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711:. According to legend, he had collapsed suddenly in the street, dying ignored by all except a little blind girl. Ipoustéguy modeled the girl after his own recently deceased daughter Céline. Upon presentation of the composite white marble and bronze artwork, it was thought to be too violent and emotional, so it was rejected. He also completed
281:, earning a living by producing fine woodwork, who also enjoyed painting, violin playing, and amateur theatrical productions. He also had a great love of reading, which he passed on to his son, who did very well in school. The artist later remembered his father as "soft and sweet", but recalled his mother as being "strict".
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once wrote that he "may be France's foremost living sculptor, but he is little known in the United States". He and other critics noted sharp contrasts between rough and smooth, abstract and realistic, tender and violent, delicate and crude, and many other paired oppositions in his artwork, and his
296:. On a winter afternoon in 1938, he saw a poster offering an evening art class taught by Robert Lesbounit, and signed up immediately. The teacher encouraged him to read books far beyond the level of his classmates, and introduced him to a deeper understanding of art history through visits to the
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In 1953, he turned away from oil painting and dedicated himself to the production of sculpture, in spite of a warning from
Kahnweiler, his art dealer at the time, that it would not sell. Ipoustéguy continued to produce numerous drawings, watercolors, and writings throughout the remainder of his
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Ipoustéguy's sculptures often depict multiple points of view or points in time simultaneously, resulting in human figures with three arms, three legs, or multiple profiles. Secondary elements may be bodily shells or carapaces, sometimes mounted on hinges. His work was influenced by
422:, approximately 10 kilometres (6.2 mi) southeast of the center of Paris, and began to work on sculpture. His workspace was in an old ceramics factory, which he gradually took over and converted into a family living space, filled with completed sculpture and works-in-progress.
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recurrent themes of sex, birth, growth, decay, death, and resurrection. Ipoustéguy was unafraid to depict emotional intensity in a sometimes controversial way; several of his major commissioned works were rejected, but later installed as planned, or in other locations.
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hospital; the namesake bronze sculpture was rejected twice, before being accepted and installed in the new hospital entry rotunda. The sculpture shows a standing nude figure, apparently shedding an anguished skin or shell, and supported by robust tubular elements.
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As a boy, Ipoustéguy played in the surrounding fields, but as he dug into the earth, he would sense the presence of death beneath him. He harbored a secret ambition to become a painter, but he hid this from his father, who held the profession in low regard.
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Ipoustéguy's early sculptural work was mostly abstract, but starting around 1959 his work focused on the human figure (either complete or in anatomical fragments), often combined with abstract elements. His figures often show aspects of the
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At his death in 2006, he was survived by Françoise Robert (his second wife), and by his children
Dominique and Marie-Pierre. They are credited with helping to support a posthumous retrospective exhibition at the Palazzo Leone da Perego, in
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style used by French anatomists, with layers of skin and muscle partially dissected. Ipoustéguy's prime work often emphasizes contrasts between smooth finishes and a roughness of "decay or willful destruction". Ipoustéguy has remarked:
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In 1964, he had his first overseas show, at the Albert Loeb
Gallery in New York City. His work was recognized and acquired by at least six American museums, and by the Nelson Aldrich Rockefeller Collection in New York.
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867:(cast in 1976), which had been rejected by the Americans almost a quarter-century earlier. He placed it in the church of Dun-sur-Meuse, near his birthplace. That same year, a
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career. For a few years his sculptures were mostly abstract, and he resisted a temptation to make figurative work which was unfashionable at the time. For example,
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In
November 1974, he learned via telephone that his 10-year-old daughter Céline had died suddenly, a brutal shock which caused him to abandon work for a time.
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In 1978, he had a retrospective show at the
Fondation Nationale des Arts Graphiques et Plastiques (National Foundation of Graphic and Plastic Arts) in Paris.
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945:'s egg"). He could skillfully render the textures of fragile materials such as cloth or paper in his favored sculptural media, durable stone and bronze.
304:. Lesbounit recognized his student's talent, and they would become lifelong friends. At these evening classes, he also met the sculptor known as "Adam" (
339:, incidentally acquiring practical skills he would later use in his artworks. During this difficult period, he produced drawings when he could, such as
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In the late 1960s, his art took a more somber turn, affected by the deaths of both his parents and some of his friends. He memorialized his father in
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In 1962, he established a relationship with the Paris gallery of Claude
Bernard, which would last for the rest of his life. Around this time, on a
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In 1947-48, he joined a "collective" of teachers and young artists creating frescos and stained glass windows for the church of Saint-Jacques,
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Ipoustéguy also wrote extensively throughout his life, and granted many interviews, but relatively little has been translated into
English.
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In August 1967, he went to the Nicoli studio in
Carrare, to try his hand at sculpting marble. Within a week, he had completed
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Ipoustéguy gradually moved towards figurative work, and some of his early sculptures were abstracted heads in bronze, such as
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In 1966–1967, he returned for a while to figurative painting, mostly in white hues reminiscent of marble, but also produced
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906:, Italy (October 2008 to February 2009). Throughout his career, he had produced many paintings in oil, watercolor, and
359:, he returned to Paris to resume his art studies with Robert Lesbounit, finishing his evening course of study in 1946.
881:(Ipoustéguy Cultural Center) was opened in the town of his birth, featuring dozens of artworks donated by the artist.
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In 2003 he returned to Dun-sur-Meuse, settling a few hundred meters from the house where he was born, and near the
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In 1963, he married Françoise
Delacouturiere, producing two daughters, Céline (1965) and Marie-Pierre (1969).
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1753:"Quelques images, un sélection des oeuvres d'Ipoustéguy vues par les photographes Despatin et Gobbeli"
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Despite his focus on the human figure, Ipoustéguy also produced large abstract sculptures, such as
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319:. Ipoustéguy was mobilized into the French artillery, and relocated to southwest France. Under the
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His first posthumous retrospective exhibition was at the Palazzo Leone da Perego, in
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He married Geneviève Gilles in 1943, and they had a son, Dominique, in 1945.
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In 1975, Ipoustéguy was awarded a major commission from the United States,
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In the late 1940s and early 1950s, the artist began to append his mother's
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in American public collections, on the French Sculpture Census website
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affected Ipoustéguy, who produced a series of political posters during
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Ipoustéguy : l'oeuvre sculpté : catalogue raisonné 1938-2000
1652:"Twentieth-Century Art from the Nelson Aldrich Rockefeller Collection"
432:, "Ipoustéguy", after his given name, since "Robert" is a very common
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At the age of 18, Ipoustéguy moved to Paris, where he got a job as a
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1330:"Contenu / Les Célébrités en Meuse / Jean-Robert IPOUSTEGUY - Senon"
646:) a white marble sculpture that visually invited sensuous caresses.
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2003, Prix de la sculpture de la Fondation Simone et Cino Del Duca.
1004:, 1968). The theme of mortality became more prominent in his work.
1710:"Où voir les oeuvres, un aperçu des principaux lieux d'exposition"
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1401:(1. pbk. ed., . ed.). Boston, Mass.: Museum of Fine Arts.
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Châlons en Champagne, Musée des Beaux-Arts et d'Archéologie.
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trip to Greece, he rediscovered artwork from the 5th century
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Just looking : essays on art ; with a new foreword
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Ipoustéguy died in 2006, at the age of 86. He is buried at
273:, in the recent aftermath of the ruinous trench warfare of
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In 1971, he received his first official commission, for
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In 1920, Jean-Robert Ipoustéguy was born Jean Robert in
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In his prime, Ipoustéguy was a sturdy, squat, stocky ("
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596:). The work became famous for its acquisition by the
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Croiset-Veyre, Dominique; Assouline, Pierre (2001).
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Washington, Hirshhorn Museum and Sculpture Garden –
1167:"Man traversing the door" (sometimes identified as
925:(1963) depicts a nude figure standing on three legs
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899:, in a tomb which features one of his sculptures.
1741:. Paris, France: Éditions Galerie Claude Bernard.
1145:Paris, Musée d’Art Moderne de la Ville de Paris.
1080:Bobigny, Fonds Départemental d’Art Contemporain.
539:. It was his first work using the novel material
1605:(in French). L'association des amis d'Ipoustéguy
612:) to memorialize his mother's recent death from
581:), a flexed arm with bulging muscles and veins.
385:(1985) combines figurative and abstract elements
248:style of French anatomists. The American writer
1142:New York, Solomon R. Guggenheim Museum of Art.
1071:Abu Dhabi, National Museum of Saadiyat Island.
477:, 1961). A figurative work from this time was
1519:Flavio, Arensi; Odille, Pascal, eds. (2008).
183:1964 Bright Prize, Venice Biennale exhibition
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1523:(in Italian and French). Torino: Allemandi.
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863:In 2001 Ipoustéguy installed his sculpture
753:In 1977, he received a commission from the
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1238:– German anatomist and artist who creates
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1136:Melbourne, National Gallery of Victoria.
123:Evening art courses with Robert Lesbounit
1737:Galerie Claude Bernard (November 1966).
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1633:. Massachusetts Institute of Technology
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187:1984 Chevalier de la Légion d'honneur
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1683:"Jean Robert Ipousteguy (1920-2006)"
1139:New York, The Museum of Modern Art.
1127:London, Victoria and Albert Museum.
1074:Baltimore, Baltimore Museum of Art.
175:Françoise Delacouturiere (1963-2006)
1106:Darmstadt, Hessiches Landesmuseum.
1562:(in French). Paris: Cercle d'art.
1288:Kirkup, James (11 February 2006).
1216:A la santé de la Révolution (1989)
1114:Mary and Leigh Block Museum of Art
1054:Museums and public art collections
535:contemplating the ancient city of
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1521:Ipoustéguy : eros + thanatos
1151:Pittsburgh, The Carnegie Museum.
1109:Dun sur Meuse, Centre Ipoustéguy
1103:Copenhagen, Carlsberg Glyptotek.
873:of his artworks was published by
834:in Châlons en Champagne (France)
418:In 1949, he set up his studio in
185:1977 Grand National Prize for Art
1905:21st-century French male artists
1367:Jean Robert Ipoustéguy Biography
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1045:Chevalier de la Légion d'honneur
1915:French people of Basque descent
1885:Knights of the Legion of Honour
1779:. Paris: Éd. de la Différence.
1175:L'Homme passant la porte (1966)
1118:Grenoble, Musée d’Art Moderne.
819:To the health of the Revolution
744:Scène comique de la vie moderne
703:, the country's first Catholic
1880:People from Meuse (department)
627:("The time of the cherries").
311:Art studies were disrupted by
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1900:21st-century French sculptors
1890:20th-century French sculptors
1160:Troyes, Musée d’Art Moderne.
1154:Tokyo, Hakone Museum of Art.
939:J'ai cassé l'oeuf de Brancusi
547:using a technique similar to
165:Figurative, Abstract, Surreal
1839:Resources in other libraries
1820:Resources in other libraries
1661:. Museum of Modern Art. 1969
1130:Lyon, Musée des Beaux-Arts.
1039:Grand National Prize for Art
805:Man with soles in front, to
598:National Gallery of Victoria
146:Man passing through the door
1631:MIT List Visual Arts Center
1121:Hannover, Sprengel Museum.
865:La mort de l'évêque Neumann
815:A la santé de la Révolution
793:, at Place Louis Pradel in
693:La mort de l'évêque Neumann
504:. Upon his return, he made
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1171:, "Man pushing the door")
1133:Marseille, Musée Cantini.
1019:Prizes, awards, and honors
886:Centre culturel Ipoustéguy
879:Centre culturel Ipoustéguy
776:L'homme construit sa ville
748:Comic scene of modern life
630:In 1968, he also produced
531:, a major work portraying
236:, was born Jean Robert in
173:Geneviève Gilles (1943-??)
1834:Resources in your library
1828:By Jean-Robert Ipoustéguy
1815:Resources in your library
1169:L'Homme poussant la porte
1077:Berlin, Nationalgalerie.
893:Cimetière de Montparnasse
621:May 1968 events in France
543:, which would be cast in
502:anatomy of the human body
327:and cement worker on the
323:, he was assigned as an
317:German invasion of France
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1165:L'Homme passant la porte
1100:Chicago, Art Institute.
1084:Cambridge, Massachusetts
782:), was installed at the
257:Early life and education
218:January 6, 1920 –
142:L'Homme passant la porte
697:Death of Bishop Neumann
560:Man traversing the door
54:, photographed in 1995)
46:Ipoustéguy in front of
1849:Jean-Robert Ipoustéguy
1806:Jean-Robert Ipoustéguy
1157:Toulouse, Artothèque.
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875:Éditions la Différence
839:Âge des interrogations
722:In 1976, he completed
556:Homme passant la porte
527:In 1965, he completed
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277:. Jean's father was a
208:Jean-Robert Ipoustéguy
34:Jean-Robert Ipoustéguy
1895:French male sculptors
1397:Updike, John (2001).
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837:In 1998, he produced
678:Homme forçant l'unitė
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226:February 8, 2006), a
106:Montparnasse Cemetery
96:Dun-sur-Meuse, France
1328:Grosdidier, Pascal.
1112:Evanston, Illinois,
649:In 1970 he produced
625:Le temps des cerises
602:Melbourne, Australia
357:Liberation of France
349:Sanguine nu de femme
1002:Agony of the mother
998:L'Agonie de la mère
990:Death of the father
843:Âge des conclusions
780:Man builds his city
734:. He also produced
610:Agony of the mother
606:L'Agonie de la mère
594:Death of the father
533:Alexander the Great
355:, 1941). After the
1757:www.ipousteguy.com
1714:www.ipousteguy.com
1603:www.ipousteguy.com
1334:www.senon.l3fr.org
1236:Gunther von Hagens
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394:Fontaine Béraudier
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306:Henri-Georges Adam
1801:Library resources
1556:Gaudibert, Pierre
1530:978-88-422-1690-2
1063:Sun, Moon, Heaven
958:Sun, Moon, Heaven
740:Little flayed one
682:Man forcing unity
568:Woman in the bath
353:Fiery female nude
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155:Woman in the Bath
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854:Door of the Sky
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586:Pope John XXIII
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575:La grande coude
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1569:2-7022-0246-2
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1408:0-87846-577-4
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850:Porte du Ciel
846:
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832:
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741:
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736:Petit écorché
733:
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718:
717:Eros in sleep
714:
710:
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702:
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491:
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468:
464:
463:Homme qui rit
460:
456:
455:
450:
445:
443:
437:
435:
431:
428:
423:
421:
420:Choisy-le-Roi
416:
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405:Porte du Ciel
402:
395:
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384:
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350:
346:
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338:
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329:Atlantic Wall
326:
322:
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314:
309:
307:
303:
302:art galleries
299:
295:
291:
286:
282:
280:
276:
272:
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264:
263:Dun-sur-Meuse
256:
254:
251:
247:
243:
239:
238:Dun-sur-Meuse
235:
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209:
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194:
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110:
107:
104:
102:Resting place
100:
88:
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79:
78:Dun-sur-Meuse
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58:
53:
49:
43:
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31:
19:
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1756:
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1713:
1690:. Retrieved
1687:Find A Grave
1686:
1663:. Retrieved
1658:
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1635:. Retrieved
1630:
1607:. Retrieved
1602:
1559:
1520:
1398:
1338:. Retrieved
1333:
1297:. Retrieved
1293:
1290:"Ipoustéguy"
1244:plastination
1168:
1164:
1162:
1159:
1156:
1153:
1150:
1147:
1144:
1141:
1138:
1135:
1132:
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1126:
1123:
1120:
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1108:
1105:
1102:
1099:
1096:
1091:
1082:
1079:
1076:
1073:
1070:
1068:
1062:
1028:Bright Prize
1022:
1009:
1006:
1001:
997:
989:
985:
983:
980:
977:
972:
970:
962:
957:
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883:
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874:
868:
864:
862:
858:Braunschweig
853:
849:
847:
842:
838:
836:
829:
827:
818:
814:
812:
810:), in Paris
804:
800:
798:
790:
788:
779:
775:
765:
762:
756:Val-de-Grâce
754:
752:
747:
743:
739:
735:
731:
727:
723:
721:
716:
712:
701:John Neumann
696:
692:
690:
681:
677:
675:
670:
666:
662:
659:Lune de miel
658:
654:
650:
648:
643:
640:Sein tactile
639:
635:
631:
629:
624:
618:
609:
605:
593:
590:Mort du père
589:
583:
578:
574:
572:
567:
563:
559:
555:
553:
528:
526:
522:
517:
513:
509:
505:
487:
482:
478:
474:
471:Tete de mort
470:
466:
462:
458:
452:
449:Jeanne d'Arc
448:
446:
441:
438:
424:
417:
410:
404:
393:
382:
371:
352:
348:
347:, 1941) and
344:
340:
321:Vichy regime
313:World War II
310:
287:
283:
260:
242:human figure
207:
206:
154:
150:
145:
141:
137:Notable work
91:(2006-02-08)
51:
47:
1875:2006 deaths
1870:1920 births
1759:(in French)
1716:(in French)
1627:"Cénotaphe"
1336:(in French)
791:Louise Labé
786:in Berlin.
655:Wheelbarrow
651:La brouette
541:polystyrene
459:Roger Binne
454:Joan of Arc
436:in France.
430:maiden name
290:legal clerk
275:World War I
250:John Updike
112:Nationality
64:Jean Robert
1864:Categories
1763:2017-02-07
1739:Ipousteguy
1720:2017-02-09
1692:2020-06-29
1665:2020-06-29
1637:2017-02-03
1609:2017-02-07
1560:Ipoustéguy
1340:2017-02-07
1299:2017-02-09
1251:References
1034:exhibition
951:Surrealism
941:("I broke
860:(Germany)
768:Kunsthalle
325:ironworker
265:, between
228:figurative
222:2006-02-08
214:1920-01-06
197:ipousteguy
70:1920-01-06
1092:Cénotaphe
1090:, MIT) —
1015:, Italy.
848:In 1999,
828:In 1991,
825:(France)
732:Triptyche
709:canonized
667:Le calice
663:Honeymoon
632:Naissance
490:honeymoon
485:, 1959).
457:, 1957),
442:Cénotaphe
415:, Paris.
170:Spouse(s)
131:Sculpture
120:Education
52:Summer 94
1558:(1989).
1230:See also
960:(1999).
943:Brancusi
877:. A new
823:Bagnolet
813:In 1989
799:In 1985
789:In 1982
686:Grenoble
537:Ecbatana
529:Ecbatane
506:La Terre
500:and the
461:(1959),
337:Bordeaux
315:and the
234:sculptor
80:, France
1240:écorché
1094:(1957)
1013:Legnano
933:écorché
923:L'Homme
908:gouache
904:Legnano
807:Rimbaud
671:Chalice
665:), and
434:surname
383:Lecture
372:L'homme
294:courier
246:écorché
192:Website
157:, 1966)
1803:about
1783:
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1086:, US (
1065:(1999)
1043:1984,
1037:1977,
1026:1964,
772:Berlin
742:) and
724:Maison
707:to be
705:bishop
562:) and
545:bronze
512:) and
427:Basque
407:(2000)
396:(1987)
374:(1963)
363:Career
298:Louvre
279:joiner
267:Verdun
231:French
180:Awards
115:French
48:Été 94
1655:(PDF)
973:trapu
897:Paris
821:) in
728:House
636:Birth
514:Homme
510:Earth
475:Skull
271:Sedan
162:Style
1781:ISBN
1659:MoMA
1564:ISBN
1525:ISBN
1403:ISBN
841:and
795:Lyon
619:The
498:nude
300:and
292:and
269:and
199:.com
86:Died
60:Born
996:in
856:),
770:in
657:),
600:in
518:Man
494:BCE
335:at
308:).
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1618:^
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