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is shown in Roman armour, gripping the baton of power, on a rearing horse, stabilized by a massive tail. The bronze-casting was undertaken in 1733, at the cannon foundry of the
Augsburg craftsman Ludwig Wiedemann (1690–1754), established at
60:. His skill brought him to the attention of an agent of the Elector, "Augustus the Strong", who called him to Dresden to complete an unfinished equestrian sculpture that had been left by the late sculptor
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148:, an angel whipping a fallen heathen among the debris of idolatry, holding open a large folio representing the Gospel. The sculpture was completed in 1745.
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181:(1653-after 1717), naturalised as Jean Vinache, was a bronze-founder of Neapolitan extraction, who was entrusted with casting in bronze wax models by
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was initiated with a foundation stone, 12 August 1735, but construction was delayed. The completed sculpture was unveiled 26 November 1736.
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125:. A marble replica, attributed to Vinache, was sold from the Lagerfeld collection at Christie's Monaco: Friday, April 28, 2000, lot 16.
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for
Versailles (1746–49) and in Paris. For the chapel of St. Francis Xavier in the Church of St-Paul-St-Louis in the
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of Paris, he was commissioned to provide a sculpture illustrating religious zeal, a pendant to the sculpture of
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Vinache executed numerous other works for
Augustus and also made copies after the Antique. A bronze
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Pierre-Yves Kairis, "Hypothèses sur les séjours à l'étranger du sculpteur Jean Del Cour",
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37:(1696 – 1 December 1754) was a French sculptor who served as the court sculptor to
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The concept was inspired by
Bernini's equestrian statue of Louis XIV at
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As an Académicien, Vinache received various public commissions, for an
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In 1736 he returned to Paris, where he was accepted that year at the
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unscathed and was restored and re-erected on a new plinth in 1956.
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99:(Dresden Skulpturensammlung) was repeated in marble; a reduced
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Christie's Monaco: Friday, April 28, 2000, lot 16, illus.
121:; the final marble, delivered 27 May 1741, is at the
68:) preserve the design of this scheme: Augustus, now
39:Augustus II, King of Poland and Elector of Saxony
242:"(Landshauptstadt Dresden: Der Goldene Reiter"
189:Bulletin de l'Institut archéologique liégeois
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210:, of which there are many bronze reductions.
112:Académie royale de Peinture et de Sculpture
49:), is one of the most familiar sights of
220:Dresden und Sachsen: Der Goldenev Reiter
56:Vinache was born in Paris, the son of a
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45:, known as the "Gilded Horseman" (
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159:is also conserved at the Louvre.
309:18th-century French male artists
43:equestrian monument of Augustus
153:Enfants jouant avec des fleurs
142:Religion Instructing an Indian
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284:18th-century French sculptors
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225:September 28, 2007, at the
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140:, called "Adam le jeune",
119:Hercules Enchained by Love
97:Apollo Leaning on his Lyre
84:Retired for safety during
157:Nicolas-François Gillet
138:Nicolas-Sébastien Adam
75:Dresden-Friedrichstadt
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289:French male sculptors
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116:morceau de reception
114:, presenting as his
79:Zacharias Longuelune
35:Jean-Joseph Vinache
197:; (pdf file p 13).
103:version is at the
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183:François Girardon
179:Giuseppe Vinaccia
162:He died in 1754.
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90:Dresden Firestorm
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62:François Coudray
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227:Wayback Machine
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155:by Vinache and
134:Marais district
123:Musée du Louvre
105:Musée du Louvre
47:Goldener Reiter
25:Goldener Reiter
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16:French sculptor
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250:. Retrieved
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86:World War II
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41:. Vinache's
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304:1754 deaths
299:1696 births
278:Categories
252:2008-02-06
208:Versailles
166:References
101:terracotta
23:Vinache's
151:A marble
223:Archived
185:, 1689 (
146:Le Zèle
29:Dresden
130:Aurora
193:108
27:in
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