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203:. In the tradition of other Antwerp flower paintings, he did not paint the flower bouquets directly from life. His bouquets are often made up of flowers which bloom in different seasons. The actual size of different flower species is also not respected as the stems of some of the smaller flowers are often extended so that they can match up with the taller flowers.
68:, who was one of the most important creative forces in early 17th century Antwerp, a prolific painter in many genres and a frequent collaborator of Rubens. His father had taken over the large workshop of Jan the Elder on his death in 1625 and continued its large output of biblical, mythological, allegorical, genre and still life paintings. Jan Pieter's brothers
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The bouquets were in fact created by using studies of individual blooms created at the time when the flowers where in season or copied from other sources. These flower paintings have been interpreted as having a symbolic meaning or possibly even moral intent. As they represent flowers and insects
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Garland paintings were usually collaborations between a still life and a figure painter. Brueghel collaborated with specialist figure artists who would paint the devotional images in the cartouche while
Brueghel painted the flowers and flower garlands in the picture. The Antwerp painter
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156:(Dorotheum Vienna auction of 21 October 2014, lot 25), which is one of a pair of flowers still lifes and bears the signature 'J. P. Brueghel'. As he signed some of his works with 'Jan Br., some of his works have been attributed to his father and grandfather.
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paintings and encourage the viewer to reflect on the transience of worldly things and live a moral life. However, the principal aim of the artist in these works appears rather to create a convincing illusionistic effect.
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109:, the brother of his host. He is recorded together with his father in Antwerp in 1660, as a witness against canon Francis Van Hilleverve. He also worked briefly in Paris but was again a resident of Antwerp in 1662.
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Brueghel collaborated with figure painters in the creation of garland paintings. Garland paintings are a special type of still life developed in
Antwerp by artists such as Jan Pieter's grandfather
262:) and in Antwerp generally. In the later development of the genre, the cartouche in the centre of garland paintings was often a secular scene such as a portrait or an allegorical subject.
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The signed works have been the basis for attributing additional works to the artist, which had previously been attributed to other
Flemish flower painters such as Jan Brueghel the Elder,
276:(Christie's online auction of 1-20 October 2020 lot 54). In many works, his collaborators on these works cannot be identified with certainty and are described variously as 'follower of
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He was in Italy from 1664 where he was recorded in Venice. His younger brother
Abraham had already proceeded him to Italy and had lived in Rome since 1659. A painting by him of a
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36:(29 August 1628 (baptised) – between 1664 and 1684) was a Flemish painter who specialised in flower still lifes and garland paintings. A scion of the famous
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Brueghel painted flower bouquets in vases and flower garland paintings. Only a few fully or partially signed paintings have been located. An example is the
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Review of Susan
Merriam, Seventeenth-Century Flemish Garland Paintings. Still Life, Vision and the Devotional Image
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Anne T. Woollett and Ariane van
Suchtelen; with contributions by Tiarna Doherty, Mark Leonard, and Jørgen Wadum,
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as a 'wijnmeester', i.e. the son of a master. He stayed in Liège for a while where he worked in the workshop of
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was one of his more frequent collaborators on his garland paintings. An example is their collaborative
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It is believed that Jan Pieter continued to work in Italy and died there before 1684.
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and Anna-Maria
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Wrath of flowers surrounding the mystic marriage of St. Catherine of
Alexandria
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His style was highly influenced by his grandfather Jan
Brueghel the Elder and
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Mystic marriage of Saint
Catherine, surrounded by an oval garland of flowers
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De liggeren en andere historische archieven der Antwerpsche sint Lucasgilde
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Martwa natura z różami i tulipanami na kamiennym cokole, lata 1655–1670
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of painters, he trained in Antwerp with his father and later worked in
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286:(Christie's London auction of 26 April 2006 lot 206) or 'circle of
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Cartouche with a personification of America, surrounded by flowers
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Cartouche with a personification of America, surrounded by flowers
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Cartouche with a personification of America, surrounded by flowers
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which only live for a brief moment, they are supposed to convey a
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He trained in the family workshop and joined in 1645 the Antwerp
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Tulips, irises, roses, volubilis and other flowers in a vase
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where he was baptised on 29 August 1628. He was the son of
296:(Christie's London auction of 3 December 1997 lot 197).
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Virgin and Child with St Joseph in a garland of flowers
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Virgin and Child with St Joseph in a garland of flowers
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Jan Pieter Brueghel and circle of Cornelis Schut (I),
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Garland of flowers with the return of the Prodigal Son
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Jan Pieter Brueghel and follower of Jan Boeckhorst,
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748:Rubens and Brueghel: A Working Friendship
92:Flowers on a stone ledge with a butterfly
760:Trafalgar Galleries at the Royal Academy
714:Ph. Rombouts and Th. van Lerius (eds.),
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719:Volume 2, Antwerp, 1864, pp. 408, 418
893:Netherlands Institute for Art History
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819:Jan Pieter Breughel paintings
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779:A pair of still lifes
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916:at Wikimedia Commons
638:Jan Baptist Brueghel
300:Brueghel family tree
268:Erasmus Quellinus II
260:southern Netherlands
201:Jan Davidsz. de Heem
118:Erasmus Quellinus II
82:Jan Baptist Brueghel
914:Jan Pieter Brueghel
750:, 2006, pp. 156–165
699:Jan Pieter Brueghel
624:Jan Pieter Brueghel
44:, Paris and Italy.
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529:Paschasia Brueghel
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673:References
290:as in the
891:, at the
78:Ferdinand
256:Habsburg
821:at the
794:at the
734:at the
701:at the
209:vanitas
136:General
74:Philips
54:Antwerp
42:Liège
336:tree
252:Mary
246:and
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131:Work
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48:Life
32:or
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