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for
American soldiers' clubs. Between 1968 and 1977 he recorded several albums of folk music, but continued to play swing with his own groups. He also wrote an autobiography,
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in 1945, he used some of these arrangements for his own band, then returned to
Germany the following year, where he continued arranging for bandleaders such as
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and popular music. He also worked as a bandleader, arranger, composer, and film scorer. He also occasionally played tenor saxophone.
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and began performing in clubs; his first recordings on solo accordion date from 1936. In the late 1930s he worked with the
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115:. He also played with his own ensemble, including in Bonn and, after 1948, in
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on accordion, having learned to play by imitating recordings and
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123:(Jazz is my Love), which was published posthumously in 1986.
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to go to Berlin and make arrangements for the bands of
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69:. In 1943, he was forcibly compelled by the
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196:Czechoslovak emigrants to Germany
135:The New Grove Dictionary of Jazz
191:People from Strakonice District
16:Czech accordionist and composer
49:broadcasts. He studied law in
1:
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186:20th-century accordionists
34:accordionist who played
161:Czechoslovak musicians
59:Rudolf Antonin Dvorsky
81:. Upon his return to
26:- November 22, 1983,
166:German accordionists
156:Czech jazz musicians
55:Blue Music Orchestra
138:. 2nd edition, ed.
87:Adalbert Luczkowski
181:Jazz accordionists
132:"Kamil Behounek".
102:Heinz Schönberger
22:(March 29, 1916,
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121:Má láska je jazz
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79:Ernst van't Hoff
41:Běhounek was an
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140:Barry Kernfeld
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83:Czechoslovakia
20:Kamil Běhounek
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113:Werner Müller
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117:West Germany
75:Lutz Templin
63:Jiří Traxler
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176:1983 deaths
171:1916 births
105: [
90: [
67:Karel Vlach
150:Categories
127:References
43:autodidact
32:Bohemian
30:) was a
111:, and
65:, and
51:Prague
24:Blatná
109:]
94:]
71:Nazis
77:and
36:jazz
28:Bonn
47:BBC
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107:de
100:,
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92:de
61:,
57:,
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