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and beyond, searching for literary sights to see and paint, and wherever he went he paid his way by selling portraits. Only when he was done traveling did he finally return to
Frankfurt, where he married Johanna de Milkau in 1637.
466:, published between 1675 and 1680, and in more recent editions. This work is an educational compilation of short biographies of artists, as "a printed supplement to or surrogate for an academic course," inspired by
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at the time and never returned to France. This piece cemented his reputation as a leading painter, and in 1645 Sandrart decided to cash in and go home when he received an inheritance in
Stockau, outside
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whom De Bie has erroneously called "Verbrugghen". De Bie corrects this mistake in a manuscript and attacks
Sandrart for having copied the mistake without proper research in a later work of his.
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329:, he sold his things and moved there. He received 3000 guilders for 2 books of his Italian drawings, that according to Houbraken were resold in his lifetime for 4555 guilders.
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Making all of those copies only served to arouse more curiosity in the young adventurer, and in 1627 Sandrart booked a passage on a ship from London to
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hanging below it. The state visit was a big deal for
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Teutsche
Academie der Bau-, Bild- und Mahlerey-KĂĽnste, Joachim von Sandrart, NĂĽrnberg 1675, 1679, 1680
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when he brought a visit to
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One or more of the preceding sentences incorporates text from a publication now in the
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Sandrart's commemorative painting of Maria de Medici's visit in 1638, Rijksmuseum
Amsterdam
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Though he rebuilt the old homestead, it was burned by the French. He sold it and moved to
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Afraid of political unrest and plague, he moved to
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707:. Vol. 24 (11th ed.). Cambridge University Press. p. 141.
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De groote schouburgh der
Nederlantsche konstschilders en schilderessen
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Double Agents
Cultural and Political Brokerage in Early Modern Europe
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302:. This piece was commissioned by the Bicker Company of the Amsterdam
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188:. Sadeler in turn urged him to paint, whereupon he travelled to
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He is best known as an author of books on art, some of them in
246:, a celebrated engraver. With him, he crossed the mountains to
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Teutsche Academie der edlen Bau-, Bild- und Mahlerey-KĂĽnste
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482:. His work in turn became one of the primary sources for
722:. Princeton: Princeton University Press. p. 138.
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High altarpiece for the Schottenkirche in Vienna, 1671
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669:Sandrart.net - online version of Teutsche Academie
578:Sandrart.net - online version of Teutsche Academie
671:in German, but with some English navigation aids
580:in German, but with some English navigation aids
162:. According to his dictionary of art called the
834:Link to the Sandrart.net digitalization project
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168:, he learned to read and write from the son of
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428:Archduchess Maria Anna of Austria (1610–1665)
124:(12 May 1606 – 14 October 1688) was a German
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172:, Johann Theodoor de Brie and his associate
607:Noldus, Badeloch; Keblusek, Marika (2011).
596:(in German). Oxford University. p. 92.
474:. Both Sandrart and van Mander based their
27:German artist and art historian (1606–1688)
99:Johanna von Milkau (m. 1637–1672; death),
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529:The one who has taken it in hand himself.
931:German expatriates in the Dutch Republic
91:St. Johannisfriedhof, Nuremberg, Germany
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290:In Amsterdam he worked as a painter of
212:portraits for the portrait gallery of
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658:Digital library for Dutch literature
499:What work, trouble, and dedication,
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214:Henry Howard, 22nd Earl of Arundel
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788:De Spiegel vande Verdrayde Werelt
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718:Wood, Christopher S. (2019).
535:Sandrart copied a mistake in
494:Wat arbeid, moeite, en yver,
192:in 1625 to become a pupil of
881:17th-century German painters
590:Sponsel, Jean Louis (1896).
298:in 1638, which hangs in the
274:. From there he traveled to
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504:En nazoek dat een Schryver
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223:, where he was welcomed by
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646:Joachim Sandrart biography
509:And research that a Writer
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426:Pendant marriage portrait
316:of the seven provinces by
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906:German portrait painters
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761:online version from the
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720:A History of Art History
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891:German Baroque painters
704:Encyclopædia Britannica
383:(one of a series), 1642
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802:Collection Rijksmuseum
613:. Brill. p. 162.
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238:. He then set out for
202:Marie de' Medici cycle
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699:Sandrart, Joachim von
559:Rijksmuseum Amsterdam
547:Hendrick ter Brugghen
519:Has to do, knows only
367:Self-portrait in 1641
234:name was "Pan"), and
180:to become a pupil of
154:Sandrart was born in
104:(m. 1673–1688; death)
886:German male painters
849:after a painting by
310:Joost van den Vondel
194:Gerrit van Honthorst
122:Joachim von Sandrart
34:Joachim von Sandrart
901:Dutch male painters
790:, 1708, p. 274-275
379:Personification of
936:Rembrandt scholars
851:Johann Ulrich Mayr
827:2012-10-10 at the
656:, courtesy of the
553:Public collections
542:Het Gulden Cabinet
351:commemorating the
128:art-historian and
113:Jacob von Sandrart
838:Teutsche Academie
786:Cornelis de Bie,
729:978-0-691-15652-1
593:Teutsche Academie
454:Teutsche Academie
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565:References
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305:schutterij
55:1606-05-12
759:Schouburg
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150:Biography
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334:Augsburg
248:Florence
115:(nephew)
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