138:
698:). The title means "I/we want to meet (some) Japanese people: Portraits of 34 people I/we went around to meet". Matsui interviews the 34 people – photographers, scholars, musicians, and so forth – and for each, Nakazato supplies four or so black-and-white photographs: some of them fairly straightforward portraits, but others showing the person at work.
68:
Throughout this time
Nakazato was supporting himself via as series of jobs that he disliked, and at 28 he determined that although the prospects of a good income looked bleak, he would indeed be a professional photographer as there was nothing other than photography that he wanted to do. He started
65:, whose teaching he found enormously stimulating. The classes were held once a week for two months, and Nakazato took seriously Kitai's casual answer that yes, he might be able to make it as a photographer. Nakazato would continue to meet Kitai once a month for two years thereafter.
83:
His subsequent work has been in colour, with one entire book (as well as major contributions to others) of photographs of sheds, books of photographs of dusk and night scenes in and near Tokyo done in collaboration with the writer Jun Nakano, and more.
736:). The title means "Sheds: Working architecture". More than half of this lavishly illustrated book about sheds consists of colour and black-and-white photographs and text by Nakazato; many of the photographs later reappear in
973:. Text (in English only) by Sumiko Enbutsu. A lavishly illustrated tourist souvenir cum guide to seven suggested walks around Tokyo, concentrating on areas that are older or that have historical significance.
332:) / "Rocks are Beautiful, Rocks are Mysterious: Tsugaru, Land of Amazing Rocks." Inax Gallery (Tokyo, Osaka, Nagoya), 2007–2008. Rock formations, rocks, polished rocks and rock details in
2053:
95:), and, as a renowned photographer of sheds, quickly agreed to construct a shed, a job for which he had no experience. With the help of an architecture student from
1067:. Text by Jun Nakano. The title means something like "tourism in the farthest reaches of Tokyo"; the book is a guide to small, quirky areas at the edge of the
1973:
1994:
1748:
1558:
1774:
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his grandmother had bought for him really ought to get some use, and enrolling in a photography class for the public that happened to be taught by
361:) / "The One-Mat Study of Takeshiro Matsuura, 19th Century Explorer". Inax Gallery (Tokyo, Osaka, Nagoya), 2010. On the explorer and cartographer
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459:. Photographs of places and architectural and other detail, in daylight and at night. Captions and short text in both Japanese and English.
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811:). Nakazato is one of numerous contributors to this large anthology about sheds. Despite its English alternative title, in Japanese only.
57:(Tokyo), from which he graduated in Geography. It was only when he was 25 that he first had any interest in photography, thinking that a
1725:
69:
with little skill or confidence (as he recalls) in editorial work for magazines, but gradually got into his stride and work picked up.
2010:
1212:). Tokyo: Fukuinkan, 2008. Text by Jun Nakano, photographs by Nakazato, for this issue of a monthly scientific magazine for children.
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845:). Color photographs of dusk. Biographical and other information in both Japanese and English, but the main texts in Japanese only.
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252:"Nacht. Natur. Das andere Tokio" / "Yoru, shizen, mō hitotsu no Tōkyō" (Night, nature, another Tokyo). Stadtteilarchiv Ottensen (
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80:. The portraits (as well as the use of monochrome) make this book unusual among Nakazato's works, but it is highly regarded.
433:. Photographs of the outsides of home-made sheds of all kinds across Japan. Captions and texts in both Japanese and English.
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499:. Paired photographs of bends in roads across Japan. Captions (locations and dates) in English, short text in Japanese.
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Nakazato's first photobook, published in 1991, is a portrayal of life on the "man-made wilderness" on the edges of
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571:, and the white of Japan in the snow. Captions in Japanese only but an afterword in both Japanese and English.
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This
English title and others below that are in parentheses are from the English language CV at the back of
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160:"Fūkei no achira: Miyazawa Kenji, Taneda Santōka no sekai o aruku" (Beyond scenes: Walking in the world of
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585:. Photographs taken at night. Captions in Roman script, and (minimal) text in both Japanese and English.
111:
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362:
306:"Mieru mono / mienai mono" / "The photograph: What You See and What You Don't". Chinretsukan gallery,
171:"Chihyō-e: jinettai" (Surface of the Earth picture: Terrestrial heat zone). Gallery Saoh & Tomos (
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1042:
343:
37:
is a
Japanese photographer of the man-made environment, particularly sheds, alleys and night scenes.
911:(Tokyo). Text by Jun Nakano. Most of the text is in Japanese only, but there is a little in English.
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339:"Tsuchi: Daichi no chikara" (Strength of the Earth). Gunma Museum of Art, Tatebayashi, 2008.
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178:"Koya: Mushin de honpō na kenchiku" (Sheds: Innocent, wild construction). Inax Gallery (
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Outside the exhibition "Boundary in
Landscape", Yoshizawa Garden Gallery, September 2010
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342:"Gazai to sozai no hikidashi hakubutsukan" (Drawer museum of art tools and materials).
285:"Fūkei no kyōkai 1983–2010" / "Boundary in Landscape". Yoshizawa Garden Gallery (
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321:) / "Topography of Japanese Boathouses". Inax Gallery (Tokyo, Osaka, Nagoya), 2007.
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and
Nakazato; photographs by Nakazato. The book of the 2007–2008 exhibition.
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485:. Photographs of back alleys across Japan. Text and captions are in Japanese only.
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It's not clear whether these were originally used or are freshly made for the CV.
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62:
1460:, Reading photobooks: A complete guide to the best 338; Tokyo: Metarōgu, 1997;
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plain. The photographs are black-and-white and colour, of day and night scenes.
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1160:). Kromhoorn Records, 1998. Nakazato provides the photographs for the booklet.
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263:"Ultra rinkai yakei" (Ultra: Nightscape of critical area). C Square Gallery,
99:, he was successful in what turned out to be the first of a series of sheds.
1367:"Kaijō-zukuri kara koya-zukuri made: Ekkyō suru shashinka no atamano naka" (
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189:"Hyōsō seizō (ikon)" (The superficial: Icons from the deep). Exile Gallery (
73:
46:
1982:
204:
1709:, "Artona: Kunst und Kultur aus dem wilden Westen Hamburgs", 9 June 2008.
989:
Rocks are
Beautiful, Rocks are Mysterious: Tsugaru, Land of Amazing Rocks.
53:, Japan. When young he enjoyed painting, and he joined a painting club in
1946:
1921:(Describes the event but does not name the artists.) Accessed 2010-09-02.
1905:(Describes the event but does not name the artists.) Accessed 2010-09-02.
1330:(Ichikawa: Ichikawa-shi Bunka Shinkō Zaidan, 2010). Exhibition catalogue.
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by day and night. No captions; an afterword in both
English and Japanese.
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222:
146:"Wangan gen'ya" (The man-made wilderness of Tokyo Bay). Olympus Gallery (
1262:". "Sheds" is used in this article as shorthand for "sheds (and huts)".
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The relevant photographs have appeared in several books with the word
268:
179:
1045:. A picture book for children, with Nakazato's photographs of sheds.
242:"Koya-tachi no hitorigoto" (Monologues of sheds). Billiken Gallery (
1781:
for "Yoru, shizen, mō hitotsu no Tōkyō", Contemporary Art
Factory.
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rather than administrative area, for example reaching northward to
190:
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In 2001, Nakazato was invited to participate in a crafts event in
407:. (All of Nakazato's subsequent books are of colour photographs.)
299:"Bokutō shashinten" (Bokuto photograph exhibition). Warehouse in
1917:
for "Gazai to sozai no hikidashi hakubutsukan", Tokyo Art Beat.
1259:
596:
Iwate-ken Poran-chō aza nanatsu mori e: Miyazawa Kenji e no tabi
1857:, Tokyo University of the Arts, 2007. Both accessed 2010-09-02.
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The One-Mat Study of
Takeshiro Matsuura, 19th Century Explorer.
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is close to "small house" and its actual meaning encompasses "
1965:
1420:
Kazuo Kitai, "Nakazato
Katsuhito ga shashinka ni natta hi" (
353:"Bakumatsu no tankenka: Matsuura Takeshirō to ichijōshiki" (
1829:
for "Boundary in Landscape", Tokyo Zokei University, 2010.
959:. Photographs by Nakazato. The book of the 2007 exhibition.
1706:
1139:. Text by various people. The book of the 2010 exhibition.
282:"Ultra". Aoyama Book Center Gallery (Aoyama, Tokyo), 2009.
196:"Kiriko no machi" (De Chirico's shadow). Uchida Gallery (
1113:
Bakumatsu no tankenka: Matsuura Takeshirō to ichijōshiki
1869:
for "Topography of Japanese Boathouses", Inax Gallery.
1732:
for "Nacht. Natur. Das andere Tokio", Stadtteildialog.
1306:
Katsuhito Nakazato, "Jisaku o kataru 1983–2010" (
743:
Tōkaidō gojūsan tsugi kikō: Yonhyakunen kaidō no dorama
1853:
for "The photograph: What You See and What You Don't"
1845:
for "The photograph: What You See and What You Don't"
403:. Black-and-white photographs of life at the edges of
76:, during its rapid changes before the construction of
642:
Nukemichi, yorimichi, Santōka: Kyūshū o meguru tabi
1901:for "Tsuchi: Daichi no chikara", Tokyo Art Beat.
1250:) – within their titles. The literal meaning of
672:Nihonjin ni aitai: Tazune aruita 34-nin no shōzō
652:). Tokyo: Kaiseisha, 1995. Text by Takao Wajun.
308:Tokyo National University of Fine Arts and Music
203:"Yami no hyōkai" / "Rising Darkness". Il Tempo (
1109:). A book showing how to build one's own house.
451:Wides Photo Collection 12. Tokyo: Wides, 2002.
393:The Man-Made Wilderness of Tokyo Bay 1983–1989.
124:. He also teaches various workshops elsewhere.
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1797:for "Ultra rinkai yakei", Chukyo University.
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1178:OCM Records, 2007. Music by Shunsuke Mizuno (
8:
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634:), inspired by and linked to the travels of
256:, Hamburg), 2008. Contemporary Art Factory (
1759:Accessed 2010-09-04. From the publisher of
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1345:for "Boundary in Landscape", Tekona, 2010.
1083:Self-build: Jibun de ie o tateru to iu koto
664:, inspired by and linked to the travels of
324:"Ishi wa kirei, ishi wa fushigi: Tsugaru" (
249:"Self-build". Roba Roba Cafe (Tokyo), 2008.
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1450:Shashinshū o yomu: Besuto 338 kanzen gaido
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1885:for "Rocks are Beautiful", Inax Gallery.
622:). A travel guide to and picture book of
2054:Academic staff of Tokyo Zokei University
1302:
1300:
1298:
963:Tokyo: Exploring the City of the Shogun.
660:. A travel guide to and picture book of
168:). Konica Plaza (Shinjuku, Tokyo), 1996.
1933:for "The One-Mat Study", Inax Gallery.
1274:
1221:
977:Ishi wa kirei, ishi wa fushigi: Tsugaru
925:). Tokyo: Kawade Shobō Shinsha, 2005.
153:"Yume no tezawari" (Touch of dreams).
114:newcomer's award in 2005 for his book
965:Tokyo: Kodansha International, 2007.
7:
1403:An interview with Nandarō Ayashige (
1363:
1361:
1359:
1357:
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217:"N machi" (N town). Uchida Gallery (
1200:). May 2008 issue of the magazine
1093:). Tokyo: Kōtsū Shinbunsha, 2008.
1059:). Tokyo: Kōtsū Shinbunsha, 2008.
1033:). Tokyo: Billiken Shuppan, 2007.
949:Topography of Japanese Boathouses.
14:
1813:for "Ultra", Aoyama Book Center.
1504:Photo City Sagamihara 2005 awards
221:, Tokyo), 2005. Variété Honroku (
182:), 1999. Inax Gallery (Tokyo and
16:Japanese photographer (born 1956)
1176:Pale Night Trip: Tan Kin Sho II.
787:Tokyo: World Photo Press, 2001.
577:Tokyo: Nippon Camera-sha, 2008.
1430:Fūkei no kyōkai 1983–2010
1316:Fūkei no kyōkai 1983–2010
1481:List of awards 1999–2008
1164:Aoi yoru no tabi: Tankinshō II
753:). Tokyo: Moku Shuppan, 2001.
720:. By Nakazato, Kunihiro Andō (
1:
1976:at Contemporary Art Factory.
1746:Description of the exhibition
1391:, no. 103 (August 2010;
547:Tokyo: Seiryū Shuppan, 2007.
477:Tokyo: Seiryū Shuppan, 2004.
313:"Funagoya: Fūdo to katachi" (
859:). Tokyo: Shōgakukan, 2003.
849:Inochi: Shiage no mei-serifu
690:. Text by Hidetoshi Matsui (
682:). Tokyo: Art Digest, 1999.
517:Koshigaya: Mokudosui, 2006.
475:Roji: Wandering Back Alleys.
425:Tokyo: Media Factory, 2000.
395:Tokyo: Rokkō Shuppan, 1991.
228:"Tōkei". Mokudosui Gallery (
116:Roji: Wandering Back Alleys.
104:Society of Photography Award
2039:Artists from Mie Prefecture
1522:at Tokyo Zokei University.
1186:), photographs by Nakazato.
867:. Ed. Chōkitsu Kurumatani (
749:東海道五十三次紀行 : 四〇〇年街道のドラマ
606:). Tokyo: Kaiseisha, 1995.
120:Nakazato is a professor at
31:
2085:
1563:Mie Prefectural Art Museum
1490:, Society of Photography.
1286:Mie Prefectural Art Museum
1101:. Text by Osamu Ishiyama (
999:. Text by Hidemichi Hori (
761:. Text by Hiroshi Takada (
273:Mie Prefectural Art Museum
210:"Koya no shōzō". Jikonka (
1777:28 September 2011 at the
1641:27 September 2011 at the
1506:, Photo City Sagamihara.
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827:Dusk: Before Night Falls.
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515:Tokyo Mukojima 2000–2006.
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25:
1677:for "R", Tosei Gallery.
1659:List of past exhibitions
1636:List of 2004 exhibitions
1399:), pp. 4–17.
1371:会場作りから小屋作りまで 越境する写真家の頭の中
901:. Colour photographs of
567:, the bright colours of
555:. Pastel colours of the
157:(Shinjuku, Tokyo), 1995.
2044:Hosei University alumni
1007:), Shin'ichi Nakazawa (
702:Koya: Hataraku kenchiku
614:. Text by Takao Wajun (
491:Tokyo: Tōseisha, 2006.
279:, Mie), 2009–2010
2049:Japanese photographers
1995:Article on the series
1691:List of events in 2007
1622:at Chukyo University.
1540:Boundary in Landscape.
1434:Boundary in Landscape.
837:. Text by Jun Nakano (
712:). Tokyo: Inax, 1991.
142:
122:Tokyo Zokei University
2059:Photography academics
1328:Boundary in Landscape
1322:風景ノ境界 1983–2010
1310:自作を語る 1983–2010
1282:Workshop announcement
933:. Text by Jun Nakano.
803:) and Kesaharu Imai (
728:) and Toshikatsu Ue (
678:日本人に会いたい たずね歩いた34人の肖像
140:
112:Photo City Sagamihara
106:in 2003 for his book
45:Nakazato was born in
1937:Accessed 2010-09-04.
1889:Accessed 2010-09-04.
1873:Accessed 2010-09-04.
1833:Accessed 2010-09-02.
1817:Accessed 2010-09-02.
1801:Accessed 2010-09-02.
1785:Accessed 2010-09-02.
1751:10 June 2011 at the
1736:Accessed 2010-09-03.
1728:19 July 2011 at the
1713:Accessed 2010-09-02.
1697:Accessed 2010-09-02.
1693:, Billiken Gallery.
1681:Accessed 2010-09-02.
1665:Accessed 2010-09-02.
1649:Accessed 2010-09-02.
1626:Accessed 2010-09-02.
1569:Accessed 2010-09-02.
1526:Accessed 2010-09-02.
1510:Accessed 2010-08-03.
1494:Accessed 2010-08-03.
1486:16 July 2011 at the
1349:Accessed 2010-09-02.
1292:Accessed 2010-09-03.
1144:Other collaborations
1089:セルフビルド 自分で家を建てるということ
648:ぬけ道、より道、山頭火: 九州をめぐる旅
602:岩手県ポラン町字七つ森へ 宮沢賢治への旅
545:Geography of Colors.
449:De Chirico's Shadow.
344:Meguro Museum of Art
235:"R". Gallery Tosei (
1974:Profile of Nakazato
1755:, Mokudosui, 2008.
1661:, Variété Honroku.
1620:Profile of Nakazato
1150:Roba no oto sagashi
1127:Tokyo: Inax, 2010.
1075:at the edge of the
1049:Tōkyō saihate kankō
991:Tokyo: Inax, 2007.
951:Tokyo: Inax, 2007.
795:. Ed Kiyoko Senba (
785:Micro Architecture.
738:Portraits of Sheds.
668:. In Japanese only.
638:. In Japanese only.
590:Book collaborations
423:Portraits of Sheds.
108:De Chirico's Shadow
1456:写真集を読む ベスト338完全ガイド
1202:Takusan no fushigi
1137:Matsuura Takeshirō
983:石はきれい、石は不思議—津軽・石の旅
893:Tokyo: Pie, 2004.
829:Tokyo: Pie, 2003.
626:(and particularly
363:Matsuura Takeshirō
328:石はきれい、石は不思議—津軽・石の旅
143:
32:Nakazato Katsuhito
20:Katsuhito Nakazato
1931:Exhibition notice
1915:Exhibition notice
1899:Exhibition notice
1883:Exhibition notice
1867:Exhibition notice
1851:exhibition notice
1843:Exhibition notice
1827:Exhibition notice
1811:Exhibition notice
1795:Exhibition notice
1772:Exhibition notice
1723:Exhibition notice
1675:Exhibition notice
1559:Exhibition notice
1397:978-4-89492-162-7
1343:Exhibition notice
1133:978-4-87275-852-8
1099:978-4-330-99808-4
1065:978-4-330-98208-3
1043:Shuntarō Tanikawa
1039:978-4-939029-46-2
997:978-4-87275-841-2
971:978-4-7700-3033-7
957:978-4-87275-839-9
583:978-4-8179-2115-4
553:978-4-86029-232-4
525:. Photographs of
375:Books by Nakazato
294:Group exhibitions
265:Chukyo University
232:, Saitama), 2006.
102:Nakazato won the
97:Waseda University
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2004:September 2007.
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360:
359:
358:
357:幕末の探検家 松浦武四郎と一畳敷
331:
330:
329:
320:
319:
318:
133:Solo exhibitions
55:Hosei University
36:
34:
28:
27:
2084:
2083:
2079:
2078:
2077:
2075:
2074:
2073:
2029:
2028:
2023:
2022:with Nakazato.
2014:
2013:with Nakazato.
2005:
1989:
1977:
1968:
1966:Nakazato's site
1962:
1957:
1956:
1950:
1945:
1941:
1934:
1929:
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1779:Wayback Machine
1770:
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1756:
1753:Wayback Machine
1744:
1740:
1733:
1730:Wayback Machine
1721:
1717:
1710:
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1701:
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1689:
1685:
1678:
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1643:Wayback Machine
1634:
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1557:
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1488:Wayback Machine
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1296:
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1233:
1227:
1223:
1219:
1205:
1193:
1179:
1167:
1153:
1146:
1116:
1102:
1086:
1052:
1026:
1017:Hikaru Okuizumi
1008:
1000:
980:
940:
918:
891:Row House Maze.
882:
868:
852:
838:
818:
804:
796:
776:
773:Koya no chikara
762:
746:
729:
721:
705:
691:
675:
645:
615:
599:
592:
536:
506:
466:
440:
437:Kiriko no machi
414:
384:
377:
372:
354:
350:, Tokyo), 2008.
325:
314:
296:
289:, Chiba), 2010.
260:, Tokyo), 2008.
246:, Tokyo), 2007.
239:, Tokyo), 2006.
225:, Tokyo), 2006.
207:, Tokyo), 2004.
175:, Tokyo), 1996.
150:, Tokyo), 1990.
135:
130:
43:
41:Life and career
22:
17:
12:
11:
5:
2082:
2080:
2072:
2071:
2066:
2061:
2056:
2051:
2046:
2041:
2031:
2030:
2027:
2026:
2020:2006 interview
2017:
2011:2003 interview
2008:
1992:
1983:On the series
1980:
1971:
1961:
1960:External links
1958:
1955:
1954:
1939:
1923:
1907:
1891:
1875:
1859:
1835:
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1803:
1787:
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1437:
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1332:
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1267:
1265:
1264:
1258:" as well as "
1220:
1218:
1215:
1214:
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1187:
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1110:
1080:
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974:
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934:
912:
876:
846:
812:
770:
740:
699:
669:
666:Santōka Taneda
639:
636:Kenji Miyazawa
591:
588:
587:
586:
572:
557:Ryūkyū islands
533:Yotsu no machi
530:
500:
486:
460:
434:
408:
376:
373:
371:
368:
367:
366:
351:
340:
337:
322:
311:
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303:(Tokyo), 2006.
295:
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240:
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166:Santōka Taneda
162:Kenji Miyazawa
158:
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126:
78:Makuhari Messe
51:Mie Prefecture
42:
39:
15:
13:
10:
9:
6:
4:
3:
2:
2081:
2070:
2069:Living people
2067:
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2060:
2057:
2055:
2052:
2050:
2047:
2045:
2042:
2040:
2037:
2036:
2034:
2024:(in Japanese)
2021:
2018:
2015:(in Japanese)
2012:
2009:
2006:(in Japanese)
2003:
2002:Asahi Camera,
1999:
1998:
1993:
1990:(in Japanese)
1987:
1986:
1981:
1978:(in Japanese)
1975:
1972:
1969:(in Japanese)
1967:
1964:
1963:
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1951:(in Japanese)
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1935:(in Japanese)
1932:
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1887:(in Japanese)
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1663:(in Japanese)
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1590:
1588:
1586:
1584:
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1580:
1578:
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1567:(in Japanese)
1564:
1561:for "Ultra",
1560:
1555:
1553:
1551:
1549:
1545:
1541:
1535:
1533:
1529:
1524:(in Japanese)
1521:
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1505:
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1497:
1492:(in Japanese)
1489:
1485:
1482:
1477:
1474:
1470:(in Japanese)
1468:), 191.
1467:
1466:4-8398-2010-4
1463:
1451:
1447:
1446:Wangan gen'ya
1441:
1438:
1435:
1431:
1424:中里和人が写真家になった日
1417:
1414:
1401:(in Japanese)
1398:
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1021:
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994:
990:
978:
975:
972:
968:
964:
961:
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950:
938:
935:
932:
931:4-309-26850-1
928:
916:
913:
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906:
905:
900:
899:4-89444-383-X
896:
892:
880:
877:
866:
865:4-09-411541-2
862:
850:
847:
836:
835:4-89444-296-5
832:
828:
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793:4-8465-2310-1
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688:4-900455-47-4
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523:4-86219-020-0
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490:
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483:4-86029-099-2
480:
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457:4-89830-130-4
454:
450:
438:
435:
432:
431:4-8401-0130-2
428:
424:
412:
411:Koya no shōzō
409:
406:
402:
401:4-8453-9036-1
398:
394:
382:
381:Wangan gen'ya
379:
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214:, Mie), 2004.
213:
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56:
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48:
40:
38:
33:
21:
2001:
1996:
1984:
1949:for the CD.
1942:
1926:
1919:(in English)
1910:
1903:(in English)
1894:
1878:
1862:
1847:(in English)
1838:
1822:
1806:
1790:
1767:
1760:
1741:
1718:
1702:
1686:
1679:(in English)
1670:
1654:
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1476:
1449:
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1315:
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1201:
1189:
1175:
1163:
1149:
1124:
1112:
1082:
1048:
1022:
988:
976:
962:
948:
936:
914:
902:
890:
879:Nagaya meiro
878:
848:
826:
815:Ouma ga toki
814:
784:
772:
742:
737:
701:
671:
641:
595:
574:
544:
532:
514:
502:
488:
474:
462:
448:
436:
422:
410:
392:
380:
370:Publications
119:
115:
107:
101:
86:
82:
71:
67:
44:
35:, born 1956)
19:
18:
2064:1956 births
1734:(in German)
1711:(in German)
1645:, Jikonka.
1244:(thanks to
1190:Yoru e ikou
1170:蒼い夜の旅 炭琴抄II
1069:megalopolis
855:いのち 仕上げの名台詞
559:, black of
198:Azabu Jūban
155:Nikon Salon
128:Exhibitions
63:Kazuo Kitai
2033:Categories
1988:. Tamron.
1444:Entry for
1377:Un'yūtenga
1269:References
1041:. Text by
1029:こやたちのひとりごと
943:舟小屋 風土とかたち
317:舟小屋 風土とかたち
173:Nihonbashi
59:SLR camera
1389:Unyūtenga
1073:Shibukawa
405:Tokyo Bay
301:Kinshichō
271:), 2008.
230:Koshigaya
219:Kayabachō
200:, Tokyo).
74:Tokyo Bay
1775:Archived
1749:Archived
1726:Archived
1639:Archived
1484:Archived
1288:, 2009.
1208:たくさんのふしぎ
1055:東京サイハテ観光
632:Hanamaki
527:Mukōjima
287:Ichikawa
258:Mukōjima
212:Kameyama
193:), 2000.
186:), 2000.
148:Shinjuku
110:and the
89:Ichikawa
1520:Profile
1247:rendaku
1156:ロバの音さがし
708:小屋 働く建築
628:Morioka
334:Tsugaru
310:, 2007.
1761:Tōkei.
1464:
1428:), in
1395:
1314:), in
1131:
1097:
1063:
1037:
995:
969:
955:
929:
915:Yotabi
909:Sumida
904:nagaya
897:
863:
833:
791:
757:
716:
686:
662:Kyūshū
656:
610:
581:
575:Ultra.
569:Aomori
551:
521:
495:
481:
455:
429:
399:
348:Meguro
269:Nagoya
254:Altona
244:Aoyama
237:Nakano
205:Kōenji
180:Nagoya
1997:Tōkei
1707:Entry
1407:南蛇楼綾繁
1217:Notes
1196:夜へ行こう
1135:. On
1077:Kantō
807:今井今朝春
799:仙波喜代子
624:Iwate
565:Aichi
503:Tōkei
443:キリコの街
417:小屋の肖像
223:Hongō
191:Kyoto
184:Osaka
93:Chiba
26:中里 和人
1462:ISBN
1393:ISBN
1387:) /
1383:雲遊天下
1326:) /
1260:shed
1252:koya
1242:goya
1230:koya
1182:水野俊介
1174:) /
1129:ISBN
1123:) /
1105:石山修武
1095:ISBN
1061:ISBN
1035:ISBN
1011:中沢新一
993:ISBN
987:) /
967:ISBN
953:ISBN
947:) /
927:ISBN
895:ISBN
889:) /
885:長屋迷路
871:車谷長吉
861:ISBN
831:ISBN
825:) /
821:逢魔が時
789:ISBN
783:) /
779:小屋の力
755:ISBN
732:宇江敏勝
724:安藤邦廣
714:ISBN
694:松井英俊
684:ISBN
654:ISBN
630:and
618:和順高雄
608:ISBN
579:ISBN
563:and
549:ISBN
543:) /
539:4つの町
519:ISBN
513:) /
493:ISBN
479:ISBN
473:) /
463:Roji
453:ISBN
447:) /
427:ISBN
421:) /
397:ISBN
391:) /
387:湾岸原野
164:and
47:Taki
1375:),
1256:hut
1015:),
1003:堀秀通
907:in
841:中野純
765:高田宏
561:Mie
277:Tsu
2035::
2000:,
1849:,
1574:^
1565:.
1547:^
1531:^
1448:,
1432:/
1411:).
1354:^
1335:^
1297:^
1284:,
1236:小屋
921:夜旅
875:).
769:).
509:東亰
489:R.
469:路地
49:,
29:,
1985:R
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