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is simple, functional, and unelaborated. Twenty-three issues of the series were produced over a period of three years; each issue lasted about twenty minutes and usually covered three topics. The stories were typically descriptive, not narrative, and included vignettes and exposés, showing for
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Vertov intended an active relationship with his audience in the series — in the final segment he includes contact information — but by the fourteenth episode the series had become so experimental that some critics dismissed Vertov's efforts as "insane".
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tendencies are also present, but with more subtlety, in the episode featuring the construction of an airport: one shot shows the former Czar's tanks helping prepare a foundation, with an intertitle reading "Tanks on the labor front".
101:", or "film-truth", through his newsreel series. His driving vision was to capture fragments of actuality which, when organized together, showed a deeper truth which could not be seen with the naked eye. In the
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instance the renovation of a trolley system, the organization of farmers into communes, and the trial of
Socialist Revolutionaries; one story shows starvation in the nascent
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153:, which also translates as "film truth". Cinéma vérité was similarly marked by the intention of capturing reality "warts and all", but became popular in
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120:: the scenes of the selling of the newspapers on the streets and the people reading the papers in the trolley were both staged for the camera). The
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concerns and filming marketplaces, bars, and schools instead, sometimes with a hidden camera, without asking permission first.
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usually did not include reenactments or stagings (one exception is the segment about the
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as the first work by him where his future cinematic methods can be observed.
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launched in June 1922. Vertov referred to the twenty-three issues of
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Working mainly during the 1920s, Vertov promoted the concept of "
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This article related to film or motion picture terminology is a
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Series of newsreels that captured early Soviet-era daily life
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series, Vertov focused on everyday experiences, eschewing
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The Film
Factory: Russian and Soviet Cinema in Documents
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141:The term "kino pravda", though it translates from
145:as "film truth", is not to be confused with the
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69:'Film Truth') was a series of 23
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118:trial of the Socialist Revolutionaries
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429:. You can help Knowledge (XXG) by
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389:In Memory of Sergo Ordzhonikidze
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349:A Sixth Part of the World
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476:Soviet documentary films
249:Kino-Pravda No.21 (1925)
188:George Allen & Unwin
381:Three Songs About Lenin
365:Man with a Movie Camera
486:Film terminology stubs
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215:. pp. 112–114.
190:. pp. 161–162.
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357:The Eleventh Year
79:Elizaveta Svilova
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333:Soviet Toys
317:Kino-Pravda
114:Kino-Pravda
103:Kino-Pravda
99:kino-pravda
87:Kino-Pravda
60:Кино-Правда
51:Kino-Pravda
18:Kino Pravda
470:Categories
373:Enthusiasm
161:References
481:Newsreels
297:Technique
213:Routledge
178:Jay Leyda
107:bourgeois
71:newsreels
325:Kino-Eye
302:Kino-Eye
180:(1960).
93:Overview
397:Lullaby
254:YouTube
143:Russian
129:state.
127:Marxist
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56:Russian
400:(1937)
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155:France
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309:Films
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217:ISBN
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