973:
983:
115:— compositions which the singers were intended to figure out from clues given in the text. For example, one of his chansons can only be performed correctly by transposing one of the parts down a
551:
86:; not only did he become one of the most highly paid singers at the Ferrarese court, but the Duke gave him a house in Ferrara. By 1481 he was gone, and there is no further record of him.
93:
is often cited as evidence of a friendship between the two composers; if so, they probably met in Milan after 1481, since
Josquin did not go to Italy until around 1484.
154:
231:
193:
164:
1022:
74:, the time when this institution had one of the most famous groups of singers and composers in Europe. After the assassination of
776:
506:
224:
1007:
476:
249:
1017:
1012:
786:
50:
Nothing is known about his life except for a brief period during the late 1470s, although it is probable he was born in
123:
motion. (When a puzzle canon is solved correctly, the parts fit together without violation of the prevailing rules of
831:
976:
879:
694:
217:
816:
661:
531:
925:
956:
801:
714:
689:
388:
986:
963:
940:
935:
571:
456:
335:
806:
704:
496:
172:
75:
451:
204:
581:
20:
699:
383:
378:
330:
982:
894:
874:
849:
839:
791:
671:
646:
631:
621:
616:
586:
363:
325:
265:
135:
128:
120:
63:
656:
189:
83:
930:
679:
591:
546:
433:
418:
345:
315:
280:
257:
240:
101:
67:
24:
854:
796:
684:
606:
561:
516:
491:
486:
441:
408:
403:
368:
310:
285:
116:
71:
39:
884:
869:
811:
781:
651:
601:
536:
526:
481:
471:
466:
461:
423:
353:
275:
270:
200:
176:
97:
89:
Japart was the composer of 23 chansons which are extant. A lost composition by
Josquin,
889:
864:
821:
596:
566:
511:
501:
373:
358:
300:
290:
1001:
844:
730:
636:
626:
521:
413:
398:
149:
920:
859:
750:
709:
576:
446:
320:
134:
Japart's music was evidently popular, since many of his chansons were reprinted by
124:
112:
111:
the combination of several pre-existing tunes in ingenious ways, and he also wrote
915:
910:
641:
611:
393:
295:
745:
735:
755:
127:, which in the 15th century are described in the works of theorists such as
106:
740:
79:
51:
33:
760:
78:
in 1476, he left Milan, as did most of the musicians; Japart went to
55:
209:
59:
28:
213:
158:. Vol. ix (1st ed.). London: Macmillan. p. 553.
169:
903:
830:
769:
723:
670:
545:
432:
344:
256:
155:The New Grove Dictionary of Music and Musicians
96:Stylistically, Japart's music is influenced by
225:
8:
168:, ed. L. Macy (accessed January 10, 2005),
148:Atlas, Allan W. (1980). "Japart, Jean". In
54:. He was one of the members of the famous
232:
218:
210:
194:International Music Score Library Project
62:between 1474 and 1476, which included
162:____ and Jane Alden. "Japart, Jean",
7:
14:
82:where he was quickly employed by
981:
972:
971:
507:Giovanni Pierluigi da Palestrina
138:and achieved wide distribution.
31:. He was a popular composer of
104:composers. He was fond of the
142:References and further reading
100:, one of the earlier group of
38:and may have been a friend of
1:
250:List of Renaissance composers
91:Revenu d'oultrements, Japart
19:(fl. c. 1474 â 1481) was a
1039:
880:Petrus Phalesius the Elder
695:English Virginalist School
190:Free scores by Jean Japart
951:
662:Jan Pieterszoon Sweelinck
247:
1023:Male classical composers
690:English Madrigal School
532:TomĂĄs Luis de Victoria
336:Oswald von Wolkenstein
179:(subscription access).
1008:Renaissance composers
552:Transition to Baroque
497:Pierre de Manchicourt
582:Girolamo Frescobaldi
389:CristĂłbal de Morales
203:has compositions by
1018:15th-century deaths
1013:15th-century births
700:Florentine Camerata
672:Composition schools
331:Gaspar van Weerbeke
895:Thomas Vautrollier
875:Ottaviano Petrucci
850:Pierre Attaingnant
840:Hieronymus Andreae
647:Michael Praetorius
632:Claudio Monteverdi
622:Giovanni de Macque
617:Luzzasco Luzzaschi
587:Alfonso Fontanelli
477:Francisco Guerrero
452:Antonio de CabezĂłn
364:Thomas Crecquillon
346:Middle (1470â1530)
326:Johannes Tinctoris
266:Alexander Agricola
175:2008-05-16 at the
165:Grove Music Online
119:and singing it in
64:Alexander Agricola
995:
994:
592:Giovanni Gabrieli
419:Philippe Verdelot
316:Johannes Ockeghem
258:Early (1400â1470)
241:Renaissance music
1030:
985:
975:
974:
855:Vittorio Baldini
832:Music publishing
607:Hans Leo Hassler
562:Gregorio Allegri
517:Cipriano de Rore
492:Vicente Lusitano
487:Orlando di Lasso
442:Jacques Arcadelt
409:Pierre de la Rue
404:Josquin des Prez
384:ClĂŠment Janequin
379:Antoine de FĂŠvin
369:Antonius Divitis
311:Johannes Martini
286:Guillaume Du Fay
234:
227:
220:
211:
159:
72:Johannes Martini
58:chapel choir in
40:Josquin des Prez
23:composer of the
1038:
1037:
1033:
1032:
1031:
1029:
1028:
1027:
998:
997:
996:
991:
968:
960:
947:
899:
885:Girolamo Scotto
870:Antonio Gardano
826:
765:
719:
666:
657:Heinrich SchĂźtz
652:Philippe Rogier
602:Orlando Gibbons
554:
550:
541:
537:Giaches de Wert
527:Christopher Tye
482:Claude Le Jeune
472:Claude Goudimel
467:Nicolas Gombert
462:Andrea Gabrieli
457:Jacobus Clemens
428:
424:Adrian Willaert
354:Martin Agricola
340:
276:Antoine Busnois
271:Gilles Binchois
252:
243:
238:
201:Mutopia Project
186:
177:Wayback Machine
147:
144:
84:Ercole I d'Este
76:Galeazzo Sforza
48:
12:
11:
5:
1036:
1034:
1026:
1025:
1020:
1015:
1010:
1000:
999:
993:
992:
990:
989:
979:
961:
957:Medieval music
953:
952:
949:
948:
946:
945:
944:
943:
938:
933:
928:
923:
913:
907:
905:
901:
900:
898:
897:
892:
890:Tielman Susato
887:
882:
877:
872:
867:
865:Valerio Dorico
862:
857:
852:
847:
842:
836:
834:
828:
827:
825:
824:
819:
814:
809:
804:
799:
794:
789:
784:
779:
773:
771:
767:
766:
764:
763:
758:
753:
748:
743:
738:
733:
727:
725:
721:
720:
718:
717:
712:
707:
705:Franco-Flemish
702:
697:
692:
687:
682:
676:
674:
668:
667:
665:
664:
659:
654:
649:
644:
639:
634:
629:
624:
619:
614:
609:
604:
599:
597:Carlo Gesualdo
594:
589:
584:
579:
574:
569:
567:Thomas Campion
564:
558:
556:
543:
542:
540:
539:
534:
529:
524:
519:
514:
512:Costanzo Porta
509:
504:
502:Hans Neusidler
499:
494:
489:
484:
479:
474:
469:
464:
459:
454:
449:
444:
438:
436:
430:
429:
427:
426:
421:
416:
411:
406:
401:
396:
391:
386:
381:
376:
374:Costanzo Festa
371:
366:
361:
359:Antoine Brumel
356:
350:
348:
342:
341:
339:
338:
333:
328:
323:
318:
313:
308:
303:
301:Heinrich Isaac
298:
293:
291:John Dunstaple
288:
283:
281:Loyset Compère
278:
273:
268:
262:
260:
254:
253:
248:
245:
244:
239:
237:
236:
229:
222:
214:
208:
207:
197:
185:
184:External links
182:
181:
180:
170:grovemusic.com
160:
150:Sadie, Stanley
143:
140:
68:Loyset Compère
47:
44:
21:Franco-Flemish
13:
10:
9:
6:
4:
3:
2:
1035:
1024:
1021:
1019:
1016:
1014:
1011:
1009:
1006:
1005:
1003:
988:
984:
980:
978:
970:
969:
966:
965:
964:Baroque music
959:
958:
950:
942:
939:
937:
934:
932:
929:
927:
924:
922:
919:
918:
917:
914:
912:
909:
908:
906:
902:
896:
893:
891:
888:
886:
883:
881:
878:
876:
873:
871:
868:
866:
863:
861:
858:
856:
853:
851:
848:
846:
845:Andrea Antico
843:
841:
838:
837:
835:
833:
829:
823:
820:
818:
815:
813:
810:
808:
805:
803:
800:
798:
795:
793:
790:
788:
785:
783:
780:
778:
775:
774:
772:
768:
762:
759:
757:
754:
752:
749:
747:
744:
742:
739:
737:
734:
732:
729:
728:
726:
724:Musical forms
722:
716:
713:
711:
708:
706:
703:
701:
698:
696:
693:
691:
688:
686:
683:
681:
678:
677:
675:
673:
669:
663:
660:
658:
655:
653:
650:
648:
645:
643:
640:
638:
637:Thomas Morley
635:
633:
630:
628:
627:Luca Marenzio
625:
623:
620:
618:
615:
613:
610:
608:
605:
603:
600:
598:
595:
593:
590:
588:
585:
583:
580:
578:
575:
573:
570:
568:
565:
563:
560:
559:
557:
553:
548:
544:
538:
535:
533:
530:
528:
525:
523:
522:Thomas Tallis
520:
518:
515:
513:
510:
508:
505:
503:
500:
498:
495:
493:
490:
488:
485:
483:
480:
478:
475:
473:
470:
468:
465:
463:
460:
458:
455:
453:
450:
448:
445:
443:
440:
439:
437:
435:
431:
425:
422:
420:
417:
415:
414:John Taverner
412:
410:
407:
405:
402:
400:
399:Jacob Obrecht
397:
395:
392:
390:
387:
385:
382:
380:
377:
375:
372:
370:
367:
365:
362:
360:
357:
355:
352:
351:
349:
347:
343:
337:
334:
332:
329:
327:
324:
322:
319:
317:
314:
312:
309:
307:
304:
302:
299:
297:
294:
292:
289:
287:
284:
282:
279:
277:
274:
272:
269:
267:
264:
263:
261:
259:
255:
251:
246:
242:
235:
230:
228:
223:
221:
216:
215:
212:
206:
202:
198:
195:
191:
188:
187:
183:
178:
174:
171:
167:
166:
161:
157:
156:
151:
146:
145:
141:
139:
137:
132:
130:
126:
122:
118:
114:
113:puzzle canons
110:
108:
103:
99:
94:
92:
87:
85:
81:
77:
73:
69:
65:
61:
57:
53:
46:Life and work
45:
43:
41:
37:
35:
30:
26:
22:
18:
962:
955:
926:Architecture
860:Jacob Bathen
577:John Dowland
447:William Byrd
321:Leonel Power
305:
163:
153:
133:
125:counterpoint
105:
95:
90:
88:
49:
32:
27:, active in
16:
15:
916:Renaissance
911:Early music
807:Netherlands
787:Elizabethan
642:Jacopo Peri
612:Alonso Lobo
572:John Cooper
434:Late (1530)
394:Jean Mouton
306:Jean Japart
296:Walter Frye
205:Jean Japart
25:Renaissance
17:Jean Japart
1002:Categories
941:Philosophy
936:Literature
904:Background
770:Traditions
746:Magnificat
736:Intermedio
680:Burgundian
121:retrograde
102:Burgundian
756:Offertory
685:Colorists
547:Mannerism
129:Tinctoris
107:quodlibet
977:Category
954: â
817:Portugal
741:Madrigal
715:Venetian
173:Archived
136:Petrucci
34:chansons
967:â
797:Germany
777:British
196:(IMSLP)
192:at the
152:(ed.).
117:twelfth
98:Busnois
80:Ferrara
52:Picardy
987:Portal
812:Poland
792:France
782:Cyprus
761:Pavane
555:c.1600
56:Sforza
931:Dance
822:Spain
802:Italy
731:Carol
710:Roman
60:Milan
29:Italy
751:Mass
549:and
199:The
70:and
921:Art
131:.)
1004::
66:,
42:.
233:e
226:t
219:v
109:,
36:,
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.