305:“We started out having two songwriters, Nick and I. We’ve always just put together collections of songs to compose a record. We would take writing trips, where we’d write five songs at once, in a house in Chicago. That’s been how our songs have seemed cohesive as records . This record actually had a story. We realized we weren’t putting together a collection of songs for the first time, but we were actually putting together a record that told a story”, Ritter explained ""Our goal on this record was to push ourselves into making a sound that was original, beyond, I guess, the other records that we've created as far as not limiting ourselves to just the four-piece rock band instrumentation of two guitars, bass and drums," Ritter explains. "I think when we stepped up to a big wall of keyboards for the first time, I was just like a kid in a candy store."
302:, Ritter says he had no idea he was going to experience so much life in the three years between the band's last record and this one. “I went from the floor to standing up, and I think the whole record reflects that thematically,” he continued that he acknowledged he fell quickly into an unintentional "a quarter-life crisis" with "women and excess, getting into trouble, pouring too much Jameson's into the ol' noggin, a lot of people I could've done without", he added, "Of course it was destructive, but it wasn't really intentional. I was just having fun. It WAS fun, and coming out of it...thank God for the piano. Really, the music helped me out of it through this cathartic experience of writing the songs."
293:"Self-discovery is such an important thing," lead vocalist and bassist Tyson Ritter explained, "I feel like in music you're a virtual Magellan as you discover new, vast territories, sonically and lyrically. If you're not discovering something new, you're not doing it right. I knew we needed to find a different place, and I guess in this accidental sort of...I don't know man, in the journey I found a different way and a new voice for our music and even a new voice for me to sing with."
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this band?'" Wheeler added "We're still a rock band. There's still guitars all over this thing. We just found a few different ways to use them, different ways to make guitars not sound like guitars. The songs were there, so we had to take the time to experiment and use all our time and energy in the studio just figuring out how to paint this picture."
866:
stated, "Without a doubt, this record exhibits a much wider sphere of influence for the band. It seems to call on many differing areas of rock n' roll, which is especially inspiring for a pop-rock release such as this one. The sounds of ninety's garage, 60s style rock, and even ska are all present on
314:
during an interview on the set of the music video shoot for "Beekeeper's
Daughter". "The great thing about our position as a rock band on a major label, we've had this confused place for so long, that 10 years later, we're still sort of making people scratch their heads going, 'Why am I still loving
322:
regarding the sound of the album, rhythm guitarist Mike
Kennerty stated "Pop radio is literally just pop music now. There’s no guitars to be found, so we kind of saw that coming. It’s a different place and we made a different record. It’s not like a singles record, it’s actually a record. That was
289:
The All-American
Rejects began writing their fourth studio album in mid 2010. During this time the band's songwriters Nick Wheeler and Tyson Ritter went on numerous retreats to their secluded house in Chicago, a writing strategy used for their previous albums. Recording began in April 2011 and
323:
our concentration from when we were recording. We knew we were making a fucking record. Fuck the normal system of singles and all that stuff. Obviously, it’s going to get worked by the label, but we wanted to make something we were proud of as a record, first and foremost, and we did that."
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855:
were more negative, saying that the album had "Too many tracks cloaked in unnecessary hoopla, suffocating the best songs' breezy sweetness that makes blasts of pure blissful oxygen like 'Someday's Gone' and 'Beekeeper's
Daughter' extra satisfying, but like most internal battles,
842:
said, "there's a candid attitude to the jumpy beats of 'Beekeeper's
Daughter' and a maturity to 'Fast and Slow'. Meanwhile, title track 'Kids in the Street' offers a synch-infused look at childhood naivety and the slow and lurid beats of 'Heartbeat Slowing Down' are seductive."
423:, it premiered on mainstream radio in the United States on October 15. A teaser for the music video was released on October 16, 2012, via the band's official YouTube channel. Since the release of the teaser, the video has not been released and is thought to have been scrapped.
362:
in
October 2011, Ritter confirmed that the band's fourth album will be released on February 7, 2012. "It’s going to be the year of the Rejects," he teased. " is going to coincide with the Mayan end of the world thing, so the last song you’ll die to will be one of ours."
835:
commented, "The band have matured their exuberant sound with a cohesive record that unfolds into a story. Big guitar hooks and soaring melodies still remain, alongside huge drums that bludgeon through sing-a-long choruses that the band are renowned for", while
29:
382:
On
December 3, 2011, the All-American Rejects shot a music video for the album's opening track "Someday's Gone" and offered it for free download two days later. The song was released as a promotional single for paid download on March 20, 2012.
407:
was released as the album's second single on March 13, 2012 a music video followed its release on April 16. The band later released the track "Walk Over Me" as a promotional single, a music video followed its release on June 27, 2012.
820:
wrote in a preview, "With everything from freewheeling bar rock and funked-up pop to crystalline, nostalgic '80s rock and brush- and string-heavy jazz... it's easily their most ambitious - and praiseworthy - effort to date."
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said the band is "still mining teenage dramatics for buoyant, chant-along tunes", but it admired the tracks "Bleed into Your Mind" and "Affection" as a sign of "cracking through own arrested development".
811:
At
Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream critics, the album received an average score of 62, based on 10 reviews, which indicates "generally favorable".
893:
stated that the album "has something for everyone" and is a mixture of the band's previous LPs and "It's this pacing and experimentation with time signatures that really make each track stand out."
346:, among many others. "Greg was the first producer we've worked with who really spoke my language, which translated into the sound of the album," Ritter commented. "If you really want to know what
308:" music climate has changed so much for bands, especially bands with guitars in their hands... our contemporaries, our colleagues, have burnt themselves out, it seems," frontman Tyson Ritter told
396:
on
January 31, 2012, and featured an appearance from the band as themselves playing the song, before being digitally released on the same day. A music video followed its release on February 2.
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887:"Works its way back to sanity" as the album proceeds, but praised the songs "Beekeeper's Daughter", "Kids in the Street" and "Affection" for their realism.
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2330:"To answer all ur ???s: 1. Fallon is on @ 12:30 EST on NBC. 2. "Beekeeper" comes out Feb 14 everywhere else. 3. The video premiers tomorrow!"
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sounds like, it sounds like The All-American
Rejects finally got their shit together and wrote a record that was going to keep them around."
3352:
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felt that the band had released "their best album yet... It's a rock record without any boundaries, just the way rock 'n' roll should be."
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2260:"Surprise! "Kids In The Street" is coming out a day EARLIER now. Monday March 26th, worldwide! Because why the fuck not, right?"
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said "Three years after Gives You Hell, the All-American Rejects sound like somebody put them through hell instead." and that
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on December 16, 2011, and that the album's release date had been pushed back to March 27, 2012. They later revealed that
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2811:"Madonna At #1 Again With MDNA Madge's 12th studio album sells 359,000 copies, giving singer her fifth straight #1"
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875:" and that guitarist Nick Wheeler's skills were much more "dynamic" compared to the band's previous albums.
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2304:"The All-American Rejects Gearing Up to Release New Music in 2012/First single from new album announced"
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wrapped up in June, with mixing commencing the following August and concluding in early September.
3335:
2843:
2012:
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2166:"All-American Rejects releasing new single "Beekeeper's Daughter," appearing on "90210" tonight"
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chart, with 18,000 copies in its first-week of sales. It also debuted at number 34 on the
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would be released worldwide on March 26, 2012 and unveiled the cover art on February 6.
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2674:"The All-American Rejects "The Kids In The Street" Album Review — 5 out of 5 stars"
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2352:"Check out a clip from All-American Rejects' new single, "Kids In The Street""
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2214:"All-American Rejects to release new single "Beekeeper's Daughter" Tuesday"
366:
The All-American Rejects later announced the title of their fourth album,
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for being spearheaded by a band whose following finally began dismissing
666:
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called the album "uninspired, '80s-laced material, doomed to exile from
3068:
2882:
2143:"All-American Rejects' Tyson Ritter channels Bono with charity efforts"
2927:
1912:
1179:
US iTunes deluxe edition / Australian / New Zealand / UK bonus tracks
2239:"Title announced for The All-American Rejects' fourth studio album"
335:
36:
867:
the record, with some songs resembling the work of bands such as
2722:"[Review] The All-American Rejects 'Kids In The Street'"
2121:"All-American Rejects Singer Escapes L.A.: 'It Was Destructive'"
1703:
3078:
832:
359:
2796:"Album Review: The All-American Rejects – Kids in the Street"
909:
as the double-blind social networking pity party it became".
1619:
2986:"The All American Rejects Chart History (Top Rock Albums)"
2911:"Irish-charts.com – Discography The All-American Rejects"
2192:"The All-American Rejects interview with Jonathan Bautts"
411:
The All-American Rejects confirmed in an interview with
281:. It is their final studio album released on the label.
937:
All tracks are written by Tyson Ritter and Nick Wheeler
419:" would be remixed and released as the next single off
2698:. Entertainment Weekly. March 23, 2012. Archived from
1975:
928:, making it the band's highest-charting album there.
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1636:Nick Wheeler – lead guitar, programming, drum corp
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2748:"Listen up: All-American Rejects hit the "Street'"
1565:"Beekeeper's Daughter" (live Engine Room session)
73:Rocket Carousel Studio (Los Angeles, Califiornia)
16:2012 studio album by The All-American Rejects
2770:"All-American Rejects, The - Kids in the Street"
3204:Live from Oklahoma... The Too Bad for Hell DVD!
2856:: CS1 maint: others in cite AV media (notes) (
2115:
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2913:. Hung Medien. Retrieved September 30, 2019.
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8:
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2652:"All American Rejects - Kids In The Street"
2630:"All American Rejects - Kids In The Street"
2092:"All American Rejects - Kids In The Street"
3097:
3083:
3075:
1873:
1814:Chris Owens – assistant recording engineer
1660:Greg Wells – piano, keyboards, programming
430:
27:
18:
2964:"The All American Rejects Chart History (
2879:Australian Recording Industry Association
917:The album debuted at number 18 on the US
3417:Interscope Geffen A&M Records albums
2396:"The All American rejects-The Fuse News"
1829:Jeremiah "Florida" Langdon – guitar tech
1820:Phil Seaford – assistant mixing engineer
1457:
1351:
1264:
1177:
1101:
939:
2414:
2412:
2083:
1739:The All-American Rejects – gang vocals
1633:– vocals, bass guitar, piano, keyboards
1597:
1443:
1337:
1250:
1163:
1087:
390:" premiered in the American teen drama
269:is the fourth studio album by American
2849:
2212:McDonnell, Brandy (January 19, 2012).
2164:McDonnell, Brandy (January 31, 2012).
1591:"I for You" (live Engine Room Session)
1724:Joel McNeely – orchestra arrangements
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1338:
1251:
1164:
1088:
459:
436:
7:
3005:"Kids in the Street [VINYL]"
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2145:. Audio Ink Radio. 9 February 2012
1811:Ian MacGregor – recording engineer
566:
14:
2798:. consequence.net. 30 March 2012.
748:
712:
629:
528:
492:
334:, who is known for his work with
326:The entire album was produced by
2994:. Retrieved September 30, 2019.
2976:. Retrieved September 30, 2019.
2954:. Retrieved September 30, 2019.
2540:. March 23, 2012. Archived from
2241:. idolator.com. 16 December 2011
1857:Mamelok Papercraft – mask design
1835:Sean Caragher – monitor engineer
1718:Zack Ritter – additional vocals
1697:Alex Kandel – additional vocals
1646:Chris Gaylor – drums, drum corp
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3397:The All-American Rejects albums
2948:"Official Albums Chart Top 100"
2881:. April 2, 2012. Archived from
1781:Natalie Besharat – gang vocals
1663:Alex Kandel – additional vocals
415:in October 2012 that the song "
3071:(streamed copy where licensed)
2772:. AbsolutePunk. Archived from
2632:. Rolling Stone. 27 March 2012
1751:Julianne Lackey – gang vocals
1712:Elizaveta – additional vocals
1616:Credits adapted from booklet.
1464:
1358:
1271:
1184:
1108:
1103:US deluxe edition bonus tracks
943:
277:, released March 26, 2012, by
1:
3407:Albums produced by Greg Wells
2924:"オール・アメリカン・リジェクツのアルバム売上ランキング"
2538:"Entertainment Weekly review"
1848:Brennan Maxwell – photography
1757:Nick Fishbaugh – gang vocals
1643:Mike Kennerty – rhythm guitar
1502:"Bleed Into Your Mind" (demo)
1396:"Bleed Into Your Mind" (demo)
1309:"Bleed Into Your Mind" (demo)
1222:"Bleed Into Your Mind" (demo)
1146:"Bleed Into Your Mind" (demo)
2306:. Thronebuzz. Archived from
2216:. BAM's Blog. Archived from
2168:. BAM's Blog. Archived from
1964:
1946:
1932:
1905:
1817:John Hanes – mixing engineer
1775:Jackie Petrie – gang vocals
1763:Sean Caragher – gang vocals
1580:" (live Engine Room session)
2872:"ARIA Report (Issue #1153)"
2809:Kaufman, Gil (2012-04-03).
2750:. USA Today. March 26, 2012
2696:"Kids in the Street (2012)"
1535:"Kids in the Street" (demo)
1244:"Kids in the Street" (demo)
3433:
2510:"Bloody Disgusting review"
2374:"The All-American Rejects"
1832:John Oreshnick – drum tech
1823:Nick Wheeler – production
1266:International bonus tracks
250:Released: October 15, 2012
224:Released: January 31, 2012
71:(Los Angeles, California)
3412:Interscope Records albums
3373:
3177:When the World Comes Down
3112:
2282:"Someday's Gone - Single"
2057:
2054:
2007:
1998:
1995:
1951:
1937:
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1910:
1898:
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1879:
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1845:Jon Danovic – photography
1733:Francisco Torres – horns
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358:During an interview with
296:During an interview with
285:Composition and recording
258:
211:
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166:When the World Comes Down
159:
26:
3163:The All-American Rejects
3106:The All-American Rejects
2840:The All-American Rejects
1625:The All-American Rejects
275:The All-American Rejects
237:Released: March 13, 2012
153:The All-American Rejects
42:The All-American Rejects
3030:"Kids In The Street LP"
2952:Official Charts Company
2524:"Boston Phoenix review"
1854:Ianthe Zevos – creative
1666:Kevin Saulnier – piano
1650:, additional percussion
1640:, additional percussion
1491:"Someday's Gone" (demo)
1385:"Someday's Gone" (demo)
1298:"Someday's Gone" (demo)
1211:"Someday's Gone" (demo)
1135:"Someday's Gone" (demo)
3358:Awards and nominations
3315:Heartbeat Slowing Down
2598:"Sputnik Music review"
2578:"Rolling Stone review"
1851:Jon Danovic – creative
1808:Serban Ghenea – mixing
1769:Florida – gang vocals
1745:The Mac – gang vocals
1524:"Fast and Slow" (demo)
1459:UK iTunes bonus tracks
1418:"Fast and Slow" (demo)
1331:"Fast and Slow" (demo)
1048:"Bleed Into Your Mind"
998:Heartbeat Slowing Down
860:ends in a stalemate",
417:Heartbeat Slowing Down
245:Heartbeat Slowing Down
2813:. MTV. Archived from
2496:"Artistdirect review"
2451:"AbsolutePunk review"
1802:– production, mixing
1353:Japanese bonus tracks
354:Promotion and release
318:In an interview with
3301:Beekeeper's Daughter
2420:"Critic Reviews for
2405:– via YouTube.
1840:Design and cover art
1706:– additional vocals
1691:– additional vocals
1655:Additional musicians
1513:"Do Me Right" (demo)
1407:"Do Me Right" (demo)
1320:"Do Me Right" (demo)
1233:"Do Me Right" (demo)
1157:"Do Me Right" (demo)
972:Beekeeper's Daughter
898:Consequence of Sound
852:Entertainment Weekly
655:Entertainment Weekly
432:Professional ratings
388:Beekeeper's Daughter
330:-nominated producer
219:Beekeeper's Daughter
69:The Village Recorder
3259:Dirty Little Secret
3211:Live at the Wiltern
2852:cite AV media notes
2354:. Alternative Press
2310:on December 3, 2013
2172:on February 2, 2012
1887:Australian Albums (
1672:Willy Wells – bass
1548:Dirty Little Secret
1460:
1354:
1267:
1180:
1104:
433:
368:Kids in the Street,
3336:Send Her to Heaven
3308:Kids in the Street
3184:Kids in the Street
3064:Kids in the Street
2844:Interscope Records
2836:Kids in the Street
2422:Kids in the Street
1727:Ron Blake – horns
1480:"Drown Next to Me"
1458:
1374:"Drown Next to Me"
1352:
1287:"Drown Next to Me"
1265:
1200:"Drown Next to Me"
1178:
1124:"Drown Next to Me"
1102:
1035:Kids in the Street
885:Kids in the Street
858:Kids in the Street
622:The Boston Phoenix
431:
427:Critical reception
421:Kids in the Street
405:Kids in the Street
372:Kids in the Street
348:Kids in the Street
279:Interscope Records
266:Kids in the Street
232:Kids in the Street
205:Kids in the Street
175:Kids in the Street
22:Kids in the Street
3384:
3383:
3252:Time Stands Still
2726:Bloody Disgusting
2702:on March 28, 2012
2618:. March 26, 2012.
2564:"Metromix review"
2544:on March 28, 2012
2476:"AllMusic review"
2075:
2074:
1969:
1968:
1911:Japanese Albums (
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1433:" (live from the
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1173:
1098:
1097:
913:Chart performance
863:Bloody Disgusting
817:Alternative Press
809:
808:
559:Bloody Disgusting
386:The lead single "
262:
261:
190:
189:
3424:
3099:
3092:
3085:
3076:
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3047:
3045:
3036:. Archived from
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2817:on April 5, 2012
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2776:on July 10, 2012
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2453:. Archived from
2447:
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2392:
2386:
2385:
2383:
2381:
2370:
2364:
2363:
2361:
2359:
2348:
2342:
2341:
2339:
2337:
2326:
2320:
2319:
2317:
2315:
2300:
2294:
2293:
2291:
2289:
2278:
2272:
2271:
2269:
2267:
2256:
2250:
2249:
2247:
2246:
2235:
2229:
2228:
2226:
2225:
2209:
2203:
2202:
2200:
2199:
2188:
2182:
2181:
2179:
2177:
2161:
2155:
2154:
2152:
2150:
2139:
2133:
2132:
2130:
2128:
2117:
2104:
2103:
2101:
2099:
2088:
2071:DGC, Interscope
2047:DGC, Interscope
2004:digital download
1976:
1874:
1824:
1804:(tracks: 11, 12)
1803:
1782:
1776:
1770:
1764:
1758:
1752:
1746:
1740:
1734:
1728:
1719:
1713:
1707:
1698:
1693:(tracks 2, 3, 7)
1692:
1677:
1673:
1667:
1647:
1637:
1620:
1601:
1466:
1461:
1447:
1360:
1355:
1341:
1273:
1268:
1254:
1186:
1181:
1167:
1110:
1105:
1091:
959:"Someday's Gone"
945:
940:
805:
804:
803:
799:
798:
794:
793:
789:
788:
772:
771:
770:
766:
765:
761:
760:
756:
755:
751:
750:
736:
735:
734:
730:
729:
725:
724:
720:
719:
715:
714:
698:
697:
696:
692:
691:
687:
686:
682:
681:
677:
676:
648:
647:
646:
642:
641:
637:
636:
632:
631:
615:
614:
613:
609:
608:
604:
603:
599:
598:
594:
593:
589:
588:
584:
583:
579:
578:
574:
573:
569:
568:
552:
551:
550:
546:
545:
541:
540:
536:
535:
531:
530:
516:
515:
514:
510:
509:
505:
504:
500:
499:
495:
494:
437:Aggregate scores
434:
251:
248:
238:
235:
225:
222:
161:
160:
112:
111:
107:
87:Alternative rock
31:
19:
3432:
3431:
3427:
3426:
3425:
3423:
3422:
3421:
3387:
3386:
3385:
3380:
3369:
3341:
3322:There's a Place
3273:It Ends Tonight
3223:
3189:
3148:
3108:
3103:
3059:
3054:
3053:
3043:
3041:
3028:
3027:
3023:
3013:
3011:
3003:
3002:
2998:
2984:
2980:
2962:
2958:
2946:
2942:
2932:
2930:
2922:
2921:
2917:
2909:
2905:
2898:Pandora Archive
2891:
2889:
2885:
2874:
2870:
2869:
2865:
2848:
2834:
2833:
2829:
2820:
2818:
2808:
2807:
2803:
2794:
2793:
2789:
2779:
2777:
2768:
2767:
2763:
2753:
2751:
2746:
2745:
2741:
2731:
2729:
2728:. 26 March 2012
2720:
2719:
2715:
2705:
2703:
2694:
2693:
2689:
2679:
2677:
2672:
2671:
2667:
2657:
2655:
2650:
2649:
2645:
2635:
2633:
2628:
2627:
2623:
2610:
2609:
2605:
2596:
2595:
2591:
2576:
2575:
2571:
2562:
2561:
2557:
2547:
2545:
2536:
2535:
2531:
2522:
2521:
2517:
2508:
2507:
2503:
2494:
2493:
2489:
2474:
2473:
2469:
2460:
2458:
2449:
2448:
2444:
2434:
2432:
2418:
2417:
2410:
2400:
2398:
2394:
2393:
2389:
2379:
2377:
2372:
2371:
2367:
2357:
2355:
2350:
2349:
2345:
2335:
2333:
2328:
2327:
2323:
2313:
2311:
2302:
2301:
2297:
2287:
2285:
2280:
2279:
2275:
2265:
2263:
2258:
2257:
2253:
2244:
2242:
2237:
2236:
2232:
2223:
2221:
2211:
2210:
2206:
2197:
2195:
2190:
2189:
2185:
2175:
2173:
2163:
2162:
2158:
2148:
2146:
2141:
2140:
2136:
2126:
2124:
2123:. Billboard.com
2119:
2118:
2107:
2097:
2095:
2090:
2089:
2085:
2080:
2052:United Kingdom
2034:United Kingdom
1996:March 26, 2012
1974:
1972:Release history
1954:Top Rock Albums
1881:
1872:
1867:
1842:
1796:
1788:
1682:Lenny Castro –
1657:
1627:
1614:
1609:
1599:
1455:
1445:
1349:
1339:
1262:
1252:
1175:
1165:
1099:
1089:
985:"Fast and Slow"
934:
926:UK Albums Chart
915:
801:
796:
791:
768:
763:
758:
753:
732:
727:
722:
717:
694:
689:
684:
679:
644:
639:
634:
611:
606:
601:
596:
591:
586:
581:
576:
571:
548:
543:
538:
533:
512:
507:
502:
497:
429:
380:
356:
287:
254:
249:
242:
241:
236:
229:
228:
223:
216:
215:
185:
178:
169:
135:
109:
105:
104:
96:
72:
60:April–June 2011
44:
17:
12:
11:
5:
3430:
3428:
3420:
3419:
3414:
3409:
3404:
3399:
3389:
3388:
3382:
3381:
3374:
3371:
3370:
3368:
3367:
3360:
3355:
3349:
3347:
3343:
3342:
3340:
3339:
3332:
3325:
3318:
3311:
3304:
3297:
3290:
3287:The Wind Blows
3283:
3280:Gives You Hell
3276:
3269:
3262:
3255:
3248:
3241:
3233:
3231:
3225:
3224:
3222:
3221:
3214:
3207:
3199:
3197:
3191:
3190:
3188:
3187:
3180:
3173:
3166:
3158:
3156:
3150:
3149:
3147:
3146:
3143:
3139:
3138:
3133:
3126:
3119:
3113:
3110:
3109:
3104:
3102:
3101:
3094:
3087:
3079:
3073:
3072:
3058:
3057:External links
3055:
3052:
3051:
3040:on May 4, 2012
3021:
2996:
2978:
2956:
2940:
2915:
2903:
2863:
2827:
2801:
2787:
2761:
2739:
2713:
2687:
2676:. Artistdirect
2665:
2643:
2621:
2603:
2589:
2569:
2555:
2529:
2515:
2501:
2487:
2467:
2442:
2408:
2387:
2365:
2343:
2321:
2295:
2273:
2251:
2230:
2204:
2194:. AbsolutePunk
2183:
2156:
2134:
2105:
2082:
2081:
2079:
2076:
2073:
2072:
2069:
2068:United States
2065:
2064:
2061:
2056:
2053:
2049:
2048:
2045:
2044:United States
2041:
2040:
2035:
2031:
2030:
2026:
2025:
2021:
2020:
2016:
2015:
2006:
1997:
1994:
1990:
1989:
1986:
1983:
1980:
1973:
1970:
1967:
1966:
1963:
1949:
1948:
1945:
1935:
1934:
1931:
1920:
1919:
1916:
1908:
1907:
1904:
1899:Irish Albums (
1896:
1895:
1892:
1884:
1883:
1878:
1871:
1868:
1864:
1863:
1859:
1858:
1855:
1852:
1849:
1846:
1841:
1838:
1837:
1836:
1833:
1830:
1827:
1821:
1818:
1815:
1812:
1809:
1806:
1795:
1792:
1790:
1786:
1785:
1779:
1777:(tracks: 2, 6)
1773:
1771:(tracks: 2, 6)
1767:
1765:(tracks: 2, 6)
1761:
1755:
1749:
1743:
1737:
1731:
1725:
1722:
1716:
1710:
1701:
1695:
1686:
1680:
1676:, gang vocals
1670:
1664:
1661:
1656:
1653:
1652:
1651:
1644:
1641:
1634:
1626:
1623:
1618:
1613:
1610:
1606:
1605:
1602:
1596:
1595:
1592:
1589:
1585:
1584:
1581:
1574:
1570:
1569:
1566:
1563:
1559:
1558:
1555:
1544:
1540:
1539:
1536:
1533:
1529:
1528:
1525:
1522:
1518:
1517:
1514:
1511:
1507:
1506:
1503:
1500:
1496:
1495:
1492:
1489:
1485:
1484:
1481:
1478:
1474:
1473:
1470:
1467:
1456:
1452:
1451:
1448:
1442:
1441:
1438:
1431:Gives You Hell
1427:
1423:
1422:
1419:
1416:
1412:
1411:
1408:
1405:
1401:
1400:
1397:
1394:
1390:
1389:
1386:
1383:
1379:
1378:
1375:
1372:
1368:
1367:
1364:
1361:
1350:
1346:
1345:
1342:
1336:
1335:
1332:
1329:
1325:
1324:
1321:
1318:
1314:
1313:
1310:
1307:
1303:
1302:
1299:
1296:
1292:
1291:
1288:
1285:
1281:
1280:
1277:
1274:
1263:
1259:
1258:
1255:
1249:
1248:
1245:
1242:
1238:
1237:
1234:
1231:
1227:
1226:
1223:
1220:
1216:
1215:
1212:
1209:
1205:
1204:
1201:
1198:
1194:
1193:
1190:
1187:
1176:
1172:
1171:
1168:
1162:
1161:
1158:
1155:
1151:
1150:
1147:
1144:
1140:
1139:
1136:
1133:
1129:
1128:
1125:
1122:
1118:
1117:
1114:
1111:
1100:
1096:
1095:
1092:
1086:
1085:
1082:
1079:
1075:
1074:
1071:
1068:
1064:
1063:
1060:
1057:
1053:
1052:
1049:
1046:
1042:
1041:
1038:
1031:
1027:
1026:
1023:
1022:"Out the Door"
1020:
1016:
1015:
1012:
1011:"Walk Over Me"
1009:
1005:
1004:
1001:
994:
990:
989:
986:
983:
979:
978:
975:
968:
964:
963:
960:
957:
953:
952:
949:
946:
935:
933:
930:
914:
911:
807:
806:
782:
774:
773:
744:
738:
737:
708:
700:
699:
670:
662:
661:
658:
650:
649:
625:
617:
616:
562:
554:
553:
524:
518:
517:
488:
482:
481:
478:
470:
469:
466:
462:
461:
457:
456:
453:
447:
446:
443:
439:
438:
428:
425:
379:
376:
355:
352:
286:
283:
260:
259:
256:
255:
253:
252:
239:
226:
212:
209:
208:
196:
195:
192:
191:
188:
187:
180:
171:
157:
156:
149:
148:
143:
137:
136:
134:
133:
128:
122:
120:
114:
113:
102:
98:
97:
95:
94:
89:
83:
81:
75:
74:
66:
62:
61:
58:
54:
53:
52:March 26, 2012
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
3429:
3418:
3415:
3413:
3410:
3408:
3405:
3403:
3400:
3398:
3395:
3394:
3392:
3379:
3378:
3372:
3365:
3361:
3359:
3356:
3354:
3351:
3350:
3348:
3344:
3337:
3333:
3330:
3326:
3323:
3319:
3316:
3312:
3309:
3305:
3302:
3298:
3295:
3291:
3288:
3284:
3281:
3277:
3274:
3270:
3267:
3263:
3260:
3256:
3253:
3249:
3246:
3245:The Last Song
3242:
3239:
3235:
3234:
3232:
3230:
3226:
3220:
3219:
3215:
3213:
3212:
3208:
3206:
3205:
3201:
3200:
3198:
3196:
3192:
3186:
3185:
3181:
3179:
3178:
3174:
3172:
3171:
3167:
3165:
3164:
3160:
3159:
3157:
3155:
3154:Studio albums
3151:
3144:
3141:
3140:
3137:
3134:
3132:
3131:
3130:Mike Kennerty
3127:
3125:
3124:
3120:
3118:
3115:
3114:
3111:
3107:
3100:
3095:
3093:
3088:
3086:
3081:
3080:
3077:
3070:
3066:
3065:
3061:
3060:
3056:
3039:
3035:
3031:
3025:
3022:
3010:
3006:
3000:
2997:
2993:
2992:
2987:
2982:
2979:
2975:
2974:
2969:
2967:
2960:
2957:
2953:
2949:
2944:
2941:
2933:September 30,
2929:
2925:
2919:
2916:
2912:
2907:
2904:
2899:
2892:September 30,
2888:on 2012-04-15
2884:
2880:
2873:
2867:
2864:
2859:
2853:
2845:
2841:
2837:
2831:
2828:
2816:
2812:
2805:
2802:
2797:
2791:
2788:
2775:
2771:
2765:
2762:
2749:
2743:
2740:
2727:
2723:
2717:
2714:
2701:
2697:
2691:
2688:
2675:
2669:
2666:
2653:
2647:
2644:
2631:
2625:
2622:
2617:
2613:
2607:
2604:
2599:
2593:
2590:
2586:. 2012-03-27.
2585:
2584:
2583:Rolling Stone
2579:
2573:
2570:
2565:
2559:
2556:
2543:
2539:
2533:
2530:
2525:
2519:
2516:
2512:. 2012-03-26.
2511:
2505:
2502:
2497:
2491:
2488:
2483:
2482:
2477:
2471:
2468:
2457:on 2012-07-10
2456:
2452:
2446:
2443:
2431:
2430:
2425:
2423:
2415:
2413:
2409:
2397:
2391:
2388:
2375:
2369:
2366:
2353:
2347:
2344:
2331:
2325:
2322:
2309:
2305:
2299:
2296:
2283:
2277:
2274:
2261:
2255:
2252:
2240:
2234:
2231:
2220:on 2012-01-22
2219:
2215:
2208:
2205:
2193:
2187:
2184:
2171:
2167:
2160:
2157:
2144:
2138:
2135:
2122:
2116:
2114:
2112:
2110:
2106:
2093:
2087:
2084:
2077:
2070:
2067:
2066:
2062:
2060:
2051:
2050:
2046:
2043:
2042:
2039:
2036:
2033:
2032:
2028:
2027:
2023:
2022:
2018:
2017:
2014:
2010:
2005:
2001:
1992:
1991:
1987:
1984:
1981:
1978:
1977:
1971:
1961:
1960:
1955:
1950:
1944:
1942:
1936:
1929:
1925:
1921:
1917:
1914:
1909:
1902:
1897:
1893:
1890:
1885:
1877:Chart (2012)
1875:
1869:
1862:
1856:
1853:
1850:
1847:
1844:
1843:
1839:
1834:
1831:
1828:
1822:
1819:
1816:
1813:
1810:
1807:
1801:
1798:
1797:
1793:
1791:
1789:
1783:(tracks 2, 6)
1780:
1774:
1768:
1762:
1759:(tracks 2, 6)
1756:
1753:(tracks 2, 6)
1750:
1747:(tracks 2, 6)
1744:
1741:(tracks 2, 6)
1738:
1732:
1726:
1723:
1717:
1711:
1705:
1702:
1696:
1690:
1687:
1685:
1681:
1678:(tracks 2, 6)
1671:
1665:
1662:
1659:
1658:
1654:
1645:
1642:
1635:
1632:
1629:
1628:
1624:
1622:
1621:
1617:
1611:
1603:
1600:Total length:
1593:
1590:
1586:
1582:
1579:
1575:
1571:
1567:
1564:
1560:
1556:
1553:
1549:
1545:
1541:
1537:
1534:
1530:
1526:
1523:
1519:
1515:
1512:
1508:
1504:
1501:
1497:
1493:
1490:
1486:
1482:
1479:
1475:
1462:
1449:
1446:Total length:
1439:
1436:
1432:
1428:
1424:
1420:
1417:
1413:
1409:
1406:
1402:
1398:
1395:
1391:
1387:
1384:
1380:
1376:
1373:
1369:
1356:
1343:
1340:Total length:
1333:
1330:
1326:
1322:
1319:
1315:
1311:
1308:
1304:
1300:
1297:
1293:
1289:
1286:
1282:
1269:
1256:
1253:Total length:
1246:
1243:
1239:
1235:
1232:
1228:
1224:
1221:
1217:
1213:
1210:
1206:
1202:
1199:
1195:
1182:
1169:
1166:Total length:
1159:
1156:
1152:
1148:
1145:
1141:
1137:
1134:
1130:
1126:
1123:
1119:
1106:
1093:
1090:Total length:
1083:
1080:
1076:
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932:Track listing
931:
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904:
903:Clear Channel
900:
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824:Rolling Stone
819:
818:
813:
783:
781:
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776:
775:
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709:
707:
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705:Rolling Stone
702:
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460:Review scores
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20:
3375:
3238:Swing, Swing
3216:
3209:
3202:
3195:Video albums
3183:
3182:
3175:
3168:
3161:
3145:Tim Campbell
3142:Jesse Tabish
3136:Chris Gaylor
3135:
3128:
3123:Tyson Ritter
3121:
3117:Nick Wheeler
3116:
3063:
3042:. Retrieved
3038:the original
3033:
3024:
3012:. Retrieved
3008:
2999:
2990:
2981:
2972:
2965:
2959:
2943:
2931:. Retrieved
2918:
2906:
2896:– via
2890:. Retrieved
2883:the original
2866:
2835:
2830:
2819:. Retrieved
2815:the original
2804:
2790:
2778:. Retrieved
2774:the original
2764:
2752:. Retrieved
2742:
2730:. Retrieved
2725:
2716:
2704:. Retrieved
2700:the original
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2678:. Retrieved
2668:
2656:. Retrieved
2646:
2634:. Retrieved
2624:
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2546:. Retrieved
2542:the original
2532:
2518:
2504:
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2479:
2470:
2459:. Retrieved
2455:the original
2445:
2433:. Retrieved
2427:
2421:
2399:. Retrieved
2390:
2378:. Retrieved
2376:. Interscope
2368:
2356:. Retrieved
2346:
2334:. Retrieved
2324:
2312:. Retrieved
2308:the original
2298:
2286:. Retrieved
2276:
2264:. Retrieved
2254:
2243:. Retrieved
2233:
2222:. Retrieved
2218:the original
2207:
2196:. Retrieved
2186:
2174:. Retrieved
2170:the original
2159:
2149:February 11,
2147:. Retrieved
2137:
2125:. Retrieved
2096:. Retrieved
2086:
2055:May 1, 2012
2029:New Zealand
1958:
1940:
1860:
1787:
1631:Tyson Ritter
1615:
936:
919:
916:
896:
895:
890:AbsolutePunk
888:
884:
878:
877:
873:All Time Low
861:
857:
850:
847:Artistdirect
845:
837:
830:
822:
815:
814:
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777:
742:Sputnikmusic
741:
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620:
557:
522:Artistdirect
475:AbsolutePunk
473:
420:
412:
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398:
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347:
328:Grammy Award
325:
320:AbsolutePunk
317:
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288:
265:
264:
263:
204:
203:
182:
174:
173:
164:
37:Studio album
3402:2012 albums
3353:Discography
2401:October 16,
2336:February 2,
2266:February 2,
2176:February 1,
1552:Engine Room
1081:"I for You"
1070:"Affection"
401:title track
344:OneRepublic
3391:Categories
3266:Move Along
3170:Move Along
2821:2012-04-03
2461:2012-03-27
2429:Metacritic
2314:January 5,
2245:2011-12-16
2224:2012-01-19
2198:2012-05-22
2078:References
2013:Interscope
1993:Australia
1825:(track 11)
1800:Greg Wells
1794:Production
1684:percussion
1674:(track 10)
1668:(track 10)
1578:Move Along
1435:Roundhouse
907:PostSecret
839:Big Cheese
451:Metacritic
340:Katy Perry
332:Greg Wells
155:chronology
146:Greg Wells
131:Interscope
2991:Billboard
2973:Billboard
2966:Billboard
2780:March 27,
2754:March 27,
2732:March 26,
2706:March 21,
2680:March 23,
2658:March 19,
2636:March 27,
2616:USA Today
2548:March 21,
2435:April 12,
2332:. Twitter
2288:March 20,
2262:. Twitter
2127:March 27,
2098:March 19,
2059:12" vinyl
1959:Billboard
1941:Billboard
1924:UK Albums
1882:position
1735:(track 1)
1729:(track 1)
1720:(track 2)
1714:(track 8)
1708:(track 4)
1699:(track 1)
1689:Audra Mae
1648:(track 4)
1638:(track 4)
1612:Personnel
1437:, London)
920:Billboard
880:USA Today
831:Retailer
779:USA Today
413:Fuse News
311:Billboard
299:Billboard
92:power pop
3218:Tournado
2612:"review"
2481:AllMusic
2380:June 25,
2358:March 2,
2284:. iTunes
2063:Polydor
1979:Country
1554:session)
1550:" (live
667:Metromix
486:AllMusic
183:Sweat EP
141:Producer
57:Recorded
49:Released
39: by
3346:Related
3294:I Wanna
3229:Singles
3069:YouTube
2846:. 2012.
2038:Polydor
2024:Europe
2019:Canada
1985:Format
1059:"Gonzo"
378:Singles
200:Singles
186:(2017)
179:(2012)
170:(2008)
3044:May 1,
3034:Amazon
3014:May 1,
3009:Amazon
2928:Oricon
2838:(CD).
1988:Label
1913:Oricon
1870:Charts
1861:
1472:Length
1366:Length
1279:Length
1192:Length
1116:Length
951:Length
468:Rating
465:Source
455:62/100
445:Rating
442:Source
342:, and
101:Length
65:Studio
3377:Media
3329:Sweat
2968:200)"
2886:(PDF)
2875:(PDF)
2654:. HMV
2094:. HMV
1982:Date
1604:82:32
1469:Title
1450:67:45
1363:Title
1344:64:14
1276:Title
1257:65:07
1189:Title
1170:60:14
1113:Title
1094:43:12
948:Title
393:90210
336:Adele
273:band
202:from
118:Label
79:Genre
3046:2012
3016:2012
2935:2019
2894:2019
2858:link
2782:2012
2756:2012
2734:2012
2708:2012
2682:2012
2660:2012
2638:2012
2550:2012
2437:2012
2403:2012
2382:2012
2360:2012
2338:2012
2316:2012
2290:2012
2268:2012
2178:2012
2151:2012
2129:2012
2100:2012
1918:120
1901:IRMA
1889:ARIA
1880:Peak
1704:MIKA
1594:2:29
1583:3:56
1568:3:33
1557:3:27
1538:4:53
1527:3:58
1516:3:35
1505:2:42
1494:3:55
1483:6:52
1440:3:31
1421:3:58
1410:3:35
1399:2:42
1388:3:55
1377:6:52
1334:3:58
1323:3:35
1312:2:42
1301:3:55
1290:6:52
1247:4:53
1236:3:35
1225:2:42
1214:3:55
1203:6:52
1160:3:35
1149:2:42
1138:3:55
1127:6:52
1084:2:34
1073:4:44
1062:5:06
1051:2:43
1040:4:45
1025:3:39
1014:3:59
1003:4:44
988:4:00
977:3:33
962:3:25
871:and
480:8/10
399:The
271:rock
3364:Air
3067:at
2009:DGC
1965:10
1952:US
1947:18
1943:200
1938:US
1933:34
1928:OCC
1906:87
1894:65
1588:21.
1573:20.
1562:19.
1543:18.
1532:17.
1521:16.
1510:15.
1499:14.
1488:13.
1477:12.
1465:No.
1426:17.
1415:16.
1404:15.
1393:14.
1382:13.
1371:12.
1359:No.
1328:16.
1317:15.
1306:14.
1295:13.
1284:12.
1272:No.
1241:16.
1230:15.
1219:14.
1208:13.
1197:12.
1185:No.
1154:15.
1143:14.
1132:13.
1121:12.
1109:No.
1078:11.
1067:10.
944:No.
922:200
869:Jet
833:HMV
403:of
360:MTV
126:DGC
3393::
3032:.
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2854:}}
2850:{{
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2411:^
2108:^
2011:,
2002:,
2000:CD
1962:)
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1903:)
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1056:9.
1045:8.
1030:7.
1019:6.
1008:5.
993:4.
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956:1.
338:,
110:12
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1956:(
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660:B
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108::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
