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After her mother's death in 1873, when she was 21, her father married Juana Vargas Ceda. At that point, her father and Juana did not reside in the same house, so they had to start poverty file proceedings. María Ceda, Juana's mother, was responsible for raising her, along with her stepsister, Antonia
723:"Pepa was a leading flamenco dancer and arrogant figure and, though she was not a gypsy, anyone would have assumed that she was cañí. As her best show, she sang and danced at the same time milongas with tango beat. The audience applauded with great enthusiasm."
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In
January 2018, the Cádiz City Council, at the request of the director of Culture and the “El Buen Compás” association, approved the name change of the “Beni de Cádiz” square in the Santa María neighborhood to the “Pepa de Oro” square.
285:, and the flamenco singer Agustina Fernández Fernández. Pepa de Oro, was better known for her role in the world of dance than in that of folk singing. As young girl she accompanied her father in the bullfighting seasons of
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In her youth, Pepa de Oro married a banderillero. After her first husband died, she married
Esteban de Jerez¸ whom she later divorced. Finally, she lived with a flamenco singer from
550:. Nevertheless, the tonal ambiguity between the major and the minor at some parts of the singing process is a characteristic feature of the milonga, which usually ends up in minor.
639:
Pepe de la
Matrona (1887 – 1980), flamenco singer, recalled Pepa de Oro’s folk singing and was presented clean of the excipients which characterized the marchenista folk singing.
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Her grandfather, on her father’s side, was the bullfighter Gaspar Díaz
Cantoral also known as Lavi, and her great-grandparents were the bullfighters, José Díaz Jorge, known as
693:” was the last artistic creation that the genre had had. Its most powerful defenders had been some flamenco divos, those who gave it harmonious and theatrical worth.
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Since the 13th
Edition coincided with the celebration of the 5th Centenary of America, it was decided that a new group in the section of “folk singing” be added:
42:
421:, where she shared the stage with artists such as Enriqueta la Macaca, Carmen la Pichira, Carlota Ortega or Antonia Gallardo la Coquinera, among others.
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Fernando el de Triana, writer, librettist, and flamenco singer and guitarist wrote the following in his book “Arte y artistas flamencos” (1935):
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From a musical perspective, it is more interesting the flamenco touch of a foreign music, though it keeps the original rhythm and accent.
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and tango-tiento beat is the one Pepa de Oro made popular at the end of the 19th
Century. She merged it with the choreographic
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564:. This confusion is mainly due to two aspects: the similar rhythmic and melodic nature of both styles and the mention of
553:
The harmonious scheme is based in the alternation between tonic and dominant with variations established by each artist.
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405:. Upon her return to Spain, Pepa de Oro had adapted the Argentinian milonga to her most peculiar musical style,
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from the ninth chord to the eighth in the fourth string (on top). That is a paradigmatic element of flamenco
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from the colonies by the end of the 19th century, reminiscing in their music the memories of
American lands.
310:, both of whom were gypsies. Another brother of her grandfather, Gaspar was another bullfighter, Manuel Díaz
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is a famous cantabile style and comes from the “payada de contrapunto”, having deep connections with the
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This time the author was wrong: she was indeed from a gypsy family, and therefore a gypsy herself.
314:, and one of their sisters was Gabriela, who married the bullfighter José Gabriel Ortega, known as
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The
Concurso Nacional de Arte Flamenco de Córdoba (National Competition of Flamenco Art in
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as the main act everywhere she performed. In those days, Pepa got to perform in the
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Finding a name for this new category sparked a great debate. On the one hand, the “
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on 29 January 1871. She was the daughter of the bullfighter
Francisco Díaz García,
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with its sequence of verses about a brief melodic motif, and the second the final
949:"El equipo de gobierno propone dedicar un paseo en Puntales a José Manuel Hesle"
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The milonga followed an evolutive process that probably had its origins in the
650:) created in its 13th Edition (1992) the “Pepa de Oro Award” first prize for
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folk singing and gave it its unique style, mastering the rhythm of the
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by the colonists, the deported, artists and soldiers who went back to
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This folk singing has two distinguished parts: the first is the true
511:¸ and it was between 1880 and 1910 that the milonga reached the top.
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The first type of milonga has a base of flamenco and ends with the
830:"Ruta por la Bienal del siglo XIX: los cafés cantantes de Sevilla"
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716:. Suddenly, the name of Pepa de Oro rose up and won the debate.
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Manolo
Caracol, Enrique Ortega el Gordo, Jacoba, Ortega el Viejo
299:; and she is credited for the creation of the flamenco milonga.
401:, became Pepa de Oro’s manager and organised her a tour around
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Her mother's brothers were the great singers María Fernández,
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436:. She left the music world, despite struggling financially.
806:"PEPA DE ORO - CANTAORES/AS - El Arte de Vivir el Flamenco"
597:, which also plays to the accompaniment of the Argentinian
383:... In 1885 she was already In full artistic swing in the
923:"Josefa Díaz Fernández "Pepa de Oro" - Ateneo de Córdoba"
390:, receiving great applause from the fans who filled the
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She shot to fame when she introduced Spain to the first
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flamenca is considered as a musical style derived from
247:, 29 January 1871 – Cádiz, 18 May 1918), was a Spanish
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and has a minor tonality, closer to the style of the
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She died at the age of 47, on May 25, 1918 in Cádiz.
306:, and the flamenco singer María Cantoral Valencia,
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620:for it to be sung at the same time it is danced.
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483:at a metrical-rhythmical and harmonious angle.
428:known as El Macareno. Both set up a hostel in
359:Pepa de Oro was a very popular figure in the “
583:is the performance by a Spanish guitar of an
8:
556:People usually cannot differentiate between
221:Francisco Díaz García "Paco de Oro" (father)
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542:The second type is more unhurried in its
109:Learn how and when to remove this message
523:, milonga is based in the metric of the
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539:, giving the dance side to the style.
341:and a long list of others in dancing.
289:. There she encountered and absorbed
224:Agustina Fernández Fernández (mother)
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16:Spanish flamenco singer (1871–1918)
708:had a challenge: not to name the “
704:On the other hand, the Contest in
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409:, and she offered shows with the
777:"Universidad Estatal de Paraíba"
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804:flamenco, El arte de vivir el.
34:needs additional citations for
348:and Pedro Fernández, known as
1:
323:, Joselito el Cuco, Barrambín
990:19th-century Spanish dancers
859:www.flamencasporderecho.com
810:elartedevivirelflamenco.com
356:Díaz Vargas, born in 1884.
1021:
947:SER, Cadena (2018-01-24).
893:"Milongas | Flamencopolis"
575:Another characteristic of
202:Flamenco dancer and singer
493:and other styles such as
758:(in Spanish). 2018-03-02
670:, and second place for
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273:Josefa Díaz Fernández,
58:"Josefa Díaz Fernández"
1005:Spanish female dancers
855:"cantaora Pepa de Oro"
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710:cantes de ida y vuelta
691:cantes de ida y vuelta
448:History of the milonga
955:(in European Spanish)
899:(in European Spanish)
897:www.flamencopolis.com
861:(in European Spanish)
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683:cante de ida y vuelta
605:Pepa de Oro's milonga
335:Joselito de la Morala
236:, popularly known as
234:Josefa Díaz Fernández
128:Josefa Díaz Fernández
399:Jerez de la Frontera
397:Juan Junquera, from
365:Jerez de la Frontera
43:improve this article
927:ateneodecordoba.com
394:night after night.
350:El Viejo de la Isla
329:, in bullfighting;
251:dancer and singer.
1000:People from Cádiz
415:Salón Filarmónico
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191:Other names
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752:"PEPA DE ORO"
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929:(in Spanish)
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164:(1918-05-18)
162:May 18, 1918
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41:Please help
36:verification
33:
995:1871 births
985:1918 deaths
668:colombianas
503:. In 1860,
443:The milonga
388:de Caviedes
346:La Borrico,
283:Paco de Oro
275:Pepa de Oro
238:Pepa de Oro
194:Pepa de Oro
181:Nationality
99:August 2020
974:Categories
959:2018-05-26
953:Cadena SER
933:2018-05-26
903:2018-05-26
865:2018-05-26
840:2018-05-26
815:2018-05-26
762:2018-05-26
756:Diario Sur
735:References
304:Agualimpia
140:1871-01-29
69:newspapers
676:vidalitas
595:vidalitas
581:vidalitas
562:vidalitas
403:Argentina
269:Biography
265:in 1904.
695:Zarzuela
672:milongas
653:guajiras
611:flamenco
590:milongas
577:milongas
572:coplas.
568:in some
566:vidalita
558:milongas
548:vidalita
531:Tonality
521:vidalita
479:and the
477:habanera
458:flamenco
407:Flamenco
263:folklore
257:milongas
249:flamenco
834:sevilla
706:Córdoba
644:Córdoba
635:Homages
629:rumbita
625:milonga
618:milonga
614:milonga
599:milonga
570:milonga
537:rumbita
519:As the
509:milonga
507:became
473:milonga
454:milonga
426:Seville
419:Seville
411:milonga
377:Sevilla
316:Chicuco
292:milonga
215:Parents
185:Spanish
83:scholar
515:Rhythm
505:triste
495:triste
491:yaravi
430:Madrid
381:Madrid
373:Málaga
207:Spouse
85:
78:
71:
64:
56:
780:(PDF)
712:” as
648:Spain
544:tempo
500:cifra
466:Spain
462:Spain
434:Cádiz
392:cafés
369:Cádiz
327:Lillo
297:tango
279:Cádiz
245:Cádiz
174:Spain
170:Cádiz
152:Spain
148:Cádiz
90:JSTOR
76:books
697:and
674:and
593:and
579:and
560:and
497:and
452:The
385:Café
333:and
325:and
312:Lavi
159:Died
134:Born
62:news
417:in
363:in
45:by
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