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Jimmy Sabater

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320:'s album "Steppin' Out". This album would become a "monster hit", and Sabater would become part of history, as on the album he sang "To Be With You", by Willie Torres, and also wrote and sang the song "Salsa y Bembe", which may be the first known reference to "Salsa" as a music genre. Nick Jimenez composed the melody, but Cuba's decision to have Sabater sing the lyrics thrust him into almost immediate international recognition. 276:, the standing drum kit made famous by the "Rey del Timbal", Tito Puente. It was during a 1951 stickball game between the Devils and the 112th Street Viceroys that Sabater's life would make a historic turn. A young man named Gilberto CalderĂłn of the Devils met Sabater and invited him to a party. The two became fast friends. They had a lot in common. Both wanted to be musicians after being influenced by the music of 25: 340:
was a landmark recording because it was the first "boogaloo" style album to sell one million records. This happened largely because of another smash composition of Sabater and Jiménez called "Bang Bang". Throughout the 1970s and 1980s, Sabater also had a flourishing career as a soloist, releasing the
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until the latter's death in 1988. On November 12, 1997, Sabater became the recipient of an award from the City of New York for his contributions to the quality of life in the city, and in appreciation of his work since 1956. He was also the recipient of the "Outstanding Musician of the Year" award
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1954 saw the Joe Panama Sextet as one of Spanish Harlem's most popular music groups. When Panama's conguero, or conga drummer, left the group, Sabater recommended his friend Gilberto for the job. Soon after, bandleader Joe Panama fired his sidemen and replaced them with others. The now unemployed
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One evening, the group appeared at La Bamba Club in midtown Manhattan under the name of "The Joe Panama Sextet". When Panama's mother threatened to sue Gilberto if he continued using the name, promoter Catalino RolĂłn recommended that the group change its name to "The Joe Cuba Sextet". They played
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joined the group. This occurred when José Curbelo's vocalist Santitos Colón replaced Gilberto Monroig in Tito Puente's band. Willie Torres then left Joe Cuba's Sextet, and replaced Santitos in Curbelo's orchestra. This opened the door for Cheo with Joe Cuba. This worked out perfectly for Cuba.
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musicians, which included vocalist Willie Torres and pianist Nick Jiménez, formed a group which included bassist Roy Rosa, vibraphonist Tommy Berríos, Sabater, and conguero Gilberto Calderón (who had been selected by the musicians to direct the band).
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Cuba's sextet signed with Tico Records in 1964. By showcasing the smooth vocal style of Sabater, the group had achieved tremendous fame, both in the United States and around the world. In 1966, they recorded two albums,
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known as "El Barrio". Like most teenagers in the neighborhood, he played stickball, flew kites, and harmonized the tunes of the popular R&B groups and vocalists of the day such as
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player. He gained international fame thanks to his work with the Joe Cuba Sextet in the 1960s and '70s, and later became the lead singer of various groups including
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From the late 1950s and into the early 1960s the Sextet recorded on the Mardi Gras label, constantly increasing their popularity. In 1962, Seeco Records recorded
601: 217: 591: 385:, was the winner of the ACE Award as best new Latin release of that year. A second, and recently, a third ACE Award were awarded for the albums 586: 527: 518: 576: 566: 108: 596: 421:
Sabater died in February 2012, aged 75. The cause was complications of heart disease, according to his son, Jimmy Sabater Jr.
405:, Eddie Palmieri and others. Actually, in 2002 Sabater recorded two versions of the classics "Mama Guela" – one with his band 361:
In 1977, Sabater left the Joe Cuba Sextet. From 1977 to 1981, he was the lead vocalist for Al Levy. In 1980 Sabater recorded
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Feliciano was selected to sing songs with Spanish lyrics, while Sabater was selected to sing songs with English lyrics.
216:(April 11, 1936 – February 8, 2012) was an American musician of Puerto Rican ancestry. A three-time winner of the 581: 68: 35: 410: 75: 146: 57: 229: 556: 551: 571: 515: 402: 378: 246: 479: 305:
gigs in the clubs of "El Barrio", as well as upstate New York venues such as The Pines Resort.
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scored big because of the hit composition "El Pito (I'll Never Go Back to Georgia)".
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on the Fania Records label. In 1982, he co-led "El Combo Gigante" with
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In 1998, Sabater became the lead vocalist of the Latin Septet "
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from the Comptroller of the City of New York, Alan G. Hevesi.
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Sabater was the son of Néstor Sabater and Teresa González of
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"Jimmy Sabater"
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New York City, New York
Boogaloo
salsa
Tico
Fania
ACE Awards
timbales
Charlie Palmieri
Jimmy Sabater Jr.
Ponce, Puerto Rico
New York City
New York City
Nat King Cole
Willie Bobo
timbales
Machito
Noro Morales
Tito Puente
Tito RodrĂ­guez

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