31:
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449:(1806β1808). The song it illustrates, "Seven Scenes from the Painting 'Exhuming the First American Mastodon' by C. W. Peale" interprets the painting with, according to Peter Blegvad, "a brazen disregard for the painter's original intent." It is a song about "the perils of being named or defined" and describes a world in which "definition is acquired as liberty is lost". This "naming" is referred to again in the Romanian proverb, "Names are not the pledge for things, but the things for names" that appears in the song "Twenty-Two Proverbs".
776:"...its authors and some of its connoisseurs have broken silence to discuss the record and to reflect upon the times in which it and they themselves were forged. Peter Blegvad, Kew. Rhone.βs lyricist and illustrator, excavates each song in turn, uncovering themes and sources. In the second part of the book, a consortium of writers and artists respond to the album in various ways, illuminating without dispelling the mystery of a work designed to resist interpretation even as it invites it." In February 2015 Blegvad was interviewed by
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330:, Henry Cow and Slapp Happy's record label at the time, funded the project. Greaves had begun composing fragments of the song suit in 1974 while still with Henry Cow. The song "Kew. Rhone." evolved from a piece Greaves wrote called "York" that was performed by Henry Cow in the early 1970s, but never recorded.
341:
and other verbal games", and illustrated them with explanatory pictures and diagrams that later appeared on the album's record sleeve, "to be used in conjunction with the words". Some of the songs on the album are not fully comprehensible without reference to these pictures. At the time
Blegvad had
772:
In 2014, Uniformbooks published a book about the album, written by
Blegvad and edited and designed in collaboration with publisher Colin Sackett. It includes contributions by Amy Beal, Carla Bley, Franklin Bruno, Sheridan Coakley, Jonathan Coe, Jane Colling, Andrew Cyrille, François Ducat, John
361:
Blegvad said that he and
Greaves deliberately created a gap between the words and the music to make the album more interesting. "To the words you almost have to stop the record and read them, referring to the illustrations on the sleeve." Blegvad also said in an interview that he created
761:, France. The full line-up was: John Greaves (piano, vocals), Peter Blegvad (vocals, computer), Lisa Herman (vocals), Jef Morin (guitar), David Lewis (trumpet, flugelhorn), Daniel Yvinec (bass), Simon Goubert (drums) and Cecile Bohler (additional vocals).
773:
Greaves, Doug Harvey, Lisa Herman, Jeff Hoke, Dana
Johnson, Andrew Joron, Glenn Kenny, Frank Key, Simon Lucas, Karen Mantler, Harry Mathews, Tanya Peixoto, Benjamin Piekut, Margit Rosen, Philip Tagney, Robert Wyatt, Rafi Zabor and Siegfried Zielinski.
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with an added interactive multimedia track, "Kew. Rom." that includes background information, interviews with people who made the album, alternate versions of two of the songs and an unreleased track.
600:
and the song texts. It includes the lyrics to the songs, the record sleeve artwork, plus additional artwork and diagrams related to the songs. The pamphlet also includes the lyrics of "Frenzy", an
739:, Peter Marsh called the album "one of the great lost albums of the seventies", saying that it is "surreal, infuriating, complex and silly in just about equal parts." English musician
317:
in early 1975, the merger ended and
Blegvad moved to New York City. There Blegvad spent the rest of the year earning a living as an illustrator, which included drawing backgrounds for
240:, credited on the front cover to "John Greaves, Peter Blegvad and Lisa Herman", but on the record label as "John Greaves and Peter Blegvad". It was issued in the US in 1978 by
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in late 1974, and the song "Bad
Alchemy" from the album was Greaves and Blegvad's first collaborative songwriting effort. After the two groups recorded their second album,
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recording sessions that did not appear on the album. The song, which describes Peale's painting, is analysed here by
Blegvad. "Frenzy" was released in May 1982 by
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composed by
Greaves with lyrics by Blegvad, and was performed by Greaves and Blegvad with vocalist Lisa Herman and others. The album was recorded in
305:, first worked together during the merger of the two groups in England in 1974. Slapp Happy and Henry Cow recorded their first collaboration album,
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A gentleman imagines how the items on the list would look if only part exhumed (he thinks they wouldn't look unlike a length of pipe).
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in 1998, included an interactive multimedia track entitled "Kew. Rom.". The album was a critical success, but failed commercially;
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experimental and confusing lyrics as a way of coming to terms with
Greaves's complicated music, which he found difficult to play.
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464:. The animal is not "set" because it is enjoying the attention of its excavators, and it is probably "the tusker's finest hour".
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Greaves and
Blegvad spent three months working on Greaves's compositions. Blegvad wrote "surreal" lyrics that were filled with "
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later recorded two songs from the album, "Kew. Rhone." (with Robert Wyatt singing) and "Gegenstand" for his 1994 solo album,
732:" and said it is "a challenging but surprisingly accessible album that rewards as much attention as the listener offers it."
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471:, a lady and two gentlemen pondering the implications of a dug-up pipeline. The first three "verses" of the lyrics are:
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720:"an unfortunately neglected masterpiece of '70s progressive rock." He described the album as "a brilliant amalgam of
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was performed live in its entirety for the first time in 31 years since its original release at Les Abattoirs in
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animated films. In March 1976 Greaves left Henry Cow and joined Blegvad in New York City to start work on
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460:, "Peel's foe, not a set animal, laminates a tone of sleep." "Peel" is C. W. Peale and the "foe" is the
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reportedly liked it so much that he bought two copies of the LP "just in case the first got worn out!"
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of late 70s England", and the fact that it was released on the same day, and on the same label, as the
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811:"Seven Scenes from the Painting 'Exhuming the First American Mastodon' by C. W. Peale" β 3:32
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The title track, "Kew. Rhone." is divided into two parts: the first is composed entirely of
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is an online "publication" edited by Blegvad, and is a collection of his writing and art.
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was a critical success, but failed commercially because of the "anti-intellectual
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Greaves and Blegvad next worked together on each other's solo albums, Greaves'
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called it "an unfortunately neglected masterpiece of '70s progressive rock."
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Here are two gentlemen and a lady contemplating a length of dug-up pipeline.
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Interactive multimedia track "Kew. Rom." produced by Les Corsaires and
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in 1995. They also participated in several bands together, including
1048:"John Greaves Peter Blegvad and Lisa Herman β Kew. Rhone. (review)"
346:, an activity that later led to him doing a weekly comic strip for
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404:(1983), but did not record an album under their names again until
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878:β piano, organ, bass guitar, vocals, percussion ("One Footnote")
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in October 1976, and was released in the UK in March 1977 by
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In the pamphlet Blegvad provides additional information on
912:β vocals, tenor saxophone ("One Footnote", "Good Evening")
542:"ambiguity can't be measured like a change of temperature"
862:"Lisa, Peter & John practice 'Bad Alchemy'... (demo)"
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1306:"Peter Blegvad, John Greaves and Chris Cutler interview"
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April Lang β vocals ("Pipeline", "Three Tenses Onanism")
381:. Mantler and Bley also played on the album, along with
18:
1977 studio album by John Greaves and Peter Blegvad
820:"Catalogue of Fifteen Objects and Their Titles" β 3:35
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The album title includes a full stop after each word.
1567:"The Curious Case Of Kew. Rhone. And Peter Blegvad"
441:The album cover is a reproduction of a painting by
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567:Almost eight years after the release of the album
549:Figure C. consists of a list of assorted equipage.
1118:"Peter Blegvad Discography: Major Collaborations"
918:β violin, viola, vocals ("Nine Mineral Emblems")
884:β vocals, guitars, tenor saxophone ("Pipeline")
514:The first 30 seconds of "Pipeline" illustrating
393:released "Kew. Rhone." in the UK in March 1977.
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921:Vito Rendace β alto and tenor saxophones, flute
706:Never Mind the Bollocks, Here's the Sex Pistols
224:, and American singer-songwriter and guitarist
1538:"The Wire Shop β Kew. Rhone. by Peter Blegvad"
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456:of the title, while the second builds up to a
927:Dana Johnson β vocals ("Twenty Two Proverbs")
583:". It was published in the May 1985 issue of
412:(1987β1989) and The Peter Blegvad Trio (with
377:offered the use of their Grog Kill Studio in
8:
952:Coordination and concept by François Ducat
852:"Kew. Rom." (interactive multimedia track)
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29:
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1270:(vinyl). London: Virgin Records. V 2082.
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830:"One Footnote (to Kew. Rhone.)" β 1:29
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1598:(1 May 1985). "Amateur's Pamphlet on
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537:Figure B. illustrates the assertion β
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447:Exhuming the First American Mastodon
435:Exhuming the First American Mastodon
369:was ready to record, jazz musicians
1608:. Vol. 1, no. 1. London:
1565:O'Dair, Marcus (17 February 2015).
1462:"John Greaves & Peter Blegvad:
930:Boris Kinberg β claves ("Pipeline")
865:"...and almost get it right (demo)"
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389:, vocalist Lisa Herman and others.
14:
1621:Henry Cow: The World Is a Problem
1046:Puppy, Silly (5 September 2016).
857:Bonus tracks on 2004 CD re-issue
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526:Problems playing this file? See
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1430:Leroy, Aymeric (17 June 2001).
958:Image manipulations by Serge G.
847:Bonus track on 1998 enhanced CD
1401:Gerhards, Udo (21 July 2003).
1176:"Interview with Peter Blegvad"
712:Music critic Stewart Mason of
1:
1008:with two bonus (demo) tracks.
836:"Nine Mineral Emblems" β 5:51
833:"Three Tenses Onanism" β 4:06
961:Artistic contributions from
955:Programming by Denis Thiriar
808:"Twenty-Two Proverbs" β 4:06
1694:
730:Canterbury prog rock scene
1653:1977 collaborative albums
1618:Piekut, Benjamin (2019).
1493:"Kew. Rhone. β Live 2008"
639:
636:
349:The Independent on Sunday
342:begun experimenting with
259:and other verbal games".
175:
28:
1432:"John Greaves Biography"
622:Reception and influences
467:In "Pipeline", set to a
1658:Progressive rock albums
1266:; Herman, Lisa (1977).
788:All tracks composed by
1520:Peter Blegvad (2014).
1310:The Canterbury Website
1239:The Canterbury Website
1151:The Canterbury Website
560:Amateur's Pamphlet on
493:
438:
1673:Virgin Records albums
1626:Duke University Press
1436:Fireflies in the Dark
1050:. Jazz Music Archives
805:"Good Evening" β 0:33
728:, the sly wit of the
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443:Charles Willson Peale
431:Charles Willson Peale
429:
402:The Naked Shakespeare
400:(1982) and Blegvad's
314:In Praise of Learning
1678:1970s concept albums
887:Lisa Herman β vocals
814:"Kew. Rhone." β 3:04
627:Professional ratings
571:wrote a pamphlet on
518:'s "surreal" lyrics.
247:Blegvad's lyrics on
1442:on 29 December 2007
906:β trumpet, trombone
842:"Gegenstand" β 3:44
628:
610:Recommended Records
379:Woodstock, New York
308:Desperate Straights
289:, from the English
234:Woodstock, New York
83:Woodstock, New York
1663:Jazz fusion albums
1124:on 6 February 2012
987:Voiceprint Records
900:β drum, percussion
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272:Voiceprint Records
154:Voiceprint Records
81:Grog Kill Studio,
1635:978-1-47800-405-9
1612:. pp. 18β30.
1546:. 27 January 2015
1365:, pp. 18β30.
1353:, pp. 22β23.
1186:on 28 August 2008
1002:Le Chant du Monde
916:Michael A. Levine
817:"Pipeline" β 3:39
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1438:. Archived from
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1408:Babyblaue Seiten
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839:"Apricot" β 3:04
780:about the book.
759:Bourgoin-Jallieu
682:Babyblaue Seiten
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1147:"Peter Blegvad"
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940:Engineering by
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1596:Blegvad, Peter
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1264:Blegvad, Peter
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1235:"John Greaves"
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1207:, p. 240.
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1180:Dream Magazine
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753:. In May 2008
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387:Andrew Cyrille
328:Virgin Records
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242:Europa Records
238:Virgin Records
218:bass guitarist
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1605:RΔR Quarterly
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1501:. 30 May 2008
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1260:Greaves, John
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784:Track listing
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1440:the original
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1406:
1403:"Kew. Rhone"
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1380:
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1363:Blegvad 1985
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1351:Blegvad 1985
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1313:. Retrieved
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1184:the original
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1122:the original
1095:. Retrieved
1088:"Kew. Rhone"
1052:. Retrieved
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969:CD re-issues
876:John Greaves
790:John Greaves
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747:John Greaves
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165:John Greaves
73:October 1976
44:John Greaves
39:Studio album
15:
1600:Kew. Rhone.
1589:Works cited
1571:The Quietus
1498:Dailymotion
1464:Kew. Rhone.
1411:(in German)
1217:Piekut 2019
1205:Piekut 2019
1006:Kew. Rhone.
995:Kew. Rhone.
993:version of
991:enhanced CD
980:Kew. Rhone.
766:Kew. Rhone.
755:Kew. Rhone.
722:Slapp Happy
718:Kew. Rhone.
701:Sex Pistols
693:Kew. Rhone.
606:Kew. Rhone.
598:Kew. Rhone.
573:Kew. Rhone.
562:Kew. Rhone.
421:Kew. Rhone.
367:Kew. Rhone.
339:palindromes
325:Kew. Rhone.
303:Slapp Happy
268:Kew. Rhone.
266:version of
264:enhanced CD
257:palindromes
249:Kew. Rhone.
216:by British
209:Kew. Rhone.
184:Kew. Rhone.
103:jazz fusion
24:Kew. Rhone.
1647:Categories
1523:Kew. Rhone
1471:BBC Online
1268:Kew. Rhone
1054:15 January
1033:References
1004:re-issued
989:issued an
978:re-issued
948:Voiceprint
935:Production
910:Carla Bley
737:BBC Online
615:Sampler EP
575:under the
528:media help
500:"Pipeline"
469:bossa nova
458:palindrome
375:Carla Bley
344:cartooning
291:avant-rock
282:Background
230:song cycle
228:. It is a
171:chronology
1576:1 October
1415:6 October
1377:"Amateur"
870:Personnel
726:Henry Cow
697:zeitgeist
612:on their
604:from the
476:Figure A.
445:entitled
410:The Lodge
406:Unearthed
355:Leviathan
295:Henry Cow
193:Unearthed
1543:The Wire
1092:AllMusic
1000:In 2004
985:In 1998
974:In 1991
825:Side two
800:Side one
714:AllMusic
646:AllMusic
462:mastodon
454:anagrams
398:Accident
385:drummer
335:anagrams
276:AllMusic
253:anagrams
113:art rock
70:Recorded
55:Released
41: by
1505:7 April
1477:7 April
1446:7 April
1386:7 April
1315:7 April
1244:7 April
1190:7 April
1156:7 April
1128:7 April
1097:7 April
716:called
602:outtake
591:Amateur
581:Amateur
577:moniker
352:called
320:Peanuts
197:(1995)
188:(1977)
62:1977-03
60: (
1632:
982:on CD.
892:Guests
640:Rating
637:Source
297:, and
293:group
149:Europa
144:Virgin
122:Length
78:Studio
1013:Notes
751:Songs
686:11/15
365:When
212:is a
139:Label
90:Genre
1630:ISBN
1578:2020
1552:2015
1507:2009
1479:2009
1448:2009
1417:2009
1388:2009
1317:2009
1246:2009
1192:2009
1158:2009
1130:2009
1099:2009
1056:2021
768:book
373:and
167:and
151:(US)
146:(UK)
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416:).
262:An
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