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who inspired her with what she later described as, "the vast potential of stitchery". She was a particularly successful student, winning the
Founder's Prize as the best student in the second year of the general course, the Alexander Barker Prize as a result of the competition for third year students,
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was becoming more active and was beginning to make an impact on the wider public. In particular, modern stylish examples of
Scandinavian embroidery and weaving were hugely influential. Over some years Kathleen travelled in Scandinavia, visiting weaving and craft centres and developing relationships
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The
Glasgow School of Art design courses were constantly being improved in response to commercial demands. Kathleen visited several English art schools to assess and evaluate the new Diploma in Art and Design courses they were teaching and was later invited to serve on the Dip AD visiting panel as
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the embroidery expert. She continued to be extremely influential in the development of higher education courses and became an Art
Adviser to the Scottish Education Department, planning new examinations. Three of her former students became heads of the Embroidery Departments at
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Although honoured for her contribution to education, it is her own distinctive work for which she is best known. Throughout her career she has had many prestigious commissions, including her very well known ecclesiastical work. Many of these were
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fabric, not only for herself but for her mother, sisters and friends too. Despite the scarcity of material and the clothing coupon limitations she always seemed able to lay her hands on plenty of yarn.
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The work of
Kathleen Whyte was featured in "A Scottish Celebration", a touring exhibition of contemporary textiles to mark the centenary of the foundation of the Embroiderers' Guild, which opened at
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with leading needle workers and weavers. There were frequent exhibitions of
Scandinavian designs throughout Britain, including Glasgow School of Art whose staff and students also visited Denmark.
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In 1948, on the advice of Mr. D. M. Southerland, Head of Gray's School of Art, and supported by
Dorothy Angus, Kathleen successfully applied for the post of embroidery and weaving lecturer at
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However, her commissions were not limited to those for the church. In 1966 she was commissioned, by the Tay Road Bridge Joint Board, through the
Scottish Craft Centre, to embroider a
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had a huge impact on the young
Kathleen. In particular the rich variety of textiles and brilliant colours made vivid impressions on her. On their return from India, Kathleen attended
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and in the fourth year won the Former
Students Association Prize for her entry The Fish Wife. In 1932 she was awarded a Diploma in Design and Decorative Art with distinction.
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After a year at Aberdeen Teacher Training College Kathleen became assistant art teacher at Frederick Street School in the East End of
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Kathleen had been making her own clothes since the mid-1920s and in the early 1940s, because of the wartime restrictions, she began
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in 1911. In her final year she embroidered a huge panel of Saint Elizabeth of Bohemia.
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in October 2006. Examples of her work can be found in the
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by Kathleen Whyte, B. T. Batsford Ltd. London, 1982.
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332:and communion cloths undertaken for the
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56:adding citations to reliable sources
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151:Painting of Kathleen Whyte at work
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691:Chain stitch
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1362:1996 deaths
1357:1909 births
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75:·
48:.
23:.
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