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are somewhat atypical in their use of biographical and autobiographical materials, especially a series of letters written from a variety of
Mediterranean locations by an unnamed female traveller (possibly to be identified with the author, possibly not).
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at a within-sentence and between-sentence level, and in her interest in the interrogation of cultural norms and ideologies through the skeptical reworking of "found" materials and genres. In
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the poems are quarried from the pages of women's fashion and beauty magazines. The prose pieces in the recent project
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74:(part one, 2003; full-length publication, 2009), as well as a collaboration with the British poet
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172:. Evanston, Ill: Northwestern University Press. pp. 149–160.
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movement, her work shows many affinities with it, in its use of
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Poetry on & off the page: essays for emergent occasions
122:"An Interview with Karen Mac Cormack & Steve McCaffery"
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82:(2003). Though she was not directly part of the
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129:Sources: Revue d'études anglophones
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120:Cazé, Antoine (Spring 2000).
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265:20th-century Canadian poets
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145:Perloff, Marjorie (1998).
43:for the David Gray Chair.
166:McCaffery, Steve (2001).
60:The Tongue Moves Talk
52:Quirks & Quillets
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300:Canadian poet stubs
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260:1956 births
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70:(2003) and
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48:Straw Cupid
254:Categories
107:References
100:Implexures
72:Implexures
96:At Issue
84:Language
66:(2001),
64:At Issue
62:(1997),
58:(1995),
54:(1991),
50:(1987),
21:Luanshya
29:Toronto
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25:Zambia
19:(born
125:(PDF)
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174:ISBN
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