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1509:, Bach had not initially thought of beginning with the timpani alone, but arrived at the present version in a later revision. Rathey suggests that Bach sought a more dramatic way to begin with reduced force and let the music increase, in keeping with his endeavor to transfer operatic features from Dresden to Leipzig. Rathey observes that listeners at the time may have interpreted the dominant trumpets as royal instruments, here three trumpets and timpani, corresponding to the
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Bach structured the cantata in nine movements, beginning with an extended chorus. The other eight movements contain a Gospel reading in a tenor secco recitative, a meditative, accompanied recitative, a prayer-like aria, and an affirming chorale. It features three vocal soloists (alto, tenor and
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1609:" (How shall I embrace You), deepening the right preparation for the reception of the beloved. It is the first stanza of Paul Gerhardt's Advent song, with the melody which was associated with it in Leipzig, the same melody also used for Gerhardt's Passion hymn "
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and ending with a downward fourth, in rhythm as if speaking and in moderate range. Accents are made by high notes, here for the word "Joseph", and changes of harmony, here for "David". The building of harmonic tension ends when Mary's pregnancy is mentioned.
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1584:" (Prepare yourself, Zion, with tender efforts), the singer prepares herself to meeting her beloved. The oboe d'amore supports the tender expressiveness. The movement is based on the aria "Ich will dich nicht hören" (No. 9) from the secular cantata
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297:. An extended choral introduction is followed by two scenes, each a sequence of four movements. Both scenes are composed of a quotation from the Gospel of Luke, a recitative reflecting the narration, an aria-like prayer or meditation, and a
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in
Christmas Day services have become rare, they are regularly held in Leipzig where the work was first performed. The cantata is often presented in concerts that usually combine several of the parts of the
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and others had recommended three steps when reading the Bible: reading / meditation / prayer, and sees a similar approach, with the chorale comparing to the amen confirming the prayer.
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1444:(A–B–A). Unusually for Bach's music, it opens with the timpani (kettledrums) alone. The trumpets then enter, followed by strings and woodwinds. This sequence follows the secular model
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reads: "Am 1sten Heil. Weynachts-Feyertage. Frühe zu St. Nicolai, und
Nachmittage zu St. Thomas" (On the 1st Holy Christmas Day. Morning at St. Nicholas, afternoon at St. Thomas).
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is unknown; he may have been
Picander, an earlier collaborator. After the opening chorus, the story is told following the Gospel of Luke, interspersed with reflecting
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1502:" (Let us revere the name of the sovereign) is set mostly in homophony with strings and woodwinds. After the middle section, the beginning A is repeated in full.
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1595:. While the secular model demands destruction ("zermalmet"), the aria in the oratorio speaks of the most beautiful beloved ("den Liebsten, den Schönsten").
1527:" (It came to pass at that time), from Luke 2:1,3–6. It is one of the longest recitatives in the oratorio, beginning with the decree for a census by Caesar
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1751:" (Great Lord, o powerful King, dearest Savior, o how little), contrasts the birth of Our Lord with poverty. The movement is taken from the bass aria in
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Bach led the first performance during a morning rendition at the
Nikolaikirche in 1734. The libretto was printed and bears the title of the oratorio,
1777:". While the compassionate text addresses the baby, interjections by trumpets and timpani recall the opening movement and refer to his godly nature.
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783:", to close the cantata. In the seventh movement, a recitative is combined with the sixth stanza of Luther's hymn "Gelobet seist du, Jesu Christ".
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1613:". The same melody of this first chorale in the oratorio reappears in the final movement of the final Part VI, "Nun seid ihr wohl gerochen".
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1454:" (Sound, you drums! Ring forth, trumpets! Vibrating strings, fill the air! Now sing songs, you exuberant poets). The extended instrumental
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J. S. Bach und die italienische Oper / Drammi per musica für das kurfürstlich-sächsische und polnische Königshaus zwischen 1733 und 1736
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1531:. It follows a pattern influenced both by operatic recitatives and liturgical singing, with phrases often beginning with an upward
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1550:" (Now my dearest bridegroom, now the hero from David's branch), expressing eagerness to meet her bridegroom, a descendant of
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presents the musical material of the whole movement in changing instrumental colours. The first measures explore the D major
744:. The chorus is followed by two groups of four movements each, following the pattern: reading / recitative / aria / chorale.
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setting a stanza from a
Lutheran hymn. Bach scored the cantata for three vocal soloists, a four-part choir and a festive
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1610:
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Tönet, ihr Pauken! Erschallet, Trompeten! Klingende Saiten, erfüllet die Luft! Singet itzt Lieder, ihr muntren Poeten,
772:
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1850:, most frequently parts I to III. It is a Christmas tradition for German-speaking people to attend such a concert.
22:
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1737:" (Who can rightly exalt this love), in contrasting common time. The voices are supported by two oboes d'amore.
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604:
537:
353:
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2640:"Gelobet seist du, Jesu Christ [early version] BWV 91.1; BWV 91 / Chorale cantata (1st Christmas Day)"
803:(Oratorio, which was played over the Holy Christmas in the two main churches of Leipzig. 1734.) The title for
690:
2786:
2583:"Lasst uns sorgen, lasst uns wachen (Dramma per musica) BWV 213; BC G 18 / Secular cantata (unknown purpose)"
1860:
described the cantata as "one of the pinnacles of world music literature". Rathey observes that although the
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Oratorium, welches die
Heilige Weyhnacht über in beyden Haupt-Kirchen zu Leipzig musiciret wurde. Anno 1734.
568:
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1684:" (And she bore her first son), after Luke 2:7, reporting the birth of the baby which is laid in a manger.
1513:
trumpet in the aria "Großer Herr und starker König", which addresses the newborn as both king and saviour.
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are taken from Dürr and use the symbol for common time. The continuo, played throughout, is not shown.
1483:, dominate while the instruments accompany. The second section is a modified repetition of the first.
270:, a position he had assumed in 1723. For the oratorio, the libretto by an unknown author followed the
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is one of Bach's most frequently performed works, it has not attracted much scholarship in
English.
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832:
302:
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3112:"Chapter 95 BWV 214 Tönet, ihr Pauken! Erschallet, Trompeten! / Resound Drums, ring out Trumpets!"
603:, the 11th birthday of the son of the elector. He wrote a further cantata for the elector's wife,
4532:
3338:
3278:
1469:, imitating at first timpani then trumpets. In the following section, the vocal lines are mostly
673:
387:
256:
42:
2562:"Jauchzet, frohlocket! Auf, preiset die Tage / (Christmas oratorio, part 1) BWV 248 I; BC D 7 I"
1755:, in which the Queen is addressed, accompanied by an obbligato trumpet to refer to her royalty.
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The alto provides the narration, particularly the announcement of a birth, in a recitative, "
378:
at the two main churches of
Leipzig on 25 December 1734 during morning and vespers services.
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737:
686:
542:
397:
294:
3425:
2982:"Johann Sebastian Bach's Mass in B Minor: The Greatest Artwork of All Times and All People"
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and sometimes imitative, while the instrumental forces drive the movement. With the text "
2841:
2602:"Tönet, ihr Pauken! Erschallet, Trompeten! BWV 214; BC G 19 / Secular cantata (Birthday)"
1731:
and embellished. Line by line, it is interspersed with comments by the bass, who begins "
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are based on music from these two cantatas: the opening chorus follows the opening of
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287:
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Secular cantata (Bach) § Music celebrating the
Saxonian prince-electoral family
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4715:
2963:
2659:"Unser Mund sei voll Lachens BWV 110; BC A 10 / Sacred cantata (1st Christmas Day)"
2566:
2026:
2007:
1728:
1575:
1441:
417:
375:
333:
262:
2678:"Ehre sei Gott in der Höhe BWV 197a; BC A 11 / Sacred cantata (1st Christmas Day)"
1440:
as "Celebrate, rejoice, rise up and praise these days". It is an extended complex
1713:
In a combination of chorale and recitative, the soprano sings the sixth stanza, "
1358:
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1199:
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2738:
The
Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
2621:"Christen, ätzet diesen Tag BWV 63; BC A 8 / Sacred cantata (1st Christmas Day)"
883:
62:
791:
1455:
722:
632:), although Maria Josepha was not crowned Queen of Poland until January 1734.
279:
68:
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1510:
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678:
1769:" (Ah, my heart's beloved little Jesus), the 13th stanza of Luther's hymn "
1692:
740:. The text of the opening chorus is a free paraphrase of the beginning of
1570:
Juxtaposition of corresponding measures in the secular model and the aria
1528:
844:
771:). The choir sings two chorales, a four-part setting of Paul Gerhardt's "
718:
596:
21:"Jauchzet, frohlocket" redirects here. For the Telemann composition, see
1492:" (Serve the Highest with glorious choruses) is an imitative section in
3082:
Literature about Jauchzet, frohlocket! Auf, preiset die Tage, BWV 248 I
1493:
1280:
1124:
975:
840:
836:
730:
564:
518:
514:
424:(St. Nicholas Church), including the following Christmas Day cantatas:
401:
306:
298:
267:
159:
447:
after its presentation in Leipzig during the 1723–24 Christmas season;
321:" and a closing score with an independent orchestra set to text for a
1558:. In an accompanied recitative, two oboes d'amore support the voice.
1466:
856:
776:
505:
Church music in Latin was not uncommon for Christmas Day in Leipzig:
322:
2763:
Johann Sebastian Bach's Christmas Oratorio: Music, Theology, Culture
1547:
Nun wird mein liebster Bräutigam, nun wird der Held aus Davids Stamm
2956:"Johann Sebastian Bach / Weihnachtsoratorium / Christmas Oratorio"
1691:
1678:
The tenor continues the narration with another secco recitative, "
1565:
1551:
1411:
1410:
1402:
860:
790:
756:
733:. Part I describes the nativity of Jesus until the child is born.
532:
523:
Sanctus for six vocal parts, BWV 232 III (early version)
317:. There are two chorales: a four-part setting of Paul Gerhardt's "
310:
509:
include, for Christmas Day of 1723, the Christmas version of his
1505:
The musicologist Markus Rathey notes that in the secular model,
848:
826:
822:
775:" and a setting for choir and independent orchestra of the 13th
726:
313:
soloist narrates the Biblical story in secco recitative, as the
283:
179:
4749:
3429:
3130:
1448:, where the text asks the instruments to enter in this order: "
3005:"J. S. Bach, Weihnachtsoratorium: Werkeinführung und Libretto"
1841:
again, but there is no record of it. Although performances of
685:. The prescribed readings for the feast day were one from the
79:
1748:
Großer Herr und starker König, liebster Heiland, o wie wenig
1436:
as "Shout for joy, exult, rise up, praise the day!" and by
1907:
1905:
1903:
1901:
1899:
2913:"BWV 248-I – Jauchzet, frohlocket, auf, preiset die Tage"
2508:
2506:
1407:
Baroque orchestra with timpani (kettledrums) and trumpets
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1479:" (Abandon despair, banish laments), the voices, now in
2106:
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1882:
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1878:
1876:
540:, the dedicatee of BWV 214, in a 1720 painting by
3241:
Jesus Christus ist um unsrer Missetat willen verwundet
2218:
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2936:"BWV 214 – Tönet, ihr Pauken! Erschallet, Trompeten!"
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The middle section (B) also comprises two passages. "
827:
567:. Bach hoped to become court composer, and dedicated
180:
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266:, responsible for church music at four churches in
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144:
107:
86:
75:
30:
3101:Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214
1995:
763:'s translation of the Bible in recitative as the
238:(Shout for joy, exult, rise up, praise the day),
2081:
2053:
1983:
367:, written for the 11th birthday of Crown Prince
348:(Resound, ye drums! Ring out, ye trumpets!), BWV
1971:
1959:
1719:" (He came to earth poor), from Luther's hymn "
645:, and the alto and bass arias are derived from
630:Congratulation cantata for the Queen's birthday
356:on 8 December 1733. The other aria is based on
352:214, which he had composed for the birthday of
332:The opening movement and the two arias rely on
677:, which was performed on six occasions during
625:Glückwunschkantate zum Geburtstage der Königin
4761:
4181:Later additions to the chorale cantata cycle:
3441:
3415:List of compositions by Johann Sebastian Bach
3142:
1462:in different colours of instrumental sounds.
607:, to honour her 34th birthday on 8 December:
563:, as Elector of Saxony and took residence in
8:
3915:Chorale cantatas between Trinity and Easter:
3036:(in German). 6 December 2008. Archived from
1911:
1786:
1770:
1764:
1746:
1732:
1720:
1714:
1697:
1679:
1622:
1604:
1579:
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1522:
1521:The tenor begins with the secco recitative "
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640:
623:
608:
586:
487:
469:
451:
429:
357:
341:
232:
31:
2844:Jauchzet, frohlocket! Auf, preiset die Tage
2811:Johann Sebastian Bach: The Learned Musician
1499:Laßt uns den Namen des Herrschers verehren!
1429:Jauchzet, frohlocket! Auf, preiset die Tage
234:Jauchzet, frohlocket! Auf, preiset die Tage
33:Jauchzet, frohlocket! Auf, preiset die Tage
4768:
4754:
4746:
3448:
3434:
3426:
3158:Masses, magnificat, passions and oratorios
3149:
3135:
3127:
2512:
2309:
1581:Bereite dich, Zion, mit zärtlichen Trieben
892:
867:. A typical performance lasts 29 minutes.
525:, was composed for Christmas Day of 1724.
61:
27:
3105:International Music Score Library Project
3096:International Music Score Library Project
2469:
2429:
2258:
2147:
2122:
2065:
1935:
1886:
1489:Dienet dem Höchsten mit herrlichen Chören
671:in 1734. The cantata forms Part I of his
620:Resound, ye drums! Ring out, ye trumpets!
612:Tönet, ihr Pauken! Erschallet, Trompeten!
439:, originally composed in 1714 as part of
374:Bach led the first performances with the
344:Tönet, ihr Pauken! Erschallet, Trompeten!
278:, interspersed with reflecting texts for
6277:Church cantatas by Johann Sebastian Bach
2798:Hochschule für Musik und Theater Hamburg
1763:The cantata is closed with the chorale "
340:. The opening and one aria are based on
6251:
2709:. Vol. 4. From the 1680s to 1740.
2497:
2457:
2246:
1872:
2536:
2485:
2445:
2406:
2390:
2374:
2358:
2337:
2321:
2293:
2274:
2222:
2179:
2163:
2110:
2093:
2041:
1947:
1603:A chorale concludes the first scene, "
392:Church cantata (Bach) § Christmas
2234:
1923:
1476:Lasset das Zagen, verbannet die Klage
870:The following scoring adheres to the
515:Sanctus in D major, BWV 238
254:that serves as the first part of his
7:
1496:, accompanied only by the strings. "
1415:Detail from the manuscript score of
67:First page of the manuscript of the
1801:Translation by Catherine Winkworth:
1790:Mach dir ein rein, sanft Bettelein,
1426:The text of the opening chorus is "
1792:Zu ruhen in meins Herzens Schrein,
795:Title page of the printed libretto
293:The cantata is structured in nine
14:
4118:Continuation of the second cycle:
3638:Köthen: BWV Anh. 5
3057:"Ah! Lord, how shall I meet Thee"
3025:"Ah! Lord, how shall I meet Thee"
1820:Make you a clean soft little bed,
1806:Make Thee a bed, soft, undefiled,
507:Bach's compositions of this genre
388:Christmas Oratorio § History
6254:
3203:Kyrie–Gloria masses, BWV 233–236
2980:Rathey, Markus (18 April 2003).
1773:Vom Himmel hoch, da komm ich her
1587:Laßt uns sorgen, laßt uns wachen
1356:
1309:
1288:
1250:
1227:
1197:
1176:
1145:
1097:
1076:
1047:
1043:Nun wird mein liebster Bräutigam
1026:
996:
947:
781:Vom Himmel hoch, da komm ich her
581:Laßt uns sorgen, laßt uns wachen
361:Laßt uns sorgen, laßt uns wachen
327:Vom Himmel hoch, da komm ich her
135:Vom Himmel hoch, da komm ich her
16:Cantata by Johann Sebastian Bach
1810:A quiet chamber kept for Thee.
1808:Within my heart, that it may be
1734:Wer will die Liebe recht erhöhn
1681:Und sie gebar ihren ersten Sohn
1246:Wer will die Liebe recht erhöhn
1193:Und sie gebar ihren ersten Sohn
736:The work is structured in nine
681:time, beginning with Part I on
497:, a partly lost cantata of the
309:, flutes, oboes and strings. A
3312:Wer ist der, so von Edom kömmt
1804:Ah! dearest Jesus, Holy Child,
1788:Ach, mein herzliebes Jesulein,
1665:all that may please You best.
1655:Your people long to greet You,
1524:Es begab sich aber zu der Zeit
992:Es begab sich aber zu der Zeit
1:
2800:. pp. 25–44, 47, 99–100.
2096:, pp. 25–44, 47, 99–100.
1794:Das ich nimmer vergesse dein.
1723:Gelobet seist du, Jesu Christ
1700:Gelobet seist du, Jesu Christ
1651:O Lord, how shall I meet You,
1305:Großer Herr und starker König
711:annunciation to the shepherds
697:, "Unto us a child is born" (
461:(early version), part of the
455:Gelobet seist du, Jesu Christ
128:Gelobet seist du, Jesu Christ
4229:Other late chorale cantatas:
3092:Weihnachtsoratorium, BWV 248
2796:(dissertation) (in German).
1822:To rest in my heart's shrine
1766:Ach mein herzliebes Jesulein
1657:my Hope, my heart's Delight!
1611:O Haupt voll Blut und Wunden
1352:Ach mein herzliebes Jesulein
635:Three extended movements of
336:composed for members of the
4568:Council election (Leipzig):
3660:Between Trinity and Advent:
3317:includes BWV 1088 and
3003:Schönewolf, Markus (2019).
2840:Bischof, Walter F. (2018).
1818:Ah! my dearest little Jesus
1716:Er ist auf Erden kommen arm
1624:Wie soll ich dich empfangen
1606:Wie soll ich dich empfangen
1244:Er ist auf Erden kommen arm
1141:Wie soll ich dich empfangen
773:Wie soll ich dich empfangen
473:Unser Mund sei voll Lachens
441:Bach's Weimar cantata cycle
319:Wie soll ich dich empfangen
242: 248 (also written as
121:Wie soll ich dich empfangen
6303:
2816:W. W. Norton & Company
2703:Buelow, George J. (2016).
1661:Your lamp within my breast
1659:O, kindle, Lord most holy,
1634:mir selbst die Fackel bei,
748:notes that the theologian
689:, "God's mercy appeared" (
593:Hercules at the Crossroads
548:
481:Bach's third cantata cycle
433:Christen, ätzet diesen Tag
385:
149:25 December 1734
23:Harmonischer Gottes-Dienst
20:
6176:
4794:
4711:
3405:
2745:. pp. 102–105, 820.
2525:Konzerthaus Dortmund 2008
1824:That I never forget you.
1771:
1765:
1747:
1733:
1721:
1715:
1698:
1680:
1638:mir kund und wissend sei.
1605:
1580:
1546:
1523:
1498:
1488:
1475:
1450:
1428:
1351:
1304:
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1140:
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991:
942:
930:
927:
924:
921:
918:
915:
912:
909:
906:
903:
701:), and a second from the
609:
511:Magnificat, BWV 243a
499:Picander cycle of 1728–29
491:Ehre sei Gott in der Höhe
488:
470:
452:
430:
396:Since his appointment as
358:
60:
49:
39:
4285:Liturgical year 1725–26:
1837:Bach may have performed
1745:The bass da capo aria, "
1636:damit, was dich ergötze,
1554:, in the imagery of the
622:). It is also known as "
420:(St. Thomas Church) and
3394:Ascension Oratorio
3340:Christmas Oratorio
3086:German National Library
2954:Hofmann, Klaus (2005).
2768:Oxford University Press
2760:Rathey, Markus (2016).
2743:Oxford University Press
1833:Performances and legacy
1696:The chorale melody of "
1653:how welcome You aright?
1628:o aller Welt Verlangen,
1626:und wie begegn ich dir,
717:). The identity of the
588:Hercules am Scheidewege
576:Bach's secular cantatas
445:his first cantata cycle
354:Maria Josepha of Saxony
3773:From Advent to Trinity
3246:includes BWV 1084
1996:Bach Digital 197a 2019
1787:
1710:
1623:
1571:
1423:
1408:
1345:
1298:
1237:
1186:
1134:
1086:
1036:
985:
936:
896:
872:
796:
779:from Martin Luther's "
759:soloist narrates from
750:August Hermann Francke
667:
653:
647:
641:
624:
587:
559:succeeded his father,
557:Augustus III of Poland
546:
342:
325:from Martin Luther's "
233:
32:
4782:Johann Sebastian Bach
4721:List of Bach cantatas
3462:Johann Sebastian Bach
3163:Johann Sebastian Bach
2854:University of Alberta
2785:Wessel, Jens (2015).
2470:Dürr & Jones 2006
2430:Dürr & Jones 2006
2259:Dürr & Jones 2006
2148:Dürr & Jones 2006
2123:Dürr & Jones 2006
2082:Bach Digital 214 2018
2066:Dürr & Jones 2006
2054:Bach Digital 213 2019
1984:Bach Digital 110 2019
1936:Dürr & Jones 2006
1887:Dürr & Jones 2006
1843:Jauchzet, frohlocket!
1839:Jauchzet, frohlocket!
1704:" in Johann Walter's
1695:
1663:to do in spirit lowly
1630:o meiner Seelen Zier?
1569:
1421:Jauchzet, frohlocket!
1414:
1406:
1265:Chorale e recitative
1007:Luke 2:1, 3–6
943:Jauchzet, frohlocket!
897:Jauchzet, frohlocket!
816:Scoring and structure
805:Jauchzet! frohlocket!
794:
769:Luke 2:1, 3–7
691:Titus 2:11–14
668:Jauchzet, frohlocket!
536:
463:chorale cantata cycle
252:Johann Sebastian Bach
115:Luke 2:1, 3–7
3386:Easter Oratorio
3033:Konzerthaus Dortmund
2848:Weihnachts-Oratorium
2787:"Köthen (1717–1723)"
2770:. pp. 148–152.
2733:Jones, Richard D. P.
2706:The Late Baroque Era
1972:Bach Digital 91 2019
1960:Bach Digital 63 2019
1815:Literal translation:
1465:The voices enter in
833:Baroque instrumental
699:Isaiah 9:2–7
595:), on a libretto by
408:had been presenting
4267:After Trinity 1725:
3043:on 15 November 2019
2888:Dahn, Luke (2018).
2868:Dahn, Luke (2018).
1926:, pp. 237–257.
1646:Catherine Winkworth
1632:O Jesu, Jesu, setze
1591:, with a different
1434:Richard D. P. Jones
900:
715:Luke 2:1–14
599:, was performed on
561:Augustus the Strong
369:Friedrich Christian
286:, and stanzas from
244:BWV 248 I
6287:Christmas cantatas
3279:St Matthew Passion
3172:Latin church music
1862:Christmas Oratorio
1848:Christmas Oratorio
1711:
1572:
1424:
1409:
1093:Bereite dich, Zion
893:
835:ensemble of three
797:
713:and angels' song (
674:Christmas Oratorio
654:Tönet, ihr Pauken!
642:Tönet, ihr Pauken!
547:
257:Christmas Oratorio
184:choir and soloists
43:Christmas Oratorio
6282:1734 compositions
6242:
6241:
4743:
4742:
4597:1139.1, 1140–1141
3423:
3422:
3110:Mincham, Julian.
2894:bach-chorales.com
2874:bach-chorales.com
2825:978-0-393-32256-9
2777:978-0-19-027526-6
2752:978-0-19-929776-4
2720:978-1-34-911303-3
1938:, pp. 22–35.
1912:Bach Digital 2018
1830:
1829:
1753:Tönet, ihr Pauken
1707:Wittenberg Hymnal
1671:
1670:
1507:Tönet, ihr Pauken
1446:Tönet, ihr Pauken
1432:", translated by
1419:with changes for
1417:Tönet, ihr Pauken
1391:
1390:
1361:
1314:
1255:
1202:
1150:
1102:
1052:
1001:
952:
874:Neue Bach-Ausgabe
787:First performance
661:Readings and text
657:, respectively.
303:Baroque orchestra
272:nativity of Jesus
248:Christmas cantata
229:
228:
51:Christmas cantata
6294:
6259:
6258:
6257:
6250:
6234:Secular cantatas
6195:Chorale cantatas
6169:
4784:
4770:
4763:
4756:
4747:
4727:Monteverdi Choir
4569:
4511:
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4230:
4182:
4119:
3916:
3774:
3661:
3464:
3450:
3443:
3436:
3427:
3253:Weimarer Passion
3165:
3151:
3144:
3137:
3128:
3123:
3121:
3119:
3114:. jsbachcantatas
3103:: Scores at the
3094:: Scores at the
3071:
3069:
3067:
3052:
3050:
3048:
3042:
3029:
3020:
3018:
3016:
2999:
2997:
2995:
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2976:
2974:
2972:
2960:
2950:
2948:
2946:
2940:pameladellal.com
2927:
2925:
2923:
2917:pameladellal.com
2904:
2902:
2900:
2884:
2882:
2880:
2864:
2862:
2860:
2829:
2806:Wolff, Christoph
2801:
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1208:Luke 2:7
1204:
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993:
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899:
880:New Bach Edition
877:
829:
687:Epistle to Titus
670:
656:
650:
644:
638:
627:
617:
616:
602:
601:5 September 1733
590:
585:, also known as
545:
543:Rosalba Carriera
496:
495:
486:1728 (or 1729):
478:
477:
460:
459:
438:
437:
414:Christmas season
398:director musices
366:
365:
351:
347:
334:secular cantatas
260:. Bach was then
236:
182:
163:
162:
156:
154:
65:
35:
28:
6302:
6301:
6297:
6296:
6295:
6293:
6292:
6291:
6267:
6266:
6265:
6261:Classical music
6255:
6253:
6245:
6243:
6238:
6191:Church cantatas
6172:
6158:
6157:— discography;
4790:
4780:
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4739:
4707:
4706:
4567:
4506:
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3891:
3772:
3659:
3650:
3643:
3642:
3499:1138.1 & .2
3471:
3465:
3460:
3457:Church cantatas
3454:
3424:
3419:
3401:
3400:
3326:
3325:
3305:St Mark Passion
3298:St Luke Passion
3260:St John Passion
3225:
3224:
3181:Mass in B minor
3166:
3161:
3155:
3117:
3115:
3109:
3078:
3065:
3063:
3055:
3046:
3044:
3040:
3027:
3023:
3014:
3012:
3009:schoenewolf.com
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2589:
2581:
2572:
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2560:
2552:
2547:
2535:
2531:
2523:
2519:
2513:Schönewolf 2019
2511:
2504:
2496:
2492:
2484:
2480:
2468:
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2444:
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2316:
2310:Dellal 214 2021
2308:
2304:
2292:
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2269:
2257:
2253:
2245:
2241:
2237:, pp. 254.
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2072:, 820, 827–830.
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1046:
1025:
997:
995:
948:
946:
888:time signatures
823:four-part choir
818:
813:
789:
705:describing the
663:
648:Laßt uns sorgen
636:
600:
553:
541:
531:
443:and adopted in
410:church cantatas
394:
384:
371:the same year.
349:
305:with trumpets,
225:
207:2 oboes d'amore
158:
152:
150:
148:
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71:
26:
17:
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6225:Picander cycle
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5788:
5783:
5778:
5773:
5768:
5763:
5758:
5753:
5748:
5743:
5738:
5733:
5728:
5723:
5718:
5713:
5708:
5703:
5698:
5693:
5688:
5683:
5676:
5671:
5666:
5661:
5656:
5651:
5646:
5641:
5636:
5631:
5626:
5621:
5616:
5611:
5606:
5601:
5596:
5591:
5586:
5579:
5572:
5567:
5562:
5557:
5552:
5547:
5542:
5537:
5532:
5527:
5522:
5515:
5510:
5505:
5500:
5495:
5490:
5485:
5480:
5475:
5470:
5465:
5460:
5455:
5450:
5445:
5440:
5430:
5425:
5420:
5415:
5410:
5405:
5400:
5395:
5390:
5385:
5380:
5375:
5370:
5365:
5360:
5355:
5350:
5345:
5340:
5335:
5330:
5325:
5320:
5315:
5310:
5305:
5300:
5295:
5290:
5285:
5280:
5275:
5270:
5265:
5260:
5255:
5250:
5245:
5240:
5235:
5230:
5225:
5220:
5215:
5210:
5205:
5200:
5195:
5190:
5185:
5180:
5175:
5170:
5165:
5160:
5155:
5150:
5145:
5140:
5135:
5130:
5125:
5120:
5115:
5110:
5105:
5100:
5095:
5088:
5083:
5078:
5073:
5068:
5063:
5058:
5053:
5048:
5043:
5038:
5033:
5028:
5023:
5018:
5013:
5008:
5003:
4998:
4993:
4988:
4983:
4978:
4973:
4968:
4963:
4958:
4953:
4948:
4943:
4938:
4933:
4928:
4923:
4918:
4913:
4908:
4903:
4898:
4893:
4888:
4883:
4878:
4871:
4866:
4861:
4856:
4846:
4841:
4836:
4831:
4826:
4821:
4816:
4811:
4806:
4801:
4795:
4792:
4791:
4775:
4773:
4772:
4765:
4758:
4750:
4741:
4740:
4738:
4737:
4723:
4718:
4712:
4709:
4708:
4705:
4704:
4699:
4694:
4689:
4684:
4679:
4674:
4669:
4663:
4658:
4653:
4648:
4643:
4638:
4632:
4627:
4621:
4616:
4611:
4606:
4600:
4593:
4588:
4583:
4578:
4573:
4565:
4560:
4530:
4525:
4520:
4515:
4504:
4499:
4494:
4489:
4484:
4479:
4474:
4469:
4462:Picander cycle
4457:
4456:
4454:
4448:
4447:
4444:
4443:
4438:
4433:
4428:
4420:
4415:
4410:
4405:
4400:
4395:
4390:
4385:
4380:
4375:
4370:
4365:
4360:
4355:
4350:
4345:
4340:
4335:
4330:
4325:
4320:
4315:
4310:
4305:
4300:
4295:
4290:
4282:
4277:
4272:
4263:
4262:
4260:
4254:
4253:
4250:
4249:
4244:
4239:
4234:
4226:
4221:
4216:
4211:
4206:
4201:
4196:
4191:
4186:
4178:
4173:
4168:
4163:
4158:
4153:
4148:
4143:
4138:
4133:
4128:
4123:
4115:
4110:
4105:
4100:
4095:
4090:
4085:
4080:
4075:
4070:
4065:
4060:
4055:
4050:
4045:
4040:
4035:
4030:
4025:
4020:
4015:
4010:
4005:
4000:
3995:
3990:
3985:
3980:
3975:
3970:
3965:
3960:
3955:
3950:
3945:
3940:
3935:
3930:
3925:
3920:
3911:
3910:
3908:
3894:
3893:
3890:
3889:
3884:
3879:
3874:
3869:
3864:
3859:
3854:
3849:
3844:
3839:
3834:
3829:
3824:
3819:
3814:
3809:
3804:
3799:
3794:
3789:
3784:
3779:
3770:
3765:
3760:
3755:
3750:
3745:
3740:
3735:
3730:
3725:
3720:
3715:
3710:
3705:
3700:
3695:
3690:
3685:
3680:
3675:
3670:
3665:
3656:
3655:
3653:
3645:
3644:
3641:
3640:
3635:
3630:
3625:
3620:
3615:
3610:
3605:
3600:
3595:
3590:
3585:
3580:
3575:
3570:
3565:
3560:
3555:
3550:
3545:
3540:
3535:
3530:
3521:
3516:
3511:
3506:
3501:
3496:
3491:
3486:
3476:
3475:
3473:
3467:
3466:
3455:
3453:
3452:
3445:
3438:
3430:
3421:
3420:
3418:
3417:
3412:
3406:
3403:
3402:
3399:
3398:
3390:
3388:, BWV 249
3382:
3381:
3380:
3375:
3370:
3365:
3360:
3355:
3349:
3342:, BWV 248
3335:
3334:
3332:
3328:
3327:
3324:
3323:
3322:
3321:
3308:
3301:
3294:
3293:
3292:
3287:
3275:
3274:
3273:
3268:
3256:
3249:
3248:
3247:
3236:
3235:
3233:
3227:
3226:
3223:
3222:
3221:
3220:
3215:
3205:
3200:
3199:
3198:
3193:
3188:
3177:
3176:
3174:
3168:
3167:
3156:
3154:
3153:
3146:
3139:
3131:
3125:
3124:
3107:
3098:
3089:
3077:
3076:External links
3074:
3073:
3072:
3053:
3021:
3000:
2977:
2951:
2932:Dellal, Pamela
2928:
2909:Dellal, Pamela
2905:
2885:
2865:
2834:Online sources
2831:
2830:
2824:
2802:
2782:
2776:
2757:
2751:
2725:
2719:
2694:
2693:
2674:
2655:
2636:
2617:
2598:
2579:
2551:
2548:
2546:
2545:
2529:
2517:
2502:
2490:
2478:
2462:
2450:
2438:
2415:
2399:
2383:
2367:
2346:
2330:
2314:
2302:
2283:
2267:
2251:
2239:
2227:
2184:
2182:, p. 152.
2172:
2156:
2131:
2115:
2098:
2086:
2074:
2058:
2046:
2034:
2019:
2000:
1988:
1976:
1964:
1952:
1950:, p. 272.
1940:
1928:
1916:
1895:
1871:
1869:
1866:
1834:
1831:
1828:
1827:
1816:
1813:
1802:
1799:
1784:
1783:Martin Luther:
1760:
1757:
1742:
1739:
1689:
1686:
1675:
1672:
1669:
1668:
1649:
1643:
1620:
1619:Paul Gerhardt:
1600:
1597:
1563:
1560:
1541:
1538:
1518:
1515:
1400:
1397:
1395:
1392:
1389:
1388:
1385:
1382:
1379:
1376:
1373:
1370:
1367:
1364:
1348:
1342:
1341:
1338:
1335:
1332:
1329:
1326:
1323:
1320:
1317:
1301:
1295:
1294:
1283:
1278:
1276:
1273:
1271:
1266:
1263:
1258:
1240:
1234:
1233:
1224:
1222:
1220:
1218:
1216:
1213:
1210:
1205:
1189:
1183:
1182:
1173:
1170:
1167:
1164:
1162:
1159:
1156:
1153:
1137:
1131:
1130:
1127:
1122:
1119:
1116:
1114:
1111:
1108:
1105:
1089:
1083:
1082:
1073:
1071:
1069:
1066:
1064:
1061:
1058:
1055:
1039:
1033:
1032:
1023:
1021:
1019:
1017:
1015:
1012:
1009:
1004:
988:
982:
981:
978:
973:
970:
967:
964:
961:
958:
955:
939:
933:
932:
929:
926:
923:
920:
917:
914:
911:
908:
905:
865:basso continuo
817:
814:
812:
809:
788:
785:
703:Gospel of Luke
665:Bach composed
662:
659:
583:, BWV 213
530:
527:
503:
502:
484:
466:
448:
383:
380:
288:Lutheran hymns
276:Gospel of Luke
227:
226:
224:
223:
220:
217:
214:
211:
208:
205:
202:
199:
196:
192:
190:
186:
185:
177:
173:
172:
169:
165:
164:
146:
142:
141:
139:
138:
131:
124:
117:
111:
109:
105:
104:
102:
101:
96:
90:
88:
84:
83:
77:
73:
72:
66:
58:
57:
47:
46:
37:
36:
15:
13:
10:
9:
6:
4:
3:
2:
6299:
6288:
6285:
6283:
6280:
6278:
6275:
6274:
6272:
6262:
6252:
6248:
6235:
6231:
6228:
6226:
6223:
6221:
6218:
6216:
6213:
6211:
6208:
6206:
6203:
6201:
6198:
6196:
6192:
6188:
6185:
6183:
6179:
6178:
6175:
6168:
6167:
6162:
6156:
6153:
6151:
6148:
6146:
6143:
6141:
6138:
6136:
6133:
6131:
6130:1138.1–1139.1
6128:
6126:
6123:
6121:
6118:
6116:
6113:
6111:
6108:
6106:
6103:
6101:
6098:
6096:
6093:
6091:
6088:
6086:
6083:
6081:
6078:
6076:
6073:
6071:
6068:
6066:
6063:
6061:
6058:
6056:
6053:
6051:
6050:
6046:
6043:
6039:
6036:
6032:
6030:
6029:
6025:
6023:
6022:
6018:
6015:
6011:
6009:
6006:
6004:
6001:
5999:
5996:
5994:
5991:
5989:
5986:
5984:
5981:
5979:
5976:
5974:
5971:
5969:
5966:
5964:
5961:
5959:
5956:
5954:
5951:
5949:
5946:
5944:
5941:
5939:
5936:
5934:
5931:
5929:
5926:
5924:
5921:
5919:
5916:
5914:
5911:
5909:
5906:
5904:
5901:
5899:
5896:
5894:
5891:
5889:
5886:
5884:
5881:
5879:
5876:
5874:
5871:
5869:
5866:
5864:
5861:
5859:
5856:
5854:
5851:
5849:
5846:
5844:
5841:
5839:
5836:
5833:
5829:
5827:
5824:
5822:
5819:
5817:
5814:
5812:
5809:
5807:
5804:
5802:
5799:
5797:
5794:
5792:
5789:
5787:
5784:
5782:
5779:
5777:
5774:
5772:
5769:
5767:
5764:
5762:
5759:
5757:
5754:
5752:
5749:
5747:
5744:
5742:
5739:
5737:
5734:
5732:
5729:
5727:
5724:
5722:
5719:
5717:
5714:
5712:
5709:
5707:
5704:
5702:
5699:
5697:
5694:
5692:
5689:
5687:
5684:
5682:
5681:
5677:
5675:
5672:
5670:
5667:
5665:
5662:
5660:
5657:
5655:
5652:
5650:
5647:
5645:
5642:
5640:
5637:
5635:
5632:
5630:
5627:
5625:
5622:
5620:
5617:
5615:
5612:
5610:
5607:
5605:
5602:
5600:
5597:
5595:
5592:
5590:
5587:
5584:
5580:
5578:
5577:
5573:
5571:
5568:
5566:
5563:
5561:
5558:
5556:
5553:
5551:
5548:
5546:
5543:
5541:
5538:
5536:
5533:
5531:
5528:
5526:
5523:
5520:
5516:
5514:
5511:
5509:
5506:
5504:
5501:
5499:
5496:
5494:
5491:
5489:
5486:
5484:
5481:
5479:
5476:
5474:
5471:
5469:
5466:
5464:
5461:
5459:
5456:
5454:
5451:
5449:
5446:
5444:
5441:
5438:
5434:
5431:
5429:
5426:
5424:
5421:
5419:
5416:
5414:
5411:
5409:
5406:
5404:
5401:
5399:
5396:
5394:
5391:
5389:
5386:
5384:
5381:
5379:
5376:
5374:
5371:
5369:
5366:
5364:
5361:
5359:
5356:
5354:
5351:
5349:
5346:
5344:
5341:
5339:
5336:
5334:
5331:
5329:
5326:
5324:
5321:
5319:
5316:
5314:
5311:
5309:
5306:
5304:
5301:
5299:
5296:
5294:
5291:
5289:
5286:
5284:
5281:
5279:
5276:
5274:
5271:
5269:
5266:
5264:
5261:
5259:
5256:
5254:
5251:
5249:
5246:
5244:
5241:
5239:
5236:
5234:
5231:
5229:
5226:
5224:
5221:
5219:
5216:
5214:
5211:
5209:
5206:
5204:
5201:
5199:
5196:
5194:
5191:
5189:
5186:
5184:
5181:
5179:
5176:
5174:
5171:
5169:
5166:
5164:
5161:
5159:
5156:
5154:
5151:
5149:
5146:
5144:
5141:
5139:
5136:
5134:
5131:
5129:
5126:
5124:
5121:
5119:
5116:
5114:
5111:
5109:
5106:
5104:
5101:
5099:
5096:
5093:
5089:
5087:
5084:
5082:
5079:
5077:
5074:
5072:
5069:
5067:
5064:
5062:
5059:
5057:
5054:
5052:
5049:
5047:
5044:
5042:
5039:
5037:
5034:
5032:
5029:
5027:
5024:
5022:
5019:
5017:
5014:
5012:
5009:
5007:
5004:
5002:
4999:
4997:
4994:
4992:
4989:
4987:
4984:
4982:
4979:
4977:
4974:
4972:
4969:
4967:
4964:
4962:
4959:
4957:
4954:
4952:
4949:
4947:
4944:
4942:
4939:
4937:
4934:
4932:
4929:
4927:
4924:
4922:
4919:
4917:
4914:
4912:
4909:
4907:
4904:
4902:
4899:
4897:
4894:
4892:
4889:
4887:
4884:
4882:
4879:
4877:
4876:
4872:
4870:
4867:
4865:
4862:
4860:
4857:
4854:
4850:
4847:
4845:
4842:
4840:
4837:
4835:
4832:
4830:
4827:
4825:
4822:
4820:
4817:
4815:
4812:
4810:
4807:
4805:
4802:
4800:
4797:
4796:
4793:
4788:
4783:
4778:
4771:
4766:
4764:
4759:
4757:
4752:
4751:
4748:
4736:
4732:
4728:
4725:Discography:
4724:
4722:
4719:
4717:
4714:
4713:
4710:
4703:
4700:
4698:
4695:
4693:
4690:
4688:
4685:
4683:
4680:
4678:
4675:
4673:
4670:
4668:
4664:
4662:
4659:
4657:
4654:
4652:
4649:
4647:
4644:
4642:
4639:
4637:
4633:
4631:
4628:
4626:
4622:
4620:
4617:
4615:
4612:
4610:
4607:
4605:
4601:
4598:
4594:
4592:
4589:
4587:
4584:
4582:
4579:
4577:
4574:
4572:
4566:
4564:
4561:
4558:
4554:
4550:
4546:
4542:
4538:
4534:
4531:
4529:
4526:
4524:
4521:
4519:
4516:
4514:
4509:
4508:Late parodies
4505:
4503:
4500:
4498:
4495:
4493:
4490:
4488:
4485:
4483:
4480:
4478:
4475:
4473:
4470:
4468:
4463:
4459:
4458:
4455:
4449:
4442:
4439:
4437:
4434:
4432:
4429:
4427:
4421:
4419:
4416:
4414:
4411:
4409:
4406:
4404:
4401:
4399:
4396:
4394:
4391:
4389:
4386:
4384:
4381:
4379:
4376:
4374:
4371:
4369:
4366:
4364:
4361:
4359:
4356:
4354:
4351:
4349:
4346:
4344:
4341:
4339:
4336:
4334:
4331:
4329:
4326:
4324:
4321:
4319:
4316:
4314:
4311:
4309:
4306:
4304:
4301:
4299:
4296:
4294:
4291:
4289:
4283:
4281:
4278:
4276:
4273:
4271:
4265:
4264:
4261:
4259:
4255:
4248:
4245:
4243:
4240:
4238:
4235:
4233:
4227:
4225:
4222:
4220:
4217:
4215:
4212:
4210:
4207:
4205:
4202:
4200:
4197:
4195:
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4185:
4179:
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4174:
4172:
4169:
4167:
4164:
4162:
4159:
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4149:
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4139:
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4134:
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4124:
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4116:
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4109:
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3808:
3805:
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3798:
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3778:
3771:
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3646:
3639:
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3616:
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3609:
3606:
3604:
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3579:
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3497:
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3437:
3432:
3431:
3428:
3416:
3413:
3411:
3408:
3407:
3404:
3397:
3396:, BWV 11
3395:
3391:
3389:
3387:
3383:
3379:
3376:
3374:
3371:
3369:
3366:
3364:
3361:
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3333:
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3309:
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3300:
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3257:
3255:
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3250:
3245:
3244:
3243:
3242:
3238:
3237:
3234:
3232:
3228:
3219:
3216:
3214:
3213:early version
3211:
3210:
3209:
3206:
3204:
3201:
3197:
3194:
3192:
3189:
3187:
3186:early version
3184:
3183:
3182:
3179:
3178:
3175:
3173:
3169:
3164:
3159:
3152:
3147:
3145:
3140:
3138:
3133:
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3113:
3108:
3106:
3102:
3099:
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3087:
3083:
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3075:
3062:
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3010:
3006:
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2990:
2983:
2978:
2966:
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2957:
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2807:
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2779:
2773:
2769:
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2700:
2699:
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2683:
2679:
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2664:
2660:
2656:
2645:
2641:
2637:
2626:
2622:
2618:
2607:
2603:
2599:
2588:
2584:
2580:
2569:
2568:
2563:
2559:
2558:
2557:
2556:
2550:Cited sources
2549:
2542:
2538:
2533:
2530:
2526:
2521:
2518:
2514:
2509:
2507:
2503:
2499:
2494:
2491:
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2471:
2466:
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2459:
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2431:
2426:
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2422:
2420:
2416:
2412:
2408:
2403:
2400:
2396:
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2376:
2371:
2368:
2364:
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2355:
2353:
2351:
2347:
2343:
2339:
2334:
2331:
2327:
2323:
2318:
2315:
2311:
2306:
2303:
2299:
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2290:
2288:
2284:
2280:
2276:
2271:
2268:
2264:
2260:
2255:
2252:
2248:
2243:
2240:
2236:
2231:
2228:
2224:
2219:
2217:
2215:
2213:
2211:
2209:
2207:
2205:
2203:
2201:
2199:
2197:
2195:
2193:
2191:
2189:
2185:
2181:
2176:
2173:
2169:
2165:
2160:
2157:
2153:
2149:
2144:
2142:
2140:
2138:
2136:
2132:
2128:
2124:
2119:
2116:
2113:, p. 47.
2112:
2107:
2105:
2103:
2099:
2095:
2090:
2087:
2083:
2078:
2075:
2071:
2067:
2062:
2059:
2055:
2050:
2047:
2043:
2038:
2035:
2032:
2028:
2023:
2020:
2017:
2013:
2009:
2004:
2001:
1997:
1992:
1989:
1985:
1980:
1977:
1973:
1968:
1965:
1961:
1956:
1953:
1949:
1944:
1941:
1937:
1932:
1929:
1925:
1920:
1917:
1913:
1908:
1906:
1904:
1902:
1900:
1896:
1892:
1888:
1883:
1881:
1879:
1877:
1873:
1867:
1865:
1863:
1859:
1855:
1851:
1849:
1844:
1840:
1832:
1825:
1814:
1811:
1800:
1797:
1795:
1782:
1781:
1778:
1774:
1758:
1756:
1754:
1740:
1738:
1730:
1724:
1709:
1708:
1701:
1694:
1687:
1685:
1673:
1666:
1647:
1644:
1641:
1639:
1618:
1617:
1614:
1612:
1598:
1596:
1594:
1590:
1588:
1577:
1568:
1561:
1559:
1557:
1556:Song of Songs
1553:
1539:
1537:
1534:
1530:
1516:
1514:
1512:
1508:
1503:
1495:
1484:
1482:
1472:
1468:
1463:
1461:
1457:
1447:
1443:
1439:
1438:Pamela Dellal
1435:
1422:
1418:
1413:
1405:
1398:
1393:
1386:
1383:
1380:
1377:
1374:
1371:
1368:
1365:
1349:
1347:
1344:
1343:
1339:
1336:
1333:
1330:
1327:
1324:
1321:
1318:
1302:
1300:
1297:
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1291:
1284:
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1279:
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1274:
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1267:
1264:
1259:
1241:
1239:
1236:
1235:
1230:
1225:
1223:
1221:
1219:
1217:
1214:
1211:
1209:
1206:
1190:
1188:
1185:
1184:
1179:
1174:
1171:
1168:
1165:
1163:
1160:
1157:
1154:
1138:
1136:
1133:
1132:
1128:
1126:
1123:
1120:
1117:
1115:
1112:
1109:
1106:
1090:
1088:
1085:
1084:
1079:
1074:
1072:
1070:
1067:
1065:
1062:
1059:
1056:
1040:
1038:
1035:
1034:
1029:
1024:
1022:
1020:
1018:
1016:
1013:
1010:
1008:
1005:
989:
987:
984:
983:
979:
977:
974:
971:
968:
965:
962:
959:
956:
940:
938:
935:
934:
902:
898:
894:Movements of
891:
889:
885:
881:
876:
875:
868:
866:
862:
858:
854:
853:oboes d'amore
850:
846:
842:
838:
834:
830:
824:
815:
810:
808:
806:
802:
793:
786:
784:
782:
778:
774:
770:
766:
762:
761:Martin Luther
758:
753:
751:
747:
743:
739:
734:
732:
728:
724:
720:
716:
712:
708:
704:
700:
696:
692:
688:
684:
683:Christmas Day
680:
676:
675:
669:
660:
658:
655:
649:
643:
633:
631:
626:
621:
615:
613:
606:
605:Maria Josepha
598:
594:
589:
584:
582:
577:
572:
571:to Augustus.
570:
569:Missa of 1733
566:
562:
558:
552:
544:
539:
538:Maria Josepha
535:
529:Dresden court
528:
526:
524:
520:
516:
512:
508:
500:
494:
492:
485:
482:
476:
474:
467:
464:
458:
456:
449:
446:
442:
436:
435:, BWV 63
434:
427:
426:
425:
423:
422:Nikolaikirche
419:
415:
411:
407:
403:
399:
393:
389:
381:
379:
377:
372:
370:
364:
362:
355:
346:
345:
339:
338:Dresden court
335:
330:
328:
324:
320:
316:
312:
308:
304:
300:
296:
291:
289:
285:
281:
277:
273:
269:
265:
264:
259:
258:
253:
249:
246:), is a 1734
245:
241:
237:
235:
221:
218:
215:
212:
209:
206:
203:
200:
197:
194:
193:
191:
187:
183:
178:
174:
170:
166:
161:
147:
143:
136:
132:
129:
125:
122:
118:
116:
113:
112:
110:
106:
100:
97:
95:
92:
91:
89:
85:
81:
78:
74:
70:
64:
59:
56:
52:
48:
45:
44:
38:
34:
29:
24:
19:
6182:Compositions
6164:
6069:
6047:
6026:
6019:
5678:
5574:
4873:
4716:Bach cantata
4604:BWV 34a
4571:BWV 119
4536:
4467:BWV 149
4288:BWV 110
4270:BWV 168
4232:BWV 117
3898:Second cycle
3393:
3385:
3352:
3339:
3310:
3303:
3296:
3277:
3258:
3251:
3239:
3118:10 September
3116:. Retrieved
3064:. Retrieved
3060:
3045:. Retrieved
3038:the original
3031:
3013:. Retrieved
3008:
2992:. Retrieved
2989:ism.yale.edu
2988:
2969:. Retrieved
2964:Carus-Verlag
2962:
2943:. Retrieved
2939:
2920:. Retrieved
2916:
2897:. Retrieved
2893:
2877:. Retrieved
2873:
2857:. Retrieved
2847:
2843:
2833:
2832:
2810:
2793:
2762:
2737:
2729:Dürr, Alfred
2705:
2696:
2695:
2685:. Retrieved
2682:Bach Digital
2681:
2666:. Retrieved
2663:Bach Digital
2662:
2647:. Retrieved
2644:Bach Digital
2643:
2628:. Retrieved
2625:Bach Digital
2624:
2609:. Retrieved
2606:Bach Digital
2605:
2590:. Retrieved
2587:Bach Digital
2586:
2571:. Retrieved
2567:Bach Digital
2565:
2555:Bach Digital
2554:
2553:
2532:
2520:
2498:Hofmann 2005
2493:
2481:
2465:
2458:Hymnary 2019
2453:
2441:
2402:
2386:
2370:
2333:
2317:
2305:
2270:
2254:
2247:Bischof 2018
2242:
2230:
2175:
2159:
2118:
2089:
2077:
2061:
2049:
2037:
2027:Bach Digital
2022:
2008:Bach Digital
2003:
1991:
1979:
1967:
1955:
1943:
1931:
1919:
1861:
1852:
1847:
1842:
1838:
1836:
1817:
1803:
1785:
1762:
1752:
1744:
1729:triple metre
1712:
1705:
1677:
1650:
1621:
1602:
1586:
1576:da capo aria
1574:In the alto
1573:
1543:
1520:
1506:
1504:
1485:
1464:
1445:
1442:ternary form
1425:
1420:
1416:
879:
869:
819:
804:
800:
798:
754:
735:
672:
664:
634:
629:
619:
611:
592:
580:
573:
554:
504:
490:
472:
454:
432:
418:Thomaskirche
395:
376:Thomanerchor
373:
360:
331:
292:
263:Thomaskantor
261:
255:
243:
231:
230:
189:Instrumental
41:
18:
4513:BWV 36
4426:BWV 82
4258:Third cycle
4184:BWV 80
3918:BWV 20
3777:BWV 40
3663:BWV 75
3649:First cycle
3528:BWV 61
3347:discography
3290:discography
3271:discography
3218:discography
3196:discography
3066:16 December
3061:hymnary.org
3047:15 November
3015:15 November
3011:(in German)
2994:14 November
2971:15 November
2967:. p. V
2945:22 December
2922:22 December
2899:18 December
2890:"BWV 248.9"
2879:18 December
2870:"BWV 248.5"
2859:31 December
2687:12 November
2668:12 November
2649:16 December
2630:12 November
2592:24 November
2537:Rathey 2016
2486:Dahn 9 2018
2446:Dahn 5 2018
2407:Rathey 2016
2391:Rathey 2016
2375:Rathey 2016
2359:Rathey 2016
2338:Rathey 2016
2322:Rathey 2016
2294:Rathey 2016
2277:, pp.
2275:Rathey 2016
2261:, pp.
2223:Dellal 2021
2180:Rathey 2016
2164:Rathey 2016
2111:Wessel 2015
2094:Wessel 2015
2068:, pp.
2042:Rathey 2003
1948:Buelow 2016
1212:Recitative
1060:Recitative
1011:Recitative
847:(Tra), two
746:Alfred Dürr
723:recitatives
280:recitatives
201:2 traversos
6271:Categories
4665:Doubtful:
4121:BWV 6
3484:BWV 4
3410:Evangelist
3208:Magnificat
2842:"BWV 248I
2611:7 December
2573:6 December
2539:, p.
2472:, p.
2432:, p.
2409:, p.
2393:, p.
2377:, p.
2361:, p.
2340:, p.
2324:, p.
2296:, p.
2235:Wolff 2002
2166:, p.
2150:, p.
2125:, p.
1924:Wolff 2002
1889:, p.
1868:References
1471:homophonic
1456:ritornello
855:(Oa), two
851:(Ob), two
765:Evangelist
719:librettist
549:See also:
517:. Another
513:, and the
493:, BWV 197a
479:, part of
386:See also:
382:Background
315:Evangelist
195:3 trumpets
153:1734-12-25
55:J. S. Bach
40:Part I of
6220:3rd cycle
6215:2nd cycle
6210:1st cycle
6135:1140–1141
4623:Funeral:
4602:Wedding:
4453:and other
3651:(1723–24)
3331:Oratorios
3285:structure
3266:structure
3191:structure
3088:catalogue
1589:, BWV 213
1511:obbligato
1481:imitation
1394:Movements
1378:2Tra 2Ob
1166:2Tra 2Ob
1155:Gerhardt
969:2Tra 2Ob
863:(Va) and
845:traversos
821:bass), a
742:Psalm 100
738:movements
679:Christmas
637:BWV 248 I
555:In 1733,
475:, BWV 110
404:in 1723,
363:, BWV 213
295:movements
274:from the
210:2 violins
168:Movements
145:Performed
76:Catalogue
6232: ;
6189: ;
6187:Cantatas
6166:spurious
6161:doubtful
4853:oratorio
4777:Cantatas
3905:cantatas
3231:Passions
2934:(2021).
2911:(2021).
2808:(2002).
2735:(2006).
2711:Springer
1529:Augustus
1384:D major
1369:Chorale
1337:D major
1172:A minor
1158:Chorale
925:Strings
837:trumpets
831:) and a
731:chorales
707:nativity
597:Picander
457:, BWV 91
412:for the
222:continuo
6180:Lists:
6155:Anh. 18
6150:Anh. 11
6080:248 III
4731:Koopman
4634:Other:
4595:(lost:
3903:chorale
3472:Leipzig
3351:Parts:
3084:in the
2279:148–149
2263:102–103
1727:" in a
1494:B minor
1381:2Vl Va
1366:Luther
1334:2Vl Va
1281:G major
1169:2Vl Va
1125:A minor
976:D major
972:2Vl Va
960:Chorus
882:). The
857:violins
841:timpani
614:BWV 214
574:One of
565:Dresden
519:Sanctus
416:in the
402:Leipzig
307:timpani
299:chorale
268:Leipzig
219:violone
204:2 oboes
198:timpani
160:Leipzig
151: (
99:BWV 213
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2822:
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