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254:, in Johannesburg (1982). She made prints, paintings, artist’s books and installations, many of them grappling with Apartheid, violence, and chronic pain which she suffered for more than thirty years. In 1989, her MFA Thesis exhibition was accepted by the Cambridge Multicultural Arts, Center; she participated in numerous group exhibitions in Boston and New York. Her one-of-a-kind artist book, “Waiting and Remembering,” was acquired by the Jack Ginsberg Centre for Book Arts at Wits Art Museum, Johannesburg, South Africa where it was shown at the inaugural exhibition of the collection.
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was produced in New York and Boston and got about 150,000 to 250,000 visitors per month as of 2006. It was also home to two blogs: Networked_Performance and
Networked_Music_Review. Other major projects include Networked: a (networked_book) about (networked_art); Mixed Realities (2007); Pulsed Pull Installation Upgrade! Boston; and New England Initiative II. This site defined network performance as "any work that is enabled by computer networks ... which engage users in a performative experience."
238:, New Mexico (UNM) from 1996-2001. She worked as a Graphic Designer at the University of New Mexico’s High Performance Computing Center where she founded the artist-in-residence program that led to the formation of the Art Technology Center (ATC): it was there, in 2001, that she met her current partner Helen L. Thorington. Green was Program Coordinator for both the ATC and the Arts of the Americas Institute at UNM from 1999-2001. She returned to Boston in 2001, and joined
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founded
Turbulence.org and Jo-Anne Green joined her in 2002. Turbulence commissioned, exhibited, and archived 356 works that creatively explored the Internet as a site of production and transmission; and supported experimentation with distributed real-time multilocation performance events. The site
551:
KIKI: Migrant Family Life in a South
African Compound, a traveling exhibition of photographs by Roger Meintjies; Clark University, Worcester, MA; New England School of Photography, Boston, MA; Pianocraft Gallery, Boston, MA; Boston Public Library, Boston, MA; and Emory University, Atlanta, Georgia
292:). NRPA was founded in 1981 to foster the development of new and experimental work for radio and sound arts. It commissioned and distributed 300 works for New American Radio (newamericanradio.org). While at NRPA, Jo-Anne Green also wrote essays that focused on art processes, including
226:'s High Performance Computing Center, Green founded the artist-in-residence program and managed the Art Technology Center until June 2001, when she returned to Boston to complete her MS in Art Administration at Lesley University in 2003. She also taught part-time at Emerson College.
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Green uses digital technology and her background as a painter and photographer for her art. Green has exhibited her artwork in
Johannesburg, Boston, and New York, mounting her first solo exhibition at Different Angle Gallery in 1990. The opening of the exhibition celebrated
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where she graduated with a BFA Honours in
Printmaking, majoring in Art History and Painting, in 1981. In 1983, she moved to the United States where she attended
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Green co-founded
Cultural Resistance in 1985, organizing South African art exhibitions and video screenings, and designing and publishing a monthly newsletter,
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DIY or DIE: an
Upgrade! New York, Turbulence and Rhizome Net Art Exhibition, IAO Gallery, Upgrade! International Oklahoma City, OK and online at
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in 2002: she designed websites, brochures, logos and postcards; and engaged in grant writing and fundraising, among other responsibilities.
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Mellas-Ramirez, Laurie. UNM Arts
Extends Scope with New Research Centers, Public Affairs, University of New Mexico, August 22, 2000.
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310:(PDG), Manhattan, New York as well as Green co-organized multiple symposia at PDG as well as the Floating Points speaker series at
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McQuaid, Cate. Most illuminating (in
Capturing the overlooked), Boston Globe, Boston, Massachusetts, August 20, 2008
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Silver. Joanne, "Green’s art digs into her
African roots." Boston Herald, Boston, Massachusetts, March 30, 1990
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Performing technology: user content and the new digital media: insights from the two thousand + nine symposium
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Turbulence.org New England Initiative II: Networked Art Commissions, Art Interactive, Cambridge Massachusetts
194:, South Africa) is a printmaker, visual artist, artist, arts administrator, writer, and educator who lives in
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Networked Realities: (Re)Connecting the Adamses, Greylock Arts and MCLA Gallery 51, Adams, Massachusetts
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Works on South Africa and Slavery, Cambridge Multicultural Art Center, Cambridge, Massachusetts, 1989
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Artists Books, Arts Administrator, Digital Artist, Educator, Painter, Photographer, Printmaker, Writer
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Coming and Going: Beyond the Homeland, Cambridge Multicultural Art Center, Cambridge, Massachusetts
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Jack Ginsberg Centre for Book Arts Opening Exhibition, Wits Art Museum, Johannesburg, South Africa
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Between the Covers: Artist's Handmade Books, Massachusetts College of Art, Boston, Massachusetts
273:(FreeSA) where she volunteered from 1984-1990, culminating in Nelson Mandela’s visit to Boston.
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Cross-Media communications: an Introduction to the art of creating integrated media experiences
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Cross-Media communications: an Introduction to the art of creating integrated media experiences
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1182:. Palgrave pivot. Houndmills, Basingstoke, Hampshire : New York, NY: Palgrave Macmillan.
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686:"Greylock Arts in Adams Celebrates Five Years - Charles Giuliano - Berkshire Fine Arts"
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South African Mail: Messages from Within, Boston Public Library, Boston, Massachusetts
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Women's Work: Political Art by Women, Femmecore Space, Boston, Massachusetts
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888:"Show: John Giorno's "Millions of Stars Coming into My Heart Welcome Home""
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An Act of Resistance: Making Community(ies), Mobius, Boston, Massachusetts
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Voices From South African Artists, Stuart Levy Gallery, New York, New York
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David Crawford: Retrospective, Pace Digital Gallery, New York, New York
1106:"Networked Performance: How Does Art Affect Technology and Vice Versa?"
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Five South African Artists, 301 Huron Avenue, Cambridge, Massachusetts
833:"On the Internet: Turbulence and 1001 Nights of Networked Performance"
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Internet Art in the Global South, Johannesburg Art Fair, South Africa
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Evils of Power, UMASS Dartmouth Art Gallery, Dartmouth, Massachusetts
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In early 1996, NRPA extended its mandate to net art. To achieve this,
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Well, as a result... Different Angle Gallery, Boston, Massachusetts
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with Jessica Meuninck-Ganger, Greylock Arts, Adams, Massachusetts
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from the article and its talk page, especially if potentially
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Caution Art, Thomas Segal Gallery, Boston, Massachusetts
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Five, Greylock Arts, Adams, Massachusetts, United States
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Greylock's Anatomy, Greylock Arts, Adams, Massachusetts
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Green has lived in Boston for thirty-two years and in
288:) and the Huret & Spectre Gallery (funded by the
1296:"Arrested Time, booklet with essay by Jo-Anne Green"
350:Pursuing Reality: Possibilities, Harvard Arboretum
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1314:"Networked Realities: (Re)Connecting The Adamses"
979:. Newcastle upon Tyne: Cambridge Scholars Pub.
815:"Interactivity and Agency in Real Time Systems"
401:Violence Online Festival 6.0, newmediafest.org
306:She has also organized several exhibitions at
294:Interactivity and Agency in Real-Time Systems.
1179:Political cyberformance: the Etheatre Project
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831:Miranda, Maria; Neumark, Norie (July 2007).
1155:. Pittsburgh, Pa.: ETC Press. p. 15.
290:Andy Warhol Foundation for the Visual Arts
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56:about living persons that is unsourced or
1130:. Pittsburgh, Pa.: ETC Press. p. 8.
1104:Riel, Michael; Thorington, Helen (2022).
250:Green had her first art exhibition, with
127:Learn how and when to remove this message
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269:. Cultural Resistance was a project of
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216:Southeastern Massachusetts University
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240:New Radio and Performing Arts, Inc.
973:Schroeder, Franziska, ed. (2009).
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1176:Papagiannouli, Christina (2016).
919:"The networked_performance blog"
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1255:"David Crawford: Retrospective"
1221:"Boston Arts Listing 3-19-1990"
212:University of the Witwatersrand
1389:21st-century American painters
950:"Interview with Jo-Anne Green"
718:"Interview with Jo-Anne Green"
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886:Arias-Mission, Alain (2006).
1151:Davidson, Drew, ed. (2010).
1126:Davidson, Drew, ed. (2010).
863:"Celebrating Women in E-Lit"
271:Fund for a Free South Africa
34:biography of a living person
1081:"New England Initiative II"
61:must be removed immediately
16:American artist (born 1959)
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1294:Meuninck-Ganger, jessica.
1238:"South Africa and Slavery"
917:Thorington, Helen (2006).
772:"Jo-Anne Green - Monoskop"
218:(now UMASS Dartmouth) and
1033:"Pulse Pool Installation"
935:10.1080/07494460600647675
923:Contemporary Music Review
906:– via Project Muse.
867:Electronic Literature Lab
851:– via Computer.org.
690:www.berkshirefinearts.com
329:African National Congress
318:Exhibitions and curations
276:Green was co-director of
261:, with her collaborators
314:, Boston Massachusetts.
224:University of New Mexico
745:"networked_performance"
190:(born August 14, 1959
48:Please help by adding
954:We Make Money Not Art
948:Regine (2007-03-05).
904:10.1353/abr.2006.0154
722:We Make Money Not Art
716:Regine (2007-03-05).
361:10/20/2023-2/18/2024
200:electronic literature
1262:Pace Digital Gallery
892:American Book Review
849:10.1109/MMUL.2007.57
308:Pace Digital Gallery
54:Contentious material
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684:Giuliano, Charles.
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1189:978-1-137-57703-0
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1369:Digital art
1364:1959 births
643:Co-curator
632:Co-curator
606:Co-curator
595:Co-curator
587:Rhizome.org
577:Co-curator
566:Co-curator
555:Co-curator
525:Two-person
459:Two-person
236:Albuquerque
1353:Categories
1090:2024-03-25
1066:2024-03-25
1042:2024-03-25
1018:2024-03-25
959:2024-03-25
872:2024-02-26
843:(3): 4–5.
781:2024-02-26
754:2024-02-26
727:2024-02-26
695:2024-03-25
664:References
263:Kim Berman
259:UNCENSORED
252:Kim Berman
159:1959-08-14
117:March 2024
87:newspapers
1198:936199757
995:477141702
898:(4): 19.
206:Education
202:and art.
39:citations
1113:SIGGRAPH
1085:The NEXT
1061:The NEXT
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