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with the sardonic wit he so often displays – derails any attempt to read his work as pure anthropology or social science. His artistic preoccupations reflect a close observation of photographic history and a fascination with photographic images themselves in all their alternately bizarre and conventionalized aspects.
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Schmid's use of extended series reflects his concern with photography as an encompassing, culturally dispersed and ubiquitous social and aesthetic discourse that runs throughout the public and private spheres of modern life. Yet the fundamental richness of Schmid's photographic raw material – along
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in 1987, Schmid focused on his own art production, based primarily on found photography and public image sources. Living near one of the largest flea markets in Berlin, he had already amassed a rich, deep, and varied collection of vernacular photography which formed the raw material for many of his
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and in his regular articles and lectures for other outlets, Schmid argued articulately and at times vehemently against prevailing, predominantly conservative notions of 'art photography' and in favour of a broad, encompassing critique of photography as a form of cultural practice.
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on the occasion of his first retrospective exhibition at The
Frances Young Tang Teaching Museum and Art Gallery in Saratoga Springs, NY. He has published more than one hundred artist's books, and at the end of 2009, Schmid founded the
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Ribière, Mireille. Georges Perec/Joachim Schmid: tentative de description d’un projet de livre d’artistes. Cahiers
Georges Perec No. 10, S. 227–252, Bordeaux 2010
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Vacheron, Joël. Tausend Himmel et principe d’equivalence. Tausend Himmel and the
Equivalence Principle. Volume, No. 1, p. 76 – 83, Paris, June 2010.
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Schmid's work has been exhibited internationally and is held in the collections of many major international institutions. In 2007
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MacDonald, Gordon and John S. Weber (2007). Joachim Schmid
Photoworks 1982–2007. Photoworks, Brighton, and Steidl, Göttingen.
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Durden, Mark. Photography, Anonymity and the
Archive: Joachim Schmid. Parachute, No. 109, p. 114-127. Montreal, 2003.
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Sachsse, Rolf. Joachim Schmid's Archiv. History of
Photography, Vol. 24, No. 3, p. 255-261. Oxford, Autumn 2000.
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Palmer, Daniel. Photography and
Collaboration. From Conceptual Art to Crowdsourcing, p. 143-152, London, 2017
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Menegoi, Simone. I am not a photographer. MOUSSE contemporary art magazine, p. 24-27. Milan, September 2007.
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Andress, Sarah. The
Accidental Predator. Art on Paper, Vol. 12, No. 2, S. 34–35, New York, November 2007.
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Fontcuberta, Joan. Archive Noise. Photoworks magazine, p. 64-69. Brighton, Spring/Summer 2005.
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Schmid studied Visual
Communication at Fachhochschule für Gestaltung Schwäbisch Gmünd and
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Gierstberg, Frits. No more photos please!. Perspektief, p. 58–66, Rotterdam 1991.
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MacDonald, Gordon; Joan
Fontcuberta; Weber, John S. (2007). Gordon MacDonald (ed.).
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from 1976 to 1981. He began his career as a freelance critic and the publisher of
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Edwards, Elizabeth. Joachim Schmid –Belo Horizonte, Praça Rui Barbosa.
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Schmid, Joachim (1985). "The Electronic Photographer is Coming".
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Brighton, UK: Photoworks, and Göttingen, Germany: Steidl, 2007.
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496:", Hillmann Photography Initiative. Accessed 6 November 2017
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Part 4: Discarded: Joachim Schmid and the Anti-Museum
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in 2011, Schmid was one of five curators (along with
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421:"Joachim Schmid Selected Photoworks 1982 – 2007"
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205:Barcelona, and Mexico City: Editorial RM, 2014.
260:, p. 36-39. Brighton, Spring/Summer 2005.
126:Discarded: Joachim Schmid and the Anti-Museum
29:is a Berlin-based artist who has worked with
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124:released a documentary about Schmid's work,
230:Joachim Schmid e le Fotografie Degli Altri.
159:Berlin: Edition Fricke and Schmid, 1994.
145:Berlin: Edition Fricke and Schmid, 1991.
469:"Why you are the future of photography"
362:"Joachim Schmid - PhotoWorks 1982-2007"
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442:"Une conversation avec Joachim Schmid"
366:Joachim Schmid - PhotoWorks 1982-2007
185:Joachim Schmid. Photoworks 1982–2007.
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389:Joachim Schmid Photoworks, 1982-2007
85:published a comprehensive monograph
87:Joachim Schmid Photoworks 1982–2007
392:. Göttingen: Steidl. p. 288.
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143:Erste allgemeine Altfotosammlung.
232:Milan: Johan & Levi, 2012.
467:O'Hagan, Sean (13 July 2011).
92:ABC Artists' Books Cooperative
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311:. No. 22. Göttingen. pp. 5–10
65:After ceasing publication of
51:Berlin University of the Arts
173:Amsterdam: NEROC'VGM, 2003.
331:Photoworks Author Biography
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543:Photographers from Berlin
224:Publications about Schmid
360:Fotomuseum, Nederlands.
33:since the early 1980s.
240:. By Roberta Valtorta.
157:Bilder von der StraĂźe.
137:Publications by Schmid
122:Carnegie Museum of Art
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219:Self-published, 2015.
171:A meeting on Holiday.
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309:European Photography
258:Photoworks magazine
199:and John S. Weber.
99:Rencontres d'Arles
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275:978-3-86521-394-5
238:978-88-6010-094-8
211:978-84-16282-00-5
193:978-3-86521-394-5
31:found photography
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511:Official website
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103:Joan Fontcuberta
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132:Publications
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533:1955 births
217:Ikea Sucks.
107:Martin Parr
527:Categories
335:Photoworks
296:References
79:Photoworks
67:Fotokritik
59:Fotokritik
55:Fotokritik
519:by Schmid
478:13 July
426:16 July
405:16 July
371:16 July
345:16 July
245:Sources
70:works.
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452:3 May
480:2011
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