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927:(1846): "How pure and clear are all the images within! No more and no less than that which each requires according to its nature. ... Here is revealed how the master first collects his material separately, then explores how everything can proceed from it, and finally builds and elaborates upon it. That even Beethoven worked this way is revealed in his sketchbooks".
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689:(bars 43–51) before the full orchestra returns. In the trio section of the movement, the four-note figure that will form the main theme of the last movement appears prominently (bars 68–71), but on the seventh degree of the scale rather than the first, and in a minor key rather than a major, giving it a very different character.
750:
wrote that "it is for the finale that Mozart has reserved all the resources of his science, and all the power, which no one seems to have possessed to the same degree with himself, of concealing that science, and making it the vehicle for music as pleasing as it is learned. Nowhere has he achieved
712:(representing the five major themes) at the end of the fourth movement. But there are fugal sections throughout the movement either by developing one specific theme or by combining two or more themes together, as seen in the interplay between the woodwinds. The main theme consists of four notes:
965:
The music was heavily abridged and issued on two records: 10-inch 17707 and 12-inch 35430. Victor published two widely separated takes of each of the first two movements under the same catalogue numbers. The distribution, recording dates, and approximate timings were as follows (data from
820:, written only a few weeks before Mozart's, also has a fugato in the finale, the theme of which begins with two whole notes. Sherman has pointed out other similarities between the two almost perfectly contemporaneous works. The four-note motif is also the main theme of the
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argues that Mozart composed the three symphonies as a unified work, pointing, among other things, to the fact that the
Symphony No. 41, as the final work, has no introduction (unlike No. 39) but has a grand finale.
906:
As summarized below, the symphony garnered approbation from critics, theorists, composers, and biographers and came to be viewed as a canonized masterwork known for its fugue and its overall structure that exuded clarity.
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remarked in 1896: "I am able to understand too that
Beethoven's first symphony did impress people colossally. But the last three symphonies by Mozart are much more important. Some people are beginning to feel that
1890:
554:
243:, Mozart was preparing to hold a series of "Concerts in the Casino" around this time in a new casino in the Spiegelgasse owned by Philipp Otto. Mozart even sent a pair of tickets for this series to his friend
918:(1812–1814): "...overpoweringly great, fiery, artistic, pathetic, sublime, Symphony in C ... we would already have to perceive him as one of the first geniuses of modern times and the century just past".
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of
Tuesday, June 3, 1817, carries an advertisement for printed music that includes: "The celebrated movement from Mozart's sympathy , called 'Jupiter', arranged as a Duet, by J. Wilkins, 4s. ".
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The opening melody, played by muted violins, is never allowed to conclude without interruption. After a development section, the recapitulation begins in the subdominant key of
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808:, which also has a fugato in its finale and whose coda he very closely paraphrases for his own coda. Charles Sherman speculates that Mozart also studied Michael Haydn's
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247:. Historians have not determined whether the concert series was held or was cancelled for lack of interest. However, the new symphony in C was performed at the
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passage where the two contrasting motifs are expanded and developed. From there, the second theme group begins with a lyrical section in
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Four additional themes are heard in the symphony's finale (which is in sonata form) and all five motifs are combined in the fugal coda.
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The record labels list the Victor
Concert Orchestra as the performers; they omit the conductor, who according to company ledgers was
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corresponding matrix pages in the
Discography of American Historical Recordings as indicated and physical copies of the records):
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that he composed, it is regarded by many critics as among the greatest symphonies in classical music. The work is nicknamed the
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in its black label series, making it one of the first symphonies to be recorded using the acoustic recording technology.
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It is not known of a certainty whether
Symphony No. 41 was ever performed in the composer's lifetime. According to
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Symphony No. 41 is the last of a set of three that Mozart composed in rapid succession during the summer of 1788.
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1340:
Lindauer, David. (2006, January 25). "Annapolis
Symphony Orchestra (ASO) Concert Part of Mozart Birthday Tribute",
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more". Of the piece as a whole, he wrote that "It is the greatest orchestral work of the world which preceded the
700:; it was released as a single in October 1974 and spent nine weeks in the UK singles chart, peaking at number 16.
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770:" from the 13th century. It was very popular with Mozart. It makes a brief appearance as early as his
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and some expansion of the minor key sections, the recapitulation proceeds in a regular fashion.
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Wolfgang
Amadeus Mozart: Sinfonie in C, KV 551 Jupiter. Autograph Score. Facsimile. Commentary
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1122:"Mozart: The Last Symphonies review – a thrilling journey through a tantalising new theory"
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C. Sherman, Foreword to score of
Sinfonia in C, Perger 31 Vienna: Doblinger K. G. (1967)
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1997:
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and trio of the minuet of this symphony. It also appears in the first movement of the
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of
Thursday, May 8, 1817, carries an advertisement for a concert to be given in the
586:. The first theme group's final flourishes then are extensively developed against a
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where the insertion-aria theme is then repeated and extensively developed. A false
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854:, who had settled in London in around 1781. The name has also been attributed to
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Around the same time as he composed the three symphonies, Mozart was writing his
1370:
975:
2nd movement (35430-A, 12"), 8/5/1913 (if take 1) or 1/18/1915 (if take 7), 3:32
970:
1st movement (17707-A, 10"), 8/5/1913 (if take 1) or 1/27/1915 (if take 6), 2:45
948:
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599:
474:
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677:, a popular Austrian folk dance form. Midway through the movement, there is a
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637:. This is the only symphonic slow movement of Mozart's to bear the indication
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137:
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Symphonies generally agreed to be spurious today, but included in either the
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Burk, J. N. (1959). "Symphony No. 41, in C Major ('Jupiter'), K. 551". In:
903:, most responses ranged "from admiring to adulatory, a gamut from A to A".
594:
followed by a restatement of the end of the insertion aria then leading to
1762:
1448:"Wolfgang Amadeus Mozart – Discography of American Historical Recordings"
708:
Finally, a distinctive characteristic of this symphony is the five-voice
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then occurs where the movement's opening theme returns but softly and in
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underneath to the fundamental one), followed by a more lyrical response.
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This exchange is heard twice and then followed by an extended series of
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on "Friday next, May 9" to include "Grand Sinfonie (Jupiter), Mozart".
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1183:(19th ed.). London: Guinness World Records Limited. p. 608.
17:
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1534:"Victor matrix C-13677. Jupiter symphony / Victor Concert Orchestra"
1516:"Victor matrix B-13670. Jupiter symphony / Victor Concert Orchestra"
1498:"Victor matrix C-13671. Jupiter symphony / Victor Concert Orchestra"
1480:"Victor matrix B-13669. Jupiter symphony / Victor Concert Orchestra"
1315:
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William Klenz: "Per Aspera ad Astra, or The Stairway to Jupiter";
775:
486:
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423:
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1169:, pp. 55–63, chapter Structure and expression: Andante cantabile.
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Mozart's last symphony, No. 41, the 'Jupiter', was in third place
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1766:
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for the true recapitulation. With the exception of the usual
146:
The autograph manuscript of the symphony is preserved in the
265:
1634:
Delphi Masterworks of Wolfgang Amadeus Mozart (Illustrated)
465:
The symphony typically has a duration of about 33 minutes.
846:, Wolfgang's younger son, the symphony was given the name
816:
to send him the latest fugue that Haydn had written". The
858:, an English music publisher. Reportedly, from the first
720:
Audio playback is not supported in your browser. You can
511:
Audio playback is not supported in your browser. You can
1078:"These are factually the 10 best symphonies of all time"
1048:"Beethoven's Eroica voted greatest symphony of all time"
916:
Neues Historisch-biographisches Lexicon der TonkĂĽnstler
629:
key of C major) similar to those found in the keyboard
2672:, except for the slow introduction which Mozart added.
651:, though a secondary development section disrupts the
557:
and then ends the exposition on a series of fanfares.
363:
are arranged in the traditional symphonic form of the
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1988:
1954:
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493:(respectively, by an ascending motion leading in a
255:in 1789—at least according to its concert program.
100:
85:
74:
64:
32:
1559:
762:motif which can be traced back at least as far as
1007:Symphony may be patriotic music prompted by the
692:The movement was later arranged and covered by
2651:(although Mozart changed the instrumentation).
1715:Mozart's autograph in the Berlin State Library
1688:(2005). "Commentary". In Ulrich Konrad (ed.).
862:, Mozart's Symphony No. 41 reminded Cramer of
655:with rhythmic figures before the return to F.
2678:List of symphonies by Wolfgang Amadeus Mozart
2193:
1778:
1758:Analysis of the last movement of the symphony
1538:Discography of American Historical Recordings
1520:Discography of American Historical Recordings
1502:Discography of American Historical Recordings
1484:Discography of American Historical Recordings
1466:Discography of American Historical Recordings
1250:Latham, Alison (2002). "'Jupiter' Symphony".
985:4th movement (35430-B, 12"), 12/22/1914, 3:41
980:3rd movement (17707-B, 10"), 12/22/1914, 2:40
222:No. 16 in C (K. 545)—the so-called
125:551, on 10 August 1788. The longest and last
8:
1303:The Musical Times and Singing Class Circular
1254:. Oxford New York: Oxford University Press.
2683:List of spurious/doubtful Mozart symphonies
1614:Mozart, Haydn and Early Beethoven 1781–1802
1219:, Vol. 30, Nr. 3, August 1969, pp. 169–210.
2200:
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1951:
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53:
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1753:International Music Score Library Project
1141:
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1137:
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947:Symphony is from around the beginning of
768:Pange lingua gloriosi corporis mysterium
27:Last symphony by Wolfgang Amadeus Mozart
2700:
1418:
1371:"Symphony No. 41 in C Major, "Jupiter""
1360:, Cambridge: Cambridge University Press
1033:
1021:
812:because he "often requested his father
539:and is followed by a stormy section in
1692:. Kassel: Bärenreiter. pp. 9–25.
1576:"Mozart's Symphony in C (The Jupiter)"
1566:. Stanford: Stanford University Press.
1430:
1402:
1336:
1334:
1228:
1166:
1149:(Volume 2). Indiana University Press (
1107:
832:Symphony No. 13 in D major (1764)
349:
2726:Symphonies by Wolfgang Amadeus Mozart
1203:
7:
2631:Symphonies of doubtful authenticity.
800:Scholars are certain Mozart studied
774:in 1764. Later, he used it in the
350:Problems playing these files? See
194:was completed on 26 June and
25:
1120:Clements, Andrew (23 July 2014).
943:The first known recording of the
2703:
2162:
2161:
2022:Maria Anna Thekla Mozart (Bäsle)
1181:British Hit Singles & Albums
758:The four-note theme is a common
734:
659:III. Menuetto: Allegretto – Trio
335:
317:
299:
281:
2139:Beethoven–Haydn–Mozart Memorial
1562:Mozart: A Documentary Biography
1381:from the original on 2017-03-02
1009:Austro-Turkish War of 1788–1791
924:Allgemeine musikalische Zeitung
810:Symphony No. 23 in D major
806:Symphony No. 28 in C major
555:"Un bacio di mano", K. 541
1663:. Cambridge University Press.
1659:Mozart: The 'Jupiter' Symphony
1358:Mozart: The 'Jupiter' Symphony
1046:Brown, Mark (August 4, 2016).
953:Victor Talking Machine Company
901:Mozart: The 'Jupiter' Symphony
685:textures are presented by the
1:
1713:Symphony in C Major, K. 551.
1631:Russell, Peter (2017-09-04).
1344:(Annapolis, Maryland), p. B8.
1252:The Oxford companion to music
613:The second movement, also in
550:begins which quotes Mozart's
543:. Following a full stop, the
2048:(paternal great-grandfather)
1891:Concert arias, songs, canons
1296:F. G. E. (1 October 1902).
785:, the first movement of his
717:
681:progression in which sparse
508:
2028:Franz Xaver Wolfgang Mozart
2010:Maria Anna Mozart (Nannerl)
1462:"Mozart – Jupiter Symphony"
827:of Michael's elder brother
158:The symphony is scored for
2752:
1298:"J. B. Cramer (1771–1858)"
535:which ends suspended on a
2627:
2157:
2134:Mozart in popular culture
1946:Relationship with G minor
218:(K. 548), his piano
182:in C and G, and strings.
136:, probably coined by the
52:
44:
37:
1863:Appearance and character
1147:The Symphonic Repertoire
1110:, pp. 210, 458, 474
892:In a phrase ascribed to
742:In an article about the
481:begins with contrasting
186:Composition and premiere
2736:Compositions in C major
2215:Wolfgang Amadeus Mozart
2149:Mozart Monument, Vienna
1794:Wolfgang Amadeus Mozart
1328:(spec. p. 644 (para. 2)
1179:Roberts, David (2006).
997:Beim Auszug in das Feld
888:Responses and reception
722:download the audio file
513:download the audio file
111:Wolfgang Amadeus Mozart
47:Wolfgang Amadeus Mozart
2561:Adapted from serenades
2042:(paternal grandfather)
866:and his thunderbolts.
838:Origin of the nickname
663:The third movement, a
621:of the French type in
270:
1157:), pp. 423–32 (2002).
856:Johann Baptist Cramer
793:as the basis for the
609:II. Andante cantabile
269:
2241:K. 45a (Old Lambach)
1941:Compositional method
1921:Works for solo piano
1284:Mozart and His Music
876:Hanover Square Rooms
852:Johann Peter Salomon
818:Michael Haydn No. 39
787:Symphony No. 33
527:. What follows is a
200:Nikolaus Harnoncourt
148:Berlin State Library
141:Johann Peter Salomon
2649:Carl Friedrich Abel
2040:Johann Georg Mozart
1975:Neue Mozart-Ausgabe
1968:Alte Mozart-Ausgabe
1743:Neue Mozart-Ausgabe
1637:. Delphi Classics.
1556:Deutsch, Otto Erich
1231:, pp. 212–215.
1003:theorised that the
795:development section
772:Symphony No. 1
2668:now attributed to
2662:complete editions.
2647:now attributed to
2637:now attributed to
2034:Karl Thomas Mozart
1375:The Kennedy Center
791:violin sonata K481
673:" is similar to a
271:
241:Otto Erich Deutsch
214:(K. 542) and
2731:1788 compositions
2691:
2690:
2175:
2174:
2004:Anna Maria Mozart
1984:
1983:
1653:Sisman, Elaine R.
1644:978-1-78656-120-6
1623:978-0-393-06634-0
1581:The Musical Times
1261:978-0-19-957903-7
1145:Brown, A. Peter,
1086:. August 30, 2017
753:French Revolution
726:
704:IV. Molto allegro
517:
477:first movement's
469:I. Allegro vivace
340:
322:
304:
286:
198:on 25 July.
108:
107:
16:(Redirected from
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2054:(brother-in-law)
2016:Constanze Mozart
1962:Köchel catalogue
1952:
1936:Violin concertos
1787:
1780:
1773:
1764:
1751:: Scores at the
1739:
1725:Jupiter-Sinfonie
1703:
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1574:(January 1906).
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1310:(716): 641–646.
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1220:
1217:The Music Review
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960:Walter B. Rogers
951:, issued by the
921:A review in the
881:The Morning Post
748:Sir George Grove
738:
648:
647:
575:
574:
568:from G major to
491:fundamental tone
489:outburst on the
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245:Michael Puchberg
96:
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30:
21:
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2710:Classical music
2704:
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2547:No. 41 (K. 551)
2542:No. 40 (K. 550)
2537:No. 39 (K. 543)
2527:No. 38 (K. 504)
2522:No. 37 (K. 444)
2512:No. 36 (K. 425)
2502:No. 35 (K. 385)
2497:No. 34 (K. 338)
2492:No. 33 (K. 319)
2487:No. 32 (K. 318)
2477:No. 31 (K. 297)
2472:No. 30 (K. 202)
2467:No. 29 (K. 201)
2462:No. 28 (K. 200)
2457:No. 27 (K. 199)
2452:No. 26 (K. 184)
2447:No. 25 (K. 183)
2442:No. 24 (K. 182)
2437:No. 23 (K. 181)
2432:No. 22 (K. 162)
2427:No. 21 (K. 134)
2422:No. 20 (K. 133)
2417:No. 19 (K. 132)
2412:No. 18 (K. 130)
2407:No. 17 (K. 129)
2402:No. 16 (K. 128)
2397:No. 15 (K. 124)
2392:No. 14 (K. 114)
2387:No. 13 (K. 112)
2382:No. 12 (K. 110)
2315:
2231:K. 16a (Odense)
2219:
2213:
2212:
2206:
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2117:
2098:Catholic Church
2081:
2078:(sister-in-law)
2072:(sister-in-law)
2066:(sister-in-law)
2060:(mother-in-law)
1980:
1950:
1916:Piano concertos
1877:
1796:
1791:
1749:Symphony No. 41
1737:
1735:critical report
1723:Sinfonie in C (
1710:
1700:
1684:
1681:
1679:Further reading
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2024:(first cousin)
2019:
2013:
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1708:External links
1706:
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1686:Konrad, Ulrich
1680:
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1610:Heartz, Daniel
1606:
1594:10.2307/904183
1588:(755): 27–31.
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580:recapitulation
564:begins with a
552:insertion aria
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485:: a threefold
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2144:Mozart effect
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1670:0-521-40924-1
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1572:Grove, George
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1354:Elaine Sisman
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1190:1-904994-10-5
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1155:0-253-33487-X
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1090:September 29,
1085:
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1059:September 29,
1055:
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1001:Elaine Sisman
998:
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897:Elaine Sisman
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842:According to
837:
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815:
811:
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802:Michael Haydn
798:
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588:chromatically
585:
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537:seventh chord
534:
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499:dominant tone
496:
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445:
444:Molto allegro
442:
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314:
296:
278:
258:
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246:
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225:Sonata facile
221:
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201:
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185:
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43:
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36:
31:
19:
2550:
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2515:
2505:
2480:
2129:Georg Nissen
2076:Sophie Weber
2052:Joseph Lange
2046:Franz Mozart
1973:
1966:
1868:Pet starling
1741:
1726:
1722:
1689:
1658:
1633:
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1585:
1579:
1561:
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1547:
1537:
1528:
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1510:
1501:
1492:
1483:
1474:
1465:
1456:
1442:
1426:
1419:Russell 2017
1414:
1383:. Retrieved
1374:
1365:
1357:
1349:
1341:
1307:
1301:
1291:
1283:
1278:
1251:
1245:
1236:
1224:
1216:
1211:
1199:
1180:
1174:
1162:
1146:
1126:The Guardian
1125:
1115:
1088:. Retrieved
1081:
1072:
1064:
1057:. Retrieved
1053:The Guardian
1051:
1041:
1034:Deutsch 1965
1004:
964:
957:
944:
942:
922:
915:
912:E. L. Gerber
905:
900:
899:in her book
894:musicologist
891:
879:
869:
868:
847:
844:Franz Mozart
841:
822:contrapuntal
799:
781:Missa Brevis
780:
778:of an early
757:
743:
741:
729:
707:
691:
665:
662:
638:
612:
559:
545:expositional
529:transitional
522:
472:
464:
453:
433:
405:
382:
358:
331:4th movement
313:3rd movement
295:2nd movement
277:1st movement
238:
223:
205:
189:
157:
145:
131:
130:
114:
109:
38:
2103:Freemasonry
1828:Nationality
1808:Biographies
1738:(in German)
1431:Sisman 1993
1403:Sisman 1993
1342:The Capital
1229:Heartz 2009
1167:Sisman 1993
1108:Heartz 2009
949:World War I
698:The Wombles
627:subdominant
615:sonata form
562:development
475:sonata form
208:piano trios
196:No. 40
192:No. 39
2720:Categories
2311:K. 208+102
2306:K. 196+121
2301:K. 135+61h
2286:K. 111+120
2224:Unnumbered
2209:Symphonies
2086:Influences
1931:Symphonies
1818:Grand tour
1813:Birthplace
1616:. Norton.
1433:, p.
1405:, p.
1204:Grove 1906
1016:References
783:in F major
760:plainchant
746:Symphony,
671:allegretto
639:cantabile.
566:modulation
479:main theme
424:Allegretto
352:media help
249:Gewandhaus
138:impresario
2093:Beethoven
1838:Scatology
1833:Residence
1801:Biography
1286:, p. 299.
871:The Times
694:Mike Batt
687:woodwinds
683:imitative
679:chromatic
635:J.S. Bach
619:sarabande
497:from the
396:cantabile
365:Classical
361:movements
359:The four
259:Movements
101:Movements
75:Catalogue
2320:Numbered
2167:Category
2012:(sister)
2006:(mother)
2000:(father)
1955:Editions
1843:Smallpox
1727:) KV 551
1655:(1993).
1612:(2009).
1558:(1965).
1379:Archived
1356:(1993).
1270:59376677
990:See also
829:Joseph's
669:marked "
666:menuetto
646:♭
590:falling
573:♭
525:fanfares
426:– Trio,
420:Menuetto
230:sonatina
176:trumpets
168:bassoons
134:Symphony
127:symphony
86:Composed
2551:Jupiter
2506:Haffner
2122:Related
2113:Salieri
1926:Sonatas
1740:in the
1549:Sources
1324:3369624
1005:Jupiter
945:Jupiter
864:Jupiter
848:Jupiter
814:Leopold
744:Jupiter
675:Ländler
623:F major
617:, is a
596:C major
584:F major
541:C minor
533:G major
495:triplet
415:F major
393:Andante
253:Leipzig
216:C major
212:E major
180:timpani
132:Jupiter
119:C major
91: (
69:C major
39:Jupiter
2696:Portal
2666:No. 37
2609:K. 66e
2604:K. 66d
2599:K. 66c
2594:K. 19b
2578:K. 320
2573:K. 250
2568:K. 204
2531:Prague
2296:K. 161
2256:K. 74g
2251:K. 45b
2236:K. 19a
2018:(wife)
1990:Family
1911:Operas
1906:Masses
1896:Dances
1858:Prague
1853:Berlin
1721:
1696:
1667:
1641:
1620:
1602:904183
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