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TWO SPIRITS (with * Mauro
Fiorese) (2001), OPERA NUDA (2006), DREAM A PLACE OF DREAMS (with * Mauro Fiorese) (2008), A CERTAIN ALCHEMY (2008), FIREFLIES: PHOTOGRAPHS OF CHILDREN (2009), KEITH CARTER - FIFTY YEARS (2018). In addition, Carter's editorial work has included cds, albums, book jackets, and over 6000 portraits of children.
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His commitment to long term personal projects has resulted in the publication of fourteen monographs including FROM UNCERTAIN TO BLUE (1988), THE BLUE MAN (1990), MOJO (1992), HEAVEN OF ANIMALS (1996), BONES (1996), KEITH CARTER-TWENTY FIVE YEARS (1997), HOLDING VENUS (2000), EZEKIEL'S HORSE (2000),
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Lauded as "a transcendent realist" and "a poet of the ordinary," Keith Carter is a photographer whose work has been shown in over one hundred solo exhibitions in thirteen countries. Carter first found his subjects in the familiar, yet exotic, places and people of his native East Texas. For the past
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Carter explores relationships that are timeless, enigmatic, and mythological. Drawing from the animal world, popular culture, folklore, and religion, Carter presents photographs that attempt to reflect hidden meanings in the real world. Carter makes photographs addressing the relationship we have
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Today, Carter is teaching photography at Lamar
University, where he is Regents Professor and holds the Endowed Walles Chair of Visual and Performing Arts. Carter has been awarded the University's highest teaching honors, the Distinguished Faculty Lecturer Award and University Professor Award. In
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to study their permanent collection three days each week heightened an already intense interest in the art of photography. A chance meeting with playwright and
National Medal of Arts winner Horton Foote, focused his observations on his native East Texas as an exotic land.
144:. At the same time he became absorbed in the great Southern writers; Harper Lee, William Goyen, Reynolds Price, Flannery O’Connor, William Faulkner, and Eudora Welty and began a lifelong love affair with the South and its storytelling tradition.
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In the beginning, trying to find a direction in his work he has said, “I became Walker Evans because his photographs looked a lot like where I lived.” He read and re-read James Agee’s and Walker Evans'
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was produced by
Anthropy Arts in New York. In 1997, "Keith Carter: Poet of the Ordinary" was produced as a national television arts segment on CBS Sunday Morning and in 1991 Carter received the
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two decades he has expanded his range not only geographically, but also into realms of dreams and imagination, where objects of the mundane world open glimpses into ineffable realities.
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His early photographs were based on stories "I had heard or read, black folk tales of dog ghosts and bottle trees, the wonder of children, and using my own
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to our ideas of place, time, memory, desire, and regret. He examines at times, the history of photography as well as our own shared histories.
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In addition to his books, Carter's photographs are included in a great many public and private collections; including the
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where, soon after arriving, his father left and his mother worked as a professional photographer of children.
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In 2009 Carter was awarded the Texas Medal of Arts. A 2006 documentary on Carter's work titled
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background, I tried to weave glimpses into what I found instructive, eloquent, and enduring".
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addition he conducts workshops and seminars in the United States, Latin
America, and Europe.
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In 1970, Carter began working on personal photographs as well as commercial photography.
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496:"The Photographers Series: Keith Carter", John Spellos (May 1, 2006) Anthropy Arts
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493:"Belong to a Place", Jane McBride (March 12, 2006) The Beaumont Enterprise.
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Wittliff, Bill. “The
Illustionist.”Texas Monthly Magazine. September 2008
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414:"Mauro Fiorese & Keith Carter – Dream of a Place of Dreams"
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from the Center for
Documentary Studies at Duke University.
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A Certain
Alchemy (October 2008), University of Texas Press
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Carter earning a degree in business administration from
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At the age of three, Keith Carter's family moved to
387:(2018) University of Texas Press, Austin, Texas
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317:Two Spirits: Keith Carter and Mauro Fiorese
66:Learn how and when to remove this message
131:A month long trip in 1973 to New York's
29:This article includes a list of general
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218:The Photographers Series: Keith Carter
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278:Keith Carter Photographs — 25 Years
412:Says, Mauro Fiorese (2012-01-04).
366:Fireflies: Photographs of Children
198:San Francisco Museum of Modern Art
35:it lacks sufficient corresponding
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535:American portrait photographers
510:Keith Carter's Official website
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463:"Keith Carter – Fifty Years"
194:Museum of Fine Arts, Houston
149:white Anglo-Saxon Protestant
142:Let Us Now Praise Famous Men
540:People from Beaumont, Texas
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438:"Keith Carter – Fireflies"
385:Keith Carter - Fifty Years
202:Richard M. Ross Art Museum
515:The Wittliff Collections
182:Art Institute of Chicago
105:Early life and education
545:Lamar University alumni
50:more precise citations.
234:From Uncertain To Blue
206:Texas State University
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190:J. Paul Getty Museum
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485:General references
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124:Photography career
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467:PhotoBook Journal
442:PhotoBook Journal
418:PhotoBook Journal
393:978-1-4773-1801-0
379:Uncertain to Blue
361:978-0-292-71908-8
353:A Certain Alchemy
348:978-88-902023-7-7
338:978-1-888899-25-2
325:978-88-370-2017-0
312:978-0-292-71229-4
299:978-1-892041-24-1
286:978-0-292-71195-2
273:978-0-8118-1282-5
259:Heaven of Animals
254:978-0-89263-335-7
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399:References
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