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63:(Mozart usually improvised fugues; the title “Fantasia” is not Mozart's and is misleading in view of the obviously baroque structure of the piece). The work was written at a time in Mozart's life when his preoccupation with the
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in its normal position alternately. The tempo marking changes again, this time to
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tempo indication. The opening bars feature strong dynamic contrasts. (
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8 bars later; at this point the right hand starts playing triplet
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in 1782 which he wrote down at the insistence of his wife
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for the final 2 bars. The fugue ends in the tonic key,
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55:is a piece of music for solo piano composed by
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211:International Music Score Library Project
53:in German), or: Prelude and Fugue, K. 394
231:Piano music by Wolfgang Amadeus Mozart
49:Fantasy No. 1 with fugue in C major (
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185:Praludium (Fantasie) und Fuge in C
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92:in bar 1 suddenly changes to
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226:Compositions for solo piano
82:The fantasy begins with an
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32:The opening, bars 1 and 2.
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207:Fantasy No. 1 with Fugue
98:in bar 2). The opening
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77:Georg Friedrich Händel
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73:Johann Sebastian Bach
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201:Neue Mozart-Ausgabe
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67:techniques of the
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16:(Redirected from
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209:: Scores at the
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196:(in German)
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120:piu adagio
116:semiquaver
65:polyphonic
112:arpeggios
61:Constanze
128:dominant
51:Fantasie
198:in the
170:C major
104:andante
69:Baroque
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166:adagio
100:adagio
84:adagio
18:K. 394
189:Score
158:Fugue
95:Piano
89:Forte
191:and
156:The
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75:and
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