Knowledge (XXG)

Audio Engineering Society

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40: 2394: 148:. A New York engineer and audio consultant, C.J. LeBel, then published a letter agreeing, and saying that a group of audio professionals had already been discussing such a thing, and that they were interested in holding an organizational meeting. He asked interested persons to contact him for details. The response was enthusiastic and encouraging. Fellow engineer 995: 2381: 159:
in New York City on February 17, 1948. Acting chairman LeBel spoke first, emphasizing the professional, non-commercial, independent nature of the proposed organization. Acting Secretary Norman Pickering then discussed the need for a professional organization that could foster an exchange of knowledge
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The AES British Section, which was the first and is also the largest outside the US, issues a monthly newsletter and holds regular lectures, usually in London, with occasional visits to studios and other places of interest. Lectures, which are often on topics of topical interest to audio enthusiasts
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23 Technical Committees advise the AES Technical Council on emerging trends and areas of interest in the audio engineering community. The Committee meetings, held at Conventions, are open to participation by members and non-members alike, and are the venue for planning workshops, seminars and
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The AES Gold Medal is the Society's highest honor, and given in recognition of outstanding achievements, sustained over a period of years, in the field of Audio Engineering. The award was established in 1971; it was formerly known as the John H. Potts Memorial Award.
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The idea of a society dedicated solely to audio engineering had been discussed for some time before the first meeting, but was first proposed in print in a letter by Frank E. Sherry, of Victoria, Texas, in the December 1947 issue of the magazine
248:), through a consensus system open to anyone materially affected by such standards, develops and publishes a number of standards on the subject of analog and digital audio recording, transmission, and/or reproduction. Notable standards include: 160:
in this quickly-growing field. The group agreed to form the Audio Engineering Society, and confirmed the acting executive committee, which consisted of John D. Colvin, C. J. LeBel, C. G. McProud, Norman C. Pickering and Chester O. Rackey.
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As of 2020 has over 12,000 members. Members elect a Board of Governors and officers, who jointly set policies and procedures for the Society. The AES is a tax-exempt, 501(c)(3) non-profit corporation headquartered in New York.
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AES does not charge for participation in the standards process, but does charge non-members for online copies of published standards. Printed copies are available for a charge to both members and non-members.
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The AES produces two conventions each year as well as a number of topic-specific conferences. The fall convention is in North America and the spring convention is in Europe. The first convention was in 1949.
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industry. The membership largely comprises engineers developing devices or products for audio, and persons working in audio content production. It also includes
2183: 2132: 854: 2449: 2178: 2127: 2231: 2142: 118:, academics, and those in other disciplines related to audio. The AES is the only worldwide professional society devoted exclusively to audio technology. 2439: 2314: 2193: 2173: 2444: 1068: 324: 2163: 1036: 121:
Established in 1948, the Society develops, reviews and publishes engineering standards for the audio and related media industries, and produces the
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published the date for an organizational meeting, and announced the appointment of LeBel as acting chairman, and himself as acting secretary.
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The first AES technical membership meeting followed on March 11, with about 3500 attendees. The guest speaker at the first meeting was
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are usually recorded, with past lectures available to all as free MP3 downloads, sometimes with accompanying slides in PDF format.
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on interconnections; grounding and EMC practices; and shields of connectors in audio equipment containing active circuitry
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Although there are several German sections of the AES and there is no formal connection to the
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The AES has been involved in setting technical standards for audio since 1977. The
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for development and revision of international standards in audio engineering.
2284: 1980: 1898: 1644: 1493: 1365: 1278: 261:(also commonly known as MADI) for multichannel digital audio interconnection 994: 2060: 2010: 1905: 1534: 1529: 812: 1809: 1732: 1706: 1664: 1247: 1834: 1370: 1655: 1305: 935: 312: 306: 290: 286: 282: 270: 264: 258: 255:(also commonly known as AES/EBU) for digital audio interconnection 1014: 2005: 1857: 1345: 1237: 1113: 252: 1018: 875: 833: 2030: 2000: 1926: 1701: 1242: 168: 910: 766: 855:"History of AES Digital Audio Engineering Standardization" 1007: 2277: 2109: 2044: 1973: 1964: 1876: 1761: 1725: 1616: 1512: 1394: 1296: 1261: 1215: 1158: 1122: 1061: 1052: 712:
Institute of Acoustics, Chinese Academy of Sciences
82: 72: 64: 46: 742:Society of Motion Picture and Television Engineers 87: 722:Institute of Electrical and Electronics Engineers 2435:Engineering societies based in the United States 198:The AES publishes a peer-reviewed journal, the 1030: 309:for coarse-groove mechanical audio recordings 8: 32: 27:Organization of professional audio engineers 155:The organizational meeting was held at the 1970: 1509: 1058: 1037: 1023: 1015: 761: 759: 757: 31: 936:"Audio Engineering Society UK - Meetings" 293:for sending AES3 digital audio data over 228:conferences in specific technical areas. 957:Obituary for Benjamin Bernfeld 1928–2011 795:Journal of the Audio Engineering Society 201:Journal of the Audio Engineering Society 167:, a prominent engineer and scientist at 18:Journal of the Audio Engineering Society 753: 717:Institute of Acoustics (United Kingdom) 834:"AES Technical Council and Committees" 179:Problems of High-Fidelity Reproduction 896:About the Audio Engineering Society. 767:"About the Audio Engineering Society" 133:on different topics during the year. 7: 801:(21): 35, 37, 39, 41. November 1973. 279:for digitally interfaced microphones 2450:Audio Engineering Society standards 2264:Global Recording Artist of the Year 2232:Highest-grossing live music artists 25: 2440:Organizations established in 1948 267:for digital audio synchronization 2445:Companies based in New York City 2393: 2392: 2379: 1409:Artists and repertoire (A&R) 1140:Universal Music Publishing Group 993: 38: 1830:Entertainment Monitoring Africa 344:Awardees in chronological order 33:Audio Engineering Society, Inc. 2330:Largest recorded music markets 2237:Highest-grossing concert tours 737:Society of Broadcast Engineers 1: 707:Acoustical Society of America 665:Malcolm Omar Hawksford (2017) 323:AESSC also provides input to 2386:Record production portal 1202:Independent UK record labels 732:Royal Academy of Engineering 727:Institute of Radio Engineers 695:Verband Deutscher Tonmeister 504:Daniel R. von Recklinghausen 2455:Music industry associations 2254:Most-attended concert tours 671:Jamie Angus-Whiteoak (2021) 449:Arnold P.G. Peterson (1968) 214:Conventions and conferences 52:; 76 years ago 2476: 2269:Wealthiest musical artists 2122:Best-selling music artists 295:Asynchronous Transfer Mode 2430:Film and video technology 2373: 1840:New Zealand singles chart 1000:Audio Engineering Society 915:Audio Engineering Society 594:Kees A. Schouhamer Immink 100:Audio Engineering Society 37: 2310:Christian music industry 1825:GfK Entertainment charts 1469:Professional audio store 428:Benjamin B. Bauer (1963) 1717:Music streaming service 1150:Disney Music Publishing 689:Connection with the VDT 240:AES Standards Committee 2259:Most-attended concerts 2227:Highest-paid musicians 488:Floyd K. Harvey (1974) 425:Arthur C. Davis (1962) 395:Edward C. Wente (1957) 174:Acoustical Engineering 2425:Broadcast engineering 2340:Most valuable records 2335:Most expensive albums 2290:Album-equivalent unit 1820:Italian singles chart 1677:Promotional recording 1145:Warner Chappell Music 1135:Sony Music Publishing 1130:BMG Rights Management 674:Richard Factor (2021) 438:Frederick Vinton Hunt 420:John Kenneth Hilliard 398:Samuel B. Snow (1957) 368:Frank L. Capps (1952) 335:Gold Medal recipients 2315:Environmental impact 2215:Best-selling singles 1228:Digital music stores 1002:at Wikimedia Commons 477:Manfred R. Schroeder 408:Harold Stephen Black 377:J.P. Maxfield (1954) 273:file exchange format 2345:Music certification 2325:Largest music deals 2203:Best-selling albums 2036:The Country Network 1815:Irish Singles Chart 1464:Musical instruments 668:Tony Agnello (2021) 432:Vern Oliver Knudsen 363:Hermon Hosmer Scott 150:Norman C. Pickering 34: 1858:SNEP singles chart 1633:Extended play (EP) 1404:Album cover design 788:"How it All Began" 644:Floyd Toole (2014) 641:Floyd Toole (2013) 392:O.B. Hanson (1956) 157:RCA Victor Studios 108:professional audio 2420:Audio engineering 2407: 2406: 2350:Parental Advisory 2305:Bootleg recording 2295:A-side and B-side 2152: 2105: 2104: 2021:The Music Factory 1863:Sverigetopplistan 1787:Argentina Hot 100 1753:Music competition 1743:Concert residency 1682:Phonograph record 1652: 1612: 1611: 1439:Music and fashion 1424:Entertainment law 1292: 1291: 1253:Virgin Megastores 1055:and organizations 998:Media related to 813:"AES Conventions" 618:George Massenburg 546:Claude E. Shannon 414:Semi Joseph Begun 387:Sherman Fairchild 372:Edward W. Kellogg 223:Technical Council 145:Audio Engineering 96: 95: 16:(Redirected from 2467: 2396: 2395: 2384: 2383: 2382: 2150: 1971: 1868:UK singles chart 1800:Canadian Hot 100 1692:Compact cassette 1630: 1577:Session musician 1552:Hip hop producer 1510: 1444:Music journalism 1376:Rhythm and blues 1094:IFPI (worldwide) 1059: 1039: 1032: 1025: 1016: 1011: 1010: 1008:Official website 997: 981: 979:hauptmikrofon.de 976: 970: 965: 959: 954: 948: 947: 945: 943: 938:. AES UK section 932: 926: 925: 923: 921: 907: 901: 898:Award Guidelines 893: 887: 886: 884: 882: 872: 866: 865: 863: 861: 851: 845: 844: 842: 840: 830: 824: 823: 821: 819: 809: 803: 802: 792: 784: 778: 777: 775: 773: 763: 600:Fritz Sennheiser 588:Richard H. Small 582:Bart N. Locanthi 564:Eberhard Zwicker 558:Heitaro Nakajima 516:Arthur C. Keller 444:John E. Volkmann 319:interoperability 242: 241: 92: 89: 60: 58: 53: 42: 35: 21: 2475: 2474: 2470: 2469: 2468: 2466: 2465: 2464: 2410: 2409: 2408: 2403: 2380: 2378: 2369: 2273: 2101: 2040: 1960: 1955:Top of the Pops 1920:Musica e dischi 1872: 1757: 1721: 1641:Cassette single 1619: 1608: 1562:Record producer 1508: 1479:Radio promotion 1449:Music publisher 1434:Music executive 1429:Music education 1396: 1390: 1288: 1257: 1211: 1154: 1118: 1062:Representatives 1054: 1053:Major companies 1048: 1043: 1006: 1005: 990: 985: 984: 977: 973: 968:Gerhard Steinke 966: 962: 955: 951: 941: 939: 934: 933: 929: 919: 917: 909: 908: 904: 894: 890: 880: 878: 876:"AES Standards" 874: 873: 869: 859: 857: 853: 852: 848: 838: 836: 832: 831: 827: 817: 815: 811: 810: 806: 790: 786: 785: 781: 771: 769: 765: 764: 755: 750: 703: 691: 682: 680:British section 677: 660:D. B. Keele Jr. 636:Rudy Van Gelder 606:Gerhard Steinke 552:Thomas Stockham 540:Stefan Kudelski 534:Cyril M. Harris 522:Duane H. Cooper 510:Hugh S. Knowles 453:William B. Snow 402:Harvey Fletcher 357:Howard A. Chinn 346: 337: 239: 238: 234: 225: 216: 196: 187: 177:, who spoke on 139: 131:AES Conferences 123:AES Conventions 86: 75: 56: 54: 51: 28: 23: 22: 15: 12: 11: 5: 2473: 2471: 2463: 2462: 2457: 2452: 2447: 2442: 2437: 2432: 2427: 2422: 2412: 2411: 2405: 2404: 2402: 2401: 2389: 2374: 2371: 2370: 2368: 2367: 2362: 2360:Surprise album 2357: 2352: 2347: 2342: 2337: 2332: 2327: 2322: 2317: 2312: 2307: 2302: 2297: 2292: 2287: 2281: 2279: 2275: 2274: 2272: 2271: 2266: 2261: 2256: 2251: 2250: 2249: 2244: 2234: 2229: 2224: 2223: 2222: 2212: 2211: 2210: 2200: 2199: 2198: 2197: 2196: 2191: 2186: 2181: 2176: 2168: 2167: 2166: 2158: 2153: 2148:United Kingdom 2145: 2140: 2135: 2130: 2119: 2113: 2111: 2107: 2106: 2103: 2102: 2100: 2099: 2092: 2085: 2078: 2071: 2064: 2057: 2048: 2046: 2042: 2041: 2039: 2038: 2033: 2028: 2023: 2018: 2013: 2008: 2003: 1998: 1993: 1988: 1983: 1977: 1975: 1968: 1962: 1961: 1959: 1958: 1951: 1944: 1937: 1930: 1923: 1916: 1909: 1902: 1895: 1888: 1880: 1878: 1874: 1873: 1871: 1870: 1865: 1860: 1855: 1850: 1842: 1837: 1832: 1827: 1822: 1817: 1812: 1807: 1802: 1797: 1795:Brasil Hot 100 1789: 1781: 1773: 1767: 1765: 1759: 1758: 1756: 1755: 1750: 1748:Music festival 1745: 1740: 1735: 1729: 1727: 1723: 1722: 1720: 1719: 1714: 1712:Music download 1709: 1704: 1699: 1694: 1689: 1684: 1679: 1674: 1669: 1668: 1667: 1653: 1624: 1622: 1614: 1613: 1610: 1609: 1607: 1606: 1604:Sound engineer 1601: 1600: 1599: 1594: 1589: 1584: 1574: 1569: 1567:Rhythm section 1564: 1559: 1554: 1549: 1544: 1539: 1538: 1537: 1532: 1522: 1516: 1514: 1507: 1506: 1501: 1499:Talent manager 1496: 1491: 1486: 1481: 1476: 1471: 1466: 1461: 1456: 1451: 1446: 1441: 1436: 1431: 1426: 1421: 1416: 1411: 1406: 1400: 1398: 1392: 1391: 1389: 1388: 1383: 1378: 1373: 1368: 1363: 1358: 1353: 1348: 1343: 1338: 1333: 1328: 1323: 1318: 1316:Easy listening 1313: 1308: 1302: 1300: 1294: 1293: 1290: 1289: 1287: 1286: 1281: 1276: 1271: 1265: 1263: 1259: 1258: 1256: 1255: 1250: 1245: 1240: 1235: 1225: 1219: 1217: 1213: 1212: 1210: 1209: 1204: 1199: 1186: 1181: 1176: 1162: 1160: 1156: 1155: 1153: 1152: 1147: 1142: 1137: 1132: 1126: 1124: 1120: 1119: 1117: 1116: 1111: 1106: 1101: 1096: 1091: 1086: 1081: 1076: 1071: 1065: 1063: 1056: 1050: 1049: 1046:Music industry 1044: 1042: 1041: 1034: 1027: 1019: 1013: 1012: 1003: 989: 988:External links 986: 983: 982: 971: 960: 949: 927: 902: 888: 867: 846: 825: 804: 779: 752: 751: 749: 746: 745: 744: 739: 734: 729: 724: 719: 714: 709: 702: 699: 690: 687: 681: 678: 676: 675: 672: 669: 666: 663: 657: 651: 645: 642: 639: 633: 627: 621: 615: 609: 603: 597: 591: 585: 579: 573: 570:Michael Gerzon 567: 561: 555: 549: 543: 537: 531: 525: 519: 513: 507: 501: 498:John G. Frayne 495: 489: 486: 480: 474: 468: 462: 456: 450: 447: 441: 435: 429: 426: 423: 417: 411: 405: 399: 396: 393: 390: 384: 378: 375: 369: 366: 360: 354: 351:Harry F. Olson 347: 345: 342: 336: 333: 321: 320: 310: 304: 298: 280: 274: 268: 262: 256: 233: 230: 224: 221: 215: 212: 195: 192: 186: 183: 171:and author of 165:Harry F. Olson 138: 135: 94: 93: 84: 80: 79: 76: 73: 70: 69: 66: 62: 61: 48: 44: 43: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 2472: 2461: 2458: 2456: 2453: 2451: 2448: 2446: 2443: 2441: 2438: 2436: 2433: 2431: 2428: 2426: 2423: 2421: 2418: 2417: 2415: 2400: 2399: 2390: 2388: 2387: 2376: 2375: 2372: 2366: 2363: 2361: 2358: 2356: 2353: 2351: 2348: 2346: 2343: 2341: 2338: 2336: 2333: 2331: 2328: 2326: 2323: 2321: 2318: 2316: 2313: 2311: 2308: 2306: 2303: 2301: 2298: 2296: 2293: 2291: 2288: 2286: 2283: 2282: 2280: 2276: 2270: 2267: 2265: 2262: 2260: 2257: 2255: 2252: 2248: 2245: 2243: 2240: 2239: 2238: 2235: 2233: 2230: 2228: 2225: 2221: 2218: 2217: 2216: 2213: 2209: 2206: 2205: 2204: 2201: 2195: 2192: 2190: 2187: 2185: 2182: 2180: 2177: 2175: 2172: 2171: 2170:Nationality: 2169: 2165: 2162: 2161: 2159: 2157: 2156:United States 2154: 2149: 2146: 2144: 2141: 2139: 2136: 2134: 2131: 2129: 2125: 2124: 2123: 2120: 2118: 2115: 2114: 2112: 2108: 2098: 2097: 2093: 2091: 2090: 2086: 2084: 2083: 2079: 2077: 2076: 2072: 2070: 2069: 2065: 2063: 2062: 2058: 2056: 2054: 2050: 2049: 2047: 2043: 2037: 2034: 2032: 2029: 2027: 2024: 2022: 2019: 2017: 2014: 2012: 2009: 2007: 2004: 2002: 1999: 1997: 1994: 1992: 1989: 1987: 1984: 1982: 1979: 1978: 1976: 1972: 1969: 1967: 1963: 1957: 1956: 1952: 1950: 1949: 1945: 1943: 1942: 1941:Rolling Stone 1938: 1936: 1935: 1931: 1929: 1928: 1924: 1922: 1921: 1917: 1915: 1914: 1910: 1908: 1907: 1903: 1901: 1900: 1896: 1894: 1893: 1889: 1887: 1886: 1882: 1881: 1879: 1875: 1869: 1866: 1864: 1861: 1859: 1856: 1854: 1851: 1849: 1847: 1846:Rolling Stone 1843: 1841: 1838: 1836: 1835:Oricon charts 1833: 1831: 1828: 1826: 1823: 1821: 1818: 1816: 1813: 1811: 1810:G-Music chart 1808: 1806: 1803: 1801: 1798: 1796: 1794: 1790: 1788: 1786: 1782: 1780: 1778: 1774: 1772: 1769: 1768: 1766: 1764: 1760: 1754: 1751: 1749: 1746: 1744: 1741: 1739: 1736: 1734: 1731: 1730: 1728: 1724: 1718: 1715: 1713: 1710: 1708: 1705: 1703: 1700: 1698: 1695: 1693: 1690: 1688: 1685: 1683: 1680: 1678: 1675: 1673: 1670: 1666: 1662: 1659: 1658: 1657: 1654: 1650: 1646: 1642: 1638: 1634: 1629: 1626: 1625: 1623: 1621: 1615: 1605: 1602: 1598: 1595: 1593: 1590: 1588: 1585: 1583: 1582:Backup singer 1580: 1579: 1578: 1575: 1573: 1570: 1568: 1565: 1563: 1560: 1558: 1555: 1553: 1550: 1548: 1545: 1543: 1540: 1536: 1533: 1531: 1528: 1527: 1526: 1523: 1521: 1518: 1517: 1515: 1511: 1505: 1504:Tour promoter 1502: 1500: 1497: 1495: 1492: 1490: 1487: 1485: 1482: 1480: 1477: 1475: 1472: 1470: 1467: 1465: 1462: 1460: 1457: 1455: 1452: 1450: 1447: 1445: 1442: 1440: 1437: 1435: 1432: 1430: 1427: 1425: 1422: 1420: 1417: 1415: 1412: 1410: 1407: 1405: 1402: 1401: 1399: 1393: 1387: 1384: 1382: 1379: 1377: 1374: 1372: 1369: 1367: 1364: 1362: 1359: 1357: 1354: 1352: 1349: 1347: 1344: 1342: 1339: 1337: 1334: 1332: 1329: 1327: 1324: 1322: 1319: 1317: 1314: 1312: 1309: 1307: 1304: 1303: 1301: 1299: 1295: 1285: 1282: 1280: 1277: 1275: 1272: 1270: 1267: 1266: 1264: 1260: 1254: 1251: 1249: 1246: 1244: 1241: 1239: 1236: 1233: 1229: 1226: 1224: 1221: 1220: 1218: 1214: 1208: 1205: 1203: 1200: 1198: 1194: 1193: 1192: 1187: 1185: 1182: 1180: 1177: 1175: 1171: 1170: 1169: 1164: 1163: 1161: 1159:Record labels 1157: 1151: 1148: 1146: 1143: 1141: 1138: 1136: 1133: 1131: 1128: 1127: 1125: 1121: 1115: 1112: 1110: 1107: 1105: 1102: 1100: 1097: 1095: 1092: 1090: 1087: 1085: 1082: 1080: 1077: 1075: 1072: 1070: 1067: 1066: 1064: 1060: 1057: 1051: 1047: 1040: 1035: 1033: 1028: 1026: 1021: 1020: 1017: 1009: 1004: 1001: 996: 992: 991: 987: 980: 975: 972: 969: 964: 961: 958: 953: 950: 937: 931: 928: 916: 912: 906: 903: 900: 899: 892: 889: 877: 871: 868: 856: 850: 847: 835: 829: 826: 814: 808: 805: 800: 796: 789: 783: 780: 768: 762: 760: 758: 754: 747: 743: 740: 738: 735: 733: 730: 728: 725: 723: 720: 718: 715: 713: 710: 708: 705: 704: 700: 698: 696: 688: 686: 679: 673: 670: 667: 664: 661: 658: 655: 654:Diana Deutsch 652: 649: 646: 643: 640: 637: 634: 631: 628: 625: 622: 619: 616: 613: 610: 607: 604: 601: 598: 595: 592: 589: 586: 583: 580: 577: 574: 571: 568: 565: 562: 559: 556: 553: 550: 547: 544: 541: 538: 535: 532: 529: 526: 523: 520: 517: 514: 511: 508: 505: 502: 499: 496: 493: 492:Georg Neumann 490: 487: 484: 483:Henry E. Roys 481: 478: 475: 472: 469: 466: 463: 460: 459:Marvin Camras 457: 454: 451: 448: 445: 442: 439: 436: 433: 430: 427: 424: 421: 418: 415: 412: 409: 406: 403: 400: 397: 394: 391: 388: 385: 382: 381:Lee De Forest 379: 376: 373: 370: 367: 364: 361: 358: 355: 352: 349: 348: 343: 341: 334: 332: 328: 326: 318: 317:audio over IP 314: 311: 308: 305: 302: 299: 296: 292: 288: 284: 281: 278: 275: 272: 269: 266: 263: 260: 257: 254: 251: 250: 249: 247: 243: 231: 229: 222: 220: 213: 211: 209: 208: 203: 202: 193: 191: 184: 182: 180: 176: 175: 170: 166: 161: 158: 153: 151: 147: 146: 136: 134: 132: 128: 124: 119: 117: 113: 109: 105: 101: 91: 85: 81: 77: 71: 68:New York City 67: 63: 49: 45: 41: 36: 30: 19: 2391: 2377: 2355:Record sales 2320:Hidden track 2110:Achievements 2094: 2089:The X Factor 2087: 2080: 2073: 2068:Star Academy 2066: 2059: 2052: 1953: 1946: 1939: 1932: 1925: 1918: 1911: 1904: 1897: 1890: 1883: 1877:Publications 1845: 1805:Circle Chart 1792: 1784: 1776: 1738:Concert tour 1661:Double album 1587:Ghost singer 1572:Orchestrator 1557:Horn section 1484:Record label 1419:Distribution 1326:Experimental 1298:Major genres 1284:Ticketmaster 1232:iTunes Store 1189: 1188: 1166: 1165: 1084:Music Canada 974: 963: 952: 940:. 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Dolby 528:Willi Studer 338: 329: 322: 245: 237: 235: 226: 217: 206: 205: 200: 199: 197: 188: 178: 172: 162: 154: 144: 140: 130: 126: 122: 120: 116:audiologists 112:acousticians 103: 99: 97: 74:Membership 65:Headquarters 29: 2460:Trade fairs 2365:White label 2300:Backmasking 2117:Music award 2096:Rising Star 1892:HitQuarters 1771:ARIA Charts 1687:Eight-track 1672:Music video 1649:Maxi single 1597:Ghostwriter 1592:Vocal coach 1547:Disc jockey 1520:Arrangement 1489:Record shop 1459:Music venue 1454:Music store 1414:Disc jockey 1274:Live Nation 1269:CTS Eventim 1191:Independent 630:Phil Ramone 624:Rupert Neve 471:Leo Beranek 78:Over 12,000 2414:Categories 2220:by country 2208:by country 1966:Television 1948:Smash Hits 1853:Sino Chart 1726:Live shows 1637:12" single 1525:Songwriter 1513:Production 1321:Electronic 1262:Live music 1123:Publishers 1104:PROMUSICAE 748:References 648:Bob Ludwig 465:Rudy Bozak 185:Membership 129:also hold 2285:Album era 2179:Brazilian 2151:(Females) 2082:The Voice 2055:franchise 2016:MuchMusic 1981:Channel V 1899:Hot Press 1885:Billboard 1793:Billboard 1785:Billboard 1777:Billboard 1645:CD single 1542:Conductor 1494:Road crew 1474:Promotion 1397:and roles 1279:LiveStyle 1216:Retailers 1179:Universal 942:March 15, 920:August 8, 860:March 25, 232:Standards 47:Formation 2398:Category 2242:by women 2075:The Four 2061:Popstars 1974:Channels 1906:Kerrang! 1535:Lyricist 1530:Composer 881:July 19, 701:See also 297:networks 127:sections 2194:Swedish 2189:Italian 2184:British 2174:Belgian 2160:Genre: 2138:Germany 2133:Finland 1848:Top 100 1779:Hot 100 1733:Concert 1707:Airplay 1665:Mixtape 1620:formats 1618:Release 1395:Sectors 1361:New Age 1341:Hip hop 1311:Country 1248:Kaspien 1197:Concord 839:July 4, 772:May 31, 194:Journal 137:History 83:Website 55: ( 2128:Brazil 2045:Series 1763:Charts 1628:Single 1371:Reggae 1336:Gospel 1223:Amazon 1184:Warner 662:(2016) 656:(2016) 650:(2015) 638:(2013) 632:(2011) 626:(2011) 620:(2008) 614:(2008) 608:(2007) 602:(2002) 596:(1999) 590:(1996) 584:(1996) 578:(1992) 572:(1991) 566:(1991) 560:(1989) 554:(1987) 548:(1985) 542:(1984) 536:(1984) 530:(1982) 524:(1982) 518:(1981) 512:(1978) 506:(1978) 500:(1976) 494:(1976) 485:(1973) 479:(1972) 473:(1971) 467:(1970) 461:(1969) 455:(1968) 446:(1966) 440:(1965) 434:(1964) 422:(1961) 416:(1960) 410:(1959) 404:(1958) 389:(1955) 383:(1955) 374:(1953) 365:(1951) 359:(1950) 353:(1949) 2278:Other 2247:Latin 2164:Latin 2143:Japan 1656:Album 1386:World 1356:Metal 1351:Latin 1306:Blues 1168:Major 791:(PDF) 313:AES67 307:AES64 301:AES48 291:AES53 287:AES51 283:AES47 277:AES42 271:AES31 265:AES11 259:AES10 246:AESSC 2126:In: 2053:Idol 2026:Viva 2011:Tr3s 2006:MTV2 1996:Mnet 1991:Fuse 1913:Mojo 1381:Rock 1346:Jazz 1331:Folk 1238:Fnac 1207:AAMG 1174:Sony 1114:SNEP 1109:RIAA 1089:FIMI 1074:BVMI 1069:ARIA 944:2016 922:2016 883:2011 862:2015 841:2011 820:2018 774:2020 315:for 289:and 253:AES3 207:JAES 98:The 90:.org 57:1948 50:1948 2031:VH1 2001:MTV 1986:CMT 1927:NME 1702:DVD 1366:Pop 1243:HMV 1099:PMB 1079:BPI 325:IEC 210:). 169:RCA 104:AES 88:aes 2416:: 1697:CD 1663:, 1647:, 1643:, 1639:, 1635:, 1195:: 1172:: 913:. 799:21 797:. 793:. 756:^ 285:, 181:. 114:, 1934:Q 1651:) 1631:( 1234:) 1230:( 1038:e 1031:t 1024:v 946:. 924:. 885:. 864:. 843:. 822:. 776:. 244:( 204:( 102:( 59:) 20:)

Index

Journal of the Audio Engineering Society

aes.org
professional audio
acousticians
audiologists
Audio Engineering
Norman C. Pickering
RCA Victor Studios
Harry F. Olson
RCA
Acoustical Engineering
AES3
AES10
AES11
AES31
AES42
AES47
AES51
AES53
Asynchronous Transfer Mode
AES48
AES64
AES67
audio over IP
IEC
Harry F. Olson
Howard A. Chinn
Hermon Hosmer Scott
Edward W. Kellogg

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