Knowledge (XXG)

Piano Sonata No. 13 (Mozart)

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733: 625: 559: 147: 796: 444: 33: 382: 341: 1288: 323:. On the basis of Mozart's script, Plath assigns the piece to the time around 1783/84, "likely not long before the appearance of the first print." Furthermore, Tyson convincingly demonstrates through paper tests that the work was composed at the end of 1783, likely in November, around the same time as the "Linz Symphony", 778:, shows much similarity to the first by chord pattern and by music phrases. The first part starts simply but playfully. The theme is repeated but with the broken chords accompanying the melody. The mood slowly softens but a difficult melody is quickly established. It builds up and ends at a climax. 781:
In the second part the first part is repeated until its course changes to a minor key. It then plays two phrases which will be repeated in different keys. The third part comes in quickly and unexpectedly. It comes to a section where the major and minor keys switch every few bars. It slowly comes
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back to the major key where it repeats the opening theme for the second time. It continues with phrases adapted from the first movement. Then comes a series of arpeggios which lead to a short pause preceding the final repeat of the first theme with accompaniment variations, ending the piece.
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7). The actual date of composition, however, has proven more difficult to determine. Because the manuscript is not written on the type of music paper Mozart is known to have used in Vienna, scholars believed the piece was composed before Mozart moved there. Thus
751: 643: 742: 634: 577: 568: 868:, accompanied by a "grotesque parody of the art of ballet dancing" performed by the band members. Though not as a direct result of this piece, Zappa was later banned from performing at this venue. 750: 1267: 642: 676:
major. The movement opens with thirds in the right hand progressing to the more lyrical theme of the movement accompanied by flowing broken triads in the left hand. It soon modulates to B
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major and eventually cadences on the dominant, F major. The development section starts in F major and modulates through several keys before recapitulating on the tonic.
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major at which point the recapitulation occurs. Throughout the second movement, chromaticism is present which occasionally evokes a slight sense of dissonance.
465: 354: 43: 994: 990: 1313: 1234: 933: 949: 327:, when the Mozart couple made a stopover in Linz on their way back to Vienna from Salzburg. This new dating also fits stylistic criteria. 101: 898:
of this sonata. For more information, see Alan Tyson, "The Date of Mozart's Piano Sonata in B flat, KV 333/315c: the 'Linz Sonata'?" in
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major for a repeat of the exposition. However, after the first repeat, just as it seems to settle again in E
249: 1292: 980: 296:, in the first edition of his Mozart catalog (1862), gave the hypothetical date 1779, later clarified by 297: 94: 241: 170: 264: 984: 974: 891: 308:, in the third edition of the Köchel catalog (1937), said it was composed in "late summer 1778 in 50: 929: 857: 775: 146: 999: 305: 316: 312:." This date was maintained even until the sixth edition of the Köchel catalog (1964). 682:
major for a minuet-like section. After this, the movement begins to modulate back to E
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major, the development part begins in F minor. Then, it modulates to C minor, to A
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The Compleat Mozart: A Guide to the Musical Works of Wolfgang Amadeus Mozart
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Musik – Edition – Interpretation: Gedenkschrift Günther Henle,
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There is no doubt the sonata was first published on 21 April 1784 in
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More recently, this date has been invalidated by the findings of
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and is generally lively in character. It begins in the key of B
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This section draws its information from the Preface to the
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and is also in sonata form, but in the subdominant key of E
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The autograph manuscript of the sonata is preserved in the
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List of solo piano compositions by Wolfgang Amadeus Mozart
399: 54: 1276: 1249: 1222: 1206: 1190: 1170: 1045: 871:The third movement of this piece is often used for 210: 202: 187: 177: 166: 156: 124: 151:The young composer, a 1777 copy of a lost painting 1257:Sonata in C major for keyboard four-hands, K. 19d 983:(interactive score) on Verovio Humdrum Viewer ( 1214:Sonata in C major for piano four-hands, K. 521 544:A typical performance takes about 23 minutes. 1015: 304:, beginning of January–March 1779." However, 8: 59:introducing citations to additional sources 824:. Unsourced material may be challenged and 472:. Unsourced material may be challenged and 369:Learn how and when to remove these messages 1022: 1008: 1000: 145: 121: 995:International Music Score Library Project 844:Learn how and when to remove this message 522:The work is a sonata in three movements: 510:Learn how and when to remove this message 492:Learn how and when to remove this message 426:Learn how and when to remove this message 1309:Piano sonatas by Wolfgang Amadeus Mozart 1198:Sonata for Two Pianos in D major, K. 448 856:The first movement was performed at the 49:Relevant discussion may be found on the 1283: 883: 875:while calling a customer support line. 712:minor, and finally back to the tonic, E 981:Piano sonata in B♭ major, K. 333(315c) 764: 656: 590: 7: 822:adding citations to reliable sources 470:adding citations to reliable sources 279:by Christoph Torricella (along with 894:IX:25/2, the volume containing the 25: 1178:Sonata movements included in the 922:; Cowdery, William, eds. (1990). 350:This section has multiple issues. 70:"Piano Sonata No. 13" Mozart 1286: 794: 765:Problems playing this file? See 747: 657:Problems playing this file? See 639: 591:Problems playing this file? See 573: 442: 380: 339: 42:relies largely or entirely on a 31: 358:or discuss these issues on the 244:333 (315c), also known as the " 1120:No. 12 in F major, K. 332/300k 1115:No. 11 in A major, K. 331/300i 1110:No. 10 in C major, K. 330/300h 666:The second movement is marked 1: 1141:No. 15 in F major, K. 533/494 1105:No. 9 in D major, K. 311/284c 1100:No. 8 in A minor, K. 310/300d 1095:No. 7 in C major, K. 309/284b 1090:No. 6 in D major, K. 284/205b 1085:No. 5 in G major, K. 283/189h 1058:No. 2 in F major, K. 280/189e 1053:No. 1 in C major, K. 279/189d 1314:Compositions in B-flat major 1230:"No. 19" in F major, K. 547a 126:Piano Sonata in B-flat major 950:Sonata B-flat major, K. 333 757:performed by Bernd Krueger. 649:performed by Bernd Krueger. 583:performed by Bernd Krueger. 406:the claims made and adding 1340: 1265: 1162:No. 18 in D major, K. 576 1146:No. 16 in C major, K. 545 1136:No. 14 in C minor, K. 457 786:References in pop culture 700:major, to F minor, then D 600:The first movement is in 144: 136: 131: 902:edited by Martin Bente ( 866:The Mothers of Invention 743:III. Allegretto grazioso 1037:Wolfgang Amadeus Mozart 250:Wolfgang Amadeus Mozart 774:The third movement, a 736: 628: 562: 735: 635:II. Andante cantabile 627: 561: 298:Georges de Saint-Foix 818:improve this section 466:improve this section 265:Berlin State Library 55:improve this article 991:Piano Sonata No. 13 985:Alte Mozart-Ausgabe 975:Neue Mozart-Ausgabe 892:Neue Mozart-Ausgabe 724:Allegretto grazioso 538:Allegretto grazioso 248:", was composed by 234:Piano Sonata No. 13 224:Allegretto grazioso 1131:major, K. 333/315c 1080:major, K. 282/189g 1069:major, K. 281/189f 959:Sonate in B KV 333 737: 629: 563: 391:possibly contains 1324:1783 compositions 1274: 1273: 1180:London Sketchbook 935:978-0-393-02886-7 906:, 1980): 447-454. 858:Royal Albert Hall 854: 853: 846: 752: 668:Andante cantabile 644: 616:Andante cantabile 578: 533:Andante cantabile 520: 519: 512: 502: 501: 494: 436: 435: 428: 393:original research 373: 230: 229: 220:Andante cantabile 120: 119: 105: 16:(Redirected from 1331: 1291: 1290: 1289: 1282: 1240: 1239: 1207:Piano four-hands 1156: 1155: 1130: 1129: 1079: 1078: 1068: 1067: 1040: 1039: 1024: 1017: 1010: 1001: 993:: Scores at the 971: 939: 907: 896:critical edition 888: 849: 842: 838: 835: 829: 798: 790: 754: 753: 734: 717: 716: 711: 710: 705: 704: 699: 698: 693: 692: 687: 686: 681: 680: 675: 674: 646: 645: 626: 609: 608: 580: 579: 560: 515: 508: 497: 490: 486: 483: 477: 446: 438: 431: 424: 420: 417: 411: 408:inline citations 384: 383: 376: 365: 343: 342: 335: 198: 196: 182:Classical period 149: 127: 122: 115: 112: 106: 104: 63: 35: 27: 21: 1339: 1338: 1334: 1333: 1332: 1330: 1329: 1328: 1299: 1298: 1297: 1293:Classical Music 1287: 1285: 1277: 1275: 1270: 1261: 1245: 1237: 1236: 1218: 1202: 1186: 1166: 1153: 1152: 1127: 1126: 1076: 1075: 1065: 1064: 1041: 1035: 1034: 1028: 969: 967:critical report 946: 936: 918: 915: 913:Further reading 910: 889: 885: 881: 850: 839: 833: 830: 815: 799: 788: 772: 771: 763: 761: 760: 759: 758: 755: 748: 745: 738: 732: 727: 714: 713: 708: 707: 702: 701: 696: 695: 690: 689: 684: 683: 678: 677: 672: 671: 664: 663: 655: 653: 652: 651: 650: 647: 640: 637: 630: 624: 619: 606: 605: 598: 597: 589: 587: 586: 585: 584: 581: 574: 571: 564: 558: 553: 542: 516: 505: 504: 503: 498: 487: 481: 478: 463: 447: 432: 421: 415: 412: 397: 385: 381: 344: 340: 333: 306:Alfred Einstein 273: 194: 192: 152: 125: 116: 110: 107: 64: 62: 48: 36: 23: 22: 15: 12: 11: 5: 1337: 1335: 1327: 1326: 1321: 1316: 1311: 1301: 1300: 1296: 1295: 1272: 1271: 1266: 1263: 1262: 1260: 1259: 1253: 1251: 1247: 1246: 1244: 1243: 1241:major, K. 498a 1232: 1226: 1224: 1220: 1219: 1217: 1216: 1210: 1208: 1204: 1203: 1201: 1200: 1194: 1192: 1188: 1187: 1185: 1184: 1174: 1172: 1168: 1167: 1165: 1164: 1159: 1148: 1143: 1138: 1133: 1122: 1117: 1112: 1107: 1102: 1097: 1092: 1087: 1082: 1071: 1060: 1055: 1049: 1047: 1043: 1042: 1029: 1027: 1026: 1019: 1012: 1004: 998: 997: 988: 978: 955: 953: 945: 944:External links 942: 941: 940: 934: 914: 911: 909: 908: 882: 880: 877: 852: 851: 802: 800: 793: 787: 784: 762: 756: 746: 741: 740: 739: 730: 729: 728: 726: 720: 654: 648: 638: 633: 632: 631: 622: 621: 620: 618: 612: 588: 582: 572: 567: 566: 565: 556: 555: 554: 552: 546: 541: 540: 535: 530: 524: 518: 517: 500: 499: 450: 448: 441: 434: 433: 388: 386: 379: 374: 348: 347: 345: 338: 332: 329: 317:Wolfgang Plath 272: 269: 256:at the end of 228: 227: 212: 208: 207: 204: 200: 199: 189: 185: 184: 179: 175: 174: 168: 164: 163: 158: 154: 153: 150: 142: 141: 134: 133: 129: 128: 118: 117: 53:. Please help 39: 37: 30: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1336: 1325: 1322: 1320: 1317: 1315: 1312: 1310: 1307: 1306: 1304: 1294: 1284: 1280: 1269: 1264: 1258: 1255: 1254: 1252: 1248: 1242: 1235:"No. 20" in B 1233: 1231: 1228: 1227: 1225: 1221: 1215: 1212: 1211: 1209: 1205: 1199: 1196: 1195: 1193: 1189: 1183: 1181: 1176: 1175: 1173: 1169: 1163: 1160: 1158: 1157:major, K. 570 1149: 1147: 1144: 1142: 1139: 1137: 1134: 1132: 1123: 1121: 1118: 1116: 1113: 1111: 1108: 1106: 1103: 1101: 1098: 1096: 1093: 1091: 1088: 1086: 1083: 1081: 1072: 1070: 1061: 1059: 1056: 1054: 1051: 1050: 1048: 1044: 1038: 1032: 1031:Piano sonatas 1025: 1020: 1018: 1013: 1011: 1006: 1005: 1002: 996: 992: 989: 986: 982: 979: 977: 976: 968: 964: 960: 956: 954: 951: 948: 947: 943: 937: 931: 927: 926: 921: 917: 916: 912: 905: 901: 897: 893: 887: 884: 878: 876: 874: 869: 867: 863: 859: 848: 845: 837: 834:November 2022 827: 823: 819: 813: 812: 808: 803:This section 801: 797: 792: 791: 785: 783: 779: 777: 770: 768: 744: 725: 721: 719: 706:minor, then A 669: 662: 660: 636: 617: 613: 611: 603: 596: 594: 570: 551: 547: 545: 539: 536: 534: 531: 529: 526: 525: 523: 514: 511: 496: 493: 485: 482:November 2022 475: 471: 467: 461: 460: 456: 451:This section 449: 445: 440: 439: 430: 427: 419: 409: 405: 401: 395: 394: 389:This section 387: 378: 377: 372: 370: 363: 362: 357: 356: 351: 346: 337: 336: 330: 328: 326: 322: 318: 313: 311: 307: 303: 299: 295: 290: 286: 282: 278: 270: 268: 266: 261: 259: 255: 251: 247: 243: 239: 235: 225: 221: 217: 213: 209: 205: 201: 190: 186: 183: 180: 176: 172: 169: 165: 162: 159: 155: 148: 143: 140: 135: 130: 123: 114: 111:November 2022 103: 100: 96: 93: 89: 86: 82: 79: 75: 72: –  71: 67: 66:Find sources: 60: 56: 52: 46: 45: 44:single source 40:This article 38: 34: 29: 28: 19: 1179: 1124: 973: 958: 924: 920:Zaslaw, Neal 899: 886: 870: 855: 840: 831: 816:Please help 804: 780: 776:sonata-rondo 773: 723: 667: 665: 615: 599: 549: 543: 537: 532: 527: 521: 506: 488: 479: 464:Please help 452: 422: 413: 390: 366: 359: 353: 352:Please help 349: 314: 274: 262: 245: 238:B-flat major 233: 231: 223: 219: 215: 173:. 333 / 315c 161:B-flat major 139:W. A. Mozart 108: 98: 91: 84: 77: 65: 41: 1182:, K.15 a–ss 1151:No. 17 in B 1125:No. 13 in B 970:(in German) 862:Frank Zappa 860:in 1969 by 602:sonata form 300:(1936) to " 246:Linz Sonata 1303:Categories 1191:Two pianos 1074:No. 4 in E 1063:No. 3 in B 1046:Piano solo 879:References 873:hold music 767:media help 659:media help 593:media help 569:I. Allegro 400:improve it 355:improve it 321:Alan Tyson 81:newspapers 805:does not 453:does not 416:July 2017 404:verifying 361:talk page 331:Movements 211:Movements 203:Published 167:Catalogue 51:talk page 1250:Doubtful 1238:♭ 1223:Spurious 1154:♭ 1128:♭ 1077:♭ 1066:♭ 987:version) 715:♭ 709:♭ 703:♭ 697:♭ 691:♭ 685:♭ 679:♭ 673:♭ 607:♭ 302:Salzburg 188:Composed 972:in the 826:removed 811:sources 550:Allegro 528:Allegro 474:removed 459:sources 398:Please 216:Allegro 214:Three ( 193: ( 95:scholar 18:K. 315c 1279:Portal 957:  932:  904:Munich 325:K. 425 294:Köchel 285:K. 454 281:K. 284 277:Vienna 271:Dating 132:No. 13 97:  90:  83:  76:  68:  1171:Early 963:Score 722:III. 310:Paris 287:, as 178:Style 102:JSTOR 88:books 1319:Linz 965:and 930:ISBN 809:any 807:cite 614:II. 457:any 455:cite 319:and 283:and 258:1783 254:Linz 232:The 206:1784 195:1783 191:1783 74:news 1033:by 864:'s 820:by 548:I. 468:by 402:by 289:op. 252:in 236:in 157:Key 137:by 57:by 1305:: 961:: 364:. 267:. 260:. 242:K. 240:, 222:, 218:, 1281:: 1023:e 1016:t 1009:v 938:. 847:) 841:( 836:) 832:( 828:. 814:. 769:. 661:. 595:. 513:) 507:( 495:) 489:( 484:) 480:( 476:. 462:. 429:) 423:( 418:) 414:( 396:. 371:) 367:( 226:) 197:) 171:K 113:) 109:( 99:· 92:· 85:· 78:· 61:. 47:. 20:)

Index

K. 315c

single source
talk page
improve this article
introducing citations to additional sources
"Piano Sonata No. 13" Mozart
news
newspapers
books
scholar
JSTOR
W. A. Mozart

B-flat major
K
Classical period
B-flat major
K.
Wolfgang Amadeus Mozart
Linz
1783
Berlin State Library
Vienna
K. 284
K. 454
op.
Köchel
Georges de Saint-Foix
Salzburg

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