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McGrath is best remembered as a playwright and for his theoretical formulation of the principles of a radical, popular theatre. His play Soft Or A Girl was performed at the
Liverpool Everyman Theatre in the early 1970s with great success.l, including in the cast the actor Alison Steadman. The play
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dealt with, amongst other things, the role of the city council in continuing, as the play claims, Hitler's destruction of large parts of the inner city and, with it, parts of its history The
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97:(1973), his best-known play, was created with these principles in mind. It utilizes some of the
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to make way for grazing land, the subsequent use of this land by the wealthy for
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did more to advance the cause of popular theatre in
Britain than John McGrath".
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29:(1996), showing Amy Trompetter's drawing of the costume for Gloria Cupsize.
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The
Politics of Performance: Radical Theatre as Cultural Intervention.
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in 1996. This production opened on 16 August 1996 and featured
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A Good Night Out: Popular
Theatre: Audience, Class and Form.
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A Good Night Out: Popular
Theatre - Audience, Class and Form
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Worlds of
Performance Ser. London and New York: Routledge.
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Detail from the front cover of the programme for McGrath's
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The Bone Won't Break: On
Theatre and Hope in Hard Times.
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The Moon
Belongs to Everyone: Making Theatre with 7:84.
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From an Irish
Catholic background, McGrath was born in
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in
January 2002. In McGrath's obituary published by
482:20th-century English dramatists and playwrights
291:Cheviot, the Stag and the Black, Black Oil, The
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83:was established in 1971 by McGrath, his wife (
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36:(1 June 1935 – 22 January 2002) was a British
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318:"What did you do in the class war, Daddy?"
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487:20th-century English male writers
226:Lacey, Stephen (1982), review of
113:in Scotland: the clearing of the
341:London and New York: Routledge.
149:Edinburgh International Festival
371:London: Nick Hern Books, 1996.
414:Popular Theatre: A Sourcebook.
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399:Six-Pack: Plays for Scotland.
145:A Satire of the Four Estaites
136:A Satire of the Three Estates
101:and theatrical techniques of
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352:MacLennan, Elizabeth. 1990.
412:Schechter, Joel, ed. 2003.
143:as a contemporary morality
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208:Two Plays for the Eighties
130:He adapted the satirical
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202:Paterson, Tony (1981),
163:In 1962 he had married
269:Obituary: John McGrath
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472:Scottish nationalists
467:Plays by John McGrath
397:McGrath, John. 1996.
382:McGrath, John. 1990.
367:McGrath, John. 1981.
204:Four Decades of Drama
189:wrote: "No one since
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48:Early life and career
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401:Edinburgh: Polygon.
337:Kershaw, Baz. 1992.
81:7:84 Theatre Company
267:Michael Billington
165:Elizabeth MacLennan
87:) and her brother (
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462:English socialists
295:, BFI screenonline
187:Michael Billington
175:McGrath died from
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34:John Peter McGrath
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386:London: Methuen.
356:London: Methuen.
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457:2002 deaths
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446:Categories
252:References
237:Cencrastus
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139:(1540) by
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38:playwright
429:Externals
246:0264-0856
222:0264-0856
42:Socialism
177:leukemia
119:shooting
332:Sources
293:(1974)"
197:Reviews
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