399:
208:
657:(New York: Printed for the Society by D. Fanshaw, 1829) lists Talbot as the “Assistant” for the Executive Committee and as one of many “directors” on the masthead. It also lists him as a member of the Shipping and Steam-Boat Committee, the City Committee, and the Division of Labor, with responsibility (with four others) for the fourth district, from Burling Slip to India Wharf.
371:, recalling his repeated visits to the Talbot family home: “Believe me Honored Sir, I can see the Yorkville Stage stopping at our door pleasant summer afternoons in 1852 and Walt Whitman and Jesse Talbot getting down from the upper most and then the long and instructive chats, over good coffee, and paintings.”
505:
In memorial remarks made at a meeting of the
National Academy on February 10, 1879, Huntington, then the Academy’s president, said that Talbot’s “first brilliant promise as an Amateur was not fulfilled in later years from the lack of severe discipline.” McEntee attended the same meeting and wrote in
501:
and
Richard William Hubbard. McEntee’s diary entry from that day suggests Talbot’s straitened circumstances at the time of his death: “There were quite a number of very nice looking people at the funeral. I feared there would be but few. . . . The house looked poor enough but much
361:. Whitman also visited Talbot’s home in Brooklyn, a fact that is supported by Talbot’s name and address (on Brooklyn’s Wilson Street) inscribed on the front cover of Whitman’s so-called “Talbot Wilson notebook,” in which the poet first wrote down the ideas that would become his celebrated volume
186:
world. He began by distributing tracts along the city’s wharves, but by 1834 he had been promoted to “Assistant
Secretary.” He served as “Recording Secretary” of the New-York Tract Society, an affiliate of the national organization. He also became involved with the
477:
after Talbot’s death suggest that he died in poverty brought on by his “lack of severe discipline.” In the 1860s and 1870s, Talbot changed home and studio addresses frequently and lived for some time with his married daughter Mary
Augusta Burhans, in
975:
Walt
Whitman to William D. O’Connor, September 28, 1869, The Charles E. Feinberg Collection of the Papers of Walt Whitman, 1839–1919, Library of Congress, Washington, D.C., available on the Walt Whitman Archive (www.whitmanarchive.org):
743:, vol. 2 (New York: New-York Historical Society, 1943), 150. All subsequent indications of when a work was shown at the National Academy are from this source; the source for American Art-Union exhibition records is also Cowdrey,
330:
231:
and a landscape (all unlocated). His earliest known extant work is a portrait frontispiece for a biography printed by the
American Tract Society in 1840. Other notable early works include the paintings
321:, Talbot was not credited as a contributor to that project. This may suggest that, despite his critical success, he was not part of the inner circle of New York–based landscape painters at the time.
506:
his diary that members of the
Academy voted to provide financial assistance to the Talbot family by defraying funeral expenses and reducing the commission on his paintings sold through the Academy.
341:
By 1850, Talbot returned from
Paterson to New York, where he lived in Brooklyn and maintained a studio in Manhattan. At this time he began a friendship with Walt Whitman, then a 31-year-old
909:
The Thomas Biggs Harned
Collection of the Papers of Walt Whitman, 1842–1937, Library of Congress, Washington, D.C., available on the Walt Whitman Archive (www.whitmanarchive.org):
644:
records from 1820 show a “free white male” between the ages of sixteen and twenty-six residing in
Wheaton’s home, probably Talbot, although he would have been only fifteen in 1820.
1031:
The sons of Noah paintings were presented alongside a lecture by the Rev. Samuel Hanson Cox, “Chancellor of the Ingham University, Leroy, New York.” “Talbot’s Great Paintings,”
374:
Whitman wrote about Talbot at least three more times in 1851, 1852, and 1853, in a series of articles criticizing the National Academy for not accepting Talbot’s 1851 painting
188:
879:
By 1850, Talbot appears on the King’s County census records with his wife, three children, and a servant. His Manhattan studio address is provided in his listing in the
455:
497:. He died as a result on January 29 at his home on Lafayette Avenue. His funeral was held there on January 31 and attended by Huntington, McEntee, and the artists
305:, was exhibited at both venues in that year and received critical acclaim from the New York press. Two years later, in 1849, he produced another canvas based on
1150:
313:, which he exhibited at the National Academy. Although he completed both of these paintings when other National Academy artists were conceptualizing a major
1786:
1776:
1722:
167:
1642:
1541:
423:
1781:
1715:
1771:
1659:
1197:
815:
Jasper Francis Cropsey, “Natural Art,” lecture to be given at the Art ReUnion, August 24, 1845, transcription in the collections of the
450:. However, as the decade wore on, Talbot participated in fewer public exhibitions, apparently suffering a career setback with the 1852
1761:
1637:
1143:
580:
542:
527:
1044:
Jasper Francis Cropsey to Maria Cooley, November 12–17, 1846, transcription in the collections of the Newington-Cropsey Foundation.
1673:
1701:
1375:
238:
586:
Routhier, Jessica Skwire. “Fellow Journeyers Walt Whitman and Jesse Talbot: Painting, Poetry, and Puffery in 1850s New York.”
1766:
1632:
785:
Jessica Skwire Routhier, “Fellow Journeyers Walt Whitman and Jesse Talbot: Painting, Poetry, and Puffery in 1850s New York.”
135:. Talbot developed a friendship with Walt Whitman in the 1850s. The notebook in which Whitman first wrote down the ideas for
1119:
1093:
329:
284:
1546:
1136:
816:
1320:
1536:
301:
1729:
1694:
1521:
470:
466:
287:. While based in Paterson, he continued to submit works for the annual exhibitions of the National Academy and the
224:
120:
910:
1617:
1465:
1365:
1345:
1255:
179:
1666:
1551:
1455:
1315:
498:
630:
History of Bristol County, Massachusetts, with Biographical Sketches of Many of Its Pioneers and Prominent Men
551:
History of Bristol County, Massachusetts, with Biographical Sketches of Many of Its Pioneers and Prominent Men
170:
of his mother’s youngest sibling, Dr. Jesse Wheaton (1762/3 – November 5, 1847). By 1829, Talbot had moved to
502:
better than I feared it would.” Talbot was buried in the cemetery of the Dutch Reformed Church in Claverack.
1572:
1531:
1295:
1245:
616:
483:
367:, first published in 1855. In 1891, Talbot’s daughter Mary Augusta (Talbot) Burhans wrote to Whitman on his
709:
Report of the American Board of Commissioners for Foreign Missions, Read at the Twenty-Sixth Annual Meeting
694:
In 1836 and 1837, Talbot appears on the rolls of the “Receiving Agents of the Board” for the organization.
398:
1680:
1505:
1500:
1485:
1460:
1445:
1380:
1355:
1340:
1280:
1240:
1205:
977:
265:
175:
159:
105:
101:
42:
406:, 1850, oil on canvas. Collections of the Dyer Library and Saco Museum, Saco, Maine. Photo by Martha Cox.
1627:
1602:
1470:
1420:
1360:
1325:
1265:
1260:
196:
163:
162:, the youngest child of Josiah Talbot and Lydia Talbot (née Wheaton). Around the age of 15, he moved to
1612:
1092:
Jervis McEntee Diaries, entry for January 31, 1879, Archives of American Art, Smithsonian Institution,
465:, hastening the decline of his career. Cropsey had described Talbot, in 1846, as the “drunkest man in
1756:
1751:
1435:
1415:
1385:
1350:
1330:
1230:
1173:
641:
276:
1490:
1335:
1300:
1285:
1250:
1215:
1210:
1159:
494:
192:
128:
1526:
1495:
1450:
1440:
1395:
1390:
1305:
1290:
1105:
Minutes of the National Academy of Design, February 10, 1879, quoted in David B. Dearinger, ed.,
535:
Paintings and Sculpture in the Collection of the National Academy of Design, Volume 1, 1826–1925.
451:
415:
288:
269:
142:
132:
93:
73:
61:
1107:
Paintings and Sculpture in the Collection of the National Academy of Design, Volume 1, 1826–1925
489:
By 1879 Talbot was back in Brooklyn, where on January 24 he slipped on the ice at the corner of
1597:
1592:
1582:
1410:
868:
The Painters’ Panorama: Narrative, Art, and Faith in the Moving Panorama of Pilgrim’s Progress
576:
538:
523:
479:
447:
268:
said that Talbot was “third in excellence” among American landscape painters, after Cole and
141:
is known as the “Talbot Wilson notebook” because Talbot’s name and address (Wilson Street in
1480:
1310:
1235:
1225:
1220:
939:
776:(Boston: David H. Williams, 1842). Talbot’s engraving illustrates a poem by H. T. Tuckerman.
591:
517:
790:
562:
1556:
759:
363:
314:
137:
1067:
1002:
997:(New York: G. P. Putnam, 1852), between pages 94 and 95. Several small-scale versions of
922:
854:
1577:
1405:
1187:
1120:
https://aaa.si.edu/collection-features/jervis-mcentee-diaries/diary-entry?date=18790210
1094:
https://aaa.si.edu/collection-features/jervis-mcentee-diaries/diary-entry?date=18790131
474:
247:
191:. Through that organization, he came into contact with the Reverend Richard Sluyter of
109:
1006:
570:
1745:
1430:
1400:
1370:
1275:
1183:
490:
431:
346:
280:
171:
116:
207:
145:) are written on the inside front cover. Talbot died in relative obscurity in 1879.
1687:
1622:
1425:
1053:
Minutes of the National Academy of Design, February 10, 1879, quoted in Dearinger,
112:
97:
260:
and fellow artists, with many praising his use of atmosphere and comparing him to
722:
550:
1607:
1270:
1178:
829:
745:
American Academy of Fine Arts and American Art-Union Exhibition Record 1816–1852
296:
261:
124:
386:
of 1853, confirms that Whitman owned a smaller version (unlocated) of Talbot’s
911:
https://whitmanarchive.org/manuscripts/notebooks/transcriptions/loc.00141.html
896:(April 30, 1850); “Works of Beauty and Talent—The New Art Union of Brooklyn,”
462:
458:
in 1862, was his last artistic effort to draw significant critical attention.
419:
381:
342:
257:
183:
1708:
1587:
962:
15, no. 1 (January 1852), entitled “Talbot, the Painter,” also mentions the
943:
595:
368:
774:
The Token and Atlantic Souvenir, An Offering for Christmas and the New Year
337:, 1847, oil on canvas, 29 x 57 in. Private collection. Photo by Bif Hendrix
217:
The Token and Atlantic Souvenir: An Offering for Christmas and the New Year
995:
The Home Book of the Picturesque: Or American Scenery, Art, and Literature
410:
Talbot continued to produce major paintings in the early 1850s, including
252:
228:
934:
Wendy J. Katz, “Previously Undocumented Art Criticism by Walt Whitman.”
557:
Katz, Wendy J. “Previously Undocumented Art Criticism by Walt Whitman.”
446:
An unidentified painting of his was also the subject of an 1855 poem by
1128:
978:
https://whitmanarchive.org/biography/correspondence/tei/loc.01689.html
669:(New York: Printed at the Society’s House by D. Fanshawe, 1834), 23;
804:
Humbug! The Politics of Art Criticism in New York City’s Penny Press
711:(Boston: Printed for the Board by Crocker & Brewster, 1835), 14.
571:
Humbug! The Politics of Art Criticism in New York City’s Penny Press
223:
Talbot’s artistic career began at the 1838 annual exhibition of the
707:
Sluyter is listed as a member of the organization’s board in 1835:
866:
Jessica Skwire Routhier, Kevin J. Avery, and Thomas Hardiman Jr.,
397:
256:(private collection). These paintings caught the attention of the
206:
272:. He became an associate member of the National Academy in 1845.
1132:
119:
before becoming a professional artist, first exhibiting in the
844:
lists his address in Paterson from 1844 through 1847 (150–51).
345:. Whitman wrote about Talbot three times in 1850, including a
283:. His 1845 painting of the falls is in the collection of the
537:
New York and Manchester: Hudson Hills Press, 2004, 382–383 (
522:
University Park: Pennsylvania State University Press, 2006 (
762:, Thirteen Years a Member of the American Mission in Ceylon
461:
There is some evidence that Talbot may have suffered from
123:
in 1838. His work was often favorably compared to that of
83:
Mary Augusta Sluyter (September 28, 1817 – April 27, 1884)
1109:(New York and Manchester: Hudson Hills Press, 2004), 383.
311:
Departure of Christian from the Palace, Called Beautiful
993:, see Bayard Taylor, “The Scenery of Pennsylvania,” in
741:
National Academy of Design Exhibition Record, 1826–1860
390:. Whitman later surrendered the painting to creditors.
950:, April 21, 1851; “An Hour at the Academy of Design,”
92:(April 1, 1805 – January 29/30, 1879) was an American
1118:
Jervis McEntee Diaries, entry for February 10, 1879,
828:"National Academicians," National Academy of Design,
349:
of the artist’s career to date in which he discusses
728:
Christian Intelligencer of the Dutch Reformed Church
698:, 6th edition (New York: T. R. Tanner, 1840), 78–79.
189:
American Board of Commissioners for Foreign Missions
1651:
1565:
1514:
1196:
1166:
806:(New York: Fordham University Press, 2020), 115–18.
79:
69:
50:
28:
21:
655:Fourth Annual Report of the American Tract Society
518:Looking into Walt Whitman: American Art, 1850–1920
900:(April 4, 1850); and “American Art—Jesse Talbot.”
870:(Hanover: University Press of New England, 2015).
683:Ninth Annual Report of the New-York Tract Society
667:Ninth Annual Report of the American Tract Society
632:(Philadelphia: J. W. Lewis & Co., 1883), 250.
946:. The articles are “Encampment of the Caravan,”
554:(Philadelphia: J. W. Lewis & Co., 1883), 250
195:, whose daughter Mary Augusta he married in the
454:. His series on the sons of Noah, exhibited at
747:(New York: New-York Historical Society, 1843).
182:in Manhattan, then the center of the New York
1144:
378:(unlocated). The last of these, published in
8:
881:New York Mercantile Union Business Directory
842:National Academy of Design Exhibition Record
830:https://www.nationalacademy.org/academicians
685:(New York: New-York Tract Society, 1836), 3.
1723:A Storm in the Rocky Mountains, Mt. Rosalie
958:, February 1853. An earlier article in the
954:, April 25, 1852; and “Talbot’s Pictures,”
726:(New York: Knickerbocker Press, 1902), 95;
236:(1840; unlocated), which was reproduced in
1151:
1137:
1129:
575:New York: Fordham University Press, 2020 (
18:
1020:Ballou’s Pictorial Drawing-Room Companion
764:(New York: American Tract Society, 1840).
469:,” and some remarks made by the painters
422:” of New Haven, Connecticut, now at the
418:; two paintings depicting the mythical “
328:
158:Jesse Talbot was born April 1, 1805, in
1018:Park Benjamin, “On a Small Landscape,”
791:https://doi.org/10.13008/0737-0679.2386
608:
563:https://doi.org/10.13008/0737-0679.2171
227:in New York, in which he exhibited two
883:for 1850, under “Painters, Landscape.”
357:, and Talbot’s two paintings based on
1001:have appeared in public art sales at
452:dissolution of the American Art-Union
7:
333:Jesse Talbot (American, 1805–1879),
1787:People from Dighton, Massachusetts
1777:Artists from Dedham, Massachusetts
1716:The Rocky Mountains, Lander's Peak
1638:Thomas Cole National Historic Site
219:(Boston: David H. Williams, 1842).
14:
430:(engraved to accompany a text by
619:, accessed through ancestry.com.
456:Brooklyn’s Polytechnic Institute
436:The Home Book of the Picturesque
426:; and, all currently unlocated,
966:painting and may be by Whitman.
295:(private collection), based on
239:The Token and Atlantic Souvenir
174:, where he was employed by the
960:American Phrenological Journal
956:American Phrenological Journal
412:Tropical Scenery—Early Morning
404:Tropical Scenery–Early Morning
1:
936:Walt Whitman Quarterly Review
787:Walt Whitman Quarterly Review
615:Vital records of Dighton and
588:Walt Whitman Quarterly Review
559:Walt Whitman Quarterly Review
285:New Jersey Historical Society
1782:Hudson River School painters
1547:Newington-Cropsey Foundation
892:, “April Afternoon Ramble,”
817:Newington-Cropsey Foundation
325:Friendship with Walt Whitman
1772:American landscape painters
1537:New-York Historical Society
1079:“Fatal Effects of a Fall,”
1803:
1730:Twilight in the Wilderness
1522:Metropolitan Museum of Art
225:National Academy of Design
121:National Academy of Design
16:American landscape painter
1762:19th-century evangelicals
1466:William Louis Sonntag Sr.
1366:Ransome Gillett Holdridge
1346:William Stanley Haseltine
1256:Johann Hermann Carmiencke
898:Brooklyn Daily Advertiser
723:Schuremans, of New Jersey
533:Dearinger, David B., ed.
376:Encampment of the Caravan
127:and other leaders of the
96:and a friend of the poet
1552:Tuscaloosa Museum of Art
1456:Thomas Prichard Rossiter
1316:Sanford Robinson Gifford
952:New York Sunday Dispatch
548:Hurd, D. Hamilton, ed.,
499:Sanford Robinson Gifford
275:In 1844 Talbot moved to
104:, Talbot worked for the
1660:Among the Sierra Nevada
1573:Catskill Mountain House
1532:National Gallery of Art
1246:Alfred Thompson Bricher
1055:Paintings and Sculpture
944:10.13008/0737-0679.2171
739:Mary Bartlett Cowdrey,
671:Religious Intelligencer
628:D. Hamilton Hurd, ed.,
617:Rehoboth, Massachusetts
596:10.13008/0737-0679.2386
440:Discovery of the Hudson
178:at its headquarters on
1681:The Heart of the Andes
1506:Alexander Helwig Wyant
1501:Worthington Whittredge
1486:Mary Josephine Walters
1461:Francis Augustus Silva
1446:William Trost Richards
1381:John Frederick Kensett
1356:Hermann Ottomar Herzog
1321:Régis François Gignoux
1281:Jasper Francis Cropsey
1241:James Renwick Brevoort
407:
388:Christian at the Cross
359:The Pilgrim’s Progress
338:
335:Christian at the Cross
319:The Pilgrim’s Progress
307:The Pilgrim’s Progress
302:The Pilgrim’s Progress
293:Christian at the Cross
279:, on the falls of the
266:Jasper Francis Cropsey
220:
199:in that town in 1836.
176:American Tract Society
160:Dighton, Massachusetts
106:American Tract Society
102:Dighton, Massachusetts
43:Dighton, Massachusetts
1767:American evangelicals
1628:Rip Van Winkle Bridge
1603:Kaaterskill High Peak
1471:James Augustus Suydam
1421:Charles Herbert Moore
1326:Eliza Pratt Greatorex
1266:Frederic Edwin Church
1261:John William Casilear
989:For the engraving of
894:Brooklyn Evening Star
401:
332:
210:
197:Dutch Reformed church
164:Dedham, Massachusetts
154:Early life and career
1674:The Course of Empire
1436:William Sidney Mount
1386:Robert G. L. Leonori
1351:Martin Johnson Heade
1331:Daniel Charles Grose
1231:Albert Fitch Bellows
1174:Age of Enlightenment
1081:Brooklyn Daily Eagle
1033:Brooklyn Daily Eagle
756:Rev. Miron Winslow,
291:. His 1847 painting
277:Paterson, New Jersey
211:After Jesse Talbot,
1633:Storm King Mountain
1336:James McDougal Hart
1301:Robert S. Duncanson
1286:William Moore Davis
1251:William Mason Brown
1216:John Dodgson Barrow
1211:William Bliss Baker
1160:Hudson River School
1083:, January 30, 1879.
938:32 (2015): 215–29.
730:, October 29, 1836.
561:32 (2015): 215–29.
444:Indian’s Last Gaze.
193:Claverack, New York
129:Hudson River School
1527:Wadsworth Atheneum
1496:Robert Walter Weir
1451:Ferdinand Richardt
1441:Harriet Cany Peale
1396:Homer Dodge Martin
1391:Edmund Darch Lewis
1306:Asher Brown Durand
1291:Lockwood de Forest
999:Indian’s Last Gaze
568:Katz, Wendy Jean.
408:
339:
289:American Art-Union
270:Asher Brown Durand
221:
143:Brooklyn, New York
133:landscape painters
74:Landscape painting
62:Brooklyn, New York
1739:
1738:
1598:Kaaterskill Falls
1593:Kaaterskill Clove
1583:Croton Point Park
1416:Louis RĂ©my Mignot
1411:Mary Blood Mellen
1068:Fellow Journeyers
1035:, April 17, 1862.
923:Fellow Journeyers
855:Fellow Journeyers
802:Wendy Jean Katz,
720:Richard Wynkoop,
696:New York as It Is
590:38 (2020): 1–37.
480:Rondout, New York
471:Daniel Huntington
394:Decline and death
246:(1841), based on
115:organizations in
94:landscape painter
87:
86:
1794:
1613:North–South Lake
1481:William Guy Wall
1311:Hermann Fuechsel
1236:Albert Bierstadt
1226:Julie Hart Beers
1221:Susie M. Barstow
1153:
1146:
1139:
1130:
1123:
1116:
1110:
1103:
1097:
1090:
1084:
1077:
1071:
1064:
1058:
1051:
1045:
1042:
1036:
1029:
1023:
1016:
1010:
987:
981:
973:
967:
932:
926:
919:
913:
907:
901:
890:
884:
877:
871:
864:
858:
851:
845:
838:
832:
826:
820:
813:
807:
800:
794:
783:
777:
771:
765:
754:
748:
737:
731:
718:
712:
705:
699:
692:
686:
680:
674:
673:(May 1834), 807.
664:
658:
651:
645:
639:
633:
626:
620:
613:
424:New Haven Museum
355:The Happy Valley
244:The Happy Valley
57:
54:January 29, 1879
38:
36:
19:
1802:
1801:
1797:
1796:
1795:
1793:
1792:
1791:
1742:
1741:
1740:
1735:
1695:Kindred Spirits
1647:
1561:
1557:Brooklyn Museum
1510:
1192:
1162:
1157:
1127:
1126:
1117:
1113:
1104:
1100:
1091:
1087:
1078:
1074:
1065:
1061:
1052:
1048:
1043:
1039:
1030:
1026:
1017:
1013:
988:
984:
974:
970:
933:
929:
920:
916:
908:
904:
891:
887:
878:
874:
865:
861:
852:
848:
839:
835:
827:
823:
814:
810:
801:
797:
784:
780:
772:
768:
760:Harriet Winslow
758:Memoir of Mrs.
755:
751:
738:
734:
719:
715:
706:
702:
693:
689:
681:
677:
665:
661:
652:
648:
640:
636:
627:
623:
614:
610:
605:
515:Bohan, Ruth L.
512:
396:
364:Leaves of Grass
327:
315:moving panorama
205:
203:Artistic career
156:
151:
138:Leaves of Grass
65:
59:
55:
46:
40:
34:
32:
24:
17:
12:
11:
5:
1800:
1798:
1790:
1789:
1784:
1779:
1774:
1769:
1764:
1759:
1754:
1744:
1743:
1737:
1736:
1734:
1733:
1726:
1719:
1712:
1705:
1698:
1691:
1684:
1677:
1670:
1663:
1655:
1653:
1649:
1648:
1646:
1645:
1640:
1635:
1630:
1625:
1620:
1615:
1610:
1605:
1600:
1595:
1590:
1585:
1580:
1578:Crawford Notch
1575:
1569:
1567:
1563:
1562:
1560:
1559:
1554:
1549:
1544:
1539:
1534:
1529:
1524:
1518:
1516:
1512:
1511:
1509:
1508:
1503:
1498:
1493:
1488:
1483:
1478:
1473:
1468:
1463:
1458:
1453:
1448:
1443:
1438:
1433:
1428:
1423:
1418:
1413:
1408:
1406:Jervis McEntee
1403:
1398:
1393:
1388:
1383:
1378:
1373:
1368:
1363:
1358:
1353:
1348:
1343:
1338:
1333:
1328:
1323:
1318:
1313:
1308:
1303:
1298:
1296:Thomas Doughty
1293:
1288:
1283:
1278:
1273:
1268:
1263:
1258:
1253:
1248:
1243:
1238:
1233:
1228:
1223:
1218:
1213:
1208:
1202:
1200:
1194:
1193:
1191:
1190:
1181:
1176:
1170:
1168:
1164:
1163:
1158:
1156:
1155:
1148:
1141:
1133:
1125:
1124:
1111:
1098:
1085:
1072:
1059:
1046:
1037:
1024:
1011:
991:On the Juniata
982:
968:
927:
914:
902:
885:
872:
859:
846:
833:
821:
808:
795:
789:38 (2020): 9.
778:
766:
749:
732:
713:
700:
687:
675:
659:
646:
634:
621:
607:
606:
604:
601:
600:
599:
584:
566:
555:
546:
531:
511:
508:
475:Jervis McEntee
428:On the Juniata
402:Jesse Talbot,
395:
392:
326:
323:
264:. The painter
248:Samuel Johnson
204:
201:
155:
152:
150:
147:
85:
84:
81:
77:
76:
71:
70:Known for
67:
66:
60:
58:(aged 73)
52:
48:
47:
41:
30:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1799:
1788:
1785:
1783:
1780:
1778:
1775:
1773:
1770:
1768:
1765:
1763:
1760:
1758:
1755:
1753:
1750:
1749:
1747:
1732:
1731:
1727:
1725:
1724:
1720:
1718:
1717:
1713:
1711:
1710:
1706:
1704:
1703:
1699:
1697:
1696:
1692:
1690:
1689:
1685:
1683:
1682:
1678:
1676:
1675:
1671:
1669:
1668:
1667:The Catskills
1664:
1662:
1661:
1657:
1656:
1654:
1650:
1644:
1641:
1639:
1636:
1634:
1631:
1629:
1626:
1624:
1621:
1619:
1616:
1614:
1611:
1609:
1606:
1604:
1601:
1599:
1596:
1594:
1591:
1589:
1586:
1584:
1581:
1579:
1576:
1574:
1571:
1570:
1568:
1564:
1558:
1555:
1553:
1550:
1548:
1545:
1543:
1542:Cooper Hewitt
1540:
1538:
1535:
1533:
1530:
1528:
1525:
1523:
1520:
1519:
1517:
1513:
1507:
1504:
1502:
1499:
1497:
1494:
1492:
1489:
1487:
1484:
1482:
1479:
1477:
1474:
1472:
1469:
1467:
1464:
1462:
1459:
1457:
1454:
1452:
1449:
1447:
1444:
1442:
1439:
1437:
1434:
1432:
1431:Evelina Mount
1429:
1427:
1424:
1422:
1419:
1417:
1414:
1412:
1409:
1407:
1404:
1402:
1401:George McCord
1399:
1397:
1394:
1392:
1389:
1387:
1384:
1382:
1379:
1377:
1376:David Johnson
1374:
1372:
1371:George Inness
1369:
1367:
1364:
1362:
1359:
1357:
1354:
1352:
1349:
1347:
1344:
1342:
1339:
1337:
1334:
1332:
1329:
1327:
1324:
1322:
1319:
1317:
1314:
1312:
1309:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1287:
1284:
1282:
1279:
1277:
1276:Samuel Colman
1274:
1272:
1269:
1267:
1264:
1262:
1259:
1257:
1254:
1252:
1249:
1247:
1244:
1242:
1239:
1237:
1234:
1232:
1229:
1227:
1224:
1222:
1219:
1217:
1214:
1212:
1209:
1207:
1206:Charles Baker
1204:
1203:
1201:
1199:
1195:
1189:
1185:
1182:
1180:
1177:
1175:
1172:
1171:
1169:
1165:
1161:
1154:
1149:
1147:
1142:
1140:
1135:
1134:
1131:
1121:
1115:
1112:
1108:
1102:
1099:
1095:
1089:
1086:
1082:
1076:
1073:
1069:
1063:
1060:
1056:
1050:
1047:
1041:
1038:
1034:
1028:
1025:
1022:9 (1855), 59.
1021:
1015:
1012:
1008:
1004:
1000:
996:
992:
986:
983:
979:
972:
969:
965:
961:
957:
953:
949:
945:
941:
937:
931:
928:
924:
918:
915:
912:
906:
903:
899:
895:
889:
886:
882:
876:
873:
869:
863:
860:
856:
850:
847:
843:
837:
834:
831:
825:
822:
818:
812:
809:
805:
799:
796:
792:
788:
782:
779:
775:
770:
767:
763:
761:
753:
750:
746:
742:
736:
733:
729:
725:
724:
717:
714:
710:
704:
701:
697:
691:
688:
684:
679:
676:
672:
668:
663:
660:
656:
650:
647:
643:
638:
635:
631:
625:
622:
618:
612:
609:
602:
597:
593:
589:
585:
582:
581:9780823285389
578:
574:
572:
567:
564:
560:
556:
553:
552:
547:
544:
543:9781555950293
540:
536:
532:
529:
528:9780271027029
525:
521:
519:
514:
513:
509:
507:
503:
500:
496:
492:
487:
485:
484:Ulster County
481:
476:
472:
468:
464:
459:
457:
453:
449:
448:Park Benjamin
445:
441:
437:
433:
432:Bayard Taylor
429:
425:
421:
417:
414:, now at the
413:
405:
400:
393:
391:
389:
385:
383:
382:Phrenological
380:The American
377:
372:
370:
366:
365:
360:
356:
352:
351:Rockland Lake
348:
347:retrospective
344:
336:
331:
324:
322:
320:
316:
312:
308:
304:
303:
298:
294:
290:
286:
282:
281:Passaic River
278:
273:
271:
267:
263:
259:
255:
254:
249:
245:
242:of 1842, and
241:
240:
235:
234:Rockland Lake
230:
226:
218:
214:
213:Rockland Lake
209:
202:
200:
198:
194:
190:
185:
181:
180:Nassau Street
177:
173:
172:New York City
169:
166:, to work in
165:
161:
153:
148:
146:
144:
140:
139:
134:
130:
126:
122:
118:
117:New York City
114:
111:
107:
103:
99:
95:
91:
82:
78:
75:
72:
68:
63:
53:
49:
44:
39:April 4, 1805
31:
27:
20:
1728:
1721:
1714:
1707:
1700:
1693:
1688:The Icebergs
1686:
1679:
1672:
1665:
1658:
1623:Platte Clove
1476:Jesse Talbot
1475:
1426:Thomas Moran
1341:William Hart
1184:Victorianism
1114:
1106:
1101:
1088:
1080:
1075:
1062:
1054:
1049:
1040:
1032:
1027:
1019:
1014:
998:
994:
990:
985:
971:
963:
959:
955:
951:
948:Evening Post
947:
935:
930:
917:
905:
897:
893:
888:
880:
875:
867:
862:
849:
841:
836:
824:
811:
803:
798:
786:
781:
773:
769:
757:
752:
744:
740:
735:
727:
721:
716:
708:
703:
695:
690:
682:
678:
670:
666:
662:
654:
649:
637:
629:
624:
611:
587:
569:
558:
549:
534:
516:
504:
488:
460:
443:
439:
435:
427:
420:Phantom Ship
411:
409:
403:
387:
379:
375:
373:
362:
358:
354:
350:
340:
334:
318:
310:
306:
300:
292:
274:
251:
243:
237:
233:
222:
216:
212:
168:the pharmacy
157:
136:
131:of American
98:Walt Whitman
90:Jesse Talbot
89:
88:
56:(1879-01-29)
23:Jesse Talbot
1757:1879 deaths
1752:1805 births
1608:Lake Mohonk
1361:Thomas Hill
1271:Thomas Cole
1179:Romanticism
1066:Routhier, “
921:Routhier, “
853:Routhier, “
416:Saco Museum
309:, entitled
297:John Bunyan
262:Thomas Cole
125:Thomas Cole
110:evangelical
1746:Categories
1491:Paul Weber
1003:Christie’s
964:Encampment
840:Cowdrey’s
603:References
463:alcoholism
343:journalist
184:publishing
108:and other
100:. Born in
35:1805-04-04
1709:The Oxbow
1643:Hyde Park
1588:Ever Rest
1566:Locations
1167:Movements
1007:Sotheby’s
925:,” 17–18.
857:,” 14–17.
642:US Census
317:based on
229:portraits
149:Biography
113:Christian
495:Broadway
467:Passaic
369:deathbed
253:Rasselas
1702:Niagara
1515:Museums
1198:Artists
1188:Realism
510:Sources
384:Journal
258:critics
1070:,” 25.
1057:, 383.
579:
541:
526:
491:DeKalb
442:; and
80:Spouse
1652:Works
1618:Olana
482:, in
215:, in
1005:and
653:The
577:ISBN
539:ISBN
524:ISBN
493:and
473:and
434:for
64:, US
51:Died
45:, US
29:Born
940:doi
592:doi
438:);
299:’s
250:’s
1748::
1186:/
486:.
353:,
1152:e
1145:t
1138:v
1122:.
1096:.
1009:.
980:.
942::
819:.
793:.
598:.
594::
583:)
573:.
565:.
545:)
530:)
520:.
37:)
33:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
