2138:, wherein plants are given specific coded meanings, varying based on the colour of the flowers, the presence of thorns within the height of tall plants, the combination of flowers used in garlands and the different types of flowers themselves, amongst other factors. For instance, the colours of some flowers are considered unlucky. Red flowers, which are used at funerals, are undesirable for their morbid connotations, but also because red is supposed to suggest the red flames of a fire. An odd number of flowers is lucky, while even numbers are unlucky and therefore undesirable, and never used in flower arrangements. With odd numbers, symmetry and equal balance is avoided, a feature actually seldom found in nature, and which from the Japanese standpoint is never attractive in art of any description. These create a specific impression of nature, and convey the artist's intention behind each arrangement is shown through a piece's colour combinations, natural shapes, graceful lines, and the implied emotional meaning of the arrangement without the use of words. All flower arrangements given as gifts are given with the flowers in bud, so that the person to whom they are sent may have the pleasure of seeing them open, in contrast to the Western idea of flower arrangements, where the flowers are already in bloom before being given.
1464:
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used for arrangements used to mark a parting, with the length of the branch signifying a safe return from a long journey, particularly if a branch is made to form a complete circle. For a house-warming, white flowers are used, as they suggest water to quench a fire; traditional
Japanese homes, being made almost exclusively of wood, were particularly susceptible to fire, with everything but the roof being flammable. To celebrate an inheritance, all kinds of evergreen plants or chrysanthemums may be used, or any flowers which are long-lived, to convey the idea that the wealth or possessions may remain forever. There are also appropriate arrangements for sad occasions. A flower arrangement made to mark a death is typically constructed of white flowers, with some dead leaves and branches, arranged to express peace.
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691:. A huge branch of pine or cryptomeria stood in the middle, with three or five seasonable flowers placed around it. These branches and stems were put in vases in upright positions without attempting artificial curves. Generally symmetrical in form, these arrangements appeared in religious pictures in the 14th
2792:
The thing the
Japanese most seek in a vase's shape is what will best prolong the life of flowers. For this reason, vases are wide open at the mouth, for, unlike in Western flower arranging, they do not depend upon the vase itself to hold flowers in position, believing that the oxygen entering through
2193:
The seasons are also expressed in flower arrangements, with flowers grouped differently according to the time of the year. For example, in March, when high winds prevail, the unusual curves of the branches convey the impression of strong winds. In summer, low, broad flower receptacles are used, where
2080:
practice, and has created most of the rules of flower arrangement, controlling also the shapes of the flower vases, formed as to help to prolong the life of the flowers. Consideration of the vase as being something more than a mere holder of the flowers is also an important consideration. The surface
2826:
There are many ideas connected with these receptacles. For instance, hanging vases came into use through the idea that flowers presented by an esteemed friend should not be placed where they could be looked down upon, so they were raised and hung. In hanging bamboo vases, the large, round surface on
2203:
is considered very important to its practitioners. Some practitioners feel silence is needed while constructing a flower arrangement, while others feel this is not necessary, though both sides commonly agree that flower arranging is a time to appreciate aspects of nature commonly overlooked in daily
2853:
Bamboo, in its simplicity of line and neutral colour, makes a charming vase, but one of solid bamboo is not practical in some countries outside of Japan, where the dryness of the weather causes it to split. Baskets made from bamboo reeds, with their soft brown shades, provide a pleasing contrast to
2141:
There is no occasion which cannot be suggested by the manner in which the flowers are arranged. For instance, leaving home can be announced by an unusual arrangement of flowers; auspicious materials, such as willow branches, are used to indicate hopes for a long and happy life, and are particularly
1638:
century, Ono-no-Imoko, an official state emissary, brought the practice of placing
Buddhist flowers on an altar from China. He became a priest at the temple and spent the rest of his days practising flower arranging. The original priests of the temple lived by the side of the pond, for which the
1295:
was simple and natural, with no extreme curves in the arrangement, but in the
Genroku era, the lines became complicated and the forms pattern-like, following general trends of high artistic development and expression within that period; during the Genroku period, all the fine arts were highly
2788:
The receptacles used in flower arranging come in a large variety. They are traditionally considered not only beautiful in form, material, and design but are made to suit the use to which they will be put, so that a flower can always be placed in an appropriate receptacle, and probably in one
2857:
Not to be overlooked is the tiny hanging vase found in the simple peasant home – some curious root picked up at no cost and fashioned into a shape suitable to hold a single flower or vine. Such vases can be made with little effort by anyone and can find place nearly anywhere.
674:
For a long time the art of flower arranging had no meaning, and functioned as merely the placing in vases the flowers to be used as temple offerings and before ancestral shrines, without system or meaningful structure. The first flower arrangements were composed using a system were known as
2189:
form, which follows other precepts. The container can be a key element of the composition, and various styles of pottery may be used in their construction. In some schools, the container is only regarded as a vessel to hold water, and should be subordinate to the arrangement.
695:
century, as the first attempt to represent natural scenery. The large tree in the centre represented distant scenery, plum or cherry blossoms middle distance, and little flowering plants the foreground. The lines of these arrangements were known as centre and sub-centre.
1126:
has always been considered a dignified accomplishment. All of Japan's most celebrated generals notably practised flower arranging, finding that it calmed their minds and made their decisions on the field of action clearer; notable military practitioners include
2204:
life. It is believed that practice of flower arranging leads a person to become more patient and tolerant of differences in nature and in life, providing relaxation in mind, body, and soul, and allowing a person to identify with beauty in all art forms.
2081:
of the water is always exposed, alongside the surface of the earth from which the grouping of flowers springs. This aids in creating the effect of representing a complete plant growing as nearly as possible in its natural conditions.
2849:
As for the colour of the vases, the soft pastel shades are common, and bronze vases are especially popular. To the
Japanese, the colour bronze seems most like mother earth, and therefore best suited to enhance the beauty of flowers.
1319:
was most practised and reached its highest degree of perfection as an art. Still, there were occasional departures into unnatural curves and artificial presentation styles that caused a shift, and the more naturalistic style of
1463:
796:, two-levelled shelves. Also displayed in these spaces were flower arrangements in vases that influenced the interior decorations, which became simpler and more exquisite over time. This style of decoration was called
928:, a friend of Yoshimasa, conceived of the idea of representing the three elements of heaven, humans, and earth, from which grew the principles of arrangements used today in some ikebana schools. It was at Yoshimasa's
1053:
did not truly gain popularity until the
Momoyama period, about a hundred years after Ashikaga Yoshimasa. It was at this period that tea ceremony reached its highest development and strongly influenced
671:, offering flowers at Buddhist altars became common. Although the lotus is widely used in India where Buddhism originated, in Japan other native flowers for each season were selected for this purpose.
921:; one of the most important being that flowers offered on all ceremonial occasions, and placed as offerings before the gods, should not be offered loosely, but should represent time and thought.
2846:
Besides offering variety in the form of receptacles, the low, flat vases, more used in summer than winter, make it possible to arrange plants of bulbous and water growth in natural positions.
1102:
lost some of its popularity during the
Momoyama period, but in the first part of the Edo period (1603–1668) was revived, and became more popular than ever before. In the Higashiyama period,
915:, flower arrangement. Yoshimasa would later abdicate his position to devote his time to the arts, and developed concepts that would then go on to contribute to the formulation of rules in
2724:
2490:
style. It is characterised by a tight bundle of stems that form a triangular three-branched asymmetrical arrangement that was considered classic. It is also known by the short form
1084:
century for its freedom of line and natural beauty. Both styles, despite having originated in the
Higashiyama period, reflect the time periods in which they gained popularity, with
2699:
973:
advanced a step further in this period beyond a form of temple and room decoration, with greater consideration given to the natural beauty of a floral arrangement. At this time,
2670:
Kyoto
Ikebana artist Hayato Nishiyama says he enjoys designs with just a single flower, "to help people concentrate, to help them focus on seeing the beauty of an individual."
1593:
with her own works. Her mother, Beverly Harden, was a practitioner of the Sōgetsu school. She later became also president of the
Ikebana International Washington, DC chapter.
2155:. Some arrangements may consist of only a minimal number of blooms interspersed among stalks and leaves. The structure of some Japanese flower arrangements is based on a
1108:
had been used only as room decorations on ceremonial occasions, but now was followed as a fine art and looked upon as an accomplishment and pastime of the upper classes.
2657:
style, creative design of flower arranging is emphasised, with any material permissible for use, including non-flower materials. In the 20th century, with the advent of
2074:) arrived in Japan from China together with Buddhism, it was naturally imbued with Buddhist philosophy. The Buddhist desire to preserve life lies at the root of much of
1728:
century. The first students and teachers were Ikenobō Buddhist priests and members of the Buddhist community. As time passed, other schools emerged, styles changed, and
2793:
the neck opening is as necessary to the plant as the oxygen it receives directly from the water; thus, the water remains sweet much longer than in small-necked vases.
5168:
3308:
2371:; style was developed as a Buddhist expression of the beauty of landscapes in nature. Key to this style are nine branches that represent elements of nature. One of
2114:
is an expression of creativity, certain rules govern its form, such as the idea of good and evil fortune in the selection of material and form of the arrangement.
1380:, advanced rapidly in favour and developed great beauty of line. The exponents of the art not only studied nature freely, but combined this knowledge with that of
1306:. In this period, the combination of a pattern or design with lines that followed the natural growth of the plant produced the most pleasing and graceful results.
1150:
also existed, though few contained directly instructional content; however, these books were fully illustrated, thus documenting the gradual progress of the art.
2090:
is a disciplined art form in which nature and humanity are brought together. Contrary to the idea of a particoloured or multicoloured arrangement of blossoms,
3865:
591:
4509:
5038:
2886:
1395:
After the Tenmei era, a formal form of arrangement developed. This form has a fixed rule or model known as "heaven, human, and earth". Is it known as
434:. The origin of ikebana can be traced back to the ancient Japanese custom of erecting evergreen trees and decorating them with flowers as yorishiro (
3546:
3907:
2247:
4236:
200:
187:
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century arrangements were common enough to be appreciated by ordinary people and not only by the imperial family and its retainers, styles of
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The pastime of viewing plants and appreciating flowers throughout the four seasons was established in Japan early on through the aristocracy.
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4325:
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2183:. Use of these terms is limited to certain schools and is not customary in more traditional schools. A notable exception is the traditional
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817:
consisted of candles lit in holders, a censer, and flowers in a vase. The flowers in the vase were arranged in the earliest style called
5496:
4981:
3035:, it was based on a novel by Tadashi Onitsuka. Masters and their assistants of the Ikenobō school were involved in creating the various
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having changed during that time, transforming the practice into an art form with fixed instructions. Books were written about the art,
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practitioner Toshiro Kawase began posting images of his arrangements online every day in a project called "One Day, One Flower."
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in the beginning was very simple, constructed from only a very few stems of flowers and evergreen branches. This first form of
1211:. Although the text is similar to the contents of commentaries of the Muromachi period, the illustrations showed how to enjoy
1144:(1206–1207) to the Genroku (1668–1704) eras, all founded on Sōami's idea of the three elements. A number of texts documenting
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98:
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1709:. The name 'Ikenobō', granted by the emperor, became attached to the priests there who specialised in altar arrangements.
4068:
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arrangements were used as decoration for castles during the Momoyama period, and were also used for celebratory reasons.
4949:
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4308:
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2328:, 1560–1600, a number of splendid castles were constructed, with noblemen and royal retainers making large, decorative
5511:
4572:
2827:
top is supposed to represent the moon, and the hole for the nail a star. The cut, or opening, below the top is called
1571:
141:
4497:
3371:
2573:). It is a simple style that is designed to show the beauty and uniqueness of the plant itself. Formalisation of the
2325:
3711:
113:
5198:
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4741:
4713:
4229:
3866:"First Impressions Digest – Touken Ranbu: Hanamaru, Magic-Kyun! Renaissance, Chi's Sweet Home 2016 – Lost in Anime"
2901:
924:
Yoshimasa's contemporaries also contributed heavily to the development of flower arranging; the celebrated painter
3957:
3939:
2986:. She combines her passion for it with tanks. A limited special edition vase in the shape of a tank was made by a
5378:
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4934:
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The first styles were characterised by a tall, upright central stem accompanied by two shorter stems. During the
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94:
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the visually predominant water produces a cooler and more refreshing arrangement than those of upright vases.
2024:
301:
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1016:
has been divided. Popularity of the two styles vacillated between these two for centuries. In the beginning,
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in its name, as it is considered the original school. The first systematised classical styles, including
887:
The art of flower arranging developed with many schools only coming into existence at the end of the 15th
127:
5421:
5353:
5245:
5183:
5149:
5119:
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607:
teaching, dating from a time shortly after that of Ikenobō Senkei. It shows various arranging styles of
4480:
4204:
1615:, oftentimes passed down within a family from one generation to the next. The oldest of these schools,
712:
623:
5436:
5178:
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4786:
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4363:
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722:
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focuses on a boy named Takaaki Asakura (nicknamed "Taiyou" (the sun)) and his affection for flowers.
2813:
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952:
109:
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During the early Edo period (17th century), publications in Japan developed rapidly. Books about
1128:
1038:
900:
402:
2713:
1631:, who had camped near a pond in what is now central Kyoto, and enshrined a small statue of her.
1296:
developed, above all pattern-printing for fabrics and decoration. In the latter part of the 17th
878:. Together, they form the basis for the original, purely Japanese derivation of the practice of
650:
4209:
3065:
1300:
century, Korin, the famous lacquer artist known for his exquisite designs, strongly influenced
328:
5290:
5188:
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5134:
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4567:
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4165:
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4123:
4115:
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3741:
3624:
3530:
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2228:
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often emphasises other areas of the plant, such as its stems and leaves, and puts emphasis on
1973:
1890:
1628:
1584:
1558:
1452:
1442:, amongst others, adhere to some principles, but there are in Tokyo and Kyoto many masters of
668:
236:
3921:
5501:
5431:
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5223:
5208:
5144:
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4851:
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4047:
Keiko's Ikebana: A Contemporary Approach to the Traditional Japanese Art of Flower Arranging
4022:. New York Pearson Education, Inc. Retrieved 30 July 2008, from NetLibrary (UMUC Database) .
3620:
Keiko's Ikebana: A Contemporary Approach to the Traditional Japanese Art of Flower Arranging
3032:
3013:
2976:
2334:
floral arrangements that were considered appropriate decoration for castles. Many beautiful
2156:
2007:
1800:(1436–1490), who was also called Higashiyama-dono or Jishō-in. Branches of this school are:
1554:
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765:
658:
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5265:
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5173:
5139:
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4643:
4562:
4542:
4443:
4303:
4161:
3763:
3689:
3135:
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2406:
When the tea ceremony emerged, another style was introduced for tea ceremony rooms called
2105:
2101:
2097:
1332:
had been taught at a time, following the taste of the day, but now rival teachers in both
929:
708:
497:
370:
366:
4368:
4009:
3345:
3323:
3229:
1928:
1858:
1845:
1836:
1439:
1435:
321:
3486:
2159:
delineated by three main points, usually twigs, considered in some schools to symbolise
5475:
5411:
5363:
5320:
5213:
5114:
4492:
4298:
3908:"Girls & Panzer Tank Vase is Appropriately Elegant – Interest – Anime News Network"
3879:
3024:
1988:
1448:
who teach the simpler forms of Ko-ryū, and Ko-Shin-ryū of the Genroku and Tenmei eras.
948:
3893:
3203:
The Modern Reader's Japanese-English Character Dictionary, Charles E. Tuttle Company,
2321:
became a major part of traditional festivals, and exhibitions were occasionally held.
5490:
5373:
5285:
5274:
5043:
4907:
4663:
4616:
4388:
4107:
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3182:
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2414:. This style is the opposite of the Momoyama style and emphasises rustic simplicity.
1624:
1546:
642:
134:
3843:
3595:
1199:
text, with rules and principles detailed in full, and was the second publication of
5465:
5441:
5384:
5250:
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4897:
4422:
4410:
4405:
4383:
4378:
4373:
3667:
3281:
3107:
3085:
2001:
1620:
1587:, who started when she was living in Japan as a child, and has published a book on
1451:
The oldest international organisation, Ikebana International, was founded in 1956;
776:(scroll pictures) and containers could be suitable displayed as art objects in the
759:
753:) depicts lotus being offered by a monkey in front of a frog mimicking the Buddha.
715:(1336–1392). Various Buddhist scriptures have been named after flowers such as the
702:
664:
576:
398:
55:
4633:
4460:
1958:
3618:
3567:"Marcia Gay Harden on the Impact of Her Mother's Alzheimer's Diagnosis | InStyle"
866:
derived from a combination of belief systems, including Buddhist, and the Shinto
667:(794–1185) included many poems on the topic of flowers. With the introduction of
457:
is counted as one of the three classical Japanese arts of refinement, along with
4653:
4487:
4417:
3117:
3071:
2987:
2454:
2060:
1283:
993:
732:
435:
417:
76:
4086:
3715:
524:
5310:
4675:
4577:
4525:
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3508:
3442:
3061:
2770:
2152:
2120:
1947:
1738:
1616:
1550:
1431:
311:
3971:
1217:, which had spread from monks to warriors and further on to townspeople. The
460:
5400:
4703:
4547:
4537:
3140:
2658:
2222:
2214:
3547:"Beverly Harden obituary (1937–2018) – Kingsland, TX – The Washington Post"
1141:
894:
178:
3580:
3367:
3093:
2219:
are objects that divine spirits are summoned to. Evergreen plants such as
5394:
3998:
2960:
2591:
1080:
branched off, gaining its independence and its own popularity in the 16th
938:
received its greatest development, alongside the art of tea ceremony and
925:
785:
771:
468:
444:
346:
4141:
3953:
3935:
3581:"Past Presidents – Ikebana International Chapter No. 1 Washington, D.C."
5406:
5333:
3419:
3393:
2409:
1842:
Bisho-ryū – originated by Goto Daigakunokami or Bishokui Dokaku in 1545
1762:
1470:
1115:
990:
During the same time period, another form of flower arranging known as
3160:
2667:
partially gave way to what is commonly known in Japan as "Free Style".
1627:
in Kyoto, the second oldest Buddhist temple in Japan, built in 587 by
1352:
reached its greatest popularity in the Genroku era. From this time on
5416:
5338:
5315:
5300:
5255:
4589:
3123:
2980:
one of the main protagonists Isuzu Hana's central theme and hobby is
2624:
2208:
2160:
2065:
1896:
Sekishu-ryū – originated by Katagiri Iwaminokami Sadamasa (1604–1673)
1610:
1524:
1365:
1239:
1190:
3443:"Ikebana ~Beyond Japanese art of flower~ – Yuki Tsuji – TEDxShimizu"
872:
belief is most likely the origin of the Japanese practice of modern
17:
2854:
the varied tints of the flowers, and are practical in any climate.
1884:
Ko-Shin-ryū – originated by Shin-tetsu-sai, who was the teacher of
903:(1436–1490), was a patron of the arts and the greatest promoter of
811:. The set of three ceremonial objects at the Buddhist altar called
5390:
5240:
5236:
4245:
4158:
The Art of Arranging Flowers: A Complete Guide to Japanese Ikebana
2936:
2932:
2769:
2525:
style consists of only three main parts, known in some schools as
2501:
2347:
2246:
2231:
placed in pairs in front of homes to welcome ancestral spirits or
2180:
2168:
2164:
2046:, founded by Kikuto Sakagawa in 1987 based on the Ikenobō school.
1941:
1753:
1476:
1462:
1398:
1258:
982:
622:
590:
568:
327:
300:
4214:
3311:
from the original on 8 August 2017 – via Wikimedia Commons.
1623:). This school marks its beginnings from the construction of the
1601:
Mary Averill (1913) gives an overview of the numerous schools of
3808:"Beauty of Ikebana Arrangements: Learn From A Master from Japan"
2234:
2176:
1059:, as a practitioner of tea was most probably also a follower of
860:. Recent historical research now indicates that the practice of
4218:
3942:
from the original on 10 February 2017 – via www.imdb.com.
3527:
The Seasons of My Mother: A Memoir of Love, Family, and Flowers
3487:"Ikebana – See the Universe in a Single Flower – Magnifissance"
2478:
is a non-structured design which led to the development of the
2036:, founded in 1962 by Bessie "Yoneko Banmi" Fooks, and Kaden-ryū
3606:
from the original on 13 September 2017 – via Wikisource.
2865:
2172:
219:
172:
70:
29:
3960:
from the original on 13 March 2017 – via www.imdb.com.
2579:
style for use in the Japanese alcove resulted in the formal
2315:
being the oldest of these, covering the years 1443 to 1536.
3854:
from the original on 2 October 2017 – via Wikisource.
3678:
from the original on 2 October 2017 – via Wikisource.
3292:
from the original on 1 October 2017 – via Wikisource.
3449:
from the original on 11 November 2017 – via YouTube.
3017:, released in 2017, tells the story of the development of
699:
Later on, among other types of Buddhist offering, placing
441:
Later, flower arrangements were instead used to adorn the
2819:
Incoming or Boat of Good Fortune and Standard Arrangement
1712:
Ikenobō is the only school that does not have the ending
2789:
especially designed for that particular sort of flower.
1899:
Jikei-ryū – originated by Shōuken Jikei in the year 1699
891:
century following a period of the civil war. The eighth
4075:. London and New York: Taylor & Francis Routledge.
3922:"WoT「インストーラ付きガルパンスペシャルパック9.6」配信開始!|ガールズ&パンツァー最終章 公式サイト"
2893:
1925:
Gengi-ryū – commenced by Chiba Ryōboku in the year 1772
1902:
Senkei-ryū – founded around 1669 by Senkei Tomiharunoki
1861:(1579–1647). The branches of this school are numerous:
1778:– originated by Ōun Hoshi or Matsune Ishiro (1333–1402)
1669:, meaning priest, connected by the possessive particle
4179:
Zamperini Pucci, Evi (1973). Davidson, Georgie (ed.).
3305:"English: A drawing of priests caricatured as animals"
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1905:
Tōgen-Ryu – commenced by Togensai Masayasu about 1716
1885:
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Ingelaere-Brandt, Mit; Van Moerbeke, Katrien (2015).
2629:
or pointed needle holders, also known as metal frogs.
1734:
became a custom among the whole of Japanese society.
1193:
1 (1661). This was carefully written and instructive
1090:
displaying the tastes of the Higashiyama period, and
1955:
Shōko-ryū – commenced by Hakusuisai in the year 1896
1159:
were published in succession. During this time, the
1022:
was stiff, formal, and more decorative style, while
5222:
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5025:
4960:
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4728:
4696:
4609:
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4356:
4283:
4274:
2299:. Patterns and styles evolved, and by the late 15th
2145:Another common but not exclusive aspect present in
1835:Senke-Ko-ryū – originated by the famous tea master
101:. Unsourced material may be challenged and removed.
2993:In 1957 the film director and grand master of the
1326:was again revived. Until then, only one branch of
3894:"ガルパンがまた想像の斜め上のグッズ作るwwww五十鈴流家元公認 笠間焼戦車型花器!|やらおん!"
3322:System, Japanese Architecture and Art Net Users.
2084:More than simply putting flowers in a container,
2000:– founded in the 1930s with roots dating back to
601:, believed to be the oldest extant manuscript of
3346:"History of Ikebana – IKENOBO ORIGIN OF IKEBANA"
3230:"History of Ikebana – IKENOBO ORIGIN OF IKEBANA"
1174:was published, the oldest published manual. The
2948:, the main character Aigasaki Kohana practices
2633:
2589:
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515:
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406:
355:
3880:"Zig·Zag GN 1-2 – Review – Anime News Network"
2931:is taught in schools. It has also featured in
2640:
2621:, compote vessel, or basket, and secured on a
2598:
2508:
2461:
2385:
2354:
2292:
2207:Plants play an important role in the Japanese
2127:
2039:
2029:
2012:
1993:
1978:
1963:
1952:Sei-ryū – commenced by Dōseiken Ittoku in 1818
1933:
1850:
1824:
1812:
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1771:
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1583:Another practitioner is the Hollywood actress
1531:
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522:
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1430:The most popular schools of today, including
1412:.In the Mishō-ryū school, the form is called
8:
3224:
3222:
3220:
3218:
3216:
2615:, flowers are arranged in a shallow vase or
4148:. London and New York: G. P. Putnam's Sons.
1761:Shōgetsudo Ko-ryū – originated by the monk
1114:reached its greatest popularity during the
487:comes from the combination of the Japanese
64:Learn how and when to remove these messages
5097:
5031:
4834:
4830:
4734:
4280:
4237:
4223:
4215:
1940:– founded by Ippo Mishōsai (1761–1824) in
1879:Asakusa Enshū-ryū, as well as many others.
1561:, Tsuji elaborated on the relationship of
507:to arrange (flowers), have life, be living
1140:were published in the centuries from the
449:(alcove) of a traditional Japanese home.
287:Learn how and when to remove this message
269:Learn how and when to remove this message
161:Learn how and when to remove this message
3837:
3835:
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3827:
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3659:
3657:
3655:
3653:
3651:
3649:
3647:
619:) wide-mouth (right) and upright styles.
203:of all important aspects of the article.
4510:Japanese invasions of Korea (1592–1598)
3275:
3273:
3271:
3269:
3267:
3152:
2678:
1131:, one of Japan's most famous generals.
748:Scroll of Frolicking Animals and Humans
4049:. North Clarendon: Tuttle Publishing.
4018:Ember, M., & Ember, C. R. (2001).
3460:Needleman, Deborah (6 November 2017).
3356:from the original on 10 December 2016.
3334:from the original on 10 November 2016.
3265:
3263:
3261:
3259:
3257:
3255:
3253:
3251:
3249:
3247:
3240:from the original on 10 December 2016.
199:Please consider expanding the lead to
3430:from the original on 21 October 2016.
1985:– founded in 1927 by Teshigahara Sofu
1946:Yōshin Go-ryū – developed during the
1541:Noted Japanese practitioners include
1309:It was in the latter part of the 17th
963:(1476–1559), and Shugetsu of the 16th
27:Traditional Japanese flower arranging
7:
3982:from the original on 7 October 2017.
3796:from the original on 4 October 2017.
3774:from the original on 4 October 2017.
3700:from the original on 4 October 2017.
3617:Kubo, keiko (2013). "introduction".
3515:from the original on 2 October 2017.
3400:from the original on 21 October 2016
3368:"tatebana – Japanese art style"
3193:from the original on 9 October 2017.
2227:are a traditional decoration of the
1607:. A school is normally headed by an
967:century, were lovers of nature, and
764:architectural style starting in the
99:adding citations to reliable sources
4120:Flower Arrangement: The Ikebana Way
3374:from the original on 5 October 2016
2426:but is separate. The simplicity of
1724:, started in the middle of the 15th
1096:the tastes of the Momoyama period.
310:arrangement by the 40th headmaster
4686:2011 Tōhoku earthquake and tsunami
3171:from the original on 12 July 2014.
2954:, just like her mother before her.
2896:by removing the content or adding
1205:texts in the Edo period after the
25:
4553:Imperial Constitution (1890–1947)
4030:. Oostkamp: Stichting Kunstboek.
3466:The New York Times Style Magazine
1970:– founded in 1895 by Ohara Unshin
1232:was the oldest published work on
1134:Many works of various schools on
1037:began to come into favour in the
45:This article has multiple issues.
5471:
5470:
5459:
4073:Encyclopedia of Asian Philosophy
3092:
3078:
3064:
2990:kiln that was seen in the anime.
2870:
2812:
2800:
2748:
2723:
2698:
2681:
2004:, who reigned from 809 to 823 CE
1758:and considered the oldest school
1010:are the two branches into which
541:. Possible translations include
224:
177:
75:
34:
2732:Moribana kōseitai (hidarigatte)
2263:Rikka-no-Shidai Kyūjūsanpei-ari
1488:Followers and practitioners of
647:poetry anthologies such as the
191:may be too short to adequately
86:needs additional citations for
53:or discuss these issues on the
5039:Agriculture, forestry, fishing
4014:. Tokyo: Kelly and Walsh, Ltd.
4003:. New York: John Lane Company.
3764:"生花正風体、生花新風体とは|いけばなの根源 華道家元池坊"
3690:"立花正風体、立花新風体とは|いけばなの根源 華道家元池坊"
2070:
2059:
1619:goes back to the 8th century (
1261:3 (1683), was the most famous
1028:was simpler and more natural.
632:arrangement with cart, at the
473:for tea and the tea ceremony.
201:provide an accessible overview
1:
3009:, which describes his school.
2939:and been shown on television.
2420:is not considered a style of
2377:arrangement styles is called
465:for incense appreciation and
4020:Countries and their Cultures
3462:"The Rise of Modern Ikebana"
3441:TEDx Talks (14 April 2015).
3324:"JAANUS / zashikikazari 座敷飾"
2838:wind drawing through a place
2807:Hanging Moon and Hooked Vase
2774:Woven bamboo flower basket (
2256:arrangement by Ikenobō Senkō
2134:is the Japanese form of the
1386:, developing the results of
756:With the development of the
4627:1923 Great Kantō earthquake
4573:Abolition of the han system
4146:The Illustrated Book of Tea
4000:Japanese Flower Arrangement
3848:Japanese flower arrangement
3672:Japanese flower arrangement
3600:Japanese flower arrangement
3286:Japanese flower arrangement
3122:
3053:arrangements for the movie.
3049:
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2268:Important Cultural Property
2262:
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1572:2011 earthquake and tsunami
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244:. The specific problem is:
5528:
5497:Japanese words and phrases
2432:in turn helped create the
2054:Since flower arrangement (
686:central flower arrangement
5454:
5100:
5034:
4837:
4833:
4737:
4639:Japan during World War II
4456:Mongol invasions of Japan
4256:
4181:Japanese Flower Arranging
2892:Please help Knowledge to
2641:
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2013:
1994:
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1047:was still preferred, and
832:
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523:
496:
416:
365:
4913:House of Representatives
4709:2019 imperial transition
4681:Great Hanshin earthquake
4649:Second Sino-Japanese War
4622:Japan during World War I
2782:Living National Treasure
2197:The spiritual aspect of
1781:Higashiyama Jishō-in-ryū
1574:devastated Japan, noted
944:, the incense ceremony.
343:(alcove), in front of a
337:flower arrangement in a
314:Senjō, drawing from the
4596:First Sino-Japanese War
4011:The Floral Art of Japan
4008:Conder, Josiah (1899).
3972:"いけばな|映画『花戦さ』オフィシャルサイト"
3420:"Ikebana International"
3394:"Ikebana International"
3187:www.merriam-webster.com
3183:"Definition of IKEBANA"
3161:"Ikebana International"
2945:Magic-kyun! Renaissance
2661:, the three schools of
2260:II, a drawing from the
848:, and were composed of
634:Kyoto State Guest House
5064:Science and technology
4503:Council of Five Elders
4498:Azuchi–Momoyama period
4183:. London: Orbis Book.
4122:. Tokyo: Shufunotomo.
3997:Averill, Mary (1913).
3786:"自由花とは|いけばなの根源 華道家元池坊"
3003:made the movie titled
2785:
2270:
2023:Other schools include
1806:Higashiyama-Ko-Sei-ryū
1494:, also referred to as
1485:
707:became popular in the
636:
620:
595:Illustration from the
588:
546:giving life to flowers
438:) to invite the gods.
405:. It is also known as
352:
325:
246:Difficult to navigate.
5009:Deputy Prime Minister
4394:Asuka Kiyomihara Code
4205:Ikebana International
3712:"ikebana-flowers.com"
3623:. Tuttle Publishing.
3529:. Atria Books. 2018.
3031:century. Directed by
2773:
2760:freestyle arrangement
2250:
2151:is the employment of
1857:– originated by Lord
1479:of a lady practicing
1466:
955:(1420–1506), Sesson,
909:– tea ceremony – and
782:, a precursor to the
626:
594:
572:
331:
304:
4918:House of Councillors
4812:World Heritage Sites
4089:on 23 September 2018
4045:Kubo, Keiko (2006).
2894:improve this section
1864:Nihonbashi Enshū-ryū
1750:is a development of
723:Flower Garland Sutra
598:Kaō irai no Kadensho
390:making flowers alive
251:improve this article
240:to meet Knowledge's
95:improve this article
4935:Self-Defense Forces
3924:. 25 February 2015.
3744:on 11 November 2017
3525:Marcia Gay Harden.
3131:Language of flowers
3001:Hiroshi Teshigahara
2906:independent sources
2784:Hayakawa Shōkosai V
2136:language of flowers
1289:In the Ken'ei era,
739:Chōjū-jinbutsu-giga
713:Nanboku-chō periods
587:(15th–18th century)
5512:Flowers in culture
5069:Telecommunications
4601:Russo-Japanese War
4531:Tokugawa shogunate
4481:Nanboku-chō period
4476:Ashikaga shogunate
4449:Kamakura shogunate
4116:Steere, William C.
3954:"Flower and Sword"
3511:. 17 August 2011.
2999:school of Ikebana
2862:In popular culture
2786:
2271:
1798:Ashikaga Yoshimasa
1702:priest of the lake
1553:. At a March 2015
1521:teacher is called
1486:
1270:Rikka Imayō Sugata
1245:Kokon Rikka-taizen
1177:Kawari Kaden Hisho
1129:Toyotomi Hideyoshi
1068:As a dependent of
1039:Higashiyama period
901:Ashikaga Yoshimasa
637:
621:
589:
403:flower arrangement
353:
326:
5484:
5483:
5450:
5449:
5199:Sexual minorities
5087:
5086:
5021:
5020:
5017:
5016:
4930:Political parties
4869:Foreign relations
4820:
4819:
4724:
4723:
4714:COVID-19 pandemic
4583:Satsuma Rebellion
4568:Meiji Restoration
4466:Kenmu Restoration
4326:Foreign relations
4190:978-0-85613-139-4
4171:978-0-8109-0194-0
4112:Teshigahara, Sōfu
4082:978-0-415-86253-0
4056:978-0-8048-3651-7
3910:. 10 August 2023.
3882:. 10 August 2023.
3868:. 3 October 2016.
3630:978-1-4629-0600-0
3424:www.ikebanahq.org
3165:www.ikebanahq.org
2923:
2922:
2471:thrown-in flowers
2019:– founded in 1937
1891:Tokugawa Hidetada
1684:, gives the word
1639:Japanese word is
1585:Marcia Gay Harden
1559:Shimizu, Shizuoka
1453:Princess Takamado
1368:era (1781–1789),
1358:took the name of
1189:was published in
556:arranging flowers
380:arranging flowers
297:
296:
289:
279:
278:
271:
242:quality standards
233:This article may
218:
217:
171:
170:
163:
145:
68:
16:(Redirected from
5519:
5474:
5473:
5466:Japan portal
5464:
5463:
5462:
5379:National symbols
5098:
5032:
4835:
4831:
4735:
4669:Economic miracle
4471:Muromachi period
4281:
4239:
4232:
4225:
4216:
4194:
4175:
4149:
4133:
4098:
4096:
4094:
4085:. Archived from
4060:
4041:
4028:Poetical Ikebana
4015:
4004:
3984:
3983:
3976:映画『花戦さ』オフィシャルサイト
3968:
3962:
3961:
3950:
3944:
3943:
3932:
3926:
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3912:
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3904:
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3890:
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3883:
3876:
3870:
3869:
3862:
3856:
3855:
3839:
3820:
3819:
3817:
3815:
3810:. 31 August 2020
3804:
3798:
3797:
3782:
3776:
3775:
3760:
3754:
3753:
3751:
3749:
3740:. Archived from
3734:
3728:
3727:
3725:
3723:
3718:on 12 March 2015
3714:. Archived from
3708:
3702:
3701:
3686:
3680:
3679:
3663:
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3641:
3639:
3637:
3614:
3608:
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3040:
3033:Tetsuo Shinohara
3030:
3022:
3014:Flower and Sword
3008:
2985:
2977:Girls und Panzer
2964:
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2930:
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2909:
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2656:
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2651:
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2628:
2620:
2614:
2612:
2609:
2608:piled-up flowers
2606:
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2413:
2401:
2399:
2396:
2395:sand arrangement
2393:
2389:
2388:
2382:
2376:
2370:
2368:
2365:
2364:standing flowers
2362:
2358:
2357:
2351:
2339:
2333:
2320:
2314:
2308:
2302:
2298:
2296:
2295:
2289:
2283:
2277:
2265:
2259:
2255:
2239:of the harvest.
2238:
2226:
2218:
2202:
2188:
2157:scalene triangle
2150:
2133:
2131:
2130:
2124:
2113:
2095:
2089:
2079:
2072:
2063:
2045:
2043:
2042:
2035:
2033:
2032:
2018:
2016:
2015:
1999:
1997:
1996:
1984:
1982:
1981:
1969:
1967:
1966:
1939:
1937:
1936:
1889:
1873:Miyako Enshū-ryū
1856:
1854:
1853:
1830:
1828:
1827:
1818:
1816:
1815:
1796:
1791:– originated by
1790:
1788:
1787:
1777:
1775:
1774:
1757:
1749:
1747:
1746:
1733:
1727:
1723:
1717:
1708:
1706:
1703:
1700:
1696:
1695:
1689:
1683:
1681:
1680:
1674:
1668:
1666:
1665:
1659:
1653:
1651:
1650:
1644:
1637:
1614:
1606:
1592:
1579:
1566:
1543:Junichi Kakizaki
1537:
1535:
1534:
1528:
1520:
1514:
1512:
1511:
1505:
1499:
1493:
1484:
1474:
1447:
1426:
1424:
1423:
1417:
1411:
1409:
1408:
1402:
1391:
1385:
1379:
1373:
1363:
1357:
1351:
1343:
1337:
1331:
1325:
1318:
1312:
1305:
1299:
1294:
1281:
1279:
1278:
1272:
1266:
1256:
1254:
1253:
1247:
1237:
1231:
1229:
1228:
1222:
1216:
1210:
1204:
1198:
1188:
1186:
1185:
1179:
1173:
1171:
1170:
1164:
1158:
1149:
1139:
1125:
1113:
1107:
1101:
1095:
1089:
1083:
1079:
1073:
1064:
1058:
1052:
1046:
1036:
1027:
1021:
1015:
1009:
1003:
997:
986:
978:
972:
966:
943:
937:
920:
914:
908:
898:
890:
883:
877:
871:
865:
859:
853:
847:
845:
842:
841:standing flowers
839:
835:
834:
828:
822:
816:
810:
808:
807:
801:
795:
790:alcove, and the
789:
781:
775:
766:Muromachi period
763:
752:
749:
746:
742:
730:
720:
711:(1185–1333) and
706:
694:
690:
687:
684:
680:
662:
654:
646:
631:
618:
612:
606:
600:
586:
580:
560:
557:
554:
550:
547:
544:
540:
538:
535:
532:
528:
527:
519:
513:
511:
508:
505:
501:
500:
492:
486:
472:
464:
456:
448:
433:
431:
428:
425:
421:
420:
412:
396:
394:
391:
388:
384:
381:
378:
374:
373:
361:
351:(hanging scroll)
350:
342:
336:
319:
309:
292:
285:
274:
267:
263:
260:
254:
228:
227:
220:
213:
210:
204:
181:
173:
166:
159:
155:
152:
146:
144:
103:
79:
71:
60:
38:
37:
30:
21:
5527:
5526:
5522:
5521:
5520:
5518:
5517:
5516:
5507:Decorative arts
5487:
5486:
5485:
5480:
5460:
5458:
5446:
5266:Class S (genre)
5218:
5194:Sex trafficking
5169:Life expectancy
5105:Anti-monarchism
5083:
5013:
4956:
4923:List of members
4903:Law enforcement
4816:
4720:
4692:
4644:Mukden Incident
4605:
4563:Meiji oligarchy
4543:Empire of Japan
4514:
4444:Kamakura period
4427:
4352:
4270:
4252:
4243:
4201:
4191:
4178:
4172:
4162:Harry N. Abrams
4152:
4138:Okakura, Kakuzō
4136:
4130:
4104:Ikenobō, Sen'ei
4101:
4092:
4090:
4083:
4069:"Archived copy"
4063:
4057:
4044:
4038:
4025:
4007:
3996:
3993:
3991:Further reading
3988:
3987:
3970:
3969:
3965:
3956:. 3 June 2017.
3952:
3951:
3947:
3938:. 15 May 1957.
3934:
3933:
3929:
3920:
3919:
3915:
3906:
3905:
3901:
3892:
3891:
3887:
3878:
3877:
3873:
3864:
3863:
3859:
3842:Averill, Mary.
3841:
3840:
3823:
3813:
3811:
3806:
3805:
3801:
3784:
3783:
3779:
3762:
3761:
3757:
3747:
3745:
3738:"砂の物とは – コトバンク"
3736:
3735:
3731:
3721:
3719:
3710:
3709:
3705:
3688:
3687:
3683:
3666:Averill, Mary.
3665:
3664:
3645:
3635:
3633:
3631:
3616:
3615:
3611:
3594:Averill, Mary.
3593:
3592:
3588:
3583:28 August 2016.
3579:
3578:
3574:
3565:
3564:
3560:
3545:
3544:
3540:
3524:
3520:
3507:
3506:
3502:
3492:
3490:
3485:
3484:
3480:
3470:
3468:
3459:
3458:
3454:
3440:
3439:
3435:
3418:
3417:
3413:
3403:
3401:
3392:
3391:
3387:
3377:
3375:
3366:
3365:
3361:
3344:
3343:
3339:
3321:
3320:
3316:
3302:
3301:
3297:
3280:Averill, Mary.
3279:
3278:
3245:
3228:
3227:
3214:
3202:
3198:
3181:
3180:
3176:
3159:
3158:
3154:
3149:
3136:Plant symbolism
3098:
3091:
3084:
3079:
3077:
3070:
3063:
3060:
3028:
2919:
2913:
2910:
2891:
2887:popular culture
2875:
2871:
2864:
2840:
2837:
2834:
2824:
2823:
2822:
2821:
2820:
2817:
2809:
2808:
2805:
2768:
2761:
2753:
2744:
2728:
2719:
2714:Banmi Shofu-ryū
2703:
2694:
2686:
2677:
2652:
2649:
2646:
2638:
2610:
2607:
2604:
2596:
2570:
2567:
2564:
2554:
2551:
2548:
2538:
2535:
2532:
2520:
2517:
2514:
2506:
2473:
2470:
2467:
2459:
2445:
2442:
2439:
2397:
2394:
2391:
2383:
2366:
2363:
2360:
2352:
2326:Momoyama period
2300:
2290:
2257:
2245:
2125:
2117:The concept of
2052:
2037:
2027:
2025:Banmi Shōfū-ryū
2010:
1991:
1976:
1961:
1931:
1876:Seifu Enshū-ryū
1848:
1822:
1810:
1809:Higashiyama-ryū
1782:
1769:
1741:
1725:
1704:
1701:
1698:
1690:
1675:
1660:
1654:, and the word
1645:
1635:
1634:During the 13th
1599:
1529:
1506:
1500:, are known as
1461:
1418:
1403:
1310:
1297:
1273:
1257:, published in
1248:
1242:12 (1672). The
1223:
1220:Kokon Rikka-shu
1180:
1165:
1081:
998:was developed;
964:
947:Artists of the
930:Silver Pavilion
888:
843:
840:
837:
829:
802:
750:
747:
744:
692:
688:
685:
682:
567:
558:
555:
552:
548:
545:
542:
536:
533:
530:
520:
509:
506:
503:
493:
479:
429:
426:
423:
413:
392:
389:
386:
382:
379:
376:
362:
293:
282:
281:
280:
275:
264:
258:
255:
248:
229:
225:
214:
208:
205:
198:
186:This article's
182:
167:
156:
150:
147:
104:
102:
92:
80:
39:
35:
28:
23:
22:
15:
12:
11:
5:
5525:
5523:
5515:
5514:
5509:
5504:
5499:
5489:
5488:
5482:
5481:
5479:
5478:
5468:
5455:
5452:
5451:
5448:
5447:
5445:
5444:
5439:
5434:
5429:
5424:
5419:
5414:
5409:
5404:
5397:
5388:
5381:
5376:
5371:
5366:
5361:
5356:
5351:
5346:
5341:
5336:
5331:
5326:
5323:
5321:Henohenomoheji
5318:
5313:
5308:
5303:
5298:
5293:
5288:
5283:
5278:
5268:
5263:
5258:
5253:
5248:
5243:
5234:
5228:
5226:
5220:
5219:
5217:
5216:
5211:
5206:
5201:
5196:
5191:
5186:
5181:
5176:
5171:
5166:
5165:
5164:
5154:
5153:
5152:
5142:
5137:
5132:
5127:
5122:
5117:
5112:
5107:
5101:
5095:
5089:
5088:
5085:
5084:
5082:
5081:
5076:
5071:
5066:
5061:
5056:
5051:
5046:
5041:
5035:
5029:
5023:
5022:
5019:
5018:
5015:
5014:
5012:
5011:
5006:
5005:
5004:
4997:Prime Minister
4994:
4989:
4987:Foreign policy
4984:
4979:
4978:
4977:
4966:
4964:
4958:
4957:
4955:
4954:
4953:
4952:
4947:
4942:
4932:
4927:
4926:
4925:
4920:
4915:
4905:
4900:
4895:
4894:
4893:
4883:
4882:
4881:
4871:
4866:
4864:Imperial House
4861:
4860:
4859:
4849:
4844:
4838:
4828:
4822:
4821:
4818:
4817:
4815:
4814:
4809:
4804:
4799:
4794:
4789:
4784:
4779:
4774:
4772:Extreme points
4769:
4764:
4759:
4754:
4749:
4744:
4738:
4732:
4726:
4725:
4722:
4721:
4719:
4718:
4717:
4716:
4711:
4700:
4698:
4694:
4693:
4691:
4690:
4689:
4688:
4683:
4673:
4672:
4671:
4666:
4661:
4656:
4651:
4646:
4641:
4631:
4630:
4629:
4624:
4613:
4611:
4607:
4606:
4604:
4603:
4598:
4593:
4587:
4586:
4585:
4580:
4575:
4570:
4565:
4560:
4555:
4545:
4540:
4535:
4534:
4533:
4522:
4520:
4516:
4515:
4513:
4512:
4507:
4506:
4505:
4500:
4493:Sengoku period
4490:
4485:
4484:
4483:
4478:
4468:
4463:
4458:
4453:
4452:
4451:
4441:
4435:
4433:
4432:Post-Classical
4429:
4428:
4426:
4425:
4420:
4415:
4414:
4413:
4403:
4402:
4401:
4396:
4391:
4381:
4376:
4371:
4366:
4360:
4358:
4354:
4353:
4351:
4350:
4349:
4348:
4343:
4338:
4328:
4323:
4318:
4313:
4312:
4311:
4306:
4301:
4296:
4287:
4285:
4278:
4272:
4271:
4269:
4268:
4263:
4257:
4254:
4253:
4244:
4242:
4241:
4234:
4227:
4219:
4213:
4212:
4207:
4200:
4199:External links
4197:
4196:
4195:
4189:
4176:
4170:
4150:
4134:
4129:978-4079700818
4128:
4099:
4081:
4067:, ed. (2013).
4065:Leaman, Oliver
4061:
4055:
4042:
4037:978-9058565198
4036:
4023:
4016:
4005:
3992:
3989:
3986:
3985:
3963:
3945:
3927:
3913:
3899:
3885:
3871:
3857:
3821:
3799:
3790:www.ikenobo.jp
3777:
3768:www.ikenobo.jp
3755:
3729:
3703:
3694:www.ikenobo.jp
3681:
3643:
3629:
3609:
3596:"Chapter XXII"
3586:
3572:
3558:
3538:
3535:978-1501135705
3518:
3500:
3489:. 6 April 2020
3478:
3452:
3433:
3411:
3385:
3359:
3350:www.ikenobo.jp
3337:
3328:www.aisf.or.jp
3314:
3295:
3243:
3234:www.ikenobo.jp
3212:
3196:
3174:
3151:
3150:
3148:
3145:
3144:
3143:
3138:
3133:
3128:
3115:
3110:
3104:
3103:
3089:
3075:
3059:
3056:
3055:
3054:
3025:Sengoku period
3010:
2991:
2972:
2955:
2940:
2921:
2920:
2885:references to
2878:
2876:
2869:
2863:
2860:
2818:
2811:
2810:
2806:
2799:
2798:
2797:
2796:
2795:
2767:
2764:
2763:
2762:
2754:
2747:
2745:
2729:
2722:
2720:
2704:
2697:
2695:
2687:
2680:
2676:
2673:
2672:
2671:
2668:
2630:
2586:
2497:
2404:
2403:
2244:
2241:
2051:
2048:
2021:
2020:
2005:
1986:
1971:
1956:
1953:
1950:
1944:
1926:
1923:
1922:
1921:
1918:
1917:Shikishima-ryū
1915:
1912:
1909:
1903:
1900:
1897:
1894:
1882:
1881:
1880:
1877:
1874:
1871:
1870:Ango Enshū-ryū
1868:
1867:Shin Enshū-ryū
1865:
1843:
1840:
1833:
1832:
1831:
1819:
1807:
1804:
1779:
1766:
1759:
1629:Prince Shōtoku
1598:
1595:
1460:
1457:
1392:even further.
932:in Kyoto that
799:zashiki kazari
566:
563:
478:
475:
427:way of flowers
295:
294:
277:
276:
232:
230:
223:
216:
215:
195:the key points
185:
183:
176:
169:
168:
83:
81:
74:
69:
43:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5524:
5513:
5510:
5508:
5505:
5503:
5500:
5498:
5495:
5494:
5492:
5477:
5469:
5467:
5457:
5456:
5453:
5443:
5440:
5438:
5435:
5433:
5430:
5428:
5425:
5423:
5420:
5418:
5415:
5413:
5410:
5408:
5405:
5403:
5402:
5398:
5396:
5392:
5389:
5387:
5386:
5382:
5380:
5377:
5375:
5372:
5370:
5367:
5365:
5362:
5360:
5357:
5355:
5352:
5350:
5347:
5345:
5344:LGBTQ culture
5342:
5340:
5337:
5335:
5332:
5330:
5327:
5324:
5322:
5319:
5317:
5314:
5312:
5309:
5307:
5304:
5302:
5299:
5297:
5294:
5292:
5289:
5287:
5284:
5282:
5279:
5276:
5272:
5269:
5267:
5264:
5262:
5259:
5257:
5254:
5252:
5249:
5247:
5244:
5242:
5238:
5235:
5233:
5230:
5229:
5227:
5225:
5221:
5215:
5212:
5210:
5207:
5205:
5202:
5200:
5197:
5195:
5192:
5190:
5187:
5185:
5182:
5180:
5177:
5175:
5172:
5170:
5167:
5163:
5160:
5159:
5158:
5155:
5151:
5148:
5147:
5146:
5143:
5141:
5138:
5136:
5133:
5131:
5128:
5126:
5123:
5121:
5118:
5116:
5113:
5111:
5108:
5106:
5103:
5102:
5099:
5096:
5094:
5090:
5080:
5077:
5075:
5072:
5070:
5067:
5065:
5062:
5060:
5057:
5055:
5054:Manufacturing
5052:
5050:
5047:
5045:
5042:
5040:
5037:
5036:
5033:
5030:
5028:
5024:
5010:
5007:
5003:
5000:
4999:
4998:
4995:
4993:
4990:
4988:
4985:
4983:
4982:Fiscal policy
4980:
4976:
4973:
4972:
4971:
4968:
4967:
4965:
4963:
4959:
4951:
4948:
4946:
4943:
4941:
4938:
4937:
4936:
4933:
4931:
4928:
4924:
4921:
4919:
4916:
4914:
4911:
4910:
4909:
4908:National Diet
4906:
4904:
4901:
4899:
4896:
4892:
4891:Supreme Court
4889:
4888:
4887:
4884:
4880:
4877:
4876:
4875:
4872:
4870:
4867:
4865:
4862:
4858:
4855:
4854:
4853:
4850:
4848:
4845:
4843:
4840:
4839:
4836:
4832:
4829:
4827:
4823:
4813:
4810:
4808:
4805:
4803:
4800:
4798:
4795:
4793:
4790:
4788:
4785:
4783:
4780:
4778:
4775:
4773:
4770:
4768:
4765:
4763:
4760:
4758:
4755:
4753:
4750:
4748:
4745:
4743:
4740:
4739:
4736:
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2914:February 2024
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2879:This section
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1547:Mokichi Okada
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1459:Practitioners
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1002:
996:
995:
988:
985:
984:
979:was known as
977:
971:
962:
961:Kanō Motonobu
958:
957:Kanō Masanobu
954:
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851:shin (motoki)
827:
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768:(1336–1573),
767:
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659:Kokin Wakashū
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259:February 2024
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209:February 2024
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151:February 2024
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119:
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112: –
111:
107:
106:Find sources:
100:
96:
90:
89:
84:This article
82:
78:
73:
72:
67:
65:
58:
57:
52:
51:
46:
41:
32:
31:
19:
5422:Tea ceremony
5399:
5393: /
5385:No-pan kissa
5383:
5354:Martial arts
5328:
5246:Architecture
5239: /
5184:Prostitution
5150:Homelessness
5120:Demographics
5044:Central bank
4874:Human rights
4842:Constitution
4697:Contemporary
4519:Early Modern
4423:Heian period
4411:Monmu period
4406:Taika Reform
4384:Asuka period
4379:Kofun period
4374:Yayoi period
4369:Jōmon period
4210:Ikebana Wiki
4180:
4160:. New York:
4157:
4145:
4119:
4091:. Retrieved
4087:the original
4072:
4046:
4027:
4019:
4010:
3999:
3975:
3966:
3948:
3930:
3916:
3902:
3888:
3874:
3860:
3847:
3844:"Chapter XX"
3812:. Retrieved
3802:
3789:
3780:
3767:
3758:
3746:. Retrieved
3742:the original
3732:
3720:. Retrieved
3716:the original
3706:
3693:
3684:
3671:
3668:"Chapter II"
3634:. Retrieved
3619:
3612:
3599:
3589:
3575:
3561:
3550:
3541:
3526:
3521:
3503:
3491:. Retrieved
3481:
3469:. Retrieved
3455:
3436:
3423:
3414:
3402:. Retrieved
3388:
3376:. Retrieved
3362:
3349:
3340:
3327:
3317:
3303:Sojo, Toba.
3298:
3285:
3233:
3199:
3186:
3177:
3164:
3155:
3108:Birth flower
3086:Japan portal
3050:suna-no-mono
3012:
2994:
2975:
2966:
2943:
2911:
2881:may contain
2880:
2856:
2852:
2848:
2845:
2825:
2791:
2787:
2688:Traditional
2650:free flowers
2518:pure flowers
2405:
2380:suna-no-mono
2323:
2272:
2206:
2196:
2192:
2144:
2140:
2116:
2083:
2069:
2053:
2022:
2002:Emperor Saga
1911:Murakumo-ryū
1859:Kobori Enshū
1837:Sen no Rikyū
1711:
1633:
1621:Heian period
1600:
1582:
1569:
1540:
1487:
1450:
1429:
1394:
1346:
1308:
1288:
1267:manual. The
1152:
1133:
1120:
1067:
1030:
989:
946:
923:
886:
760:shoin-zukuri
755:
703:mitsu-gusoku
698:
678:shin-no-hana
673:
665:Heian period
638:
577:mitsu-gusoku
480:
451:
440:
408:
399:Japanese art
357:
354:
322:Shijō school
298:
283:
265:
256:
249:Please help
245:
234:
206:
190:
188:lead section
157:
148:
138:
131:
124:
117:
105:
93:Please help
88:verification
85:
61:
54:
48:
47:Please help
44:
5437:Video games
5179:Pornography
4787:Prefectures
4767:Environment
4762:Earthquakes
4747:Archipelago
4654:Pacific War
4610:Late Modern
4418:Nara period
4364:Paleolithic
4154:Satō, Shōzō
4108:Ohara, Hōun
3814:11 February
3748:11 November
3493:11 February
3282:"Chapter I"
3118:Flower frog
3072:Arts portal
3027:in the 16th
3023:during the
2996:Sōgetsu-ryū
2988:Kasama ware
2455:Nageirebana
2435:nageirebana
2284:was called
1989:Saga Go-ryū
1974:Sōgetsu-ryū
1893:(1579–1632)
1765:(1171–1231)
1567:to beauty.
1371:nageirebana
1355:nageirebana
1341:nageirebana
1323:nageirebana
1093:nageirebana
1077:nageirebana
1050:nageirebana
1034:nageirebana
1025:nageirebana
1007:nageirebana
994:nageirebana
953:Sesshū Tōyō
949:Kanō school
814:mitsugusoku
733:Lotus Sutra
581:, from the
317:Sōka Hyakki
253:if you can.
5491:Categories
5427:Television
5349:Literature
5311:Hikikomori
5232:Aesthetics
5110:Censorship
4992:Ministries
4962:Government
4676:Heisei era
4659:Occupation
4617:Taishō era
4578:Boshin War
4558:Government
4526:Edo period
4439:Genpei War
4389:Taihō Code
3722:19 October
3552:Legacy.com
3404:19 October
3378:19 October
3147:References
2883:irrelevant
2739:Saga Goryū
2211:religion.
2153:minimalism
2121:hanakotoba
1948:Edo period
1803:Senzan-ryū
1625:Rokkaku-dō
1570:After the
1551:Yuki Tsuji
1286:5 (1688).
951:, such as
793:chigaidana
681:, meaning
584:Senden-shō
121:newspapers
50:improve it
5401:Otokonoko
5369:Mythology
5281:Festivals
5204:Sexuality
5157:Languages
5130:Etiquette
5125:Education
5074:Transport
4886:Judiciary
4847:Elections
4757:Districts
4742:Addresses
4730:Geography
4704:Reiwa era
4634:Shōwa era
4548:Meiji era
4538:Bakumatsu
4461:Genkō War
4321:Education
4284:Overviews
4142:"Flowers"
3936:"Ikebana"
3636:25 August
3509:"Ikebana"
3141:Wabi-sabi
2898:citations
2659:modernism
2443:thrown-in
2223:kadomatsu
2215:Yorishiro
2108:. Though
1959:Ohara-ryū
1929:Mishō-ryū
1920:Dōnin-ryū
1846:Enshū-ryū
1821:Sōami-ryū
1475:print by
1440:Mishō-ryū
1436:Enshū-ryū
1364:. In the
1344:existed.
1282:came out
1214:tachibana
1208:Sendenshō
1162:Sendenshō
1031:Although
906:cha-no-yu
869:yorishiro
857:shitakusa
728:Hokke-kyo
718:Kegon-kyo
663:from the
651:Man'yōshū
481:The term
477:Etymology
193:summarize
110:"Ikebana"
56:talk page
5476:Category
5291:Folklore
5189:Religion
5162:Japanese
5135:Gambling
4945:Maritime
4826:Politics
4807:Villages
4488:Ōnin War
4331:Military
4316:Economic
4250:articles
4156:(1968).
4140:(1906).
4114:(1996).
3980:Archived
3958:Archived
3940:Archived
3852:Archived
3794:Archived
3772:Archived
3698:Archived
3676:Archived
3604:Archived
3513:Archived
3447:Archived
3428:Archived
3398:Archived
3372:Archived
3354:Archived
3332:Archived
3309:Archived
3290:Archived
3238:Archived
3191:Archived
3169:Archived
3058:See also
2902:reliable
2830:fukumuki
2777:hanakago
2592:moribana
2312:Sedensho
2229:New Year
1914:Tōko-ryū
1908:Sōgensai
1467:Woodcut
1415:Kakubana
941:ko-awase
863:tatebana
826:tatehana
820:tatebana
786:tokonoma
772:kakemono
709:Kamakura
669:Buddhism
610:tatebana
445:tokonoma
347:kakemono
340:tokonoma
235:require
5502:Ikebana
5432:Theatre
5407:Origami
5334:Irezumi
5329:Ikebana
5296:Gardens
5271:Cuisine
5224:Culture
5209:Smoking
5145:Housing
5093:Society
5027:Economy
4970:Cabinet
4852:Emperor
4792:Regions
4777:Islands
4664:Postwar
4592:(noble)
4357:Ancient
4304:Shoguns
4276:History
4266:Outline
4118:(ed.).
4093:30 July
3471:4 April
3020:ikebana
3006:Ikebana
2983:ikebana
2968:Zig Zag
2951:ikebana
2928:Ikebana
2766:Vessels
2735:of the
2710:of the
2707:Nageire
2675:Gallery
2664:ikebana
2632:In the
2576:nageire
2557:), and
2493:nageire
2448:style.
2429:chabana
2423:ikebana
2417:Chabana
2410:chabana
2337:ikebana
2318:Ikebana
2306:ikebana
2281:ikebana
2275:Ikebana
2200:ikebana
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320:by the
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5214:Women
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4261:Index
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1184:替花伝秘書
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1980:草月流
1965:小原流
1935:未生流
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