308:. When they arrive, they are chased by British soldiers. Once they escape, they are immediately drafted into the war, and take part in a grueling battle against Arab irregulars. The film centers on two long monologues, one by an Arab peasant who pledges to oppose the Jews forever; and one by an emotionally demolished refugee who laments the seemingly endless suffering of his people. Gitai intended the film to be a more realistic answer to the romanticized depiction of the war in Otto Preminger's
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The film is a historical tragedy set during the opening stages of Israel's 1948 War of
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is identical to the final shot of
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538:(segment "The Dybbuk of Haifa"; 2007)
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700:Films produced by Marin Karmitz
455:Golem, the Spirit of the Exile
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715:2000s Russian-language films
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336:"Festival de Cannes: Kedma"
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288:. It was entered into the
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463:Metamorphosis of a Melody
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498:(segment "Israel"; 2002)
680:2002 multilingual films
720:Yiddish-language films
535:To Each His Own Cinema
184:May 22, 2002
18:Kedma (disambiguation)
495:11′09″01 September 11
551:Lullaby to My Father
314:. The final shot of
16:For other uses, see
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583:Rabin, the Last Day
340:festival-cannes.com
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72:Produced by
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345:2009-10-24
322:References
278:Amos Gitai
188:2002-05-22
83:Amos Gitai
64:Amos Gitai
53:Written by
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519:Free Zone
217:Languages
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254:Yiddish
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479:Kippur
474:(1999)
471:Kadosh
466:(1996)
458:(1992)
450:(1989)
442:(1986)
439:Esther
311:Exodus
244:Polish
239:German
234:French
229:Arabic
224:Hebrew
212:Israel
575:Tsili
503:Alila
487:Kedma
364:Kedma
316:Kedma
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296:Plot
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
