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to describe an approach within electronic music that shirks working with corporate technology and virtualness and focuses on a do-it-yourself ethos, found objects and the physical in relation to the human body. Richards also began to explore these ideas through workshops and performances. In 2003, he
158:), and have released material on Bullen’s label Monium. Whilst working with kREEPA, Richards developed the kreepback instrument: an assemblage of self-built sound generating devices and discarded analogue audio hardware patched together to create a feedback labyrinth. His connection with
242:(Amsterdam). As Dirty Electronics, Richards has explored the intersection between artwork/copper etching and printed circuit board in a number of touch instruments. In 2011, Dirty Electronics collaborated with graphic designer
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where he helped initiate the Music, Technology and
Innovation, and Music, Technology and Performance degrees. He has written a number of academic papers and articles on contemporary electronic music that in particular cover
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formed the Dirty
Electronics Ensemble, a large group that is often made-up of workshop participants where making things and performances are intrinsically linked. The group have performed specially commissioned pieces by
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community. He received a mention at the
Institut International de Musique Electroacoustique de Bourges in 1997, and in the same year had a work performed at
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Richards, John. "32kg: Performance Set-ups for the Post-Digital Age." Proceedings of NIME 06. IRCAM, Paris (2006): 283-287.
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Richards, John. "Lead & Schemas." Roland: The ICA’s
Magazine. London: Institute of Contemporary Arts. Issue 9 (2011).
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Richards, John. "Getting the Hands Dirty." Leonardo Music
Journal. 18.1 (2008): 25-31.
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label, the most notable of these being a work for piano and electronics performed by
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where he completed a PhD in electroacoustic music in 2002. In 1999, he joined
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in 1990. Key contributors to the work of kREEPA have been
British saxophonist
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has also received international recognition. kREEPA was formed in 2000 with
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has continued, and he released in different guises pieces on
Prokofiev’s
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92:, England) is a British musician and composer working in the field of
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In the mid-1990s, Richards’ works began to be recognised amongst the
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as part of the Music, Technology and
Innovation Research Group, now
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Hugill, Andrew. The
Digital Musician. New York: Routledge, 2008.
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218:). Other notable collaborations have included working with
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to create a specially commissioned hand-held synth for
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69:Learn how and when to remove this message
422:MTIRC, De Montfort University, Leicester
105:Huddersfield Contemporary Music Festival
32:This article includes a list of general
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136:Dartington International Summer School
282:theory, new modes of performance and
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296:Ears: ElectroAcoustic Resource Site
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451:Alumni of the University of York
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255:Dartington College of Arts
395:www.souljazzrecords.co.uk
391:Dirty Electronics website
330:"NIME 06 - IRCAM - Paris"
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407:www.nonclassical.co.uk
275:De Montfort University
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446:People from Bideford
418:22 July 2010 at the
409:nonclassical records
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150:(founder member of
144:Cesar Villavicencio
259:University of York
244:Adrian Shaughnessy
413:www.mti.dmu.ac.uk
232:Throbbing Gristle
204:Gabriel Prokofiev
200:Scratch Orchestra
179:dirty electronics
170:with re-mixes by
160:Gabriel Prokofiev
124:Soul Jazz Records
109:Gabriel Prokofiev
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248:Mute Records
228:Chris Carter
212:Napalm Death
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164:nonclassical
152:Napalm Death
140:Paul Dunmall
122:group Sand (
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461:1966 births
280:postdigital
267:Leigh Landy
224:Stockhausen
183:punktronics
51:introducing
430:Categories
403:Mute Synth
290:References
236:Keith Rowe
222:(original
34:references
284:hybridity
120:post-punk
416:Archived
334:Nime.org
299:Archived
257:and the
226:group),
86:Bideford
59:May 2020
188:Merzbow
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128:kREEPA
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