313:
301:
140:
335:
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327:, but since then it was worn either on the body or on the head. Jang-ot is the typical women's clothing for covering the face when going out and the most widely worn headgear as well. It has seasonal variations made from different materials, such as simple-layered made from ramie in the summer and double-layered quilted clothing made with cotton for the winter. Depending on the region or household it was also used as a bridal clothing or a
347:
31:
148:
261:(๊ฑฐ๋ค์ง ๅทจ็ญไนๅช) at the end of them, which is worn rolled up. One of the main characteristic of the jang-ot is the mu (๋ฌด) a different colored trapezoid shape fabric under on the armpit area. The purpose of the mu was to make the movements easier, even for using them as a headpiece. They did not change the process of the making, and kept this element until late
114:
called jang-ui, which was worn in 15th century. The jang-ui started to be worn by women as an overcoat in early Joseon, even becoming a popular fashion item for women of high status. It was previously one of the most representative women's overcoats; it was worn as a women's overcoat when they would
370:
Dynasty it became the dynasty's main ideology. The
Confucian ethical ideology disciplined the social system of that period. One of its main principle was that men and women cannot meet after they turned seven. Women could only show their faces to their family and wore different face coverings as a
126:
to foreign men, so they would cover their faces in many ways while going out. The jang-ot became a headdress by the mid of the 18th century to conceal face and upper bodies when walking in public under this influence. Besides the jang-ot, women also used two other forms of headdress to cover their
394:, women mostly rode horses while wearing neoul on their head and jang-ot as a coat. However, when using gama (๊ฐ๋ง ๆๅฑ่ฝ) โ a smaller carriage โ as a way of transportation, it was more comfortable to wear only jang-ot, since it was difficult to enter the carriage with the neoul on.
342:
The jang-ot should be placed on the head, only revealing the face. By the collars of the coat, the ribbons under the chin or buttons should be used to tighten them up. When working or in the case of elderly they folded the headpiece and carried them on their head or shoulders.
197:
at the end of the sleeves were rolled up; usually, on men's coats, the sleeves weren't rolled up, and the cuffs weren't white. Thirdly, there is no record on paintings of such men's clothing, and in the case of the 16th century graves, jang-ot was worn as
265:. The front and back panel were long and they were made so that the width expanding till the lower part. It was quite a big clothing during the 16th century, but from the mid-17th century the headwear become shorter and narrower thus more stylish.
249:. It has both outer and inner collars, the outer one is colorful while the inner one is white. They are both wide and straight, and called mokpangit (๋ชฉํ๊น) and have an overall square shape. From the collars comes to both sides two or more
188:
The other theory states that jang-ot was women's clothing from the beginning because of several unique characteristics that are only seen on women's headwear. Firstly, the front part is wider and longer than the men's
163:
and shared the same role and name; it was then localized through the combination of the
Chinese jangui and the Korean jangyu (้ท่ฅฆ), a form of coat worn during the Three Kingdoms period, gaining its own characteristics.
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period to as an outerwear to add an extra layer to their clothing. Soon, women started to wear and use them as well, and jang-ot grew in popularity among them until it was worn exclusively by women by the late
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period, similar long coats that belonged to men and women in 16th century tombs. According to this, men started wearing jang-ot in the early years of the
273:
Mainly they used colors for the headwear like pink, purple, green, indigo, jade green and black. The fabric varied from season to season, they used raw
131:(which was worn first worn by the upper class women in the mid-Joseon and later used by all classes until the very late Joseon period) and the neoul.
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to cover their faces by the mid-18th century. They were mostly worn by commoners but not exclusively. Jang-ot was originally a form of men's
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253:, mainly red or purple, by which the headwear can be grabbed. The sleeves have the same width from shoulder to wrist, and has a white
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The Jang-ot is known as women's clothing; however, there is a theory that says it was also worn by men. In the early years of the
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The popularization of the jang-ot over other headpieces was thanks to the changing of the commuting device. During the early
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result. These headpieces also differentiated women by their rank: neoul was worn by women in the court;
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567:"A Study on the Types and Characteristics of Women's Costume Excavated in the Early Joseon Dynasty"
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called jang-ui, which was worn in 15th century. The jang-ui (์ฅ์/้ท่กฃ) originated from the
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Before the 18th century, the headwear was worn directly on the body like
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495:"The Ideology of Korean Women's Headdresses during the Chosลn Dynasty"
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and commoners. This division was not strictly regulated; by the late
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Ministry of
Culture, Sports and Tourism, Republic of Korea (2012).
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An
Illustrated Guide to Korean Culture - 233 traditional key words
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or silk, with a red dye in the lining and green for the gown.
656:"์ฅ์ท์ ํน์ฑ์ ์ ์ฉํ ํ๋์ ์ธํฌ ๋์์ธ ๊ฐ๋ฐ์ ๊ดํ ์ฐ๊ตฌ :์กฐ์ ์๋๋ถํฐ 20์ธ๊ธฐ๊น์ง์ ์ฅ์ท์ ์ค์ฌ์ผ๋ก"
716:"The Periodical Change on Jangui(้ท่กฃ) In Joseon Dynasty"
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Gama, a small carriage in which women were transported
193:, so that a big skirt can fit under it. Secondly, the
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According to the principles of the Joseon
Dynasty's
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362:grew and became more and more influential in the
626:. Seoul: Hakgojae Publishing Co. 2002. pp.
331:(์์ ่ฅ่กฃ), a veil worn by the deceased person.
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699:: CS1 maint: multiple names: authors list (
241:Jang-ot looks like a long coat with its two
226:. The difference is a jang-ot has a collar (
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814:(in Korean). Seoul: ํ์ค๋ฏธ๋์ด. pp. 52โ53.
687:Han Style: the traditional culture of Korea
565:Jeong, Ju Ran; Kim, Yong Mun (2017-01-31).
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379:class; and jang-ot was used mostly by the
127:faces depending on their social standing;
115:leave their house until the 17th century.
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541:"Jang-ot , Coat Style Vei - unknown"
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151:Women used to wear jangot as a coat.
780:Encyclopedia of Korean Folk Culture
462:Encyclopedia of Korean Folk Culture
143:Jang-ot, a women's coat in 17th AD.
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202:only by deceased women, not men.
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68: long gown), also known as
844:Encyclopedia of Korean Culture
411:- similar clothing from Persia
338:Woman's correct street costume
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672:10.16885/jktc.2018.3.21.1.101
511:10.1080/1362704X.2016.1251089
714:Chang, In Woo (2017-12-30).
493:Cho, Seunghye (2017-09-03).
285:they mostly made them with
281:cloth. Though, by the late
222:, or the outer jacket of a
27:Historical Korean headdress
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732:10.7233/jksc.2017.67.8.064
584:10.7233/jksc.2017.67.1.147
218:The jang-ot is similar to
545:Google Arts & Culture
431:โ similar concept but in
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318:Jang-ot worn on shoulders
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654:๋ฐฐ๋ฆฌ๋ฌ; ๊น์์ (2018).
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783:(in Korean)
234:for tying (
195:white cuffs
58::
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864:Categories
850:2021-10-22
787:2021-10-22
444:References
740:1229-6880
695:cite book
689:. ๊ธธ์ก์ด๋ฏธ๋์ด.
593:1229-6880
527:165117375
519:1362-704X
259:geodeulji
257:, called
457:"Jangot"
398:See also
325:durumagi
230:) and a
220:durumagi
168:Theories
77:jang-eui
628:134โ135
429:Paranja
377:yangban
247:collars
243:sleeves
135:Origins
83:jang-ui
41:jang-ot
34:Jang-ot
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550:2 July
525:
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438:Wonsam
420:Hwarot
415:Dangui
409:Chador
392:Joseon
385:Joseon
381:jungin
368:Joseon
287:cotton
283:Joseon
263:Joseon
251:ribbon
236:goreum
232:ribbon
224:hanbok
200:shroud
183:Joseon
178:Joseon
174:Joseon
92:;
64:;
54:;
46:Korean
18:Jangot
875:Veils
523:S2CID
425:Hijab
279:ramie
255:cuffs
80:, or
71:janot
56:Hanja
839:"์ฅ์ท"
816:ISBN
775:"์ฅ์ท"
736:ISSN
701:link
660:ํ๋ณต๋ฌธํ
632:ISBN
589:ISSN
552:2019
515:ISSN
427:and
329:suui
275:silk
245:and
124:face
108:veil
66:lit.
728:doi
668:doi
579:doi
507:doi
238:).
228:git
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