170:). On 24 October 1760 he was described as being of Holywell parish in Oxford when he married Elizabeth Jenner at her parish church of St George's Church, Hanover Square, London. and the couple settled in Oxford. Malchair worked as a drawing teacher, musician, and collector of music, becoming a respected figure in the city. He lived at the present 12 Broad Street in St Michael's parish. He resigned from the Music Room in 1792 following an incident in which his violin was broken by an orange thrown during a concert.
115:(ca. 1730 â 1812) was a German-born watercolour-artist, violinist, drawing master, and collector of traditional European music. He is described as âone of the most distinctive figures of eighteenth century Oxfordâ, and is recognised as having been an influence on later landscape artists, including
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Malchair was a talented watercolour artist, producing hundreds of paintings of
English landscapes. His legacy is the collection of hundreds of sketches and watercolours of historical, architectural and topographical interest. His work features many of the mediaeval Oxford buildings which were
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whistled by the townspeople, and the melodies of the singers and musicians in the streets of the city. He produced at least three volumes of collected music, one of which is in the collection of
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Malchair was one of the most influential drawing masters active in
Britain in the last two decades of the eighteenth century, with notable pupils including
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The
Strange Tale of the German who saved Old Oxford and the âPoor Villageâ of Headington, his pupils, a musical prodigy and the birth of modern art
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destroyed following the passing of the 1771 'Mileways Act', and these paintings often provide a unique record of this architecture.
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Robert J. Bruce. "Malchair, John." Grove Music Online. Oxford Music Online. Oxford
University Press. Web. 6 Jan. 2015.
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In his later life, Malchair became blind. He continued collecting and composing music, which was notated by his friend
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John
Malchair was baptised as Johannes Baptist Malscher on 15 January 1730, in St Peter's Church,
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Malchair died in Oxford in 1812 and was buried inside St
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in 1744, which began his career in music. At the age of twenty-four, he moved to
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Alongside his work at the Music Room, Malchair took an interest in traditional
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Malchair's work provided the foundation for
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later references to his house opposite
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In 1760, perhaps assisted by Price's brother-in-law,
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