78:
to as "holding onto") of awelye practices. Many younger generations are separated from community estates for educational, health, and employment opportunities in larger towns and cities. Additionally, the introduction of television and radio has succeeded most ceremonial traditions as the dominant form of entertainment.
77:
Awelye is still actively practised by
Anmatyerre and Alyawarr peoples. Although, rapid post-colonial social and demographic changes such as the degeneration of clan family structures into smaller nuclear family units, has made it difficult for the intergenerational transmission (colloquially referred
61:
The practice of awelye is a collective form of matrilineal kinship and sharing of knowledge of the land, customs, and
Dreamtime stories. Teachings are expressed in different modalities such as song, rhythm, melody, gestures and dance, gathering, graphic imagery, totem objects, and spatial
69:
has observed, awelye has an increasingly important role in "the political and social recognition of performance in gaining and continuing to assert rights to land in contemporary
Australian society".
90:
has observed, "though
Aborigines have no tradition of making portable paintings; they are all painters. Part of 'awelye', is painting the body with ceremonial designs."
248:
201:
65:
Awelye is important to kin bonding, education of country, and the passing on of tradition, which is done through gradual participation of the young. Furthermore, as
252:
46:
stories that are part of awelye. The practice of awelye is still actively performed throughout
Central Australia for both social and healing purposes.
116:
Barwick, Linda; Laughren, Mary; Turpin, Myfany (December 2013). "Sustaining Women'sYawulyu/Awelye: Some
Practitioners' and Learners' Perspectives".
42:
indigenous nations in the
Northern Territory, Australia. The term can also be used to describe the songs, dances, totems, knowledge of country, and
288:
224:
178:
62:
orientation. Within awelye, there are many differentiated roles and relationships which form a complex whole.
242:
151:
34:
nations) is a ceremonial tradition that includes body painting and is practiced by women by the
230:
220:
195:
184:
174:
143:
50:
133:
125:
27:
268:, season 1, episode 25, "Germain Greer," created by Wim Kayzer, accessed April 27, 2020,
171:
Awelye akwelye : Kaytetye women's traditional songs from
Arnerre, Central Australia
87:
282:
155:
66:
129:
269:
35:
234:
188:
147:
43:
39:
31:
138:
16:
Aboriginal
Australian ceremonial tradition involving body painting
169:
Ross, Alison
Ngamperle. Turpin, Myfany. The Singers. (2003),
173:, Papulu Aparr-Kari Language and Culture Centre,
8:
247:: CS1 maint: multiple names: authors list (
200:: CS1 maint: multiple names: authors list (
270:https://www.youtube.com/watch?v=1uPaeEmnvHA
251:) CS1 maint: numeric names: authors list (
137:
99:
240:
193:
7:
111:
109:
107:
105:
103:
49:Equivalent male ceremonies include
14:
86:Australian public intellectual
1:
289:Indigenous Australian culture
130:10.1080/08145857.2013.844491
215:Bell, Diane, 1943- (2010).
305:
266:Of Beauty and Consolation
217:Daughters of the dreaming
118:Musicology Australia
219:. Spinifex Press.
226:978-1-74219-413-4
53:(also yilpinji).
296:
273:
263:
257:
256:
246:
238:
212:
206:
205:
199:
191:
166:
160:
159:
141:
113:
304:
303:
299:
298:
297:
295:
294:
293:
279:
278:
277:
276:
264:
260:
239:
227:
214:
213:
209:
192:
181:
168:
167:
163:
115:
114:
101:
96:
84:
75:
59:
17:
12:
11:
5:
302:
300:
292:
291:
281:
280:
275:
274:
258:
225:
207:
179:
161:
124:(2): 191–220.
98:
97:
95:
92:
83:
82:Interpretation
80:
74:
71:
58:
55:
15:
13:
10:
9:
6:
4:
3:
2:
301:
290:
287:
286:
284:
271:
267:
262:
259:
254:
250:
244:
236:
232:
228:
222:
218:
211:
208:
203:
197:
190:
186:
182:
180:0-947154-00-0
176:
172:
165:
162:
157:
153:
149:
145:
140:
135:
131:
127:
123:
119:
112:
110:
108:
106:
104:
100:
93:
91:
89:
88:Germain Greer
81:
79:
72:
70:
68:
67:Linda Barwick
63:
56:
54:
52:
47:
45:
41:
37:
33:
29:
25:
21:
265:
261:
216:
210:
170:
164:
121:
117:
85:
76:
73:Continuation
64:
60:
57:Significance
48:
23:
19:
18:
139:2123/20398
94:References
36:Anmatyerre
243:cite book
235:614374647
189:951508765
156:143495992
148:0814-5857
44:Dreamtime
32:Warumungu
283:Category
196:citation
51:pujjarli
40:Alyawarr
28:Warlpiri
24:Yawulyu"
22:(also "
233:
223:
187:
177:
154:
146:
20:Awelye
152:S2CID
253:link
249:link
231:OCLC
221:ISBN
202:link
185:OCLC
175:ISBN
144:ISSN
38:and
30:and
134:hdl
126:doi
26:in
285::
245:}}
241:{{
229:.
198:}}
194:{{
183:,
150:.
142:.
132:.
122:35
120:.
102:^
272:.
255:)
237:.
204:)
158:.
136::
128::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.