Knowledge (XXG)

Kammerkonzert (Berg)

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313: 234: 689: 222:, the concerto is "remarkable for the thoroughness of its organization; that is, it was composed with rigorous attention to minute details, and its structure is derived from a series of complex mathematical relationships. For example, the first movement's 240 measures consist of 30 and 60 measure variations, the second is 240 measures, and the third is the length of the previous two at 480 measures." 373:, using primarily the Prime form of the row in the first half and the Retrograde row in the second half. The movement focuses primarily on the solo violin and 13 winds, though the turning point of the palindrome is marked by a brief appearance of the solo piano. In 1935, Berg arranged this movement as a separate piece for piano, violin and clarinet. 384:
The third movement involves both soloists and the ensemble, and is a large rondo based on a returning rhythmic, rather than melodic, idea. Berg layers material from the first and second movements on top of each other in this final movement. There is a repeat of almost 175 measures in the movement
257:
The first movement involves mainly the piano and the 13 wind instruments (with a brief appearance by the solo violin). For the theme of the movement, Berg uses German notation to musically spell out the names of himself and his two friends and fellow members of the
46: 245: 134:. It was composed between 1923 and 1925. The short score was completed on 9 February 1925; the full score was finished on 23 July 1925. The work was premiered on 19 March 1927. 737: 328:
out of, prefixing it by the 'missing' notes of the chromatic scale. This theme is then treated to five variations, using the common manipulations of
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The work is scored for piano and violin soloists accompanied by a wind ensemble of 13:
706: 650: 181: 173: 127: 645: 526: 284: 155: 185: 52: 33: 126:(Chamber Concerto for Piano and Violin with 13 Wind Instruments) is a piece of 495: 370: 169: 131: 37: 403:
All Music Guide to Classical Music: The Definitive Guide to Classical Music
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Tone row with Schoenberg's initials preceded by remaining four notes
311: 232: 147: 253:) clearly displays the Second Viennese School "initials" themes. 151: 468: 464: 324:'s 50th birthday, and it is his "name" that Berg creates a 385:
that is often omitted in performances and recordings.
638: 601: 585: 557: 536: 511: 100: 92: 77: 61: 18: 124:Kammerkonzert für Klavier und Geige mit 13 Bläsern 269:(in the German spelling) ArnolD SCHönBErG → A-D-E 429:, p.71. New York: Cambridge University Press. 480: 8: 401:Carpenter, Alexander (2005). "Alban Berg", 738:Compositions for orchestra without strings 487: 473: 465: 421: 419: 44: 15: 427:The Cambridge Introduction to Serialism 394: 7: 27:für Klavier und Geige mit 13 Bläsern 14: 688: 687: 369:The second movement is a large 728:Concertos for violin and piano 379:Rondo ritmico con introduzione 228:Thema scherzoso con variazioni 212:Rondo ritmico con introduzione 202:Thema scherzoso con variazioni 130:composed by Austrian composer 1: 622:Schließe mir die Augen beide 196:. It is in three movements: 718:Chamber music by Alban Berg 754: 544:Three Pieces for Orchestra 320:The work was composed for 50:The composer, sketched by 684: 502: 43: 32: 25: 733:Twelve-tone compositions 457:Jarman, Douglas (1979). 454:(Yale University Press). 425:Whittall, Arnold. 2008. 723:Concertos by Alban Berg 459:The Music of Alban Berg 452:The Music of Alban Berg 81:19 March 1927 666:Second Viennese School 405:, p.140. Hal Leonard. 317: 260:Second Viennese School 254: 671:Twelve-tone technique 330:twelve-tone technique 315: 236: 661:Schoenberg hexachord 505:List of compositions 461:(Faber & Faber). 450:Headlam, D. (1996). 356:Retrograde inversion 676:Expressionist music 113:13 wind instruments 318: 255: 713:1925 compositions 700: 699: 609:Seven Early Songs 435:978-0-521-68200-8 322:Arnold Schoenberg 267:Arnold Schoenberg 120: 119: 34:Concertante music 745: 691: 690: 639:Related articles 615:Altenberg Lieder 537:Orchestral works 489: 482: 475: 466: 438: 423: 414: 399: 307: 306: 301: 300: 296:AlBAn BErG → A-B 292: 291: 280: 279: 274: 273: 252: 251: 250: 248: 239:Chamber Concerto 165: 164: 88: 86: 72: 70: 56: 48: 16: 753: 752: 748: 747: 746: 744: 743: 742: 703: 702: 701: 696: 680: 634: 597: 581: 553: 549:Violin Concerto 532: 507: 498: 493: 447: 445:Further reading 442: 441: 424: 417: 400: 396: 391: 382: 367: 304: 303: 298: 297: 289: 288: 277: 276: 271: 270: 246: 244: 243: 242: 231: 216: 162: 161: 140: 116: 84: 82: 68: 66: 57: 51: 12: 11: 5: 751: 749: 741: 740: 735: 730: 725: 720: 715: 705: 704: 698: 697: 685: 682: 681: 679: 678: 673: 668: 663: 658: 653: 648: 642: 640: 636: 635: 633: 632: 625: 618: 611: 605: 603: 599: 598: 596: 595: 589: 587: 583: 582: 580: 579: 574: 567: 565:String Quartet 561: 559: 555: 554: 552: 551: 546: 540: 538: 534: 533: 531: 530: 523: 515: 513: 509: 508: 503: 500: 499: 494: 492: 491: 484: 477: 469: 463: 462: 455: 446: 443: 440: 439: 415: 393: 392: 390: 387: 381: 375: 366: 360: 359: 358: 352: 346: 340: 310: 309: 294: 282: 230: 224: 215: 214: 209: 204: 198: 139: 136: 118: 117: 115: 114: 111: 108: 104: 102: 98: 97: 94: 90: 89: 79: 75: 74: 63: 59: 58: 49: 41: 40: 30: 29: 23: 22: 13: 10: 9: 6: 4: 3: 2: 750: 739: 736: 734: 731: 729: 726: 724: 721: 719: 716: 714: 711: 710: 708: 695: 694: 683: 677: 674: 672: 669: 667: 664: 662: 659: 657: 656:Neoclassicism 654: 652: 651:Literaturoper 649: 647: 644: 643: 641: 637: 630: 626: 623: 619: 617: 616: 612: 610: 607: 606: 604: 600: 594: 591: 590: 588: 584: 578: 577:Kammerkonzert 575: 573: 572: 568: 566: 563: 562: 560: 558:Chamber music 556: 550: 547: 545: 542: 541: 539: 535: 529: 528: 524: 522: 521: 517: 516: 514: 510: 506: 501: 497: 490: 485: 483: 478: 476: 471: 470: 467: 460: 456: 453: 449: 448: 444: 436: 432: 428: 422: 420: 416: 412: 411:9780879308650 408: 404: 398: 395: 388: 386: 380: 376: 374: 372: 365: 361: 357: 353: 351: 347: 345: 341: 339: 335: 334: 333: 331: 327: 323: 314: 295: 286: 283: 268: 265: 264: 263: 261: 249: 240: 235: 229: 225: 223: 221: 218:According to 213: 210: 208: 205: 203: 200: 199: 197: 195: 191: 187: 183: 182:contrabassoon 179: 175: 174:bass clarinet 171: 167: 157: 153: 149: 145: 137: 135: 133: 129: 128:chamber music 125: 112: 109: 106: 105: 103: 99: 95: 91: 80: 76: 64: 60: 54: 47: 42: 39: 35: 31: 28: 24: 21: 20:Kammerkonzert 17: 686: 646:Farben chord 613: 593:Piano Sonata 576: 569: 525: 518: 458: 451: 426: 402: 397: 383: 378: 368: 363: 319: 285:Anton wEBErn 256: 238: 227: 219: 217: 211: 206: 201: 186:French horns 156:English horn 141: 123: 121: 26: 19: 602:Vocal music 586:Piano music 571:Lyric Suite 326:12-note row 53:Emil Stumpp 707:Categories 496:Alban Berg 389:References 371:palindrome 344:Retrograde 170:A clarinet 132:Alban Berg 85:1927-03-19 38:Alban Berg 354:Var. 4 - 350:Inversion 348:Var. 3 - 342:Var. 2 - 336:Var. 1 - 241:opening ( 138:Structure 93:Movements 78:Published 693:Category 629:Der Wein 305:♭ 299:♭ 290:♭ 278:♭ 272:♭ 220:AllMusic 194:trombone 166:clarinet 163:♭ 62:Composed 520:Wozzeck 287:→ A-E-B 190:trumpet 178:bassoon 144:piccolo 101:Scoring 83: ( 67: ( 55:in 1927 512:Operas 437:(pbk). 433:  409:  364:Adagio 275:-C-B-B 207:Adagio 192:, and 184:, two 110:violin 377:III. 338:Prime 148:flute 107:piano 96:three 527:Lulu 431:ISBN 407:ISBN 362:II. 308:-E-G 302:-A-B 281:-E-G 247:Play 237:The 152:oboe 122:The 69:1923 65:1923 226:I. 73:–25 36:by 709:: 418:^ 332:: 293:-E 262:: 188:, 180:, 176:, 172:, 168:, 158:, 154:, 150:, 146:, 631:" 627:" 624:" 620:" 488:e 481:t 474:v 413:. 160:E 87:) 71:)

Index

Concertante music
Alban Berg

Emil Stumpp
chamber music
Alban Berg
piccolo
flute
oboe
English horn
E clarinet
A clarinet
bass clarinet
bassoon
contrabassoon
French horns
trumpet
trombone

Play
Second Viennese School
Arnold Schoenberg
Anton wEBErn

Arnold Schoenberg
12-note row
twelve-tone technique
Prime
Retrograde
Inversion

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