Knowledge (XXG)

John Malchair

Source 📝

170:). On 24 October 1760 he was described as being of Holywell parish in Oxford when he married Elizabeth Jenner at her parish church of St George's Church, Hanover Square, London. and the couple settled in Oxford. Malchair worked as a drawing teacher, musician, and collector of music, becoming a respected figure in the city. He lived at the present 12 Broad Street in St Michael's parish. He resigned from the Music Room in 1792 following an incident in which his violin was broken by an orange thrown during a concert. 115:(ca. 1730 – 1812) was a German-born watercolour-artist, violinist, drawing master, and collector of traditional European music. He is described as “one of the most distinctive figures of eighteenth century Oxford”, and is recognised as having been an influence on later landscape artists, including 220:
Malchair was a talented watercolour artist, producing hundreds of paintings of English landscapes. His legacy is the collection of hundreds of sketches and watercolours of historical, architectural and topographical interest. His work features many of the mediaeval Oxford buildings which were
139:, where he worked as a musician and teacher, and began painting landscapes. In 1750 he came to England, where he was to spend the rest of his life. After initially working in London as a violinist and drawing master, he moved to 208:. Some of Malchair's own original violin and piano compositions survive in Crotch's manuscripts, and owe much to the folk tradition. However, his most enduring musical work was a clock-chime composed for 198:
whistled by the townspeople, and the melodies of the singers and musicians in the streets of the city. He produced at least three volumes of collected music, one of which is in the collection of
223:
Malchair was one of the most influential drawing masters active in Britain in the last two decades of the eighteenth century, with notable pupils including
413:
The Strange Tale of the German who saved Old Oxford and the “Poor Village” of Headington, his pupils, a musical prodigy and the birth of modern art
199: 427: 228: 452: 273: 221:
destroyed following the passing of the 1771 'Mileways Act', and these paintings often provide a unique record of this architecture.
412: 326: 224: 447: 432: 365:
Robert J. Bruce. "Malchair, John." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 6 Jan. 2015.
172:
In his later life, Malchair became blind. He continued collecting and composing music, which was notated by his friend
143:, where he met and came under the patronage of the artist Robert Price. In the next decade, he spent time in 366: 177: 194:. He recorded the melodies that he heard in Oxford: including the music of military bands, the popular 442: 437: 209: 131:. He was the son of Elizabetta Roggieri and Joannes Malchair, a watchmaker. He became a chorister at 167: 127:
John Malchair was baptised as Johannes Baptist Malscher on 15 January 1730, in St Peter's Church,
283: 398: 269: 191: 132: 331: 163: 295: 166:, John Malchair was appointed as the leader of the Oxford Music Room (later to become the 182:
Malchair died in Oxford in 1812 and was buried inside St Michael's Church in Cornmarket.
232: 173: 116: 421: 136: 17: 343: 135:
in 1744, which began his career in music. At the age of twenty-four, he moved to
236: 195: 86: 335: 190:
Alongside his work at the Music Room, Malchair took an interest in traditional
152: 204:
Malchair's work provided the foundation for William Crotch's 1808 work
144: 128: 148: 156: 140: 380:
later references to his house opposite Balliol College
162:
In 1760, perhaps assisted by Price's brother-in-law,
96: 82: 74: 66: 54: 38: 31: 400:Tate Gallery archive image caption: Barmouth,1795 8: 330:(online ed.). Oxford University Press. 266:John Malchair of Oxford: Artist and Musician 324:Healey, Timothy (2006) . "Malchair, John". 28: 327:Oxford Dictionary of National Biography 247: 200:The English Folk Dance and Song Society 319: 317: 315: 313: 311: 309: 307: 305: 291: 281: 259: 257: 255: 253: 251: 361: 359: 357: 355: 353: 7: 389:Original parish register on Ancestry 206:Specimens of Various Styles of Music 376:Survey of Oxford, 1772, and later 25: 186:Music collection and composition 212:, where it can still be heard. 235:, and John Austen, brother of 78:Landscape drawing and painting 1: 428:English folk-song collectors 344:UK public library membership 264:ed. Harrison, Colin (1998). 469: 453:Musicians from Oxfordshire 43:Johannes Baptiste Malchair 106: 92: 378:Jackson's Oxford Journal 216:Visual art and teaching 448:Musicians from Cologne 336:10.1093/ref:odnb/56011 113:John Baptist Malchair 46:baptised January 1730 18:John Baptist Malchair 433:Artists from Cologne 268:. Ashmolean Museum. 210:Gloucester Cathedral 225:Sir George Beaumont 168:Holywell Music Room 294:has generic name ( 176:, the organist at 342:(Subscription or 133:Cologne Cathedral 110: 109: 87:Early Romanticism 16:(Redirected from 460: 401: 396: 390: 387: 381: 374: 368: 363: 348: 347: 339: 321: 300: 299: 293: 289: 287: 279: 261: 192:‘National’ music 164:Shute Barrington 99: 49:Cologne, Germany 29: 21: 468: 467: 463: 462: 461: 459: 458: 457: 418: 417: 409: 407:Further reading 404: 397: 393: 388: 384: 375: 371: 364: 351: 341: 323: 322: 303: 290: 280: 276: 263: 262: 249: 245: 222: 218: 203: 188: 181: 171: 125: 97: 62: 61:Oxford, England 59: 50: 47: 45: 44: 34: 23: 22: 15: 12: 11: 5: 466: 464: 456: 455: 450: 445: 440: 435: 430: 420: 419: 416: 415: 408: 405: 403: 402: 391: 382: 369: 349: 301: 274: 246: 244: 241: 233:William Crotch 217: 214: 187: 184: 174:William Crotch 124: 121: 117:John Constable 108: 107: 104: 103: 100: 94: 93: 90: 89: 84: 80: 79: 76: 75:Known for 72: 71: 70:German/English 68: 64: 63: 60: 56: 52: 51: 48: 42: 40: 36: 35: 32: 24: 14: 13: 10: 9: 6: 4: 3: 2: 465: 454: 451: 449: 446: 444: 441: 439: 436: 434: 431: 429: 426: 425: 423: 414: 411: 410: 406: 399: 395: 392: 386: 383: 379: 373: 370: 367: 362: 360: 358: 356: 354: 350: 345: 337: 333: 329: 328: 320: 318: 316: 314: 312: 310: 308: 306: 302: 297: 285: 277: 275:1-85444-112-4 271: 267: 260: 258: 256: 254: 252: 248: 242: 240: 238: 234: 230: 229:Heneage Finch 226: 215: 213: 211: 207: 201: 197: 193: 185: 183: 179: 178:Christ Church 175: 169: 165: 160: 158: 154: 150: 146: 142: 138: 134: 130: 123:Life and work 122: 120: 118: 114: 105: 101: 95: 91: 88: 85: 81: 77: 73: 69: 65: 58:November 1812 57: 53: 41: 37: 33:John Malchair 30: 27: 19: 394: 385: 377: 372: 325: 265: 219: 205: 189: 161: 126: 112: 111: 102:Robert Price 26: 443:1730 births 438:1812 deaths 292:|last= 237:Jane Austen 67:Nationality 422:Categories 346:required.) 243:References 284:cite book 98:Patron(s) 153:Hereford 83:Movement 145:Bristol 129:Cologne 340: 272:  149:Sussex 157:Wales 141:Lewes 137:Nancy 296:help 270:ISBN 196:airs 155:and 55:Died 39:Born 332:doi 424:: 352:^ 304:^ 288:: 286:}} 282:{{ 250:^ 239:. 231:, 227:, 202:. 180:. 159:. 151:, 147:, 119:. 338:. 334:: 298:) 278:. 20:)

Index

John Baptist Malchair
Early Romanticism
John Constable
Cologne
Cologne Cathedral
Nancy
Lewes
Bristol
Sussex
Hereford
Wales
Shute Barrington
Holywell Music Room
William Crotch
Christ Church
‘National’ music
airs
The English Folk Dance and Song Society
Gloucester Cathedral
Sir George Beaumont
Heneage Finch
William Crotch
Jane Austen





ISBN
1-85444-112-4

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑