1886).
34:– 1660,
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148:in the
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183:Artnet
126:Notes
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82:and
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