211:
29:
785:
69:, Smith was one of leading exponents of the mezzotint medium during the late 17th and early 18th centuries, and was regarded among first English-born artists to receive international recognition, along the younger painter
795:
199:, Williams, and others, retouching them and erasing the original engravers' names. Smith's latest print appears to have been the portrait of the young
483:
231:
In 1696, Kneller painted a portrait of Smith holding a
Kneller engraving and gave it to him. In 1716, Smith created a print from that portrait.
112:
Smith created approximately 500 plates; nearly 300 of these plates were portraits of notable men and women of the period between the reigns of
100:
At the end of his career, Smith retired to
Northamptonshire, where he died on 17 January 1742 at age 90. He was buried in the churchyard of
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553:
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800:
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85:, Northamptonshire, about 1652. He was articled to a painter named Tillet in London, and studied mezzotint engraving under
832:
311:
284:
20:
90:
573:
827:
117:
101:
232:
188:
723:
Vertue, George (1934). "The Note-Books of George Vertue
Relating to Artists and Collections in England (III)".
264:
145:
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673:
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97:, whose paintings he extensively reproduced, and in whose house he is said to have lived for some time.
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church, where there was a tablet to his memory and that of his wife Sarah, who died in 1717.
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381:
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The Old
Engravers of England in Their Relation to Contemporary Life and Art (1540-1800)
236:
129:
444:
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663:
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and started publishing his own works. Smith also reissued many plates by
Beckett,
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153:
133:
40:
28:
383:
Printmaking in
Britain: A General History from Its Beginnings to the Present Day
361:
759:
715:
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632:
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578:
563:
530:
502:
469:
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371:
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681:
487:. Vol. 51. Oxford, New York: Oxford University Press. pp. 202–203.
224:
The bulk of Smith's copperplates eventually came into the hands of publisher
187:
Most of Smith's early plates had been published by the renowned print seller
161:
62:
521:
A History of
Engraving & Etching from the 15th Century to the Year 1914
421:(September 1989). "Early Mezzotint Publishing in England. I: John Smith".
736:
82:
434:
65:
engraver and print seller. Closely associated with the portrait painter
446:
Prints and
Printmaking: an Introduction to the History and Techniques
218:
157:
149:
788: This article incorporates text from a publication now in the
548:. Vol. 28. New York: Grove's Dictionaries. pp. 881–882.
209:
27:
450:. Berkeley, Los Angeles: University of California Press. p.
244:
750:(in German). Vol. 31. Leipzig: E. A. Seemann. p. 172.
243:. Kneller's portrait of Smith is part of the collection of the
191:. In 1700, Smith became a printseller at the Lyon and Crown in
587:. Vol. 53. London: Smith, Elder & Co. p. 78.
481:. In Matthew, H. C. G. & Harrison, Brian (eds.).
640:Salaman, Malcolm C. (1910). Holme, Charles (ed.).
518:
443:
380:
387:. New York: New York University Press. pp.
601:(2nd ed.). London: George Bell. p.
598:A Dictionary of Artists of the English School
525:(3rd, fully rev. ed.). New York: Dover.
320:. Vol. 5. New York: Macmillan. pp.
8:
764:. Vol. 3. London: H. G. Bohn. pp.
702:. Strawberry Hill: Thomas Kirgate. pp.
345:. London, New Haven: Yale University Press.
317:Bryan's Dictionary of Painters and Engravers
120:. Smith used pictures from artists such as
804:. London: Smith, Elder & Co. 1885–1900.
747:Allgemeines Lexikon der bildenden Künstler
744:Vollmer, Hans, ed. (1937). "Smith, John".
93:. Smith became the favourite engraver of
484:Oxford Dictionary of National Biography
288:. Vol. 12. Paris: Gründ. pp.
256:
228:, who reprinted them in large numbers.
19:For Antiquity Smith (1766–1833), see
7:
571:O'Donoghue, Freeman Marius (1898).
148:. The rest of Smith's plates have
668:. London: H. Sotheran. pt. 3, pp.
201:Prince William, Duke of Cumberland
14:
772:– via the Internet Archive.
718:– via the Internet Archive.
684:– via the Internet Archive.
654:– via the Internet Archive.
635:– via the Internet Archive.
627:. London et al.: Cassell and Co.
613:– via the Internet Archive.
566:– via the Internet Archive.
533:– via the Internet Archive.
472:– via the Internet Archive.
413:– via the Internet Archive.
374:– via the Internet Archive.
336:– via the Internet Archive.
801:Dictionary of National Biography
783:
761:Anecdotes of Painting in England
584:Dictionary of National Biography
574:"Smith, John (1652?-1742)"
235:later engraved that image for
1:
646:. London et al.: The Studio.
285:Benezit Dictionary of Artists
51:
665:British Mezzotinto Portraits
379:Godfrey, Richard T. (1978).
343:The English Print, 1688–1802
21:John Thomas Smith (engraver)
442:Griffiths, Anthony (1996).
282:Bénézit, Emmanuel (2006) .
156:, and genre subjects after
849:
477:Griffiths, Antony (2004).
366:. London: Methuen and Co.
18:
16:English mezzotint engraver
542:. In Turner, Jane (ed.).
538:Jeffree, Richard (1996).
360:Davenport, Cyril (1904).
341:Clayton, Timothy (1997).
796:Smith, John (1652?-1742)
699:A Catalogue of Engravers
102:St Peter's, Northampton
643:Old English Mezzotints
221:
44:
545:The Dictionary of Art
213:
178:Egbert van Heemskerck
144:, Edward Gibson, and
31:
833:People from Daventry
660:Smith, John Chaloner
245:Tate Gallery, London
725:The Walpole Society
619:Salaman, Malcolm C.
265:picture at the Tate
95:Sir Godfrey Kneller
222:
174:Godfried Schalcken
81:Smith was born in
45:
828:English engravers
540:"Smith, John (i)"
419:Griffiths, Antony
215:Loves of the Gods
91:Jan van der Vaart
61:) was an English
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507:Internet Archive
505:– via the
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302:– via the
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731:. whole issue.
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515:Hind, Arthur M.
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275:Further reading
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205:Joseph Highmore
142:John Closterman
126:Godfrey Kneller
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71:William Hogarth
67:Godfrey Kneller
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33:Godfrey Kneller
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237:Horace Walpole
233:Samuel Freeman
207:, dated 1729.
130:Willem Wissing
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226:John Boydell
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197:Bernard Lens
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184:and others.
166:Parmigianino
154:mythological
134:Michael Dahl
111:
99:
80:
47:
46:
41:Tate Britain
36:
25:
823:1742 deaths
779:Attribution
579:Lee, Sidney
59: 1742
55: 1652
812:Categories
716:1039533429
652:1049974212
633:1049965266
611:1043009709
564:1033666104
531:1035610203
503:1035757378
470:1036831840
411:1151065422
372:1049687052
363:Mezzotints
334:1041637252
138:John Riley
122:Peter Lely
114:Charles II
57: – c.
48:John Smith
37:John Smith
737:i40086509
682:679810041
241:Anecdotes
162:Correggio
118:George II
63:mezzotint
758:(1849).
692:(1765).
621:(1906).
595:(1878).
517:(1963).
435:41824523
217:, after
203:, after
83:Daventry
43:, London
39:, 1696,
792::
696:(ed.).
581:(ed.).
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332:
296:
219:Titian
158:Titian
150:sacred
733:JSTOR
577:. In
431:JSTOR
251:Notes
108:Works
712:OCLC
678:OCLC
674:1241
670:1131
648:OCLC
629:OCLC
607:OCLC
560:OCLC
550:ISBN
527:OCLC
499:OCLC
489:ISBN
466:OCLC
456:ISBN
407:OCLC
397:ISBN
368:OCLC
347:ISBN
330:OCLC
294:ISBN
290:1372
263:See
116:and
89:and
77:Life
798:".
770:963
766:961
708:118
704:116
603:403
239:'s
814::
729:22
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710:.
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52:c.
35:,
794:"
768:–
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427:6
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50:(
23:.
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