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203:, had worked for the firm since 1785, and, in 1795, the firm began to trade as John Broadwood & Son. When Broadwood's third son, Thomas Broadwood, became a partner in 1808, the firm assumed the name of John Broadwood & Sons Ltd, which it retains to this day. The firm's busiest time period was during the 1850s, when approximately 2,500 instruments were produced annually.
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After a long period of decline ending in near bankruptcy, the business was rescued in the mid 1980s by a consortium headed up by
Geoffrey Simon, a keen amateur pianist and successful businessman from Birmingham. Mr. Simon took on the mantle of CEO and under his stewardship John Broadwood & Sons
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as a manufacturer and tuner of pianos. Following the death of
Geoffrey Simon in 2006, the company was acquired in 2008 by Alastair Laurence, a piano builder and technician with family ties to the Broadwood firm dating back to 1787. To coincide with the change in ownership, new restoration and
195:
manufacturer Burkat Shudi. He married Shudi's daughter eight years later and became a partner in the firm in 1770. As the popularity of the harpsichord declined, the firm concentrated increasingly on the manufacture of pianos, abandoning the harpsichord altogether in 1793.
265:
received a six octave
Broadwood in 1818, a gift from Thomas Broadwood, which he kept for the rest of his life. Although his impaired hearing may well have prevented him appreciating its tone, he seems to have preferred it to his
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which had a similar range. Above the company label on the front edge of the pin block the following text can be read: ″Hoc
Instrumentum est Thomae Broadwood (Londrini) donum propter ingenium illustrissime Beethoven.″
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played
Broadwood instruments in Britain, including at the last concert of his life given at Guildhall, London, in 1848. Although he liked Broadwoods, he appears to have preferred the French make
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and his partner
Matthew Rice, plus the design and patenting of the 'barless' grand piano in 1997 which was manufactured by Birmingham firm of Ladbrooke Pianos, who produced half a dozen a year.
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entered a period during which a number of innovations were developed. These included the limited edition 'Linley piano' an upright piano designed by
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Pianos and their makers: a comprehensive history of the development of the piano from the monochord to the concert grand player piano
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to CC in the treble, and again to six full octaves in 1794. The improved instruments became popular with musicians such as
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John
Broadwood (1732–1812), a Scottish joiner and cabinetmaker, came to London in 1761 and began to work for the Swiss
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239:, later to be third President of the United States, visited Broadwood in Great Pulteney Street,
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Bray, David (October 1994). "The Colt
Clavier Collection at 50 - A Collection in Distress?".
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Wainwright, David (October 1982). "John
Broadwood, the Harpsichord and the Piano".
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of the earlier pianoforte, which had sat to the side of the case as in the
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568:"Beethoven's relationship to Britain: Piano manufacturer Thomas Broadwood"
227:, and worked assiduously to develop and refine the instrument, moving the
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Mobbs, Kenneth; Latcham, Michael (August 1992). "Beethoven's
Broadwood".
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Zaluski, Iwo; Zaluski, Pamela (May 1992). "Chopin in London".
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779:"History of John Broadwood & Sons Ltd Piano Manufacturer"
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Musical instrument manufacturing companies based in London
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John Broadwood & Sons Grand Piano (16000, London 1843)
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Piano manufacturing companies of the United Kingdom
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640:(1791). Musical Times Publications Ltd.: 226–230.
540:(1676). Musical Times Publications Ltd.: 675–678.
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428:. London: J. M. Dent & Sons Ltd. p. 18.
385:Adlam, Derek; Ehrlich, Cyril (20 January 2001).
471:(1972). "Part One Chapter II: The Pianoforte".
729:"The Piano Time Line: A Chronological History"
243:, to discuss musical instruments. In 1789, at
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793:"John Broadwood and Sons Piano Manufacturers"
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844:Johann Christian Bach: Sonate G-Dur, allegro
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247:'s suggestion, he extended the range of his
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307:conservation workshops are now located at
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179:and continued after his death in 1773 by
479:. New York: Dover Publications. p.
457:(1). Ruxbury Publications, Ltd.: 30–33.
424:Ehrlich, Cyril (1976). "Introduction".
401:10.1093/gmo/9781561592630.article.04030
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319:The company's archives are held at the
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164:1827 Broadwood & Sons grand piano
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603:(3). Oxford University Press: 527.
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758:Royal Warrant Holders Association
175:manufacturer, founded in 1728 by
853:The Piano in Polish Collections
754:"John Broadwood & Sons Ltd"
868:1728 establishments in England
667:Darwent, Charles (June 1994).
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883:British royal warrant holders
347:The Oxford Companion to Music
219:Broadwood produced his first
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223:in 1771, after the model of
63:; 296 years ago
395:. Oxford University Press.
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451:Harpsichord and Fortepiano
27:English piano manufacturer
708:John Broadwood & Sons
609:10.1093/earlyj/xx.3.527-b
169:John Broadwood & Sons
33:John Broadwood & Sons
888:Companies based in Kent
840:– Surrey County Council
801:. Surrey County Council
350:. Oxford Music Online.
340:Latham, Alison (2011).
18:John Broadwood and Sons
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215:1784 square fortepiano
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798:Surrey History Centre
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201:James Shudi Broadwood
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426:The Piano: A History
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245:Jan Ladislav Dussek
52:Musical instruments
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392:Grove Music Online
315:Broadwood archives
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221:square piano
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387:"Broadwood"
363:30 December
342:"Broadwood"
249:grand piano
229:wrest plank
207:Innovations
193:harpsichord
862:Categories
507:1150927805
327:References
309:Finchcocks
233:clavichord
148:.broadwood
109:Key people
704:"History"
683:214776998
679:ProQuest
499:11020107
131:Products
48:Industry
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617:3127739
253:octaves
141:Website
102:England
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268:Erard
173:piano
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503:OCLC
495:LCCN
485:ISBN
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241:Soho
68:1728
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