Knowledge (XXG)

Jeux d'eau (Ravel)

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76:. The piece is known for its virtuosic, fluid, and highly evocative nature, and is considered one of Ravel's most important works for piano. The piece is characterized by its fast, shimmering, and cascading piano figurations, which are meant to evoke the sound of flowing water. The overall atmosphere of "Jeux d'eau" is one of lightness, playfulness, and sensuousness, and the piece is often described as a musical depiction of the joy and beauty of nature. "Jeux d'eau" is considered a masterful example of Ravel's distinctive style, which is characterized by its clarity, precision, and sensitivity to color and texture. 287: 231: 22: 1544: 143:
quoted one of those present as saying, "There was a strange fire, a whole panoply of subtleties and vibrations which none of us could previously have imagined". Perlemuter commented that the piece "opens up new horizons in piano technique, especially if one remembers that Debussy's
185:(who later became persistently hostile to Ravel) was favourably impressed. After commending Viñes's "singular virtuosity and delicacy" he praised the two Ravel works as "orderly, composed with great clarity and measure, while keeping the same refinement in harmony". He continued: 507:
Timings from a sample of the performances listed in the recordings section include: 4′31″ (Casadesus), 4′35″ (Cortot), 4′40″ (Richter), 4′47″ (Gieseking), 5′10″ (Grimaud), 5′14″ (Perlemuter), 5′32″ (Thibaudet), 5′40″ (Fevrier), 5′48″ (Rogé), 6′02″ (François) and 6′03″
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have advantages when playing Ravel over the more frequently recorded Steinways. In 2012 Paolo Giacometti made parallel recordings of some of Ravel's piano music on a Steinway and an Erard; reviewers found this release (which did not include
132:. It contains the line "Dieu fluvial riant de l'eau qui le chatouille" ("river god laughing at the water that tickles him"), which at the composer's request the poet inscribed on Ravel's manuscript, and is the heading in the printed score. 250: 521:, Ravel intended the work for an instrument with an extended keyboard, allowing lower bass notes than standard models. Orenstein comments that it is possible that at one point in the development section Ravel would have wanted a low 252: 590: 54:, composed in 1901 and given its first public performance the following year. The title is variously translated as "Fountains", "Playing Water" or literally "Water Games". At the time of writing 240: 1573: 604: 1578: 251: 1058: 1092: 1301: 1119: 758: 1432: 1284: 1139: 1031: 1012: 993: 114:
calls "a sudden surge in Ravel's imagination" after the mostly unremarkable compositions that preceded it. The piece was partly inspired by
1406: 1339: 1062: 530:"(which of course does not exist on the piano), as the following two pages and the recapitulation are underpinned by a pedal point on G 1420: 1256: 171: 736: 166: 1583: 1329: 1164: 88:
was aged 26 and had yet to make an impression on the French musical scene. He had failed to win any prizes as a student at the
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The ideas have grace, and they are extremely dextrously and pleasingly written. We can see here and there the influence of
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and was expelled on that account. As a former student he was permitted to attend the classes of his teacher
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minutes to more than 6.. Orenstein summarises the structure: "the opening and closing sonorities of
1502: 1156: 450: 322: 313:, which enjoys a privileged position throughout". In Orenstein's analysis the work is based on two 129: 89: 1235: 1188: 1378: 1334: 1270: 394: 363: 326: 425: 419: 1070: 1046: 1027: 1008: 989: 955: 940: 916: 901: 886: 871: 847: 832: 474: 189: 135:
Ravel gave the first performance of the work at a gathering of the avant-garde artistic group
1457: 1426: 400: 388: 357: 330: 162: 151: 140: 93: 63: 59: 413: 314: 200: 42: 693: 158:− who dismissed it as "total cacophony" − and most of the faculty of the Conservatoire. 1399: 1242: 518: 431: 193: 1562: 1128: 522: 369: 310: 291: = 144. The duration of the piece varies considerably in performance, from 111: 85: 51: 456: 375: 211:
was thought to be cacophonic and excessively complicated. "It now appears that the
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is firmly established as an important landmark in the literature of the piano".
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There are also general questions as to whether French pianos such as those of
318: 267: 128:). Another inspiration may have been the poem "Fête d'eaux" by Ravel's friend 1074: 1050: 325:
section, the two themes return and the work ends in "a sweeping cascade" of
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was not written until two years later, in 1903". The work was published by
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Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
279:, is in a single movement. It opens "tres doux" ("very soft"), with a 154:
in 1901. It was quickly denounced by musical conservatives, including
47: 20: 1097: 96:, who thought highly of him and encouraged him. Ravel dedicated 1101: 215:
is a minor work, as the composer himself acknowledged, while
739:, L. Bosendorfer Klavierfabrik, 2005. Retrieved 7 April 2022 348: 229: 605:"Ravel à La Cité des Eaux: a literary and musical analysis" 62:, to whom the piece is dedicated. The work is in a single 737:"Compositions Intended for Bosendorfer Extended Keyboard" 203:
comments that among the other critics and the public the
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The first public performance was given by the pianist
776:" Casadesus: The complete French Columbia recordings" 329:. Ravel makes pronounced use of the higher and lower 626:
Ravel, reverse of title page; and Orenstein, pp. 223
1495: 1442: 1370: 1322: 1294: 1199: 1148: 25:Ravel in 1906, five years after the composition of 1113: 321:, "treated quite freely". After an extensive 8: 591:"The Analysis of Maurice Ravel's Jeux D'eau" 1120: 1106: 1098: 72:has a claim to being the first example of 1093:International Music Score Library Project 1574:Solo piano compositions by Maurice Ravel 1579:Music dedicated to students or teachers 688: 686: 567: 500: 805:Sackville-West and Shawe-Taylor p. 613 265: 139:of which he was a member. The pianist 1302:Piano Concerto in D for the Left Hand 41: 7: 207:was found elegant and charming, but 110:represented what Ravel's biographer 104:"à mon cher maître Gabriel Fauré". 653:Larner, pp. 68–69; and Ravel, p. 1 169:on 5 April 1902, at which Ravel's 16:Piano composition by Maurice Ravel 14: 984:Jourdan-Morhange, Hélène (2005). 80:Background and first performances 1543: 1542: 285: 266:Problems playing this file? See 247: 121:Les jeux d'eau à la Villa d'Este 1421:Pavane pour une infante défunte 1257:Pavane pour une infante défunte 700:, 22 April 1902, p. 2, column 6 172:Pavane pour une infante défunte 1433:Valses nobles et sentimentales 1285:Valses nobles et sentimentales 988:. London: Kahn & Averill. 517:According to the piano makers 165:in a concert presented by the 1: 490:Notes, references and sources 1503:Pierre-Joseph Ravel (father) 258:Played by Anna Heller, 2016. 192:, and more often that of C. 167:Société nationale de musique 74:impressionism in piano music 1340:Sonata for Violin and Cello 1600: 1165:L'enfant et les sortilèges 1041:Ravel, Maurice (c. 1901). 1538: 1407:Menuet sur le nom d'Haydn 1264:Pictures at an Exhibition 1135: 1022:Orenstein, Arbie (1991). 317:, the second of which is 58:, Ravel was a student of 1479:Trois poèmes de Mallarmé 1465:Don Quichotte à Dulcinée 986:Ravel According to Ravel 778:. Retrieved 7 April 2022 617:Orenstein, pp. 19 and 28 409:From the stereo LP era: 353:From the 78 r.p.m. era: 1584:Compositions in E major 1024:Ravel: Man and Musician 1003:Larner, Gerald (1996). 1513:Impressionism in music 1508:Close and open harmony 1393:Le Tombeau de Couperin 1222:Le Tombeau de Couperin 1059:Sackville-West, Edward 671:Jourdan-Morhange, p. 5 384:From the mono LP era: 234: 179:, the music critic of 46:) is a piece for solo 29: 1335:Piano Trio in A minor 1208:Alborada del gracioso 1063:Shawe-Taylor, Desmond 1026:. London: Constable. 463:Pierre-Laurent Aimard 438:Jean-Philippe Collard 309:are the chord of the 233: 147:Jardins sous la pluie 24: 1472:Histoires naturelles 1173:L'éventail de Jeanne 1140:List of compositions 175:was also premiered. 126:Années de pèlerinage 1451:Chansons madécasses 1355:String Quartet in F 1350:Violin Sonata No. 2 1345:Violin Sonata No. 1 1307:Piano Concerto in G 1069:. London: Collins. 1007:. London: Phaidon. 451:Jean-Yves Thibaudet 327:hemidemisemiquavers 199:Ravel's biographer 156:Camille Saint-Saëns 90:Paris Conservatoire 1379:Gaspard de la nuit 1271:Rapsodie espagnole 1045:. London: Schott. 970:Erato 2564 60268-1 862:Erato 190295191016 823:Archipel ARPCD0248 644:Orenstein, p. 154. 395:Sviatoslav Richter 364:Benno Moiseiwitsch 235: 30: 1569:1901 compositions 1556: 1555: 1181:L'heure espagnole 1033:978-0-486-26633-6 1014:978-0-7148-3270-8 995:978-1-871082-78-4 748:Orenstein, p. 153 727:Orenstein, p. 154 709:Orenstein, p. 37 486: 485: 475:Bertrand Chamayou 446:From the CD era: 333:of the keyboard. 281:metronome marking 253: 1591: 1546: 1545: 1458:Two Hebrew Songs 1157:Daphnis et Chloé 1122: 1115: 1108: 1099: 1091:: Scores at the 1078: 1067:The Record Guide 1054: 1037: 1018: 999: 971: 968: 962: 953: 947: 938: 932: 931:Chandos CHAN8620 929: 923: 914: 908: 899: 893: 884: 878: 869: 863: 860: 854: 845: 839: 830: 824: 821: 815: 812: 806: 803: 797: 796:Biddulph LHW 006 794: 788: 785: 779: 773: 767: 766: 755: 749: 746: 740: 734: 728: 725: 719: 716: 710: 707: 701: 690: 681: 680:Orenstein, p. 36 678: 672: 669: 663: 662:Orenstein, p. 29 660: 654: 651: 645: 642: 636: 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152:Eugène Demets 149: 148: 142: 138: 133: 131: 127: 123: 122: 117: 113: 112:Gerald Larner 109: 105: 103: 99: 95: 94:Gabriel Fauré 91: 87: 86:Maurice Ravel 79: 77: 75: 71: 67: 65: 61: 60:Gabriel Fauré 57: 53: 52:Maurice Ravel 49: 44: 36: 35: 28: 23: 19: 1522: 1484: 1477: 1470: 1463: 1456: 1449: 1431: 1419: 1412: 1405: 1398: 1391: 1385: 1384: 1377: 1359: 1311: 1283: 1276: 1269: 1262: 1255: 1248: 1241: 1234: 1227: 1220: 1213: 1206: 1187: 1179: 1171: 1163: 1155: 1066: 1042: 1023: 1004: 985: 966: 951: 936: 927: 912: 897: 882: 867: 858: 843: 828: 819: 810: 801: 792: 783: 771: 763:Presto Music 762: 753: 744: 732: 723: 714: 705: 697: 694:"La Musique" 676: 667: 658: 649: 640: 631: 622: 613: 599: 585: 570: 551: 541: 513: 503: 480: 457:Louis Lortie 445: 408: 383: 376:Eileen Joyce 352: 342: 340: 306: 274: 241: 216: 212: 208: 204: 198: 180: 170: 160: 145: 134: 125: 119: 107: 106: 97: 83: 69: 68: 55: 33: 32: 31: 26: 18: 1530:Les Apaches 1295:Concertante 1278:Shéhérazade 718:Ravel, p. 1 519:Bösendorfer 432:Pascal Rogé 323:development 177:Pierre Lalo 137:Les Apaches 116:Franz Liszt 1563:Categories 1524:The Bolero 1518:Ravel Peak 1386:Jeux d'eau 1371:Solo piano 1200:Orchestral 1089:Jeux d'eau 1043:Jeux d'Eau 837:1135190601 759:"Compared" 562:References 552:Jeux d'eau 343:Jeux d'eau 337:Recordings 319:pentatonic 307:Jeux d'eau 268:media help 242:Jeux d'eau 217:Jeux d'eau 209:Jeux d'eau 124:(from his 108:Jeux d'eau 98:Jeux d'eau 70:Jeux d'eau 56:Jeux d'eau 39:pronounced 34:Jeux d'eau 27:Jeux d'eau 1075:474839729 1051:503193531 960:933282589 852:850014486 508:(Aimard). 345:include: 331:registers 1548:Category 1427:Sonatine 1229:La valse 1192:(ballet) 1176:(ballet) 1160:(ballet) 1065:(1955). 945:81257590 921:81257590 906:24503367 891:42679024 876:18567495 698:Le Temps 533:♯ 526:♯ 190:Chabrier 182:Le Temps 100:and his 84:In 1901 64:movement 1496:Related 1414:Miroirs 1361:Tzigane 1323:Chamber 1313:Tzigane 1250:Miroirs 1184:(opera) 1168:(opera) 978:Sources 471:(2016). 300:⁄ 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Index

Studio portrait of a dark haired young white man, with neat beard and moustache
[ʒødo]
piano
Maurice Ravel
Gabriel Fauré
movement
impressionism in piano music
Maurice Ravel
Paris Conservatoire
Gabriel Fauré
String Quartet
Gerald Larner
Franz Liszt
Les jeux d'eau à la Villa d'Este
Henri de Régnier
Les Apaches
Vlado Perlemuter
Jardins sous la pluie
Eugène Demets
Camille Saint-Saëns
Ricardo Viñes
Société nationale de musique
Pavane pour une infante défunte
Pierre Lalo
Le Temps
Chabrier
Debussy
Arbie Orenstein
Jeux d'eau
media help

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