297:. Moon sees the cookie as a portrait of America, a symbol of the country's function as a melting pot; people assume the cookie has Chinese or Asian origins, when in fact it is an American invention. Moon often will use the cookie shape in the place of eyes or ears on her ceramic vessel, and she enjoys how easily it can be camouflaged within the work; "People do not see it immediately unless they pay attention. When they recognize it is a fortune cookie, they re-engage, go back and look at it again."
267:, which she uses to help "keep identity in studio practice." She also incorporates fabrics, embroidery, and print collage in her paintings. After she completes the abstract version of a painting's composition, she re-configures or strategically defines some of the markings to suggest recognizable images, such as cartoon characters. She also incorporates mass-produced items like textiles, embroidered patches, small trinkets.
241:"I feel like my life is like a collage, and I’m a piece of it. I cut and pasted myself from Korea to America. I use tradition as a point of departure, but I don’t want my work to be about an idea. I want it to become something completely new. Tradition is history set in place, but culture is always shifting. I like to juxtapose these two to create a dialogue. I want them to be harmonized as well as individually recognized. "
218:
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are a common iconography in
Georgia, where Moon lived; peaches are also an important symbol across Asian manuscript paintings and folk art, as a symbol of chasing bad spirits away. Moon enjoys using iconographies like the peach in her work, because they carry dual notions. She works primarily in
292:
with lots of drawing on their surfaces, loving what she calls the "more human, imperfect, and humorous quality" of these vessels. Moon's own ceramic journey began with an award from MOCA GA in 2012; with the support she received, she paid a membership to a local clay studio and began to explore
236:
Moon makes both painting and ceramic vessels. She describes her paintings as cultural landscapes, where her ceramic sculptures act more as hybrid portraits. Moon has spent roughly half of her life in Korea, where she was born, and half in the United States; the feeling of not fully belonging in
280:
exhibition "One Way or
Another: Asian American Art Now," stating, "Jiha Moon packs...information into large, teeming paintings on paper, creating a sense of flux... rife with references to everything from traditional Chinese brush painting to contemporary cartoons."
249:
combine visual icons and symbols from a variety of sources, cutting across culture lines to the accumulation of art historical, corporate, and advertising symbols in contemporary society. Eastern and
Western imagery and painting techniques,
379:
of Art in
Greensboro, NC (2014); Reynolds Gallery in Richmond, VA (2016); Mindy Solomon Gallery in Miami, FL (2017, 2022); Patricia Sweetow Gallery in San Francisco, CA (2018); Alan Avery Art Company in Atlanta, GA (2018 - 2019);
151:, South Korea in 1973. She describes her Korean family as the greatest creative influence in her life. As a child, Moon grew up watching her mother and grandmother making things--curtains, cushions, seasonal blankets,
355:(2004); the Curator's Office in Washington, DC (2005, 2007, 2009, 2012); Brain Factory in Seoul, Korea (2006); Saltworks Gallery in Atlanta, GA (2008, 2010, 2012); Moti Hansson Gallery in New York, NY (2008); The
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Moon has had solo exhibitions at the Mclean
Project for the Arts (2003); Korean Cultural Service in Washington, DC (2003); Dega Gallery in Mclean, VA (2004); Elizabeth Roberts Gallery in Washington, DC (2004);
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in
Washington, D.C, after relocating there post-MFA for her husband's job. In 2012-2013, she taught at Agnes Scott College in Atlanta, Georgia. From 2015-2016, she was a workshop instructor at
254:, internet icons, and folk art are present in her work. She is particularly interested in the ways cultural signifiers are interpreted differently by different viewers. For example,
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in
Clarksville, TN (2020); Derek Eller Gallery in New York, NY (2020, 2022); Laney Contemporary in Savannah, GA (2020-2021); Abroms-Engel Institute for the Visual Arts at the
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She has received a number of awards including the Joan
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Sewanee, TN (2019); Sumter County Gallery in Sumter, SC (2019); Zeitgeist Gallery in Nashville, TN (2019); the New Gallery at
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Kim, Micki Wick. "Jiha Moon". Korean
Contemporary Art. Prestel Publishing: Munich, London, New York. Pg. 138-141. 2012.
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123:(born 1973) is a contemporary artist who focuses on painting, printmaking, and sculptural ceramic objects. Born in
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Yau, John. "Postscript to the Whitney Biennial: an Asian-American Perspective". Hyperallergic, June 29, 2014.
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in Nashville, TN (2011); Clough-Hanson Gallery in Memphis, TN (2011); Arario Gallery in Seoul, Korea (2012);
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Yau, John. "Kathy Butterfly and the Aesthetic Challenge of "No Two Alike"". Hyperallergic, March 16, 2014.
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Smith, Roberta. "A Mélange of Asian Roots and Shifting Identities". The New York Times, Sept 8, 2006.
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Museum of Fine Arts in Tallahassee, FL (2022); and Shoshana Wayne Gallery in Los Angeles, CA (2023).
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as the first type of ceramics that captured her attention. She is especially drawn to the type of
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201:; she became a regular lecturer in 2019, and taught there until 2023. In 2023, Moon relocated to
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Colvin, Rob. "In Survey of Southern Art, Place is the Space". Hyperallergic, September 5, 2014.
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Moon's solo exhibition "Double Welcome: Most Everyone's Mad Here," which was organized by the
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O'Sullivan, Michael. "Jiha Moon's Shining Contrasts". The Washington Post, Sept 16, 2005.
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VIDEO: Artists & Curator Conversation: Jiha Moon, Pattie Chalmers, & Ehren Tool
435:(2018). A catalogue by the same title was published by the Halsey Institute in 2017.
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Cudlin, Jeffry. "Digital Distortion". Washington City Paper, Dec 30 2005 - Jan 5 2006.
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either culture is one that drives much of the imagery and iconography within her work.
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Dawson, Jessica. "Jiha Moon's Fantasy Islands". The Washington Post, Sept 15, 2005.
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in 1999. After graduating, Moon relocated to the United States, enrolling in the
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Johnson, Ken. "'Semi Lucid,' White Columns". The New York Times, Oct 8, 2004.
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Yang, Jeff. "ASIAN POP/ Art Breakers". San Francisco Chronicle, Oct 16, 2006.
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Cochran, Rebecca Dimling. "Critics' Pick: Jiha Moon". ARTFORUM.com, Feb 2010.
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Hawley, Anthony. "Future Fossil, Other Vessel". Brooklyn Rail, June 3, 2016.
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Wennerstrom, Nord. "Jiha Moon at Curator's Office". ARTFORUM, Dec 2007.
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Kunitz, Daniel. "Defying the Definitive". New York Sun, Sept 14, 2006.
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980:. Washington, DC: Smithsonian American Art Museum. pp. 228–238.
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Capps, Kriston. "Line Tripping." Washington City Paper, Oct 5, 2007.
1260:"Postscript to the Whitney Biennial: An Asian-American Perspective"
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McClintock, Diana. "Red Beans and Rice". Art Papers, Jan/Feb 2006.
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Oppenheim, Phil. "Talent Show, Atlanta". Art Papers, Sept/Oct 2007.
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in Charlotte, NC (2008); Mary Ryan Gallery in New York, NY (2010);
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Working Artist grant. Moon has been an artist in residence at the
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Cohen, David. "Weather Channels". The New York Sun, May 17, 2007.
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Cochran, Rebecca Dimling. "Jiha Moon". Art in America, May 2008.
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in Atlanta, GA (2013); Ryan Lee Gallery in New York, NY (2014);
1279:"Kathy Butterly and the Aesthetic Challenge of "No Two Alike""
668:
VIDEO: AEIVA Face-to-Face Interview Series Featuring Jiha Moon
664:- Halsey Institute of Contemporary Art - September 18, 2020
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VIDEO: Dis/placements Conversation: Jiha Moon and Lilly Wei
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320:, and the Henry Luce III Center for the Arts and Religion.
197:(MOCA GA). In 2016, she was appointed adjunct professor at
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interview with Jiha Moon at the Fabric Workshop and Museum
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McClintock, Diana. "Jiha Moon". Art Papers, Mar/Apr 2008.
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ceramics. One recurring theme in her ceramic work is the
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592:. Open Press, #63 Mid Atlantic Regions. Boston, MA 2006.
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and Halsey Institute of Contemporary Art, opened at the
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Moon has also participated in group exhibitions at the
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Howell, George. "Jiha Moon". Art Papers, Jan/Feb 2006.
1077:"Jiha Moon: Double Welcome, Most Everyone's Mad Here"
1051:"Jiha Moon: Double Welcome, Most Everyone's Mad Here"
458:, and other galleries and museums across the world.
976:Savig, Mary; Atkinson, Nora; Montiel, Anya (2022).
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1364:"A Mélange of Asian Roots and Shifting Identities"
1115:"Jiha Moon at the Singapore Tyler Print Institute"
920:"A Mélange of Asian Roots and Shifting Identities"
189:Moon began teaching in 2004. She first taught at
205:, Florida, to work as an assistant professor at
131:, Florida, after years of living and working in
1241:"In Survey of Southern Art, Place Is the Space"
139:'s Art department faculty in the fall of 2023.
947:. Joan Mitchell Foundation. 15 December 2011.
842:"Budae-jjigae: A Conversation with Jiha Moon"
8:
978:This Present Moment: Crafting a Better World
81:
1533:South Korean emigrants to the United States
1321:: CS1 maint: numeric names: authors list (
1031:John Simon Guggenheim Memorial Foundation..
431:(2018), and the Crisp-Ellert Art Museum at
415:(2015), the Salina Art Center (2016), the
127:, South Korea, Moon is currently based in
15:
1440:O'Sullivan, Michael (16 September 2005).
1159:. Hirshhorn Museum and Sculpture Garden.
1101:"Jiha Moon at the Asheville Art Museum"
1053:. Taubman Museum of Art. Archived from
945:"Painters & Sculptors Program 2011"
686:
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340:Guggenheim Fellowship in the Fine Arts
178:'s graduate program, receiving both a
155:--to bring joy to their daily lives.
1466:Dawson, Jessica (15 September 2005).
499:Museum of Contemporary Art of Georgia
489:Hirshhorn Museum and Sculpture Garden
421:Jule Collins Smith Museum of Fine Art
361:Cheekwood Botanical Garden and Museum
302:Museum of Contemporary Art of Georgia
195:Museum of Contemporary Art of Georgia
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504:National Museum of Women in the Arts
448:Hirshorn Museum and Sculpture Garden
413:Halsey Institute of Contemporary Art
371:in Savannah and Atlanta, GA (2013);
276:wrote about Moon's work in the 2005
1362:Smith, Roberta (8 September 2006).
918:Smith, Roberta (8 September 2006).
390:University of Alabama in Birmingham
1129:"Jiha Moon at the Fabric Workshop"
676:- Virginia MOCA - January 28, 2022
373:Museum of Contemporary Art Georgia
369:Savannah College of Art and Design
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1508:South Korean contemporary artists
1336:Capps, Kriston (5 October 2007).
1081:College of Charleston MarketPlace
1239:Colvin, Rob (5 September 2014).
818:"Jiha Moon : Displacements"
792:Magazine, Elysian (2020-11-10).
1442:"Jiha Moon's Shining Contrasts"
1220:HAWLEY, ANTHONY (3 June 2016).
1209:. Virginia Museum of Fine Arts.
1006:Smithsonian American Art Museum
475:Singapore Tyler Print Institute
456:Smithsonian American Art Museum
444:Atlanta Contemporary Art Center
425:Mennello Museum of American Art
329:Smithsonian American Art Museum
1414:Yang, Jeff (16 October 2006).
1143:"Drawing Inside the Perimeter"
479:The Fabric Workshop and Museum
411:, in 2015. It traveled to the
335:'s 50th Anniversary Campaign.
318:the Fabric Workshop and Museum
286:Joseon dynasty white porcelain
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1518:Ewha Womans University alumni
1468:"Jiha Moon's Fantasy Islands"
1222:"Future Fossil, Other Vessel"
1207:"21st Century Art: Jiha Moon"
1189:"Cascade Crinoline | Artwork"
1131:. Fabric Workshop and Museum.
794:"Jiha Moon - East Meets West"
310:Omi International Arts Center
306:Headlands Center for the Arts
1338:""Jiha Moon: Line Tripping""
1175:MOCA GA / PastPerfect Online
895:"Jiha Moon | Artist Profile"
720:"Stopping by with Jiha Moon"
509:Virginia Museum of Fine Arts
386:Austin Peay State University
284:Moon describes 19th century
1277:Yau, John (16 March 2014).
417:Kalamazoo Institute of Arts
191:Wesley Theological Seminary
111:
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29:1973 (age 50–51)
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1548:South Korean women artists
1416:"Asian Pop / Art Breakers"
1258:Yau, John (29 June 2014).
452:Fabric Workshop and Museum
186:(2002) in painting there.
1528:University of Iowa alumni
869:Moon, Jiha (2022-05-02).
724:Poetry Society of America
170:in Western Painting from
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1389:"Defying The Definitive"
772:익숙하고 낯선 '숨은그림찾기' 문지하 개인전
367:in New York, NY (2012);
207:Florida State University
199:Georgia State University
143:Early life and education
137:Florida State University
1523:Korea University alumni
1157:"Collection: Jiha Moon"
871:"Back Draft: Jiha Moon"
382:University of the South
753:American Craft Council
749:"The Queue: Jiha Moon"
694:ceivory (2023-08-03).
590:New American Paintings
327:, was acquired by the
243:
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172:Ewha Womans University
135:, Georgia. She joined
52:Ewha Womans University
1513:South Korean painters
1342:Washington City Paper
1303:May 17, DAVID COHEN.
1002:"Yellowave (black) 1"
405:Taubman Museum of Art
401:Taubman Museum of Art
353:Greenbelt Arts Center
239:
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160:Bachelor of Fine Arts
1543:Artists from Atlanta
468:Asheville Art Museum
440:Arlington Art Center
365:CUNY Graduate Center
92:Revised Romanization
1472:The Washington Post
1446:The Washington Post
1395:. 14 September 2006
774:January 26th, 2012
670:- November 13, 2020
377:Weatherspoon Museum
338:Moon was awarded a
325:Yellowave (black) 1
222:Yellowave (black) 1
184:Master of Fine Arts
168:Master of Fine Arts
1368:The New York Times
1305:"Weather Channels"
924:The New York Times
429:Katzen Arts Center
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176:University of Iowa
56:University of Iowa
1226:The Brooklyn Rail
822:displacements.org
700:Department of Art
147:Moon was born in
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