370:. In 2011 The Department of Theatre and Performance at the V&A invited Mitchell and Leo Warner of 59 Productions to conceive and produce a video installation exploring the nature of 'truth in performance'. Taking as its inspiration 5 of the most influential European theatre directors of the last century, the project examines how each of the practitioners would direct the actress playing Ophelia in the 'mad' scenes in Shakespeare's
45:
413:
Her productions have been described as "distinguished by the intensity of the emotions, the realism of the acting, and the creation of a very distinctive world" and accused of "a willful disregard for classic texts", but
Mitchell suggests that while "there's a signature in every director's work", it
331:
From 2008, Mitchell started working regularly on mainland Europe in
Germany, Holland, France, Denmark and Austria. Her first production for the Cologne Schauspielhaus, Wunschkonzert, earned her a place at the Theatertreffen in Berlin and since then she has directed four productions for the Cologne
428:
In 2016 Mitchell was described as âBritish theatreâs Queen in exileâ and a director who âprovokes strong reactions.â Some see her âas a vandal, ripping apart classic texts and distorting them to her own dubious purposeâ and others âconsider her to be the most important
British director of theatre
409:
Mitchell has been described as "a director who like no other" and "the closest thing the
British theatre has to an auteur". In 2007, the artistic director of the NT accused the British press of affording Mitchell's productions "misogynistic reviews, where everything they say is predicated on her
1845:
156:(RSC) (1988 - 1989). Early in her career in the 1990s, she directed five early productions under the umbrella of her company Classics On A Shoestring, including Women of Troy for which she won a Time Out Award.
2274:
1838:
1462:
1831:
299:
The live cinema work was subsequently developed in
Germany and France. She has directed more than 15 live cinema productions in the UK, Austria, Germany and France, at theatres like the
344:, Paris. She is a resident director at the SchaubĂŒhne Theatre, Berlin, the Hamburg Schauspielhaus and had a seven-year artist-in-residency at the Aix-en-Provence Festival. In 2015 the
383:
In a career spanning thirty years, Mitchell has directed over 100 shows - over 70 theatre productions and nearly 30 operas. She is currently a
Professor of Theatre Directing at
2259:
421:. She regularly involves psychiatry in looking at characters, and in 2004 directed a series of workshops on Stanislavski and neuroscience at the NT studio. Since her 2006 play
269:(2012) and 2071(2014) about the climate emergency, an issue she is passionate about. Recent productions at the Royal Court include her ongoing collaboration with the writer
1612:
320:. Her interest in this age group also led her to initiate English National Operaâs first ever opera commission for a primary school audience - an adaptation of
1544:
2284:
2239:
1712:
446:
109:
2264:
355:(Routledge), her practical manual to help emerging directors learn how to direct. She also published two books based on her live cinema productions â
2249:
233:
Mitchell was an
Associate Director at the Royal Shakespeare Company between 1996 and 1998. In 1997, Mitchell became responsible for programming at
1226:
468:
2254:
384:
1229:
in 2017: for her work to enhance the presentation of classic and contemporary theatre and opera through innovative new productions. (UK)
310:
Whilst at the
National Theatre, Mitchell pioneered childrenâs theatre for primary school age theatre goers, including an adaptation of
2244:
1099:
1146:
160:
290:
At the
National Theatre, she has directed eighteen productions, the most innovative being an adaptation of Virginia Woolfâs novel,
1429:
1337:
2269:
2279:
1854:
1166:
248:
904:
1489:
20:
475:"for her work to enhance the presentation of classic and contemporary theatre and opera through innovative new production".
163:
to study directorâs training in
Russian, Georgia, Lithuania and Poland and the work she saw there, including productions by
1575:
1375:
999:
610:
348:
theatre in Amsterdam held a retrospective of her opera and theatre work, presenting eight productions from across Europe.
1620:
1743:
1235:
1191:
203:
1552:
1518:
1242:
367:
1713:"From Knowledge (XXG) to Roman coins: British Academy recognises excellence in the humanities and social sciences"
234:
153:
377:
2118:
2038:
1958:
984:
973:
908:
333:
227:
138:
87:
418:
939:
839:
776:
417:
At the beginning of her career, Mitchell's process involved long and intensive rehearsal periods and use of
296:, where she combined theatre making with the use of live video, creating a form later called âlive cinemaâ.
2234:
2206:
1792:
1062:
1007:
762:
750:
730:
259:
199:
145:
574:
307:
in Cologne, and these pieces have toured the world including Greece, Russia, China, Portugal and Brazil.
1934:
1886:
1878:
450:
337:
300:
168:
2229:
1185:
1108:
1048:
601:
509:
457:
283:
243:
179:
130:
429:
and opera at work today â indeed, among the greatest in the world.â (The Guardian, 14 January 2016)
1910:
1823:
1152:
1117:
1070:
865:
255:
1788:
1762:
1647:
1220:
952:
787:
755:
745:
709:
690:
619:
562:
486:
316:
215:
211:
126:
75:
1642:
713:
304:
1783:
1383:
1297:
1293:
1232:
The Tonic Award in 2018: for her representations of women and nurture of female talent in (UK)
1134:
1030:
1023:
891:
780:
238:
207:
195:
1818:
1797:
1408:
1345:
2182:
2102:
2086:
2078:
1091:
922:
592:
461:
219:
184:
172:
114:
97:
2134:
1998:
1950:
1599:
1079:
899:
835:
772:
725:
472:
345:
341:
1926:
1736:
1519:"Time Out interviews Katie Mitchell, Director of 'Women of Troy' at the National Theatre"
947:
376:. This multiscreen video installation, launched at the Chantiers Europe festival at the
148:
in London before taking on work as an assistant director at theatre companies including
2198:
2166:
2046:
1974:
1942:
1437:
1350:
887:
876:
861:
321:
1691:
1043:
by Handel at Festival d'Aix-en-Provence (Streaming-Live, Blu-ray/DVD released in 2016)
254:
for Best Director in 1996. Between 2000 and 2003 she was an Associate Director at the
2223:
2150:
1902:
1810:
1202:
988:
824:
813:
665:
583:
149:
134:
44:
2142:
2110:
2094:
2070:
1990:
1894:
1748:
1463:"Katie Mitchell: 'I'd hate to hang around making theatre when they're tired of it'"
1302:
918:
628:
567:
549:
518:
502:
223:
1324:
2190:
2158:
2062:
2030:
1982:
1966:
1918:
1874:
1866:
1113:
1012:
637:
536:
270:
425:, she has also experimented with video projections in a number of productions.
2174:
2126:
2054:
1179:
808:
554:
1665:
1387:
387:, where she teaches on an MA in directing. Other academic positions include:
1813:
792:
734:
697:
685:
650:
541:
311:
292:
164:
19:
This article is about the theatre director. For the animated character, see
1238:
Award for Best Opera Director for her production of Alcina in 2019 (Russia)
527:
190:
332:
Schauspielhaus, seven for the SchaubĂŒhne Theatre, Berlin, and six for the
1057:
799:
1779:
366:
Mitchell has also directed installations, including Five Truths at the
1490:"Dead white men in the critics chair scorning work of women directors"
1376:"Katie Mitchell, British theatre's queen in exile | Charlotte Higgins"
1039:
372:
265:
She has directed thirteen productions for the Royal Court, including
1263:
1827:
380:
in Paris on 4 June, and opened at the V&A on 12 July 2011.
194:. Since then, she has directed operas at houses, including the
35:
241:. While at the RSC she directed nine productions, including
931:
by Katie Mitchell and Stephen Emmott at the Avignon Festival
414:
is not her intent to work to a "strong personal signature".
1103:
by Debussy at Festival d'Aix-en-Provence (Streaming-Live)
397:
Visiting Fellow at Central St Martins, London 2016 â 2018
175:, influenced her own practice for the next twenty years.
182:
where she directed four productions, including Handel's
1600:
http://unitedagents.co.uk/film/directors/bijan-shebani/
391:
Cultural Fellow at Kingâs College, London 2015 âPresent
1802:
Katie Mitchell conjugue brillamment théùtre et cinéma"
258:
and between 2003 and 2011 she was an Associate of the
2275:
Recipients of the President's Medal (British Academy)
903:
by George Benjamin, libretto by Martin Crimp, at the
400:
Visiting Professor of Opera at Oxford University 2017
1052:
by Herta MĂŒller at Deutsches Schauspielhaus, Hamburg
394:
Honorary Fellow at Rose Bruford College, London 2014
1457:
1455:
641:, a version by Martin Crimp of Anton Chekhov's play
93:
83:
54:
30:
1576:"Katie Mitchell, British theatre's queen in exile"
1188:- Europe Prize Theatrical Realities, 2011 (Europe)
961:by Vasco Mendonça at the Aix-en-Provence Festival
1855:Evening Standard Theatre Award for Best Director
1133:by Rebecca Watson (adapted by Miriam Battye) at
791:by Dr. Seuss at the National Theatre and at the
353:The Directorâs Craft: A Handbook for the Theatre
1034:by Beckett at Deutsches Schauspielhaus, Hamburg
1692:"Catalogue XIV edition - Europe Theatre Prize"
1513:
1511:
178:In 1996, Mitchell started directing operas at
144:She began her career behind the scenes at the
1839:
1288:
1286:
1284:
1126:by Virginia Woolf with the SchaubĂŒhne, Berlin
8:
2260:Officers of the Order of the British Empire
1651:(Supplement). 31 December 2008. p. 11.
1846:
1832:
1824:
447:Officer of the Order of the British Empire
43:
27:
1175:The Theatertreffen Prize 2009 (Germany)
968:a version by Martin Crimp of Euripides'
1255:
1172:The Theatertreffen Prize 2008 (Germany)
1083:by Morton Feldman at Berlin State Opera
467:In September 2017, she was awarded the
113:(born 23 September 1964) is an English
1574:Higgins, Charlotte (14 January 2016).
1543:Cavendish, Dominic (30 October 2006).
1374:Higgins, Charlotte (14 January 2016).
1194:Award for Best Foreign Production for
137:. Upon leaving Oakham, she went up to
1660:
1658:
966:Alles Weitere Kennen Sie aus dem Kino
7:
1611:Durrant, Sabine (27 November 2010).
1212:The Best Director Nestroy Prize for
437:She has a daughter Edie, born 2005.
385:Royal Holloway, University of London
16:British theatre director (born 1964)
1804:by Jean-Luc Lebreton, unidivers.fr
1182:Best Production Award in 2009 (USA)
803:by Mozart at English National Opera
161:Winston Churchill Travel Fellowship
2285:British women television directors
2240:Alumni of Magdalen College, Oxford
1344:. National Theatre. Archived from
648:, based on Virginia Woolf's novel
14:
1342:Go Backstage: Department Profiles
1227:British Academy Presidentâs Medal
1074:by Donizetti at Royal Opera House
458:Europe Prize Theatrical Realities
2265:People educated at Oakham School
1221:Stanislavsky International Prize
2250:British women theatre directors
879:at the National Theatre, London
744:, a version by Martin Crimp of
1409:"Five Truths â 59 Productions"
21:The Mitchells vs. the Machines
1:
1169:Best Director Award 1996 (UK)
456:In 2011, she was awarded the
336:. She has also worked at the
2255:English television directors
1545:"From heroine to villainess"
873:A Woman Killed With Kindness
351:In 2009, Mitchell published
1670:Premio Europa per il Teatro
1336:Heather Neill (June 2004).
942:at Schauspiel Köln, Cologne
853:at Schauspiel Köln, Cologne
159:In 1989, she was awarded a
2301:
1488:Hoyle, Ben (14 May 2007).
1243:International Opera Awards
849:based on Virginia Woolf's
479:Selected directing credits
368:Victoria and Albert Museum
18:
2245:English theatre directors
1861:
1819:Les Archives du Spectacle
905:Grand Théùtre de Provence
154:Royal Shakespeare Company
42:
1613:"On the children's menu"
1551:. London. Archived from
1088:Schatten (Eurydice sagt)
985:Charlotte Perkins Gilman
974:Deutsches Schauspielhaus
909:Aix-en-Provence Festival
842:at the Royal Opera House
812:after Strindberg at the
614:(film), opera by Britten
228:Aix-en-Provence Festival
139:Magdalen College, Oxford
88:Magdalen College, Oxford
2270:British opera directors
1469:. London. 17 April 2008
1241:Best Director 2019 for
1049:Reisende auf einem Bein
840:Michael Symmons Roberts
827:at the National Theatre
777:Michael Symmons Roberts
596:, an oratorio by Handel
544:of Anton Chekhov's play
453:for services to drama.
445:Mitchell was appointed
2280:Female opera directors
1793:Royal National Theatre
1791:search results at the
1264:"Gemeinsame Normdatei"
1063:Royal National Theatre
731:English National Opera
338:Toneelgroep, Amsterdam
334:Hamburg Schauspielhaus
260:Royal National Theatre
200:English National Opera
49:Katie Mitchell in 2016
1701:. pp. 29, 47â48.
1214:Reise durch die Nacht
1094:at SchaubĂŒhne, Berlin
1061:by Sarah Kane at the
1022:by Duncan Macmillan,
1002:at SchaubĂŒhne, Berlin
936:Reise Durch Die Nacht
611:The Turn of the Screw
578:, an opera by JanĂĄÄek
531:, an opera by JanĂĄÄek
451:2009 New Year Honours
419:Stanislavski's system
125:Mitchell was born in
106:Katrina Jane Mitchell
59:Katrina Jane Mitchell
1296:(24 November 2007).
1201:The Best Production
1186:Europe Theatre Prize
1147:Churchill fellowship
1109:Anatomy of a Suicide
1100:Pelléas et Mélisande
970:The Phoenician Women
959:The House Taken Over
940:Friederike Mayröcker
915:Die Ringe des Saturn
884:The Trial of Ubu Roi
821:Beauty And The Beast
751:Krankheit der Jugend
683:inspired / based on
681:...Some Trace of Her
658:Attempts on Her Life
510:The Phoenician Women
499:Die MaschinenstĂŒrmer
495:The Machine Wreckers
284:Anatomy of a Suicide
244:The Phoenician Women
180:Welsh National Opera
131:Hermitage, Berkshire
1911:Christopher Morahan
1717:The British Academy
1549:The Daily Telegraph
1118:Royal Court Theatre
1071:Lucia di Lammermoor
1008:Wunschloses UnglĂŒck
951:by Frank Martin at
866:Royal Court Theatre
378:Théùtre de la Ville
340:, and twice at the
256:Royal Court Theatre
237:, the RSC's former
146:King's Head Theatre
141:, to read English.
1800:The Forbidden Zone
1744:Michael Billington
1648:The London Gazette
1623:on 28 October 2019
1298:"The cutting edge"
1294:Higgins, Charlotte
1157:Arden of Faversham
1020:The Forbidden Zone
953:Berlin State Opera
788:The Cat in the Hat
746:Ferdinand Bruckner
716:, Cologne, Germany
710:Franz Xaver Kroetz
691:Fyodor Dostoyevsky
620:Iphigenia in Aulis
487:Rutherford and Son
357:âŠsome trace of her
317:The Cat in the Hat
301:SchaubĂŒhne Theatre
247:which won her the
216:Royal Danish Opera
212:Berlin State Opera
169:Eimuntas Nekrosius
133:, and educated at
127:Reading, Berkshire
76:Reading, Berkshire
2217:
2216:
1216:in 2013 (Austria)
1209:in 2012 (Denmark)
1135:Hampstead Theatre
1024:Salzburg Festival
892:Hampstead Theatre
816:, Berlin, Germany
781:Royal Opera House
469:President's Medal
326:The Way Back Home
303:(Berlin) and the
239:black box theatre
208:Salzburg Festival
196:Royal Opera House
103:
102:
69:23 September 1964
2292:
2210:
2202:
2194:
2186:
2183:Marianne Elliott
2178:
2170:
2162:
2154:
2146:
2138:
2130:
2122:
2114:
2106:
2103:Michael Grandage
2098:
2090:
2087:Marianne Elliott
2082:
2079:Michael Grandage
2074:
2066:
2058:
2050:
2042:
2034:
2026:
2018:
2010:
2002:
1994:
1986:
1978:
1970:
1962:
1954:
1946:
1938:
1930:
1922:
1914:
1906:
1898:
1890:
1882:
1870:
1848:
1841:
1834:
1825:
1807:
1789:"Katie Mitchell"
1767:
1766:
1763:"Little Scratch"
1759:
1753:
1734:
1728:
1727:
1725:
1723:
1709:
1703:
1702:
1699:premioeuropa.org
1696:
1688:
1682:
1681:
1679:
1677:
1662:
1653:
1652:
1639:
1633:
1632:
1630:
1628:
1619:. Archived from
1608:
1602:
1597:
1591:
1590:
1588:
1586:
1571:
1565:
1564:
1562:
1560:
1540:
1534:
1533:
1531:
1529:
1515:
1506:
1505:
1503:
1501:
1485:
1479:
1478:
1476:
1474:
1459:
1450:
1449:
1447:
1445:
1440:on 1 August 2011
1436:. Archived from
1426:
1420:
1419:
1417:
1415:
1405:
1399:
1398:
1396:
1394:
1371:
1365:
1364:
1362:
1360:
1354:
1333:
1327:
1322:
1316:
1315:
1313:
1311:
1290:
1279:
1278:
1276:
1274:
1260:
1198:in 2011 (Russia)
1167:Evening Standard
1092:Elfriede Jelinek
1000:Duncan Macmillan
981:Die gelbe Tapete
923:Avignon Festival
763:National Theatre
759:
729:by Purcell (for
701:by Genet, Sweden
605:by Anton Chekhov
490:by Githa Sowerby
462:Saint Petersburg
363:, both in 2008.
275:Opheliaâs Zimmer
250:Evening Standard
173:Anatoly Vasiliev
115:theatre director
112:
98:Theatre director
72:
68:
66:
47:
28:
2300:
2299:
2295:
2294:
2293:
2291:
2290:
2289:
2220:
2219:
2218:
2213:
2205:
2197:
2189:
2181:
2173:
2165:
2157:
2149:
2141:
2135:Nicholas Hytner
2133:
2125:
2117:
2109:
2101:
2093:
2085:
2077:
2069:
2061:
2053:
2045:
2037:
2029:
2021:
2013:
2005:
1999:Matthew Warchus
1997:
1989:
1981:
1973:
1965:
1957:
1951:Nicholas Hytner
1949:
1941:
1933:
1925:
1917:
1909:
1901:
1893:
1885:
1873:
1865:
1857:
1852:
1805:
1776:
1771:
1770:
1761:
1760:
1756:
1735:
1731:
1721:
1719:
1711:
1710:
1706:
1694:
1690:
1689:
1685:
1675:
1673:
1664:
1663:
1656:
1641:
1640:
1636:
1626:
1624:
1617:theguardian.com
1610:
1609:
1605:
1598:
1594:
1584:
1582:
1580:theguardian.com
1573:
1572:
1568:
1558:
1556:
1542:
1541:
1537:
1527:
1525:
1523:Time Out London
1517:
1516:
1509:
1499:
1497:
1487:
1486:
1482:
1472:
1470:
1467:The Independent
1461:
1460:
1453:
1443:
1441:
1428:
1427:
1423:
1413:
1411:
1407:
1406:
1402:
1392:
1390:
1373:
1372:
1368:
1358:
1356:
1355:on 13 June 2007
1348:
1338:"NT Associates"
1335:
1334:
1330:
1323:
1319:
1309:
1307:
1292:
1291:
1282:
1272:
1270:
1262:
1261:
1257:
1252:
1155:Award 1991 for
1143:
1031:GlĂŒckliche Tage
900:Written on Skin
836:James MacMillan
773:James MacMillan
769:Parthenogenesis
753:
726:Dido and Aeneas
714:Schauspiel Köln
676:by Martin Crimp
660:by Martin Crimp
553:, a version by
540:, a version by
481:
473:British Academy
443:
435:
407:
346:Stadsschouwburg
342:Bouffes du Nord
235:The Other Place
152:(1987) and the
123:
121:Life and career
108:
84:Alma mater
79:
73:
70:
64:
62:
61:
60:
50:
38:
33:
24:
17:
12:
11:
5:
2298:
2296:
2288:
2287:
2282:
2277:
2272:
2267:
2262:
2257:
2252:
2247:
2242:
2237:
2232:
2222:
2221:
2215:
2214:
2212:
2211:
2203:
2199:Lynette Linton
2195:
2187:
2179:
2171:
2167:John Malkovich
2163:
2155:
2147:
2139:
2131:
2123:
2115:
2107:
2099:
2091:
2083:
2075:
2067:
2059:
2051:
2047:Deborah Warner
2043:
2035:
2027:
2019:
2011:
2007:Katie Mitchell
2003:
1995:
1987:
1979:
1975:Stephen Daldry
1971:
1963:
1955:
1947:
1943:Deborah Warner
1939:
1931:
1923:
1915:
1907:
1899:
1891:
1883:
1871:
1862:
1859:
1858:
1853:
1851:
1850:
1843:
1836:
1828:
1822:
1821:
1816:
1811:Katie Mitchell
1808:
1795:
1786:
1780:Katie Mitchell
1775:
1774:External links
1772:
1769:
1768:
1754:
1752:, 28 June 2006
1729:
1704:
1683:
1666:"XIV EDIZIONE"
1654:
1634:
1603:
1592:
1566:
1555:on 27 May 2008
1535:
1507:
1480:
1451:
1421:
1400:
1366:
1328:
1325:Katie Mitchell
1317:
1280:
1254:
1253:
1251:
1248:
1247:
1246:
1239:
1233:
1230:
1224:
1217:
1210:
1199:
1196:Fraulein Julie
1189:
1183:
1176:
1173:
1170:
1164:
1150:
1142:
1139:
1138:
1137:
1131:little scratch
1127:
1120:
1104:
1095:
1084:
1075:
1066:
1053:
1044:
1035:
1026:
1016:
1003:
992:
977:
962:
955:
943:
932:
925:
911:
895:
888:Simon Stephens
880:
877:Thomas Heywood
869:
862:Simon Stephens
854:
843:
834:, an opera by
828:
817:
809:FrÀulein Julie
804:
795:
783:
771:, an opera by
765:
742:Pains of Youth
738:
717:
702:
693:
677:
670:
661:
654:
642:
633:
624:
615:
606:
597:
588:
579:
570:
558:
557:from Aeschylus
545:
532:
523:
514:
505:
491:
480:
477:
442:
439:
434:
431:
406:
403:
402:
401:
398:
395:
392:
322:Oliver Jeffers
305:Schauspielhaus
279:Ophelia's Room
122:
119:
101:
100:
95:
91:
90:
85:
81:
80:
74:
58:
56:
52:
51:
48:
40:
39:
34:
32:Katie Mitchell
31:
15:
13:
10:
9:
6:
4:
3:
2:
2297:
2286:
2283:
2281:
2278:
2276:
2273:
2271:
2268:
2266:
2263:
2261:
2258:
2256:
2253:
2251:
2248:
2246:
2243:
2241:
2238:
2236:
2235:Living people
2233:
2231:
2228:
2227:
2225:
2208:
2204:
2200:
2196:
2192:
2188:
2184:
2180:
2176:
2172:
2168:
2164:
2160:
2156:
2152:
2151:Jeremy Herrin
2148:
2144:
2140:
2136:
2132:
2128:
2124:
2120:
2119:Howard Davies
2116:
2112:
2108:
2104:
2100:
2096:
2092:
2088:
2084:
2080:
2076:
2072:
2068:
2064:
2060:
2056:
2052:
2048:
2044:
2040:
2039:Howard Davies
2036:
2032:
2028:
2024:
2020:
2016:
2012:
2008:
2004:
2000:
1996:
1992:
1988:
1984:
1980:
1976:
1972:
1968:
1964:
1960:
1959:Richard Jones
1956:
1952:
1948:
1944:
1940:
1936:
1932:
1928:
1924:
1920:
1916:
1912:
1908:
1904:
1903:Yuri Lyubimov
1900:
1896:
1892:
1888:
1884:
1880:
1876:
1872:
1868:
1864:
1863:
1860:
1856:
1849:
1844:
1842:
1837:
1835:
1830:
1829:
1826:
1820:
1817:
1815:
1812:
1809:
1803:
1801:
1796:
1794:
1790:
1787:
1785:
1781:
1778:
1777:
1773:
1764:
1758:
1755:
1751:
1750:
1745:
1741:
1739:
1733:
1730:
1718:
1714:
1708:
1705:
1700:
1693:
1687:
1684:
1671:
1667:
1661:
1659:
1655:
1650:
1649:
1644:
1638:
1635:
1622:
1618:
1614:
1607:
1604:
1601:
1596:
1593:
1581:
1577:
1570:
1567:
1554:
1550:
1546:
1539:
1536:
1524:
1520:
1514:
1512:
1508:
1495:
1491:
1484:
1481:
1468:
1464:
1458:
1456:
1452:
1439:
1435:
1431:
1430:"Five Truths"
1425:
1422:
1410:
1404:
1401:
1389:
1385:
1381:
1377:
1370:
1367:
1352:
1347:
1343:
1339:
1332:
1329:
1326:
1321:
1318:
1305:
1304:
1299:
1295:
1289:
1287:
1285:
1281:
1269:
1265:
1259:
1256:
1249:
1244:
1240:
1237:
1234:
1231:
1228:
1225:
1223:2014 (Russia)
1222:
1218:
1215:
1211:
1208:
1204:
1203:Reumert Prize
1200:
1197:
1193:
1190:
1187:
1184:
1181:
1177:
1174:
1171:
1168:
1165:
1162:
1161:Women of Troy
1158:
1154:
1151:
1148:
1145:
1144:
1140:
1136:
1132:
1128:
1125:
1121:
1119:
1115:
1111:
1110:
1105:
1102:
1101:
1096:
1093:
1089:
1085:
1082:
1081:
1076:
1073:
1072:
1067:
1064:
1060:
1059:
1054:
1051:
1050:
1045:
1042:
1041:
1036:
1033:
1032:
1027:
1025:
1021:
1017:
1014:
1011:by Handke at
1010:
1009:
1004:
1001:
997:
993:
990:
986:
982:
978:
975:
971:
967:
963:
960:
956:
954:
950:
949:
944:
941:
937:
933:
930:
926:
924:
920:
916:
912:
910:
906:
902:
901:
896:
893:
889:
885:
881:
878:
874:
870:
867:
863:
859:
855:
852:
848:
844:
841:
837:
833:
829:
826:
825:Lucy Kirkwood
822:
818:
815:
811:
810:
805:
802:
801:
796:
794:
790:
789:
784:
782:
778:
774:
770:
766:
764:
760:
757:
752:
747:
743:
739:
736:
732:
728:
727:
722:
718:
715:
711:
707:
706:Wunschkonzert
703:
700:
699:
694:
692:
688:
687:
682:
678:
675:
671:
668:
667:
666:Women of Troy
662:
659:
655:
653:
652:
647:
643:
640:
639:
634:
632:by Strindberg
631:
630:
625:
622:
621:
616:
613:
612:
607:
604:
603:
602:Three Sisters
598:
595:
594:
589:
586:
585:
580:
577:
576:
575:KĂĄĆ„a KabanovĂĄ
571:
569:
565:
564:
559:
556:
552:
551:
546:
543:
539:
538:
533:
530:
529:
524:
521:
520:
515:
512:
511:
506:
504:
500:
496:
492:
489:
488:
483:
482:
478:
476:
474:
470:
465:
463:
459:
454:
452:
449:(OBE) in the
448:
440:
438:
433:Personal life
432:
430:
426:
424:
420:
415:
411:
404:
399:
396:
393:
390:
389:
388:
386:
381:
379:
375:
374:
369:
364:
362:
358:
354:
349:
347:
343:
339:
335:
329:
327:
323:
319:
318:
313:
308:
306:
302:
297:
295:
294:
288:
286:
285:
280:
276:
272:
268:
263:
261:
257:
253:
251:
246:
245:
240:
236:
231:
229:
225:
221:
220:Opéra-Comique
217:
213:
209:
205:
201:
197:
193:
192:
188:and Jancek's
187:
186:
181:
176:
174:
170:
166:
162:
157:
155:
151:
150:Paines Plough
147:
142:
140:
136:
135:Oakham School
132:
128:
120:
118:
116:
111:
107:
99:
96:
92:
89:
86:
82:
77:
71:(age 59)
57:
53:
46:
41:
37:
29:
26:
22:
2143:Richard Eyre
2111:Rupert Goold
2095:Rupert Goold
2071:Rufus Norris
2022:
2014:
2006:
1991:Sean Mathias
1927:NĂșria Espert
1895:Richard Eyre
1799:
1757:
1749:The Guardian
1747:
1737:
1732:
1720:. Retrieved
1716:
1707:
1698:
1686:
1674:. Retrieved
1672:(in Italian)
1669:
1646:
1637:
1625:. Retrieved
1621:the original
1616:
1606:
1595:
1583:. Retrieved
1579:
1569:
1557:. Retrieved
1553:the original
1548:
1538:
1526:. Retrieved
1522:
1498:. Retrieved
1493:
1483:
1471:. Retrieved
1466:
1442:. Retrieved
1438:the original
1433:
1424:
1412:. Retrieved
1403:
1391:. Retrieved
1380:The Guardian
1379:
1369:
1357:. Retrieved
1346:the original
1341:
1331:
1320:
1308:. Retrieved
1303:The Guardian
1301:
1271:. Retrieved
1267:
1258:
1213:
1206:
1195:
1160:
1156:
1130:
1123:
1107:
1098:
1087:
1078:
1069:
1056:
1047:
1038:
1029:
1019:
1006:
995:
980:
969:
965:
958:
948:Le Vin herbé
946:
935:
928:
919:W. G. Sebald
914:
898:
883:
872:
857:
850:
846:
831:
820:
807:
798:
786:
768:
749:
741:
724:
720:
705:
696:
684:
680:
673:
669:by Euripides
664:
657:
649:
645:
636:
629:A Dream Play
627:
623:by Euripides
618:
609:
600:
591:
582:
573:
568:Martin Crimp
561:
550:The Oresteia
548:
535:
526:
519:Don Giovanni
517:
513:by Euripides
508:
503:Ernst Toller
498:
494:
485:
466:
455:
444:
436:
427:
422:
416:
412:
408:
382:
371:
365:
360:
356:
352:
350:
330:
325:
315:
309:
298:
291:
289:
282:
278:
274:
266:
264:
249:
242:
232:
224:Geneva Opera
204:Glyndebourne
189:
183:
177:
158:
143:
129:, raised in
124:
105:
104:
25:
2230:1964 births
2207:Jamie Lloyd
2191:Robert Icke
2159:Robert Icke
2063:Polly Teale
2031:Trevor Nunn
1983:Terry Hands
1967:Trevor Nunn
1919:Bill Bryden
1875:Trevor Nunn
1867:Trevor Nunn
1806:(in French)
1738:The Seagull
1643:"No. 58929"
1627:21 November
1585:21 November
1444:21 November
1273:21 November
1236:Golden Mask
1207:The Seagull
1192:Golden Mask
1114:Alice Birch
1013:Burgtheater
929:Ten Billion
907:during the
754: [
638:The Seagull
563:The Country
537:Uncle Vanya
271:Alice Birch
267:Ten Billion
2224:Categories
2175:Sam Mendes
2127:Mike Leigh
2055:Sam Mendes
1935:Peter Hall
1887:Peter Hall
1879:John Caird
989:SchaubĂŒhne
847:Die Wellen
814:SchaubĂŒhne
721:After Dido
587:by Chekhov
555:Ted Hughes
405:Reputation
94:Occupation
65:1964-09-23
1814:Operabase
1722:5 October
1676:8 January
1494:The Times
1434:vam.ac.uk
1388:0261-3077
976:, Hamburg
858:Wastwater
851:The Waves
793:Young Vic
735:Young Vic
723:based on
698:The Maids
686:The Idiot
651:The Waves
542:David Lan
522:by Mozart
312:Dr. Seuss
293:The Waves
222:(Paris),
165:Lev Dodin
78:, England
2023:No award
2015:No award
1496:. London
1393:18 March
1359:25 April
1306:. London
1153:Time Out
1065:, London
1058:Cleansed
1015:, Vienna
991:, Berlin
894:, London
868:, London
832:Clemency
800:Idomeneo
748:'s play
674:The City
324:' book,
226:and the
1124:Orlando
1080:Neither
987:at the
972:at the
921:at the
890:at the
864:at the
779:at the
761:at the
733:at the
593:Jephtha
471:of the
441:Honours
185:Jephtha
2209:(2023)
2201:(2022)
2193:(2019)
2185:(2018)
2177:(2017)
2169:(2016)
2161:(2015)
2153:(2014)
2145:(2013)
2137:(2012)
2129:(2011)
2121:(2010)
2113:(2009)
2105:(2008)
2097:(2007)
2089:(2006)
2081:(2005)
2073:(2004)
2065:(2003)
2057:(2002)
2049:(2001)
2041:(2000)
2033:(1999)
2025:(1998)
2017:(1997)
2009:(1996)
2001:(1995)
1993:(1994)
1985:(1993)
1977:(1992)
1969:(1991)
1961:(1990)
1953:(1989)
1945:(1988)
1937:(1987)
1929:(1986)
1921:(1985)
1913:(1984)
1905:(1983)
1897:(1982)
1889:(1981)
1881:(1980)
1869:(1979)
1798:"Dans
1740:review
1386:
1268:dnb.de
1149:, 1989
1141:Awards
1129:2021:
1122:2019:
1106:2017:
1097:2016:
1086:2016:
1077:2016:
1068:2016:
1055:2016:
1046:2015:
1040:Alcina
1037:2015:
1028:2015:
1018:2014:
1005:2014:
994:2013:
979:2013:
964:2013:
957:2013:
945:2013:
934:2012:
927:2012:
913:2012:
897:2012:
882:2012:
871:2011:
856:2011:
845:2011:
830:2011:
819:2010:
806:2010:
797:2010:
785:2009:
767:2009:
740:2009:
719:2009:
704:2009:
695:2008:
679:2008:
672:2008:
663:2007:
656:2007:
644:2006:
635:2006:
626:2005:
617:2004:
608:2004:
599:2003:
590:2003:
584:Ivanov
581:2002:
572:2001:
560:2000:
547:2000:
534:1998:
528:JenĆŻfa
525:1998:
516:1996:
507:1996:
493:1995:
484:1994:
410:sex".
373:Hamlet
281:) and
214:, the
206:, the
191:JenĆŻfa
1695:(PDF)
1559:7 May
1528:7 May
1500:7 May
1473:7 May
1414:7 May
1310:7 May
1250:Notes
996:Atmen
758:]
646:Waves
566:, by
501:) by
460:, in
423:Waves
361:Waves
252:Award
1877:and
1784:IMDb
1724:2017
1678:2023
1629:2019
1587:2019
1561:2010
1530:2018
1502:2010
1475:2010
1446:2019
1416:2018
1395:2020
1384:ISSN
1361:2008
1312:2010
1275:2019
1245:(UK)
1219:The
1205:for
1180:OBIE
1163:(UK)
1159:and
838:and
775:and
359:and
171:and
55:Born
1782:at
1742:by
1351:Web
1178:An
1116:at
1112:by
1090:by
998:by
983:by
938:by
917:by
886:by
875:by
860:by
823:by
708:by
689:by
314:âs
273:on
110:OBE
36:OBE
2226::
1746:,
1715:.
1697:.
1668:.
1657:^
1645:.
1615:.
1578:.
1547:.
1521:.
1510:^
1492:.
1465:.
1454:^
1432:.
1382:.
1378:.
1340:.
1300:.
1283:^
1266:.
756:de
712:,
464:.
328:.
287:.
262:.
230:.
218:,
210:,
202:,
198:,
167:,
117:.
67:)
1847:e
1840:t
1833:v
1765:.
1726:.
1680:.
1631:.
1589:.
1563:.
1532:.
1504:.
1477:.
1448:.
1418:.
1397:.
1363:.
1353:)
1349:(
1314:.
1277:.
737:)
497:(
277:(
63:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
