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abstract still-life work. His landscapes were always meditative and silent with an "earthy" feeling within it (often only one quarter of the painting is occupied by the sky) using for example in his preparatory studies close-up photographs of particular rocks that would later form mountains or rocky landscapes.
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and nephew of the painter Álvaro
Navarro Hogan. He was born on the 4 February 1914, to José Caetano and Bertha Navarro Hogan, who was herself a competent painter. Their home was full of his grandfather's paintings and was often visited by other artists. He attended the Academy of Fine Arts for one
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Hogan was also an important printmaker, especially using woodcuts, and giving along with other contemporary artists an impulse to the growth and teaching of this art form, almost forgotten in his time in
Portugal. His prints often depict fantastic motifs (sometimes eerie) rather than landscapes.
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Mainly a landscape painter, his style can be considered as neo-figurative although his synthesis of forms leads a considerable abstract approach to nature depiction. He employed a bold style, often using strong shades of green, browns and grey, in producing mainly urban landscapes, as well as
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Initially Hogan found it difficult to sell his paintings. This was a problem faced by even the best-known artists of the day, such as
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Hogan died on 16 June 1988 in Lisbon. He is represented in the collections of the
National Museum of Contemporary Art of the
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dictatorship. Afterwards he participated in many national and international exhibitions, including the second and fourth
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year and then the
National Society of Fine Arts in Lisbon, while training to become a wood carver.
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His first public exhibits were in 1942, in the 7th
Exhibition of Modern Art of the
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Museu
Nacional de Arte Contemporânea - Museu do Chiado
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British
Historical Society of Portugal Annual Report
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Artwork by Hogan at the
Gulbenkian Museum in Lisbon
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