Knowledge (XXG)

Jo Thomas

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22: 383:"April 2019 – upcoming London experimental gigs – Sonic Imperfections at Telegraph Hill Festival with Darkroom, Handäoline, Jo Thomas and Minus Pilots (5th) and your chance to jump into some more of their Festival work yourself (13th)" 189:
for the Frequency Festival of Digital Culture. The work combines musical and sonic elements and uses the frequency, rhythm and text from Magna Carta, exploring a union of medieval modalities and digital contemporary artefacts.
40:. She works primarily with electronic sound, with a focus on fine detail and abstraction combining technological, biological and emotive thematic elements. Her work utilises a wide range of sound sources including 55:
and Holiday Records. Her work has been performed internationally, working with organisations in Italy, France, California, Brussels, Switzerland and Australia.
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Baker, Joanne (16 November 2018). "The Doctor Who theme and beyond: female pioneers of electronic music".
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In 2007 she was commissioned by Ports of Call to compose an audio trail inspired by the history of
247:. The piece explores different states of stillness whilst acknowledging sometimes rapid change. 170: 147: 808: 232:
machine, created by Tom Richards, with Thomas as one of the composers chosen to pilot its use.
952: 942: 471: 463: 107: 99: 455: 438: 221: 186: 33: 999: 544: 489: 335: 103: 41: 254:, London. She runs a soundwalking project in North London with her own label Soft Apple. 48:, and synthesised sounds from various sources, including her own self-built instruments. 729: 451: 523: 52: 45: 1018: 67: 970: 910: 885: 935:
De Nardi, Sarah; Orange, Hilary; High, Steven C; Koskinen-Koivisto, Eerika (2020).
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Golden Nica prize in the category of Digital Musics and Sound for her work
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Thomas has performed alongside artists including Will Dutta, Lara Jones,
574:"SPARCfest 2018: Jo Thomas and Atau Tanaka | City, University of London" 229: 162:
Golden Nica prize in the category of Digital Musics and Sound Art for
37: 32:(born 1972) is a composer, sound artist, producer, and performer of 142:. The work was composed directly from frequencies generated by the 95: 20: 1009: 208:
In 2018 Thomas created a new commissioned work for the touring
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In 2020 Thomas was commissioned to create a new musical work
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directed by Toby Clarkson features Thomas as one of three
228:. The project made use of the 2016 realisation of Oram's 861:"Student builds Daphne Oram's unfinished 'Mini-Oramics'" 328:"Projects:Meet our new Chair and Vice Chair of Trustees" 169:
In 2015 Thomas was commissioned to create a large-scale
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Jo Thomas in 2012 at Prix Ars Electronica, Linz, Austria
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She has released on record labels including Entr'acte,
971:"Jo Thomas | Composer commissioned for Speaking Tubes" 702:"Jo Thomas awarded Prix Ars Electronica Golden Nica" 150:from locations inside Diamond's experimental hall, 173:as part of the 800th anniversary celebrations of 664:Jo Thomas (Welsh-language Knowledge (XXG) page) 239:to be played on sculptural sound installation 8: 16:British electronic composer and sound artist 938:The Routledge handbook of memory and place 1000:Jo Thomas at the British Music Collection 496:. British Music Collection. 4 April 2009 319: 568: 566: 490:"Jo Thomas | British Music Collection" 600: 598: 7: 886:"Jo Thomas | Articles | IOU Theatre" 431: 429: 212:project (2018). The piece, titled 14: 1030:British women in electronic music 676:"Crystal Sounds of a Synchrotron" 606:"Crystal Sounds of A Synchrotron" 126:In 2011 Thomas created the piece 865:Goldsmiths, University of London 1045:Electroacoustic music composers 356:University, London South Bank. 128:Crystal Sounds Of A Synchrotron 80:Crystal Sounds of a Synchrotron 1055:21st-century British composers 74:. In 2012 she was awarded the 1: 761:The Collection (Lincolnshire) 516:"Thomas, Jo | NMC Recordings" 494:britishmusiccollection.org.uk 813:bangkokundergroundcinema.com 158:. She was awarded the 2012 90:Thomas was born in 1972 in 1076: 1035:Musicians from Aberystwyth 1005:Jo Thomas official webpage 859:Cox, Phoenix Fry / Sarah. 710:. No. 339. 9 May 2012 460:10.1038/d41586-018-07439-1 216:, is based on the work of 193:The 2017 documentary film 130:using sounds recorded at 734:British Music Collection 680:British Music Collection 640:"Ars Electronica Archiv" 549:British Music Collection 408:Davies, Sam (May 2012). 226:BBC Radiophonic Workshop 136:synchrotron light source 86:Early life and education 1050:British women composers 410:"Jo Thomas: Vocal tics" 110:and gained a PhD from 915:www.portsofcall.org.uk 838:www.classicalremix.org 834:"Synth Remix – _REMIX" 26: 1025:British sound artists 1010:Jo Thomas at Bandcamp 332:www.soundandmusic.org 177:. The resulting work 118:composition in 2005. 24: 756:"Frequency Festival" 614:Prix Ars Electronica 286:Sunshine Over Nimbus 160:Prix Ars Electronica 144:particle accelerator 140:Harwell, Oxfordshire 134:, the UK's national 132:Diamond Light Source 76:Prix Ars Electronica 452:2018Natur.563..470B 205:and Daniel Wilson. 890:www.ioutheatre.org 788:littletsunamis.net 295:(Occupied Silence) 181:was installed at 171:sound installation 148:binaural recording 27: 948:978-0-8153-8630-8 840:. Classical Remix 784:"Little Tsunamis" 736:. 11 January 2016 446:(7732): 470–471. 281:(Holiday Records) 258:Album Discography 108:Bangor University 1067: 987: 986: 984: 982: 967: 961: 960: 932: 926: 925: 923: 921: 907: 901: 900: 898: 896: 882: 876: 875: 873: 871: 856: 850: 849: 847: 845: 830: 824: 823: 821: 819: 805: 799: 798: 796: 794: 780: 774: 773: 771: 769: 752: 746: 745: 743: 741: 726: 720: 719: 717: 715: 698: 692: 691: 689: 687: 672: 666: 661: 655: 654: 652: 650: 636: 630: 629: 627: 625: 616:. Archived from 602: 593: 592: 590: 588: 570: 561: 560: 558: 556: 541: 535: 534: 532: 530: 520:www.nmcrec.co.uk 512: 506: 505: 503: 501: 486: 480: 479: 433: 424: 423: 405: 399: 398: 396: 394: 379: 373: 372: 370: 368: 353: 347: 346: 344: 342: 324: 243:by IOU Theatre, 237:In A Still Place 222:Delia Derbyshire 214:Nature's Numbers 116:electro-acoustic 42:field recordings 34:electronic music 1075: 1074: 1070: 1069: 1068: 1066: 1065: 1064: 1015: 1014: 996: 991: 990: 980: 978: 969: 968: 964: 949: 934: 933: 929: 919: 917: 911:"Ports of Call" 909: 908: 904: 894: 892: 884: 883: 879: 869: 867: 858: 857: 853: 843: 841: 832: 831: 827: 817: 815: 807: 806: 802: 792: 790: 782: 781: 777: 767: 765: 754: 753: 749: 739: 737: 728: 727: 723: 713: 711: 700: 699: 695: 685: 683: 674: 673: 669: 662: 658: 648: 646: 638: 637: 633: 623: 621: 620:on 12 June 2013 610:prix2012.aec.at 604: 603: 596: 586: 584: 582:City University 572: 571: 564: 554: 552: 543: 542: 538: 528: 526: 514: 513: 509: 499: 497: 488: 487: 483: 435: 434: 427: 407: 406: 402: 392: 390: 381: 380: 376: 366: 364: 355: 354: 350: 340: 338: 336:Sound And Music 326: 325: 321: 316: 300:Random Feathers 272:Nature of Habit 260: 195:Little Tsunamis 124: 112:City University 88: 60:Charles Hayward 17: 12: 11: 5: 1073: 1071: 1063: 1062: 1057: 1052: 1047: 1042: 1037: 1032: 1027: 1017: 1016: 1013: 1012: 1007: 1002: 995: 994:External links 992: 989: 988: 962: 947: 927: 902: 877: 851: 825: 800: 775: 747: 721: 693: 682:. 30 June 2014 667: 656: 644:archive.aec.at 631: 594: 578:www.city.ac.uk 562: 551:. 4 April 2009 536: 524:NMC Recordings 507: 481: 425: 400: 374: 362:www.lsbu.ac.uk 348: 318: 317: 315: 312: 311: 310: 303: 296: 289: 282: 275: 268: 259: 256: 241:Speaking Tubes 183:The Collection 146:and also uses 123: 120: 87: 84: 66:, Lee Gamble, 15: 13: 10: 9: 6: 4: 3: 2: 1072: 1061: 1058: 1056: 1053: 1051: 1048: 1046: 1043: 1041: 1040:Living people 1038: 1036: 1033: 1031: 1028: 1026: 1023: 1022: 1020: 1011: 1008: 1006: 1003: 1001: 998: 997: 993: 976: 972: 966: 963: 958: 954: 950: 944: 940: 939: 931: 928: 916: 912: 906: 903: 891: 887: 881: 878: 866: 862: 855: 852: 839: 835: 829: 826: 814: 810: 804: 801: 789: 785: 779: 776: 763: 762: 757: 751: 748: 735: 731: 725: 722: 709: 708: 703: 697: 694: 681: 677: 671: 668: 665: 660: 657: 645: 641: 635: 632: 619: 615: 611: 607: 601: 599: 595: 583: 579: 575: 569: 567: 563: 550: 546: 540: 537: 525: 521: 517: 511: 508: 495: 491: 485: 482: 477: 473: 469: 465: 461: 457: 453: 449: 445: 441: 440: 432: 430: 426: 421: 417: 416: 411: 404: 401: 388: 384: 378: 375: 363: 359: 352: 349: 337: 333: 329: 323: 320: 313: 308: 304: 301: 297: 294: 290: 287: 283: 280: 276: 273: 269: 266: 262: 261: 257: 255: 253: 248: 246: 242: 238: 233: 231: 227: 223: 219: 215: 211: 206: 204: 200: 199:sound artists 196: 191: 188: 184: 180: 176: 172: 167: 165: 161: 157: 153: 149: 145: 141: 137: 133: 129: 121: 119: 117: 113: 109: 105: 101: 97: 93: 85: 83: 81: 77: 73: 69: 68:Phill Niblock 65: 61: 56: 54: 49: 47: 43: 39: 35: 31: 23: 19: 979:. 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June 2020 975:IOU Theatre 870:25 December 730:"Agna Rita" 555:25 December 545:"Jo Thomas" 393:25 December 387:Misfit City 367:25 December 274:(Entr'acte) 267:(Entr'acte) 218:Daphne Oram 210:Synth Remix 175:Magna Carta 92:Aberystwyth 1019:Categories 957:1121479735 314:References 252:Silvertown 201:alongside 185:museum in 844:19 August 818:19 August 793:19 August 714:19 August 624:19 August 587:19 August 529:19 August 500:19 August 468:1476-4687 358:"Artists" 341:19 August 307:Agna Rita 293:Agna Rita 179:Agna Rita 156:beamlines 44:, voice, 36:based in 30:Jo Thomas 707:The Wire 649:25 March 476:30446725 415:The Wire 279:Mermaids 920:31 July 895:27 June 768:2 April 740:2 April 686:2 April 448:Bibcode 245:Halifax 224:at the 187:Lincoln 164:Crystal 955:  945:  764:. 2015 474:  466:  439:Nature 389:. 2019 288:(Ptyx) 122:Career 46:glitch 38:London 422:: 12. 305:2017 298:2017 291:2015 284:2015 277:2013 270:2012 265:Alpha 263:2010 106:from 96:Wales 983:2020 953:OCLC 943:ISBN 922:2020 897:2020 872:2020 846:2019 820:2019 795:2019 770:2020 742:2020 716:2019 688:2020 651:2023 626:2019 589:2019 557:2020 531:2019 502:2019 472:PMID 464:ISSN 395:2020 369:2020 343:2019 220:and 154:and 104:MMus 102:and 100:BMus 70:and 456:doi 444:563 420:339 53:NMC 1021:: 973:. 951:. 941:. 913:. 888:. 863:. 836:. 811:. 786:. 758:. 732:. 704:. 678:. 642:. 612:. 608:. 597:^ 580:. 576:. 565:^ 547:. 522:. 518:. 492:. 470:. 462:. 454:. 442:. 428:^ 418:. 412:. 385:. 360:. 334:. 330:. 166:. 94:, 82:. 62:, 985:. 959:. 924:. 899:. 874:. 848:. 822:. 797:. 772:. 744:. 718:. 690:. 653:. 628:. 591:. 559:. 533:. 504:. 478:. 458:: 450:: 397:. 371:. 345:.

Index


electronic music
London
field recordings
glitch
NMC
Charles Hayward
Maria Chavez
Phill Niblock
Squarepusher
Prix Ars Electronica
Aberystwyth
Wales
BMus
MMus
Bangor University
City University
electro-acoustic
Diamond Light Source
synchrotron light source
Harwell, Oxfordshire
particle accelerator
binaural recording
storage ring
beamlines
Prix Ars Electronica
sound installation
Magna Carta
The Collection
Lincoln

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