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87:, where his brother Henry had preceded him. Having won the English verse prize on the subject of "Venice" in 1856, he was taken away comparatively young, in order to enter his father's office. There he remained for two or three years, finishing his articles in London. Admitted a solicitor and in practice for a brief period, he decided to devote himself to art, and entered himself as a student at Heatherley's and at the
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295:"A committee was elected, of which Mr. J. T. Nettleship, already well known as a Browning student, was one of the most conspicuous members; and by the end of October a small Society had come into existence, which held its inaugural meeting in the Botanic Theatre of University College" (
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137:(1895). The book brought about an intimate friendship between the poet and his critic. Another book that shows both his mature power of literary expression and his opinions about his own art is
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social and artistic group. He created a group of what he called "Blake drawings" exploring the style of the poet-artist. He also made the Blake-influenced illustrations to
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133:, which was probably the first serious study of the poet. It passed through three editions with considerable enlargements. The third edition was titled
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Nettleship was far more than a painter. His intellectual sympathies were unusually wide. In 1868, when only twenty-seven, he published a volume of
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203:, whose mid-century reputation was in the doldrums. This brought him Browning's friendship. He was prominent as a founder of the
183:. A memorial tablet in bronze, designed by Sir George Frampton, with the aid of two locally born artists, Sir Alfred East and
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106:, for whom he painted a cheetah hunt as well as an equestrian portrait. In his later years he took to the medium of
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36:(11 February 1841 – 31 August 1902) was a British artist, known as a painter of animals and in particular
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For twenty-seven years (1874–1901) he exhibited spacious oil pictures of lions, tigers, etc., at the
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Cotton, J. S.; Pottle, Mark (reviewer) (September 2010) . "Nettleship, John
Trivett (1841–1902)".
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on 11 February 1841, the second son of Henry John
Nettleship, a solicitor there, and brother of
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George
Morland: and the evolution from him of some later painters
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George
Morland and the Evolution from him of some Later Painters
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George
Morland and the Evolution from him of some Later Painters
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Nettleship died in London on 31 August 1902, and was buried at
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141:(1898). Here there are touches of self-portraiture.
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102:. In 1880 Nettleship was invited to India by the
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463:(online ed.). Oxford University Press.
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491:Works by or about John Trivett Nettleship
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91:in London, but was largely self-taught.
460:Oxford Dictionary of National Biography
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254:. London: Macmillan. 1868 – via
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27:A Lion Sharpening its Claws on a Tree
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135:Robert Browning: Essays and Thoughts
382:Life and Letters of Robert Browning
268:. London: Seeley. 1898 – via
430:Cotton, James Sutherland (1912). "
251:Essays on Robert Browning's poetry
197:Essays on Robert Browning's poetry
131:Essays on Robert Browning's Poetry
98:and for most of the period at the
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540:19th-century English male artists
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441:Dictionary of National Biography
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121:'s poem "A Neglected Harp" in
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520:19th-century English painters
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174:Epic of Women and other poems
160:, on friendly terms with the
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380:Leighton, Alexandra (2005).
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375:. Vol. I. p. 12.
16:British artist (1841–1902)
119:Arthur W.E. O’Shaughnessy
432:Nettleship, John Trivett
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403:Trodd, Colin (2012).
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373:W. B. Yeats: A Life
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479:required.)
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70:Geddington
307:Citations
283:Footnotes
176:in 1870.
64:, and of
50:Kettering
371:(1998).
215:(1898).
201:Browning
493:at the
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361:Sources
191:Writing
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