Knowledge

Kew. Rhone.

Source πŸ“

31: 427: 449:(1806–1808). The song it illustrates, "Seven Scenes from the Painting 'Exhuming the First American Mastodon' by C. W. Peale" interprets the painting with, according to Peter Blegvad, "a brazen disregard for the painter's original intent." It is a song about "the perils of being named or defined" and describes a world in which "definition is acquired as liberty is lost". This "naming" is referred to again in the Romanian proverb, "Names are not the pledge for things, but the things for names" that appears in the song "Twenty-Two Proverbs". 776:"...its authors and some of its connoisseurs have broken silence to discuss the record and to reflect upon the times in which it and they themselves were forged. Peter Blegvad, Kew. Rhone.’s lyricist and illustrator, excavates each song in turn, uncovering themes and sources. In the second part of the book, a consortium of writers and artists respond to the album in various ways, illuminating without dispelling the mystery of a work designed to resist interpretation even as it invites it." In February 2015 Blegvad was interviewed by 490: 30: 673: 668: 663: 658: 653: 330:, Henry Cow and Slapp Happy's record label at the time, funded the project. Greaves had begun composing fragments of the song suit in 1974 while still with Henry Cow. The song "Kew. Rhone." evolved from a piece Greaves wrote called "York" that was performed by Henry Cow in the early 1970s, but never recorded. 341:
and other verbal games", and illustrated them with explanatory pictures and diagrams that later appeared on the album's record sleeve, "to be used in conjunction with the words". Some of the songs on the album are not fully comprehensible without reference to these pictures. At the time Blegvad had
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In 2014, Uniformbooks published a book about the album, written by Blegvad and edited and designed in collaboration with publisher Colin Sackett. It includes contributions by Amy Beal, Carla Bley, Franklin Bruno, Sheridan Coakley, Jonathan Coe, Jane Colling, Andrew Cyrille, François Ducat, John
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Blegvad said that he and Greaves deliberately created a gap between the words and the music to make the album more interesting. "To the words you almost have to stop the record and read them, referring to the illustrations on the sleeve." Blegvad also said in an interview that he created
761:, France. The full line-up was: John Greaves (piano, vocals), Peter Blegvad (vocals, computer), Lisa Herman (vocals), Jef Morin (guitar), David Lewis (trumpet, flugelhorn), Daniel Yvinec (bass), Simon Goubert (drums) and Cecile Bohler (additional vocals). 773:
Greaves, Doug Harvey, Lisa Herman, Jeff Hoke, Dana Johnson, Andrew Joron, Glenn Kenny, Frank Key, Simon Lucas, Karen Mantler, Harry Mathews, Tanya Peixoto, Benjamin Piekut, Margit Rosen, Philip Tagney, Robert Wyatt, Rafi Zabor and Siegfried Zielinski.
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with an added interactive multimedia track, "Kew. Rom." that includes background information, interviews with people who made the album, alternate versions of two of the songs and an unreleased track.
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and the song texts. It includes the lyrics to the songs, the record sleeve artwork, plus additional artwork and diagrams related to the songs. The pamphlet also includes the lyrics of "Frenzy", an
739:, Peter Marsh called the album "one of the great lost albums of the seventies", saying that it is "surreal, infuriating, complex and silly in just about equal parts." English musician 317:
in early 1975, the merger ended and Blegvad moved to New York City. There Blegvad spent the rest of the year earning a living as an illustrator, which included drawing backgrounds for
240:, credited on the front cover to "John Greaves, Peter Blegvad and Lisa Herman", but on the record label as "John Greaves and Peter Blegvad". It was issued in the US in 1978 by 311:
in late 1974, and the song "Bad Alchemy" from the album was Greaves and Blegvad's first collaborative songwriting effort. After the two groups recorded their second album,
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recording sessions that did not appear on the album. The song, which describes Peale's painting, is analysed here by Blegvad. "Frenzy" was released in May 1982 by
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composed by Greaves with lyrics by Blegvad, and was performed by Greaves and Blegvad with vocalist Lisa Herman and others. The album was recorded in
305:, first worked together during the merger of the two groups in England in 1974. Slapp Happy and Henry Cow recorded their first collaboration album, 508: 1633: 1652: 554:
A gentleman imagines how the items on the list would look if only part exhumed (he thinks they wouldn't look unlike a length of pipe).
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in 1998, included an interactive multimedia track entitled "Kew. Rom.". The album was a critical success, but failed commercially;
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experimental and confusing lyrics as a way of coming to terms with Greaves's complicated music, which he found difficult to play.
1657: 464:. The animal is not "set" because it is enjoying the attention of its excavators, and it is probably "the tusker's finest hour". 333:
Greaves and Blegvad spent three months working on Greaves's compositions. Blegvad wrote "surreal" lyrics that were filled with "
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later recorded two songs from the album, "Kew. Rhone." (with Robert Wyatt singing) and "Gegenstand" for his 1994 solo album,
732:" and said it is "a challenging but surprisingly accessible album that rewards as much attention as the listener offers it." 192: 1677: 1431: 499: 471:, a lady and two gentlemen pondering the implications of a dug-up pipeline. The first three "verses" of the lyrics are: 1662: 614: 720:"an unfortunately neglected masterpiece of '70s progressive rock." He described the album as "a brilliant amalgam of 426: 1175: 1667: 757:
was performed live in its entirety for the first time in 31 years since its original release at Les Abattoirs in
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animated films. In March 1976 Greaves left Henry Cow and joined Blegvad in New York City to start work on
1625: 460:, "Peel's foe, not a set animal, laminates a tone of sleep." "Peel" is C. W. Peale and the "foe" is the 442: 430: 313: 241: 148: 743:
reportedly liked it so much that he bought two copies of the LP "just in case the first got worn out!"
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of late 70s England", and the fact that it was released on the same day, and on the same label, as the
1492: 1609: 1542: 609: 378: 307: 233: 82: 1537: 986: 947: 271: 153: 1566: 1629: 1001: 915: 157: 811:"Seven Scenes from the Painting 'Exhuming the First American Mastodon' by C. W. Peale" – 3:32 1604: 1047: 777: 758: 729: 585: 452:
The title track, "Kew. Rhone." is divided into two parts: the first is composed entirely of
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is an online "publication" edited by Blegvad, and is a collection of his writing and art.
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was a critical success, but failed commercially because of the "anti-intellectual
506: 1497: 990: 721: 700: 437:(1806), used on the album cover and the subject of the track "Seven Scenes ...". 302: 263: 102: 89: 1439: 396:
Greaves and Blegvad next worked together on each other's solo albums, Greaves'
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called it "an unfortunately neglected masterpiece of '70s progressive rock."
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Here are two gentlemen and a lady contemplating a length of dug-up pipeline.
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Interactive multimedia track "Kew. Rom." produced by Les Corsaires and
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in 1995. They also participated in several bands together, including
1048:"John Greaves Peter Blegvad and Lisa Herman β€” Kew. Rhone. (review)" 346:, an activity that later led to him doing a weekly comic strip for 425: 404:(1983), but did not record an album under their names again until 38: 878:– piano, organ, bass guitar, vocals, percussion ("One Footnote") 724:'s skewed pop sense, the collective improvisation approach of 1376: 236:
in October 1976, and was released in the UK in March 1977 by
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In the pamphlet Blegvad provides additional information on
912:– vocals, tenor saxophone ("One Footnote", "Good Evening") 542:"ambiguity can't be measured like a change of temperature" 862:"Lisa, Peter & John practice 'Bad Alchemy'... (demo)" 1334: 1332: 1330: 1328: 1326: 1306:"Peter Blegvad, John Greaves and Chris Cutler interview" 924:
April Lang – vocals ("Pipeline", "Three Tenses Onanism")
381:. Mantler and Bley also played on the album, along with 18:
1977 studio album by John Greaves and Peter Blegvad
820:"Catalogue of Fifteen Objects and Their Titles" – 3:35 1025:
The album title includes a full stop after each word.
1567:"The Curious Case Of Kew. Rhone. And Peter Blegvad" 441:The album cover is a reproduction of a painting by 163: 137: 121: 88: 77: 69: 54: 37: 23: 567:Almost eight years after the release of the album 549:Figure C. consists of a list of assorted equipage. 1118:"Peter Blegvad Discography: Major Collaborations" 918:– violin, viola, vocals ("Nine Mineral Emblems") 884:– vocals, guitars, tenor saxophone ("Pipeline") 514:The first 30 seconds of "Pipeline" illustrating 393:released "Kew. Rhone." in the UK in March 1977. 1229: 1227: 1225: 1141: 1139: 921:Vito Rendace – alto and tenor saxophones, flute 706:Never Mind the Bollocks, Here's the Sex Pistols 224:, and American singer-songwriter and guitarist 1538:"The Wire Shop – Kew. Rhone. by Peter Blegvad" 1169: 1167: 650: 456:of the title, while the second builds up to a 927:Dana Johnson – vocals ("Twenty Two Proverbs") 583:". It was published in the May 1985 issue of 412:(1987–1989) and The Peter Blegvad Trio (with 377:offered the use of their Grog Kill Studio in 8: 952:Coordination and concept by FranΓ§ois Ducat 852:"Kew. Rom." (interactive multimedia track) 625: 29: 20: 1112: 1110: 1108: 301:, from the German/English avant-pop trio 1270:(vinyl). London: Virgin Records. V 2082. 1362: 1350: 1338: 1292: 1280: 1038: 1018: 559: 1216: 1204: 830:"One Footnote (to Kew. Rhone.)" – 1:29 525: 1598:(1 May 1985). "Amateur's Pamphlet on 1081: 1079: 1077: 1075: 1073: 1071: 1069: 1067: 1065: 631: 537:Figure B. illustrates the assertion β€” 7: 447:Exhuming the First American Mastodon 435:Exhuming the First American Mastodon 369:was ready to record, jazz musicians 1608:. Vol. 1, no. 1. London: 1565:O'Dair, Marcus (17 February 2015). 1462:"John Greaves & Peter Blegvad: 930:Boris Kinberg – claves ("Pipeline") 865:"...and almost get it right (demo)" 652: 389:, vocalist Lisa Herman and others. 14: 1621:Henry Cow: The World Is a Problem 1046:Puppy, Silly (5 September 2016). 857:Bonus tracks on 2004 CD re-issue 671: 666: 661: 656: 651: 526:Problems playing this file? See 504: 1430:Leroy, Aymeric (17 June 2001). 958:Image manipulations by Serge G. 847:Bonus track on 1998 enhanced CD 1401:Gerhards, Udo (21 July 2003). 1176:"Interview with Peter Blegvad" 712:Music critic Stewart Mason of 1: 1008:with two bonus (demo) tracks. 836:"Nine Mineral Emblems" – 5:51 833:"Three Tenses Onanism" – 4:06 961:Artistic contributions from 955:Programming by Denis Thiriar 808:"Twenty-Two Proverbs" – 4:06 1694: 730:Canterbury prog rock scene 1653:1977 collaborative albums 1618:Piekut, Benjamin (2019). 1493:"Kew. Rhone. – Live 2008" 639: 636: 349:The Independent on Sunday 342:begun experimenting with 259:and other verbal games". 175: 28: 1432:"John Greaves Biography" 622:Reception and influences 467:In "Pipeline", set to a 1658:Progressive rock albums 1266:; Herman, Lisa (1977). 788:All tracks composed by 1520:Peter Blegvad (2014). 1310:The Canterbury Website 1239:The Canterbury Website 1151:The Canterbury Website 560:Amateur's Pamphlet on 493: 438: 1673:Virgin Records albums 1626:Duke University Press 1436:Fireflies in the Dark 1050:. Jazz Music Archives 805:"Good Evening" – 0:33 728:, the sly wit of the 492: 443:Charles Willson Peale 431:Charles Willson Peale 429: 402:The Naked Shakespeare 400:(1982) and Blegvad's 314:In Praise of Learning 1678:1970s concept albums 887:Lisa Herman – vocals 814:"Kew. Rhone." – 3:04 627:Professional ratings 571:wrote a pamphlet on 518:'s "surreal" lyrics. 247:Blegvad's lyrics on 1442:on 29 December 2007 906:– trumpet, trombone 842:"Gegenstand" – 3:44 628: 610:Recommended Records 379:Woodstock, New York 308:Desperate Straights 289:, from the English 234:Woodstock, New York 83:Woodstock, New York 1663:Jazz fusion albums 1124:on 6 February 2012 987:Voiceprint Records 900:– drum, percussion 626: 494: 439: 272:Voiceprint Records 154:Voiceprint Records 81:Grog Kill Studio, 1635:978-1-47800-405-9 1612:. pp. 18–30. 1546:. 27 January 2015 1365:, pp. 18–30. 1353:, pp. 22–23. 1186:on 28 August 2008 1002:Le Chant du Monde 916:Michael A. Levine 817:"Pipeline" – 3:39 690: 689: 509: 251:are filled with " 205: 204: 201: 200: 158:Le Chant du Monde 1685: 1668:Canterbury scene 1639: 1613: 1582: 1581: 1579: 1577: 1562: 1556: 1555: 1553: 1551: 1534: 1528: 1527: 1517: 1511: 1510: 1508: 1506: 1489: 1483: 1482: 1480: 1478: 1458: 1452: 1451: 1449: 1447: 1438:. Archived from 1427: 1421: 1420: 1418: 1416: 1408:Babyblaue Seiten 1398: 1392: 1391: 1389: 1387: 1375:Blegvad, Peter. 1372: 1366: 1360: 1354: 1348: 1342: 1336: 1321: 1320: 1318: 1316: 1302: 1296: 1290: 1284: 1278: 1272: 1271: 1256: 1250: 1249: 1247: 1245: 1231: 1220: 1214: 1208: 1202: 1196: 1195: 1193: 1191: 1182:. Archived from 1171: 1162: 1161: 1159: 1157: 1143: 1134: 1133: 1131: 1129: 1120:. Archived from 1114: 1103: 1102: 1100: 1098: 1086:Mason, Stewart. 1083: 1060: 1059: 1057: 1055: 1043: 1026: 1023: 839:"Apricot" – 3:04 780:about the book. 759:Bourgoin-Jallieu 682:Babyblaue Seiten 676: 675: 674: 670: 669: 665: 664: 660: 659: 655: 654: 629: 579:"the editors of 511: 510: 491: 383:avant-garde jazz 177: 176: 133: 132: 128: 108:Canterbury sound 98:Progressive rock 65: 63: 33: 21: 1693: 1692: 1688: 1687: 1686: 1684: 1683: 1682: 1643: 1642: 1636: 1617: 1594: 1591: 1586: 1585: 1575: 1573: 1564: 1563: 1559: 1549: 1547: 1536: 1535: 1531: 1526:. Uniformbooks. 1519: 1518: 1514: 1504: 1502: 1491: 1490: 1486: 1476: 1474: 1460: 1459: 1455: 1445: 1443: 1429: 1428: 1424: 1414: 1412: 1400: 1399: 1395: 1385: 1383: 1374: 1373: 1369: 1361: 1357: 1349: 1345: 1337: 1324: 1314: 1312: 1304: 1303: 1299: 1291: 1287: 1279: 1275: 1258: 1257: 1253: 1243: 1241: 1233: 1232: 1223: 1215: 1211: 1203: 1199: 1189: 1187: 1174:Rakezik, Sasa. 1173: 1172: 1165: 1155: 1153: 1147:"Peter Blegvad" 1145: 1144: 1137: 1127: 1125: 1116: 1115: 1106: 1096: 1094: 1085: 1084: 1063: 1053: 1051: 1045: 1044: 1040: 1035: 1030: 1029: 1024: 1020: 1015: 971: 942:Michael Mantler 940:Engineering by 937: 904:Michael Mantler 894: 872: 859: 849: 827: 802: 792:with lyrics by 786: 770: 735:In a review on 672: 667: 662: 657: 624: 565: 533: 532: 524: 522: 521: 520: 519: 512: 505: 502: 495: 489: 424: 371:Michael Mantler 284: 196: 187: 156: 152: 147: 130: 126: 125: 117: 61: 59: 58:March 1977 50: 19: 12: 11: 5: 1691: 1689: 1681: 1680: 1675: 1670: 1665: 1660: 1655: 1645: 1644: 1641: 1640: 1634: 1615: 1610:November Books 1596:Blegvad, Peter 1590: 1587: 1584: 1583: 1557: 1529: 1512: 1484: 1453: 1422: 1393: 1381:amateur.org.uk 1367: 1355: 1343: 1322: 1297: 1285: 1273: 1264:Blegvad, Peter 1251: 1235:"John Greaves" 1221: 1209: 1207:, p. 240. 1197: 1180:Dream Magazine 1163: 1135: 1104: 1061: 1037: 1036: 1034: 1031: 1028: 1027: 1017: 1016: 1014: 1011: 1010: 1009: 998: 983: 976:Virgin Records 970: 967: 966: 965: 959: 956: 953: 950: 944: 936: 933: 932: 931: 928: 925: 922: 919: 913: 907: 901: 898:Andrew Cyrille 893: 890: 889: 888: 885: 879: 871: 868: 867: 866: 863: 858: 855: 854: 853: 848: 845: 844: 843: 840: 837: 834: 831: 826: 823: 822: 821: 818: 815: 812: 809: 806: 801: 798: 785: 782: 769: 763: 753:. In May 2008 688: 687: 684: 678: 677: 648: 642: 641: 638: 634: 633: 623: 620: 564: 558: 557: 556: 551: 545: 544: 539: 523: 513: 503: 498: 497: 496: 487: 486: 485: 484: 483: 478: 423: 418: 391:Virgin Records 387:Andrew Cyrille 328:Virgin Records 283: 280: 242:Europa Records 238:Virgin Records 218:bass guitarist 203: 202: 199: 198: 189: 180: 173: 172: 161: 160: 141: 135: 134: 123: 119: 118: 116: 115: 110: 105: 100: 94: 92: 86: 85: 79: 75: 74: 71: 67: 66: 56: 52: 51: 42: 35: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 1690: 1679: 1676: 1674: 1671: 1669: 1666: 1664: 1661: 1659: 1656: 1654: 1651: 1650: 1648: 1637: 1631: 1627: 1623: 1622: 1616: 1611: 1607: 1606: 1605:RΔ“R Quarterly 1601: 1597: 1593: 1592: 1588: 1572: 1568: 1561: 1558: 1545: 1544: 1539: 1533: 1530: 1525: 1524: 1516: 1513: 1501:. 30 May 2008 1500: 1499: 1494: 1488: 1485: 1473: 1472: 1467: 1465: 1457: 1454: 1441: 1437: 1433: 1426: 1423: 1410: 1409: 1404: 1397: 1394: 1382: 1378: 1371: 1368: 1364: 1359: 1356: 1352: 1347: 1344: 1341:, p. 21. 1340: 1335: 1333: 1331: 1329: 1327: 1323: 1311: 1307: 1301: 1298: 1295:, p. 23. 1294: 1289: 1286: 1283:, p. 19. 1282: 1277: 1274: 1269: 1265: 1261: 1260:Greaves, John 1255: 1252: 1240: 1236: 1230: 1228: 1226: 1222: 1219:, p. 65. 1218: 1213: 1210: 1206: 1201: 1198: 1185: 1181: 1177: 1170: 1168: 1164: 1152: 1148: 1142: 1140: 1136: 1123: 1119: 1113: 1111: 1109: 1105: 1093: 1089: 1082: 1080: 1078: 1076: 1074: 1072: 1070: 1068: 1066: 1062: 1049: 1042: 1039: 1032: 1022: 1019: 1012: 1007: 1003: 999: 996: 992: 988: 984: 981: 977: 973: 972: 968: 964: 963:Peter Blegvad 960: 957: 954: 951: 949: 945: 943: 939: 938: 934: 929: 926: 923: 920: 917: 914: 911: 908: 905: 902: 899: 896: 895: 891: 886: 883: 882:Peter Blegvad 880: 877: 874: 873: 869: 864: 861: 860: 856: 851: 850: 846: 841: 838: 835: 832: 829: 828: 824: 819: 816: 813: 810: 807: 804: 803: 799: 797: 795: 794:Peter Blegvad 791: 784:Track listing 783: 781: 779: 778:Marcus O'Dair 774: 767: 764: 762: 760: 756: 752: 748: 744: 742: 738: 733: 731: 727: 723: 719: 715: 710: 708: 707: 702: 698: 694: 685: 683: 680: 679: 649: 647: 644: 643: 635: 632:Review scores 630: 621: 619: 617: 616: 611: 607: 603: 599: 594: 592: 588: 587: 586:RΔ“R Quarterly 582: 578: 574: 570: 569:Peter Blegvad 563: 555: 552: 550: 547: 546: 543: 540: 538: 535: 534: 531: 529: 517: 516:Peter Blegvad 501: 482: 479: 477: 474: 473: 472: 470: 465: 463: 459: 455: 450: 448: 444: 436: 433:'s painting, 432: 428: 422: 419: 417: 415: 411: 407: 403: 399: 394: 392: 388: 384: 380: 376: 372: 368: 363: 359: 357: 356: 351: 350: 345: 340: 336: 331: 329: 326: 322: 321: 316: 315: 310: 309: 304: 300: 299:Peter Blegvad 296: 292: 288: 281: 279: 277: 273: 269: 265: 260: 258: 254: 250: 245: 243: 239: 235: 231: 227: 226:Peter Blegvad 223: 220:and composer 219: 215: 214:concept album 211: 210: 195: 194: 190: 186: 185: 181: 179: 178: 174: 170: 169:Peter Blegvad 166: 162: 159: 155: 150: 145: 142: 140: 136: 124: 120: 114: 111: 109: 106: 104: 101: 99: 96: 95: 93: 91: 87: 84: 80: 76: 72: 68: 57: 53: 49: 48:Peter Blegvad 45: 40: 36: 32: 27: 22: 16: 1620: 1603: 1599: 1574:. 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Retrieved 1041: 1021: 1005: 994: 979: 969:CD re-issues 876:John Greaves 790:John Greaves 787: 775: 771: 765: 754: 750: 747:John Greaves 745: 741:Robert Wyatt 734: 717: 711: 704: 696: 692: 691: 613: 605: 597: 595: 590: 584: 580: 572: 566: 561: 553: 548: 541: 536: 480: 475: 466: 451: 446: 440: 434: 420: 414:Chris Cutler 405: 401: 397: 395: 366: 364: 360: 353: 347: 332: 324: 318: 312: 306: 287:John Greaves 285: 270:, issued by 267: 261: 248: 246: 222:John Greaves 208: 207: 206: 191: 183: 182: 165:John Greaves 73:October 1976 44:John Greaves 39:Studio album 15: 1600:Kew. Rhone. 1589:Works cited 1571:The Quietus 1498:Dailymotion 1464:Kew. Rhone. 1411:(in German) 1217:Piekut 2019 1205:Piekut 2019 1006:Kew. Rhone. 995:Kew. Rhone. 993:version of 991:enhanced CD 980:Kew. Rhone. 766:Kew. Rhone. 755:Kew. Rhone. 722:Slapp Happy 718:Kew. Rhone. 701:Sex Pistols 693:Kew. Rhone. 606:Kew. Rhone. 598:Kew. Rhone. 573:Kew. Rhone. 562:Kew. Rhone. 421:Kew. Rhone. 367:Kew. Rhone. 339:palindromes 325:Kew. Rhone. 303:Slapp Happy 268:Kew. Rhone. 266:version of 264:enhanced CD 257:palindromes 249:Kew. Rhone. 216:by British 209:Kew. Rhone. 184:Kew. Rhone. 103:jazz fusion 24:Kew. Rhone. 1647:Categories 1523:Kew. Rhone 1471:BBC Online 1268:Kew. Rhone 1054:15 January 1033:References 1004:re-issued 989:issued an 978:re-issued 948:Voiceprint 935:Production 910:Carla Bley 737:BBC Online 615:Sampler EP 575:under the 528:media help 500:"Pipeline" 469:bossa nova 458:palindrome 375:Carla Bley 344:cartooning 291:avant-rock 282:Background 230:song cycle 228:. It is a 171:chronology 1576:1 October 1415:6 October 1377:"Amateur" 870:Personnel 726:Henry Cow 697:zeitgeist 612:on their 604:from the 476:Figure A. 445:entitled 410:The Lodge 406:Unearthed 355:Leviathan 295:Henry Cow 193:Unearthed 1543:The Wire 1092:AllMusic 1000:In 2004 985:In 1998 974:In 1991 825:Side two 800:Side one 714:AllMusic 646:AllMusic 462:mastodon 454:anagrams 398:Accident 385:drummer 335:anagrams 276:AllMusic 253:anagrams 113:art rock 70:Recorded 55:Released 41: by 1505:7 April 1477:7 April 1446:7 April 1386:7 April 1315:7 April 1244:7 April 1190:7 April 1156:7 April 1128:7 April 1097:7 April 716:called 602:outtake 591:Amateur 581:Amateur 577:moniker 352:called 320:Peanuts 197:(1995) 188:(1977) 62:1977-03 60: ( 1632:  982:on CD. 892:Guests 640:Rating 637:Source 297:, and 293:group 149:Europa 144:Virgin 122:Length 78:Studio 1013:Notes 751:Songs 686:11/15 365:When 212:is a 139:Label 90:Genre 1630:ISBN 1578:2020 1552:2015 1507:2009 1479:2009 1448:2009 1417:2009 1388:2009 1317:2009 1246:2009 1192:2009 1158:2009 1130:2009 1099:2009 1056:2021 768:book 373:and 167:and 151:(US) 146:(UK) 46:and 1602:". 703:'s 416:). 262:An 1649:: 1628:. 1624:. 1569:. 1540:. 1495:. 1468:. 1434:. 1405:. 1379:. 1325:^ 1308:. 1262:; 1237:. 1224:^ 1178:. 1166:^ 1149:. 1138:^ 1107:^ 1090:. 1064:^ 796:. 709:. 618:. 589:. 337:, 255:, 244:. 131:43 127:36 1638:. 1614:. 1580:. 1554:. 1509:. 1481:. 1466:" 1450:. 1419:. 1390:. 1319:. 1248:. 1194:. 1160:. 1132:. 1101:. 1058:. 530:. 129:: 64:)

Index

A drawing of the excavation of a mastodon based on Charles Willson Peale's painting, "Exhuming the First American Mastodon"; at the top left is the text "KEW. RHONE." with "JOHN GREAVES PETER BLEGVAD LISA HERMAN" immediately under it.
Studio album
John Greaves
Peter Blegvad
Woodstock, New York
Genre
Progressive rock
jazz fusion
Canterbury sound
art rock
Label
Virgin
Europa
Voiceprint Records
Le Chant du Monde
John Greaves
Peter Blegvad
Unearthed
concept album
bass guitarist
John Greaves
Peter Blegvad
song cycle
Woodstock, New York
Virgin Records
Europa Records
anagrams
palindromes
enhanced CD
Voiceprint Records

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