201:. Their work, which used acrylic paints to create designs representing body painting and ground sculptures, rapidly spread across Indigenous communities of central Australia, particularly after the introduction of a government-sanctioned art program in central Australia in 1983. By the 1980s and '90s, such work was being exhibited internationally. The first artists, including all of the founders of the
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has ranked her as amongst the country's top 200 Indigenous artists, noting that she has become "known for innovative works that create a sense of visual harmony through fine variegated fields of immaculately applied dotting". Her style is described by
Indigenous art writers Birnberg and Kreczmanski
168:, north-east of Alice Springs, which is where she was living when she began painting around 1990. They had seven children, one of whom, Damien Petrick, went on to become an artist like his mother. By 2008, Josie Petrick's husband had died, and Petrick was dividing her time between Alice Springs and
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of the
Anmatyerre people. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as terms of address, they are not surnames in the sense used by Europeans. Thus Josie Petrick is the element of the
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dreaming represents a plant of the central
Australian desert which is "a source of physical and spiritual sustenance, reminding of the sacredness of country". These paintings are undertaken with red, blue and orange dots that represent the fruit at different stages in its development. She also
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When
Josepha Petrick began painting for Mbantua Gallery in central Australia, she indicated that her name was Josepha rather than Josie, and that this was how she henceforth wished to be known; however Mbantua's biography is the only source that has used that version of her name.
289:", or stories, for which they have responsibility or rights. These stories are used to pass "important knowledge, cultural values and belief systems" from generation to generation. Paintings by Petrick portray two different groups of dreamings, rendered in two distinct styles.
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22,800. Josepha
Petrick's works are strongly coloured and formalist in composition and regularly appear at commercial art auctions in Australia. Her art appears to have survived the huge contraction of the primary art market in Australia since 2008. There is no existing
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artists' company, were men, and there was resistance among the
Pintupi men of central Australia to women also painting. However, many of the women wished to participate, and in the 1990s many of them began to paint. In the western desert communities such as Utopia,
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Josepha
Petrick began painting about 1990 or 1992 as part of the contemporary Indigenous art movement that had begun at Papunya in the 1970s. By 1998 her work was being collected by both private and public institutions, such as
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259:. Petrick's paintings have been included at exhibitions in several private galleries in Melbourne and Hong Kong, as well as at the Australian embassy in Washington in 2001.
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Contemporary
Indigenous art of the western desert began in 1971 when Indigenous men at Papunya created murals and canvases using western art materials, assisted by teacher
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451:. Vol. 2. Canberra, ACT: Aboriginal Studies Press for the Australian Institute of Aboriginal and Torres Strait Islander Studies. p. 977.
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22,000. As of the end of 2008, the highest recorded auction price for an item of
Petrick's work was $ 22,800, set in May 2007. An image based on a
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Dussart, Francoise (2006). "Canvassing identities: reflecting on the acrylic art movement in an
Australian Aboriginal settlement".
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Strocchi, Marina (2006). "Minyma Tjukurrpa: Kintore / Haasts Bluff Canvas Project: Dancing women to famous painters".
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298:) and dreamings, and these are created using rows of coloured dots and include representations of women's ceremonial
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Journalist Zelda Cawthorne described Petrick as one of the "finest contemporary Aboriginal artists". Art consultant
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247:. Her career received a significant boost when her work was included in the National Gallery of Victoria's 2006
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Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region
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Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region
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749:. Eleonora Triguboff, Art & Australia, and Australia Council for the Arts. pp. 46–50.
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Papunya – A place made after the story: The beginnings of the Western Desert painting movement
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A painting by Josie Petrick, showing the 'bush plum' pattern characteristic of her works.
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Petrick's work is held in a variety of public and private collections, including
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In 2006 a commissioned work by Petrick was exhibited at Shalom College at the
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exhibition and its catalogue; her painting was printed opposite that of
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Skerritt, Henry (12 April 2007). "Invisible artist of the desert".
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Aboriginal Artists of the Western Desert: A Biographical Dictionary
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of Josepha Petrick's artworks, to date, no fakes have been cited.
574:. Melbourne, VIC: Miegunyah Press & University of Melbourne.
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Motion vision: computational, neural, and ecological constraints
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De Brabander, Dallas (1994). "Sections". In David Horton (ed.).
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149:, born around 1945 or 1953 at the Santa Teresa Mission, near
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List of Indigenous Australian art movements and cooperatives
485:. Marleston, South Australia: J.B. Publishing. p. 125.
690:. Marleston, South Australia: J.B. Publishing. p. 13.
392:. Mbantua Art Gallery & Cultural Museum. Archived from
100:. Since first taking up painting around 1990, her works of
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National Aboriginal & Torres Strait Islander Art Award
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Australian Indigenous Art Commission: Musee du quai Branly
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as part of a charity fundraising exhibition. It sold for
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have been acquired by several major collections including
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as an "interesting, modern interpretation of landscape".
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is represented in Josie Petrick's paintings of bush plum
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Central Australian artists frequently paint particular "
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Cawthorne, Zelda (11 July 2001). "Curator with clout".
808:. Roseville East, NSW: Craftsman House. pp. 7–12.
515:. Melbourne: National Gallery of Victoria. p. 89.
124:). One of her paintings sold at a charity auction for
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Top 200 Australian Aboriginal Artists Special Feature
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88:(born ca. 1945 or ca. 1953, date uncertain) is an
160:After marrying Robin Petyarre, brother of artist
770:Zanker, Johannes M.; Zeil, Jochen, eds. (2001).
27:Anmatyerre-speaking Indigenous Australian artist
722:. National Gallery of Victoria. Archived from
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836:. Australian Government. 2008. Archived from
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686:Birnberg, Margo; Janusz Kreczmanski (2004).
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804:Johnson, Vivien (1994). "Introduction".
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354:artist's name that is specifically hers.
570:Bardon, Geoffrey; James Bardon (2007).
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940:Contemporary Indigenous Australian art
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551:from the original on 18 September 2010
422:. Central Land Council. Archived from
102:contemporary Indigenous Australian art
78:Contemporary Indigenous Australian art
1406:21st-century Australian women artists
624:. London: Phaidon. pp. 261–316.
506:National Gallery of Victoria (2006).
448:Encyclopaedia of Aboriginal Australia
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1001:Pukatja (Ernabella), South Australia
1391:Artists from the Northern Territory
153:in Australia's Northern Territory.
120:" and women’s ceremonies (known as
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976:Alice Springs, Northern Territory
386:"Josepha (Josie) Petrick Kemarre"
986:Haasts Bluff, Northern Territory
1411:21st-century Australian artists
1152:Susie Bootja Bootja Napaltjarri
547:. Aboriginal Art Coop Gallery.
1288:Long Jack Phillipus Tjakamarra
745:Claire Armstrong, ed. (2006).
541:"Josie Petrick Kemarre c.1953"
141:Josepha Petrick Kemarre is an
1:
1381:Australian Aboriginal artists
264:University of New South Wales
1313:Clifford Possum Tjapaltjarri
1011:Yuendumu, Northern Territory
675:(3): 68. January–March 1998.
509:Annual Report 2005-06 Part 2
327:National Gallery of Victoria
245:National Gallery of Victoria
110:National Gallery of Victoria
1308:Billy Stockman Tjapaltjarri
1298:Yala Yala Gibbs Tjungurrayi
996:Papunya, Northern Territory
991:Kintore, Northern Territory
776:. Berlin: Springer-Verlag.
294:paints women’s ceremonies (
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1318:Mick Namarari Tjapaltjarri
1006:Utopia, Northern Territory
1396:Australian women painters
1323:Timmy Payungka Tjapangati
1172:Valerie Lynch Napaltjarri
1122:Ngoia Pollard Napaltjarri
1112:Molly Jugadai Napaltjarri
1102:Linda Syddick Napaltjarri
1082:Daisy Jugadai Napaltjarri
935:Araluen Cultural Precinct
669:"Josie Petrick Kemarre".
1303:Turkey Tolson Tjupurrula
1278:Paddy Japaljarri Stewart
1237:Ruby Tjangawa Williamson
1167:Topsy Gibson Napaltjarri
1142:Peggy Rockman Napaljarri
1097:Kitty Pultara Napaljarri
1077:Biddy Rockman Napaljarri
981:Balgo, Western Australia
714:Kemarre, Josie Petrick.
672:Australian Art Collector
416:"Kinship and skin names"
319:Charles Sturt University
241:Charles Sturt University
112:. Her paintings portray
1147:Sheila Brown Napaljarri
1132:Norah Nelson Napaljarri
1117:Mona Rockman Napaljarri
1092:Helen Nelson Napaljarri
1042:Lucy Napaljarri Kennedy
1032:Josepha Petrick Kemarre
176:Professional background
86:Josepha Petrick Kemarre
36:Josepha Petrick Kemarre
1222:Maggie Napaljarri Ross
1052:Barbara Mbitjana Moore
876:Herald Sun (Melbourne)
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48:Santa Teresa Mission,
1127:Nora Andy Napaltjarri
1062:Doreen Reid Nakamarra
1047:Emily Kame Kngwarreye
861:Sydney Morning Herald
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172:, to its north-east.
147:Indigenous Australian
94:Indigenous Australian
18:Josie Petrick Kemarre
1328:Yannima Tommy Watson
1177:Wintjiya Napaltjarri
1162:Tjunkiya Napaltjarri
1157:Takariya Napaltjarri
1072:Ada Andy Napaltjarri
390:Our selected artists
325:Collection, and the
257:Musée du quai Branly
253:Yannima Tommy Watson
1401:Australian painters
1283:Anatjari Tjakamarra
945:Hermannsburg School
426:on 10 November 2010
396:on 23 February 2011
137:Personal background
1293:Kaapa Tjampitjinpa
1187:Dorothy Napangardi
1182:Makinti Napanangka
1137:Parara Napaltjarri
1087:Eileen Napaltjarri
969:Significant places
597:Aboriginal History
539:Newstead, Adrian.
420:People and culture
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131:Catalogue raisonné
50:Northern Territory
45:circa 1945 or 1953
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1207:Kathleen Petyarre
1107:Louisa Napaljarri
840:on 29 August 2007
716:"Untitled (2001)"
581:978-0-522-85434-3
458:978-0-85575-234-7
98:Central Australia
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16:(Redirected from
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1263:Albert Namatjira
1197:Naata Nungurrayi
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1067:Narputta Nangala
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276:Bush Berries
275:
274:by Petrick,
261:
248:
237:
203:Papunya Tula
196:
184:
159:
155:
140:
96:artist from
85:
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29:
1359:Warlugulong
1337:Major works
789:15 November
300:iconography
220:outstations
170:Harts Range
58:Nationality
52:, Australia
1375:Categories
844:12 January
730:5 November
603:: 156–168.
555:5 November
430:23 October
400:5 November
362:References
145:-speaking
143:Anmatyerre
92:-speaking
90:Anmatyerre
61:Australian
347:skin name
291:Bush plum
287:dreamings
249:Landmarks
114:bush plum
1352:Gulgardi
620:(1999).
549:Archived
272:triptych
212:Yuendumu
191:dreaming
118:dreaming
108:and the
74:Movement
69:Painting
916:Central
315:Artbank
208:Kintore
106:Artbank
812:
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753:
694:
628:
578:
489:
455:
317:, the
296:Awelye
226:Career
166:Utopia
122:Awelye
513:(PDF)
333:Notes
216:Balgo
918:and
846:2011
810:ISBN
791:2010
778:ISBN
751:ISBN
732:2010
692:ISBN
655:(4).
626:ISBN
576:ISBN
557:2010
487:ISBN
453:ISBN
432:2009
402:2010
42:Born
922:art
268:A$
126:A$
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