Penguin Books - Knowledge

578: 417: 305: 1013:. As the publisher's focus changed from the needs of the marketplace to those of the classroom the criticism became more acute, Thomas Gould wrote of the series "most of the philosophical volumes in the Penguin series are bad – some very bad indeed. Since Plato and Aristotle are the most read philosophers in the world today, and since some of these Penguin translations are favourites among professional philosophers in several countries, this amounts to a minor crisis in the history of philosophy." 960: 760:

next twenty years. Facetti rolled out the new treatment across the Penguin line starting with crime, the orange fiction series, then Pelicans, Penguin Modern Classics, Penguin Specials, and Penguin Classics, giving an overall visual unity to the company's list. A somewhat different approach was taken to the Peregrine, Penguin Poets, Penguin Modern Poets, and Penguin Plays series. There were over a hundred different series published in total.

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illustration on the front. In 2002, Penguin announced it was redesigning its entire catalogue, merging the original Classics list (known in the trade as "Black Classics") with what had been the old Penguin Twentieth-Century Classics list, though the silver covers for the latter have so far been retained for most of the titles. Previously this line had been called 'Penguin Modern Classics' with a pale green livery.

6103: 1044: 1029:). Prior to 2002, the text page typography of each book in the Classics series had been overseen by a team of in-house designers; this department was drastically reduced in 2003 as part of the production costs. The in-house text design department still exists, albeit much smaller than formerly. Recent design work includes the Penguin Little Black Classic series, designed by Claire Mason. 1288:

These works focused on the kind of topical journalism that was a feature of the original Penguin Specials. Subsequent Penguin Specials released in 2012 and 2013 continued to include both fiction, including the publication of the works shortlisted for the Monash Undergraduate Prize 2012, and topical journalism. Collected columns of cultural critics were also featured.

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industrial architecture, nor on Art Deco buildings, omissions that his critics hold have led to those subjects undervaluation and neglect. Nevertheless, Pevsner's synoptic study brought rigorous architectural history to an appreciative mass audience, and in particular he enlarged the perception of the Victorian achievement in architecture.

1187:. Following Allen Lane's death in 1970 and the takeover the same year by Pearson Longman, the division discontinued publishing school books and was closed in March 1974. More than 80 teachers, educational journalists and academics signed a letter to the Times Educational Supplement regretting the closure of the influential imprint. 1460:, a topographical inventory of Germany's important historic buildings that was published in five volumes between 1905 and 1912. Though Pevsner's ambition for the series was to educate and inform the general public on the subtleties of English architectural history, the immediate commercial imperative was competition with the 1631:'s original three panel cover design. The covers are also printed on a card stock that mirrors the look and feel of 1940s and 50s Penguin covers. On the other hand, all of the Popular Penguins series are in Penguin Orange, and not colour-coded in the manner of the original designs and the "Celebrations" titles. 1811:

graduate level texts in what was, for the English speaking world, the newly emerging academic discipline of art history. Nevertheless, the series was criticised from within the academy for its evident biases. Many of its authors were German émigrés, consequently there was a methodological preference for the

1267:. Godwin initiated the "What's Wrong with Britain" series of Specials in the run up to the 1964 election, which constituted a platform for the New Left's brand of cultural analysis that characterised the leftist political radicalism of the 1960s. Indeed, Penguin Books contributed to the funds that set up 1287:

In December 2011, Penguin launched nine titles as 'Penguin Shorts' which featured the iconic tri-band covers. These books were novellas and short length works of fiction and/or memoirs. In 2012 they became known as Penguin Specials following an agreement with The Economist made in March of that year.

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in 1945 for a series of illustrated books that would match the success of the King Penguins. Pevsner recalled his response: "Allen said, 'You have done the King Penguins now and we are going on with them, but if you had your way, what else would you do?' I had my answer ready—and the answer was very

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The redesign – featuring a colourful painting on the cover, with black background and orange lettering – was well received. However, the quality of the paperbacks themselves seemed to decrease: the spines were more likely to fold and bend. The paperbacks are also printed on non-acid-free pulp paper,

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for a new look to the Penguin cover. It was Marber's suggestion of what came to be called the Marber grid along with the retention of traditional Penguin colour-coding that was to replace the previous three horizontal bars design and set the pattern for the design of the company's paperbacks for the

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books made specifically for overseas distribution. Their established paper supply put Penguin in an especially strong position after the war as rationing continued. For this reason, and for the popular prestige the company enjoyed, many of Penguin's competitors had no choice but to concede paperback

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From the outset, design was essential to Penguin's success. Avoiding the illustrated gaudiness of other paperback publishers, Penguin opted for the simple appearance of three horizontal bands, the upper and lower of which were colour-coded according to the series to which the title belonged; this is

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Penguin's commercial motivation was, as ever, populist; rendering the classics in an approachable modern English was therefore a difficult task whose execution did not always satisfy the critics. Rieu said of his work that "I have done my best to make Homer easy reading for those who are unfamiliar

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By January 1942 the Book Production War Economy Agreement regulations came into force which determined rules on paper quality, type size and margins. Consequently, Penguin eliminated dust jackets, trimmed margins and replaced sewn bindings with metal staples. Aside from the noticeable deterioration

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The point of view maintained at the Courtauld, for example: "After the war many older art historians took the view that the primary tasks of art history had already been accomplished, and that the time had come for summaries. This was the platform from which Pevsner launched his Pelican History of

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at Birmingham University in 1964. This brief period of revival for Penguin Specials in contributing to the national dialogue was not sustained after the departure of Godwin in 1967, and with the rise in television journalism the Specials series declined in significance through the 1970s and 1980s.

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Among the most successful and influential series were Voices and Junior Voices, Connexions, and the Penguin English Project. Alongside these and other series, the imprint continued another Penguin tradition by producing Education Specials, titles which focussed on often controversial topics within

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For Penguin the series was a departure from their commercial mainstay of paperbacks as the histories of art were the first large format, illustrated hardback books they had produced. Despite their relatively high price they were a financial success, yet for Pevsner they were intended primarily as

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The imprint publishes hundreds of classics from the Greeks and Romans to Victorian Literature to modern classics. For nearly twenty years, variously coloured borders to the front and back covers indicated the original language. The second period of design meant largely black covers with a colour

1079:. Several thousand Pelicans were published over the next half-century and brought high quality accounts of the current state of knowledge in many fields, often written by authors of specialised academic books. (The Pelican series, in decline for several years, was finally discontinued in 1984.) 866:. New American Library had originally been Penguin U.S.A. and had been spun off in 1948 because of the high complexity of import and export regulations. Penguin repurchased it in order to extend its reach into the US market, and NAL saw the move as a way to gain a hold in international markets. 466:

that inspired him to create cheap, well designed quality books for the mass market. The question of how publishers could reach a larger public had been the subject of a conference at Rippon Hall, Oxford, in 1934 which Lane had attended. Though the publication of literature in paperback was then

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quite distinct from the antiquarian interest of local and family history typical of English county histories. Consequently, there is little mention of monumental brasses, bells, tracery, the relationship of the building to the landscape. Nor is there much discussion on building techniques, nor

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before the war, however for various reason his plan came to nothing. It was only through his involvement with Penguin that he was in a position to make a similar suggestion to Allen Lane and be accepted. Pevsner described the project of the Buildings of England as an attempt to fill the gap in

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In 1965 Penguin entered the field of educational publishing, Allen Lane's aim being to carry the radical and populist spirit of Pelicans into the schoolbook market. His final major initiative, the division was established as a separate publishing operation from Harmondsworth, and based in West

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By 1960, a number of forces were to shape the direction of the company, the publication list and its graphic design. On 20 April 1961, Penguin became a publicly listed company on the London Stock Exchange; consequently, Allen Lane had a diminished role at the firm though he was to continue as

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from 1912 onwards, and were pioneer volumes for Penguins in that they were their first volumes with hard covers and their first with colour printing. The books originally combined a classic series of colour plates with an authoritative text. The first two volumes featured sixteen plates from

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when Puffin was one of the few profitable divisions of the beleaguered company. In line with Mayer's policy of more aggressive commercialisation of the Penguin brand Lacey reduced the number of Puffin imprints, consolidated popular titles under the Puffin Classics rubric and inaugurated the

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was issued in 1953. By 1955, Pevsner produced a prospectus for the series announcing the publication of four new volumes and a plan for the rest of the series totalling 47 titles. The ambition of the series exceeded previously published multi-volume histories of art such as André Michel's

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Allen's brothers Richard and John were co-founders and shareholders, though Allen was the dominant figure in the company. John died in service in 1942, Richard sold his share to Allen before the company went public in 1961. The Penguin Companion, pp.80–81, Penguin Collectors' Society,

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The text page design was also overhauled to follow a more closely prescribed template, allowing for faster copyediting and typesetting, but reducing the options for individual design variations suggested by a text's structure or historical context (for example, in the choice of text

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who presided over the department for 18 years in a period that saw greatly increased competition in the children's market as well as a greater sophistication in production and marketing. One innovation of Webb's was the creation of the Puffin Club in 1967 and its quarterly magazine

373:. When Penguin Random House was formed, Pearson had a 47% stake in the new company, which was reduced to 25% in July 2017. Since April 2020, Penguin Random House has been a wholly owned subsidiary of Bertelsmann. It is one of the largest English-language publishers known as the 1634:

In July 2009, another 50 Popular Penguins were released onto the Australian and New Zealand markets. A further 10 titles written by New Zealand authors were released in March 2010. Another 75 titles were released in Australia in July 2010 to mark Penguin's 75th anniversary.

1175:, reflecting the student unrest of the late 1960s and contributing to the intense national debate about the purpose of higher education. Other titles featured the radical and influential ideas about schooling propounded by writers and teachers from America and elsewhere. 1178:

Penguin Education also published an extensive range of Readers and introductory texts for students in higher education, notably in subjects such as psychology, economics, management, sociology and science, while for teachers it provided a series of key texts such as

340:, bringing high-quality fiction and non-fiction to the mass market. Its success showed that large audiences existed for serious books. It also affected modern British popular culture significantly through its books concerning politics, the arts, and science. 1473:, appeared in 1951, and went on to produce 46 architectural guidebooks between then and 1974 of which he wrote 32 alone and ten with assistance. As early as 1954 the series was in commercial difficulty and required sponsorship to continue, a grant from the 1426:. Complementary to the Puffin Club the Puffin School Book Club, addressed specifically to schools and organisations, grew significantly in this period helping to confirm Puffin market position such that by 1983 one in three Penguin books sold was a Puffin. 651:

Originally, every paperback carried the message, "FOR THE FORCES – Leave this book at a Post Office when you have read it, so that men and women in the Services may enjoy it too" at the bottom of the back cover, inviting the reader to take advantage of the

705:, his eventual successor at Penguin, the vertical grid covers that became the standard for Penguin fiction throughout the 1950s. By this time the paperback industry in the UK had begun to grow, and Penguin found itself in competition with then fledgeling 1614:

Popular Penguins are presented as a return to Lane's original ethos – good books at affordable prices. They have been published with a cover price of A$ 9.95, less than half of the average price of a paperback novel in Australia at the time of release.

855:. After these acquisitions, Penguin moved its offices to central London (27 Wrights Lane, W8 5TZ). Thus 'Harmondsworth' disappeared as the place of publication after half a century. (The warehouse at Harmondsworth would remain in operation until 2004.) 636:

in paperbacks' appearance, it became a practical impossibility to publish books of more than 256 pages, resulting in some titles falling out of print for want of material. In addition to their paper allocation, in 1941 Penguin secured a deal with the

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allocated a quota to each publisher as a percentage of the amount that firm used between August 1938 and August 1939. This was particularly advantageous to Penguin, who, as a volume printer, was very successful that year. Further, in a deal with the

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that paid for the project outright, confirmed its worth, and allowed Lane to establish Penguin as a separate business in 1936. By March 1936, ten months after the company's launch on 30 July 1935, one million Penguin books had been printed.

2508:, 2005, Ch. 8, para. 8, quotes Orwell writing: "One phenomenon of the war has been the enormous sale of Penguin books, Pelican books, and other cheap titles, most of which would have been regarded as impossibly highbrow a few years back." 428: 1215:. Whereas the Left Book Club was avowedly pro-Soviet, Penguin and Lane expressed no political preference as their editorial policy, though the widespread belief was that the series was left-leaning since the editor was the communist 746:, dramatically reducing cost and permitting the printing of images and text on the same paper stock, thus paving the way for the introduction of photography and novel approaches to graphic design on paperback covers. In May 1960, 482:

for some works more cheaply than he otherwise might have, since publishers were convinced of the business's short-term prospects. In the face of resistance from the traditional book trade, it was the purchase of 63,000 books by

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acquired the series in 1992 when 45 titles had been completed; by 2004 they had published 21 volumes, mostly revisions of existing editions. New volumes continue to be produced in the 2010s, and new editions of older ones.

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and James Michie. Yet despite popular and critical success further rationing and, after 1945 declining sales, led monthly publication to become quarterly until the journal finally closed in autumn 1950 after 40 issues.

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of which 13 had been published by 1939. With Lane's agreement in 1945 Pevsner began work personally touring the county that was to be the subject of observation aided by notes drawn up by researchers. The first volume,

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Wartime paper rationing, which had resulted in a generous allocation to Penguin, also forced the reduction in space for book reviews and advertising in the newspapers and was partly the cause of the folding of several

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series was adopted by Penguin in 1940 when, as Lane saw it, evacuated city children would need books on farming and natural history to help adjust to the country. The first four titles appeared in December 1940;

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Popular Penguins are presented in a more "authentic" interpretation of the Penguin Grid than that of the Celebrations series. They are correct size, when compared to an original 'grid-era' Penguin, and they use

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and its authors were, with a few exceptions, men of the left. Speed of publication and delivery (a turnaround of weeks rather than months) were essential to the topicality and therefore success of the Specials,

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In 2014, the Penguin Hotline was created by Madeline McIntosh. An orange commemorative plaque was unveiled at Exeter train station in May 2017 to mark Lane's significant contribution to the publishing industry.

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was appointed as editorial adviser, rapidly rising to Chief Editor from which position he sought to broaden the range of Penguin's list and keep up with new developments in graphic design. To this end, he hired

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By the end of the 1960s Penguin was in financial trouble, and several proposals were made for a new operating structure. These included ownership by a consortium of universities, or joint ownership by the

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and grey and white for world affairs. Lane actively resisted the introduction of cover images for several years. Some recent publications of literature from that time have duplicated the original look.

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Penguin Books Inc was incorporated in 1939 to satisfy US copyright law; and, despite being a late entrant into an already well established paperback market, enjoyed further success under vice president

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on the spot, each about 40 to 50 volumes. Allen said, 'Yes, we can do both,' and that was the end of the meeting." Pevsner's industry quickly bore fruit with the first contracts signed by 1946 for

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was commissioned early on for quattrocento painting, but though he did a large amount of work, he found he could not keep up with the torrent of new research, and never delivered his manuscript.

1057: 648:, to supply the troops with books through what was known as the Forces Book Club. Penguin received 60 tons a month from Paper Supply in return for 10 titles a month in runs of 75,000 at 5d. 608:. In the war's six years, it printed some 600 titles and started 19 new series. At a time of enormous increase in the demand for books, Penguin enjoyed a privileged place among its peers. 2078: 1207:. Their purpose was to offer in-depth analysis of current affairs that would counter the perceived bias of the newspapers in addition to being the company's response to the popularity of 6142: 1923: 1163:

Drayton in Middlesex. During its nine-year life it had a major impact on school books, breaking new ground in their concept and design and strongly influencing other publishers' lists.

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Four Pelican book covers, showing the gradual shift in the design. From left – 1937 (three bands), 1955 (grid), 1969 (illustrated), and 2007 (a "Penguin Celebrations" throwback edition)

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in January 1961, who was to decisively alter the appearance of the Penguin brand. Beginning with the crime series, Facetti canvassed the opinion of a number of designers including

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Consonant with Penguin's corporate mission to bring canonical literature to the mass market, the company first ventured into publishing the classics in May 1938 with the issue of

1794:(25 vols., 1923–35). Forty-one volumes were published by the time Pevsner retired from editing in 1977. His work was continued by Judy Nairn (his editorial assistant on the 596:

saw Penguin emerge as a national institution. Though it had no formal role in the war effort, it was integral to it thanks to the publication of such bestselling manuals as

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magazine, first approached Lane with the idea of publishing low-cost, illustrated non-fiction children's books in 1938. Inspired by the Editions Père Castor books drawn by

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series, a venture made particularly difficult due to the resistance of publishers and librarians in releasing the rights of their children's books. The first five titles (

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instructions for editors and compositors. Tschichold's work included the woodcut illustrated covers of the classics series (also known as the medallion series), and with

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and white for travel and adventure, dark blue and white for biographies, yellow and white for miscellaneous, red and white for drama; and the rarer purple and white for

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that ignored the social context of art. Moreover, the weight given to some subjects seemed disproportionate to some critics, with seven of its 47 volumes dedicated to

783:, not only marked Penguin as a fearless publisher, it also helped drive the sale of at least 3.5 million copies. Penguin's victory in the case heralded the end to the 993:

typeface. The series was not a financial success and the list ceased after just ten volumes the same year it began. Penguin returned to classics with the printing of

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Elizabeth Senior edited the series until 1941, after which Nikolaus Pevsner took over and remained editor until the end of the series. The series ran to 76 volumes.

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amongst other sources secured its completion. The series continued after Pevsner's death in 1983, financed in part by the Pevsner Books Trust and published by

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on 21 August 1970. A new emphasis on profitability emerged and, with the departure of Facetti in 1972, the defining era of Penguin book design came to an end.

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In 1949, Harry F. Paroissien (who had been Sir Allen Lane's deputy) was sent by him to the United States to set up Penguin Books in Baltimore, Maryland.

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colour illustrated covers were introduced, a fact that heralded the much greater design freedom of the Puffin series over the rest of Penguin's books.

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was undertaken; these works, considered unsuitable as paperbacks because of their lengths and copious illustrations on art paper, were cloth-bound.

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were published in the three horizontal stripes company livery of the rest of the Penguin output, a practice abandoned after the ninth volume when

2069: 989:. The books were distinct from the rest of the Penguin marque in their use of a vertical grid (anticipating Tschichold's innovation of 1951) and 2960: 2301: 3995: 1240:, but nevertheless went on to be a bestseller. Thirty-five Penguin Specials were published before the outbreak of war, including two novels 1259:

continued after the war under the editorship of first Tom Maschler, then after 1961 Tony Godwin. The first title in the revived series was

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Inexpensive paperback children's fiction did not exist at the time Penguin sought to expand their list into this new market. To this end

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first proposed a series of volumes amounting to a county by county survey of the monuments of England in ten or more books to both the

542:. Series such as Penguin Specials and The Penguin Shakespeare had individual designs (by 1937, only S1 and B1-B18 had been published). 3759:

Kells, Stuart (2015): "Penguin and the Lane Brothers: The Untold Story of a Publishing Revolution", Black Inc., Melbourne, Australia.

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Penguin on Wheels is a mobile bookstore launched by Penguin Books India in collaboration with Satabdi Mishra and Akshaya Rautaray.

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imprint, an imprint designed to educate the reading public rather than entertain. Recognising his own limitations Lane appointed

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Bokhøsten er i gang. Men like sofistikert som britiske Penguins The Happy Reader er norske forlags markedsføring ennå ikke blitt

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series late in 2008. The series has its own website. It was intended to include 50 titles, many of which duplicate those on the

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First 30 books published, from Byrne, Donn (1936), Hangman's House. London: Penguin Books; (list of books 1–30 on back cover):

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published by Penguin Books between 1939 and 1959. They were in imitation of the Insel-Bücherei series published in Germany by

328:, only becoming a separate company the following year. Penguin revolutionised publishing in the 1930s through its inexpensive 4615: 2009: 1312: 641: 456: 2687: 2587: 1315:

and the technique of autolithography used in the poster art of the time, Carrington's suggestion for what was to become the

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redesigned 500 Penguin books, and left Penguin with a set of influential rules of design principles brought together as the

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joint venture with Axel Springer, Heinrich Bauer Verlag, Lühmanndruck Harburger Zeitungsgesellschaft and Morgenpost Verlag.

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were distillations by experts of their own pioneering works. Some volumes by experts went into revised editions, such as

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began with a series of non-fiction picture books; the first work of children's fiction published under the imprint was

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sculpture were not written—the Pelican History remains one of the most comprehensive surveys of world art published.

3943: 2431:, 2005, p. 76; edited by Pevsner they were "designed to appeal to the general liking for keepsakes" (Susie Harries, 2155: 632:, Penguin agreed to exclusively publish editions for their armed forces, for which they were paid in tons of paper. 5581: 4674: 3728: 3540: 3121: 2982: 2321: 1945: 1930: 1514: 1444: 905: 848: 823: 804: 773:

in 1960 boosted Penguin's notoriety. The novel was at the time unpublished in the United Kingdom and the predicted

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sold over 200,000 copies for example. However even this immediacy did not prevent them being overtaken by events:

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sometimes referred to as the horizontal grid. In the central white panel, the author and title were printed in

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Pelican Books was relaunched as a digital imprint in 2014, with four books published simultaneously on 1 May:

416: 3932: 2923: 1502:, consequently left a gap in the magazine market that Lane hoped to fill. In January 1941 the first issue of 977:. The savings from the author's payments on these royalty-free titles were instead invested in commissioning 6152: 5898: 5632: 5616: 5134: 4767: 4454: 4127: 4122: 4083: 1913: 1611:, had to be withdrawn after its initial release as Penguin discovered they no longer held the rights to it. 1307: 1072: 827: 474:

Inexpensive paperbacks did not initially appear viable to Bodley Head, since the deliberately low price of 6

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Anecdotally, Lane recounted how it was his experience with the poor quality of reading material on offer at

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The King Penguin imprint was briefly revived in 1981 for a series of contemporary works, chiefly fiction.

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English publishing for those multi-volume survey of national art familiar on the continent. In particular

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who was first his assistant then, after his retirement in 1964, she assumed the role of joint editor with

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was the most durable of Penguin's periodicals it wasn't the publisher's only foray into journalism with

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joint venture with Verlagsgesellschaft Madsack, Studio Gong Niedersachsen and Brune-Rieck-Beteiligungs.

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Only paperback editions were published until the King Penguin series debuted in 1939, and latterly the

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associated mainly with poor quality lurid fiction, the Penguin brand owed something to the short-lived

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The colour schemes included: orange and white for general fiction, green and white for crime fiction,

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The history and cover art of science fiction published by Penguin Books from 1935 to the present day

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Just as Lane well judged the public's appetite for paperbacks in the 1930s, his decision to publish

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appeared and instantly dominated the market with 80,000 copies sold compared to its closest rival,

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Tony Lacey took over Webb's editorial chair in 1979 at the invitation of Penguin managing director

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with the legend "Penguin Books". The initial design was created by then 21-year-old office junior

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Penguin published their own, unsuccessful, county motoring guides, edited by L. Russell Muirhead.

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In November 1937, Penguin inaugurated a new series of short, polemical books under the rubric of

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of books in the UK, although censorship of the written word was only finally defeated after the

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as the first commissioning editor of the series, supported by an advisory panel consisting of

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The 80 Little Black Classics published in 2015, marking the 80th anniversary of Penguin Books

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Plaque marking the fiftieth anniversary of the founding of Penguin Books by Allen Lane at 8

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In 2006, Penguin attempted to involve the public in collaboratively writing a novel on a

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during Webb's editorship and saw the creation of the Peacock series of teenage fiction.

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Joicey, Nicholas (1993): "A Paperback Guide to Progress: Penguin Books 1935–c.1951",

3619: 3279: 2955:(Pelican Books; A96), Harmondsworth: Penguin Books; (b) Parkes, Colin Murray (1975), 2127:

Joicey, Nicholas (1993), "A Paperback Guide to Progress: Penguin Books 1935–c.1951",

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Rylance Rick. "Reading with a Mission: The Public Sphere of Penguin Books."

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In 1945, Penguin began what would become one of its most important branches, the

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Lane, A., Fowler, D. et al. (1960): Penguins Progress, 1935–1960, Harmondsworth.

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Art project, but it was not how the situation was perceived at the Institute."

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which, by some accounts, tends to yellow and brown within a couple of years.

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Paper rationing was the besetting problem of publishers in wartime, with the

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joint venture with Amperwelle Studio München Programmanbietergesellschaft,

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was instrumental in introducing the British public to such new writers as

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Guide to the early (1935–1955) first editions published by Penguin Books

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Though paperback issues were begun in 1966, designed by Gerald Cinamon

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observed. Though the 1955 plan was never fully executed—the volumes on

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imprint of British and American reprints that briefly traded in 1932.

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The Academic Publishing Industry: A Story of Merger and Acquisition

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education and beyond. They included highly topical books such as

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the following year. Another series that began in wartime was the

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For more detailed information compare the German Knowledge-site

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with his brothers Richard and John, as a line of the publishers

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Celebrating Penguin Books' early 'Travel and Adventure' series

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The last Special was published in 1988 with Keith Thompson's

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Cultural Revolution?: The Challenge of the Arts in the 1960s

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on 20 October 2014 – via Northern Illinois University.

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Penguins March On: Books for the Forces During World War II

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list but this was reduced to 49 titles as one of the 50,

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Puffin by Design: 70 years of imagination 1940–2010

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New techniques such as 640:, through Bill William's connections with 514:The company's expansion saw the hiring of 303: 31: 5220:joint venture with Mediengruppe Dr. Haas. 4047:Media Vista Film & Audio Distributors 2776:"The Penguin Hotline – Penguin Books USA" 2173:Penguin's many divisions are listed here 2004: 2002: 1111:The Penguin Book of Modern American Verse 6163:Publishing companies established in 1935 5208:Funk & Fernsehen Nordwestdeutschland 3432:Edwards, Russell; Hall, David J (1988). 1277:Centre for Contemporary Cultural Studies 958: 950: 5154: 5152: 5122: 3001:Times Education Supplement 1 March 1974 2135:Classes and Cultures: England 1918–1951 1968: 1185:The Language of Primary School Children 3821:, Penguin Collector's Society, London. 3807:, Penguin Collector's Society, London. 2897:Caldwell, Christopher (7 March 2003). 2302:The Unpleasantness at the Bellona Club 1158:Covers of two Penguin Education titles 1105:: the first volume was a selection of 619:grass, one of the constituents of the 6158:British companies established in 1935 5240:joint venture with Broadcast Sachsen. 3763:Krishnan, Sairam (21 November 2015). 3713:, Penguin Collectors Society, London. 3666:Aynsley, J., Lloyd Jones, L. (1985), 3061:"Penguin joins push for short ebooks" 2175:"About Penguin: Publishing structure" 1458:Handbuch der deutschen Kunstdenkmaler 1115:The Penguin Book of Restoration Verse 598:Keeping Poultry and Rabbits on Scraps 7: 3734:Hall, David J., "King Penguins", in 3122:"Short but sweet e-reads for winter" 2855:See Carne-Ross, Kenner and Gould in 2081:from the original on 11 January 2022 1745:formidable, because I outlined both 1181:Language, the Learner and the School 1140:by the anthropologist Robin Dunbar. 862:(NAL) and its hard-cover affiliate 4050:Panorama Audio Visual Systems S.A. 3916:The Art of Penguin Science Fiction 3566:"Penguin paperback cover designs". 2686:Mcdowell, Edwin (1 October 1986). 2067:Florence Waters (26 August 2010). 1723:(1947 and 1950) by R. W. Symonds. 985:and his circle emanating from the 930:platform. 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(2004). 2447:"Obituary: Eunice Frost" 2400:, 2005, Ch. 5, para. 30. 2265:Ariel: a Shelley Romance 2250:5 September 2011 at the 2195:"Who Are "The Big Six"?" 1909:List of Penguin Classics 1751:The Buildings of England 1721:A Book of English Clocks 1430:The Buildings of England 1199:with the publication of 909:, leading to its author 673:, with a translation of 509:The New Soldier Handbook 464:Exeter St Davids station 343:Penguin Books is now an 27:British publishing house 5135:The Walt Disney Company 3904:Penguin Archive Project 3704:Penguin by Illustrators 2521:, 2005, Ch. 8, para. 5. 2053:5 November 2013 at the 1914:New Penguin Shakespeare 1759:Architecture in Britain 1418:successful interactive 1119:Comic and Curious Verse 1073:Peter Chalmers Mitchell 828:Oxford University Press 766:Lady Chatterley's Lover 6026:PRH Publisher Services 5827:Associated publishers 5194:Westdeutscher Rundfunk 5004:The Apartment Pictures 4957:UFA Show & Factual 4541:La Chaîne du Père Noël 4053:Pissanos International 4029:Feelgood Entertainment 3922:Penguin First Editions 3886:Penguin Books Portugal 3829:The Critical Quarterly 3782:Lewis, Jeremy (2005): 2961:Tavistock Publications 2859:7, 3, 1968, quoted in 2838:University of Bristol. 2659:"The Pearson Timeline" 2547:, 2005, Ch. 8, para. 7 2415:woolworthsmuseum.co.uk 2366:Morpurgo, 1979, p. 80. 1798:) and the medievalist 1733:Pelican History of Art 1572:Penguin Science Survey 1560:Penguin Music Magazine 1265:The Case for Communism 1173:Warwick University Ltd 1159: 1130:The Domesticated Brain 1048: 964: 956: 717:Pelican History of Art 661:reprint rights to it. 615:cutting off supply of 589: 493:Pelican History of Art 432: 431:Penguin Crime editions 424: 400:Penguin Books has its 157:Spanish-speaking world 6068:BMG Rights Management 4229:Antenne Niedersachsen 4020:Arcadia Entertainment 3933:Penguin Cerise Travel 3906:University of Bristol 3800:. London: Hutchinson. 3718:The Monotype Recorder 3700:. London: Allen Lane. 3696:Baines, Phil (2010): 3685:. London: Allen Lane 3681:Baines, Phil (2007): 3029:Booksandwriters.co.uk 3012:Ourselves and Germany 2495:, 2005, Ch.8, para 1. 2181:15 April 2012 at the 1804:Yale University Press 1662:Phyllis Barclay-Smith 1479:Yale University Press 1234:Europe and the Czechs 1157: 1136:by Orlando Figes and 1046: 962: 954: 875:Denying the Holocaust 789:Inside Linda Lovelace 780:R v Penguin Books Ltd 736:offset-litho printing 602:Aircraft Recognition, 580: 430: 419: 336:and other stores for 314:Penguin Books Limited 121:Headquarters location 33:Penguin Books Limited 6062:Arvato Entertainment 6009:Companhia das Letras 5914:New Canadian Library 5904:Douglas Gibson Books 5648:The Princeton Review 5597:Grosset & Dunlap 5539:New American Library 5072:Original Productions 5031:One Big Happy Family 4264:Hitradio RTL Sachsen 4035:JP Video Productions 3953:Archival Material at 3817:Pearson, J. (1996): 3810:Holland, S. (1993): 3803:Edwards, R. (1997): 3745:Hare, Steve (1995): 3723:Graham, Tim (2003): 3334:on 14 September 2009 3035:on 25 February 2012. 2230:11 July 2009 at the 2133:; and Ross McKibbin 1981:Penguin Random House 1963:Notes and references 1956:Tauchnitz publishers 1951:Penguin Red Classics 1941:Penguin Modern Poets 1919:Penguin 60s Classics 1796:Buildings of England 1604:Hegemony or Survival 1599:Penguin Celebrations 1576:Penguin Science News 1520:Penguin New Writing' 1246:Good Soldier Schweik 1134:Revolutionary Russia 1083:Aircraft Recognition 860:New American Library 813:New American Library 744:letterpress printing 712:Buildings of England 587:The Tanker "Derbent" 503:with such titles as 395:Simon & Schuster 349:Penguin Random House 273:Penguin Random House 56:Penguin Random House 44:Logo used since 2003 5859:Chatto & Windus 5264:joint venture with 5250:joint venture with 5206:joint venture with 5129:joint venture with 5077:Random House Studio 5057:Fremantle Australia 4616:RTL Télé Lëtzebuerg 3950:, 19 February 2009. 3928:Penguin book covers 3736:The Private Library 3709:Cherry, B. (1983): 3668:Fifty Penguin Years 3608:Burlington Magazine 3491:Fifty Penguin Years 3459:on 19 February 2013 3328:Blog.booktagger.com 2843:27 May 2012 at the 2561:Dignified Flippancy 2385:Dignified Flippancy 2345:Exeter City Council 1826:Burlington Magazine 1697:The Bayeux Tapestry 1685:Leaves of Southwell 1585:retails in Europe. 1556:Penguin Film Review 1505:Penguin New Writing 1493:Magazine publishing 1317:Puffin Picture Book 1093:Barbara Euphan Todd 1069:V. K. 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Sayers 2205:on 1 January 2011 1849:Penguin on Wheels 1813:kunstwissenschaft 1788:Histoire de l'art 1717:David Talbot Rice 1500:literary journals 1408:Ursula K. Le Guin 1373:Garram the Hunter 1363:Cornish Adventure 1261:William Gallacher 1230:Shiela Grant Duff 1222:Genevieve Tabouis 1150:Penguin Education 1144:Penguin Education 1113:(D22), 1954, and 917:of Iran issued a 721:Penguin Education 402:registered office 347:of the worldwide 311: 310: 231:Publication types 190:Madeline McIntosh 127:, London, England 111:Country of origin 16:(Redirected from 6170: 6105: 6104: 5894:Doubleday Canada 5758:Penguin Classics 5681: 5471: 5304: 5297: 5273: 5262: 5256: 5248: 5242: 5238: 5232: 5228: 5222: 5218: 5212: 5204: 5198: 5190: 5184: 5180: 5174: 5170: 5164: 5160:Axel Springer AG 5156: 5147: 5127: 4927:Element Pictures 4845: 4788: 4742: 4736: 4665: 4661:RTL Magyarország 4631: 4606: 4569: 4473: 4467: 4389: 4343: 4317:Radio Erzgebirge 4254:Radio Regenbogen 4244:105'5 Spreeradio 4204: 4113: 4093: 4086: 4079: 4070: 4032:Fiction Pictures 3998: 3991: 3984: 3975: 3881:Penguin Books UK 3844:, Harmondsworth. 3837:, Harmondsworth. 3779: 3777: 3775: 3653: 3652: 3650: 3648: 3629: 3623: 3617: 3611: 3600: 3594: 3587: 3581: 3574: 3568: 3562: 3556: 3555: 3553: 3551: 3537: 3531: 3524: 3518: 3508: 3502: 3488: 3482: 3475: 3469: 3468: 3466: 3464: 3447:McGonigal, Jim. 3444: 3438: 3437: 3429: 3423: 3422: 3420: 3418: 3407: 3401: 3400: 3398: 3396: 3390: 3384:. 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Archived from 2583: 2577: 2570: 2564: 2557: 2548: 2541: 2535: 2528: 2522: 2515: 2509: 2502: 2496: 2489: 2483: 2476: 2470: 2469: 2467: 2465: 2449: 2442: 2436: 2425: 2419: 2418: 2407: 2401: 2394: 2388: 2373: 2367: 2364: 2358: 2357: 2355: 2353: 2336: 2330: 2279:Ernest Hemingway 2261: 2255: 2241: 2235: 2221: 2215: 2214: 2212: 2210: 2191: 2185: 2171: 2165: 2152: 2146: 2137:, Oxford, 1998, 2124: 2118: 2117: 2115: 2113: 2097: 2091: 2090: 2088: 2086: 2072: 2064: 2058: 2057:, Penguin Books. 2044: 2035: 2031: 2025: 2024: 2022: 2020: 2006: 1997: 1996: 1994: 1992: 1973: 1887: 1882: 1881: 1873: 1871:Companies portal 1868: 1867: 1866: 1783:Ellis Waterhouse 1771:Rudolf Wittkower 1742:Nikolaus Pevsner 1681:Nikolaus Pevsner 1627:'s "tidying" of 1595:Popular Penguins 1589:Popular Penguins 1583:The Happy Reader 1528:Lawrence Durrell 1475:Leverhulme Trust 1441:Nikolaus Pevsner 1424:Fighting Fantasy 1368:The Cuckoo Clock 1257:Penguin Specials 1250:The Mortal Storm 1238:Munich agreement 1226:Blackmail or 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Holding 5128: 5124: 5114: 5020:Blu Productions 4918:Wild Blue Media 4864: 4847: 4839: 4826: 4812: 4782: 4728: 4722:Video on Demand 4714: 4652: 4643:RTL Today Radio 4625: 4593: 4567: 4546: 4459: 4438: 4374: 4337: 4198: 4108:RTL Deutschland 4102: 4097: 4059: 4013: 4007: 4002: 3898:Penguin Archive 3867: 3854: 3773: 3771: 3762: 3662: 3660:Further reading 3657: 3656: 3646: 3644: 3643:on 17 June 2016 3631: 3630: 3626: 3618: 3614: 3610:, October 1953. 3601: 3597: 3588: 3584: 3575: 3571: 3563: 3559: 3549: 3547: 3539: 3538: 3534: 3525: 3521: 3509: 3505: 3489: 3485: 3476: 3472: 3462: 3460: 3446: 3445: 3441: 3431: 3430: 3426: 3416: 3414: 3409: 3408: 3404: 3394: 3392: 3388: 3381: 3377: 3376: 3372: 3362: 3360: 3352: 3351: 3347: 3337: 3335: 3321: 3320: 3316: 3306: 3304: 3299: 3298: 3294: 3278: 3274: 3266: 3262: 3253: 3249: 3240: 3236: 3227: 3223: 3218: 3214: 3205: 3201: 3192: 3188: 3184:, 2010, p. 147. 3179: 3172: 3168:, 2010, p. 146. 3163: 3159: 3150: 3146: 3137: 3133: 3120:Anna Baddeley. 3119: 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106: 80: 78: 75: 45: 28: 23: 22: 15: 12: 11: 5: 6176: 6174: 6166: 6165: 6160: 6155: 6153:British brands 6150: 6145: 6140: 6135: 6130: 6120: 6119: 6113: 6112: 6110: 6109: 6098: 6095: 6094: 6092: 6091: 6085: 6079: 6076: 6070: 6065: 6059: 6058: 6057: 6047: 6041: 6039: 6035: 6034: 6031: 6030: 6028: 6027: 6024: 6023: 6022: 6012: 6005: 6003: 5999: 5998: 5996: 5995: 5990: 5985: 5980: 5974: 5972: 5968: 5967: 5965: 5964: 5959: 5954: 5949: 5944: 5939: 5934: 5928: 5926: 5922: 5921: 5919: 5918: 5917: 5916: 5911: 5906: 5896: 5890: 5888: 5884: 5883: 5880: 5879: 5877: 5876: 5871: 5866: 5864:Harvill Secker 5861: 5856: 5850: 5848: 5844: 5843: 5841: 5840: 5839: 5838: 5833: 5825: 5824: 5823: 5818: 5808: 5807: 5806: 5801: 5796: 5787: 5785: 5781: 5780: 5778: 5777: 5776: 5775: 5770: 5762: 5761: 5760: 5755: 5749:Penguin Press 5747: 5742: 5737: 5731: 5729: 5725: 5724: 5722: 5721: 5716: 5710: 5705: 5700: 5695: 5689: 5687: 5678: 5674: 5673: 5670: 5669: 5667: 5666: 5660: 5658: 5654: 5653: 5651: 5650: 5645: 5640: 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(1942), 2940: 2915: 2889: 2877: 2865: 2848: 2829: 2817: 2792: 2767: 2737: 2712: 2675: 2650: 2638:United Kingdom 2619: 2614:The Bookseller 2601: 2578: 2565: 2563:, 1983, p. 23. 2549: 2536: 2534:, 1983, p. 23. 2523: 2510: 2497: 2484: 2471: 2437: 2420: 2402: 2389: 2368: 2359: 2331: 2289:Eric Linklater 2256: 2236: 2216: 2186: 2166: 2147: 2119: 2092: 2059: 2036: 2026: 1998: 1987:on 4 July 2013 1967: 1966: 1964: 1961: 1959: 1958: 1953: 1948: 1943: 1938: 1933: 1928: 1921: 1916: 1911: 1906: 1901: 1896: 1890: 1889: 1888: 1874: 1858: 1855: 1850: 1847: 1831:Greek painting 1755:John Summerson 1734: 1731: 1640: 1637: 1625:Jan Tschichold 1590: 1587: 1568:Penguin Parade 1544:Russian Review 1510:Cyril Connolly 1494: 1491: 1434:Main article: 1431: 1428: 1400:Arthur Ransome 1349:Eleanor Graham 1338:Life Histories 1330:War in the Air 1296:Main article: 1293: 1290: 1248:and Bottome's 1213:Left Book Club 1192: 1189: 1148:Main article: 1145: 1142: 1077:W. E. 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Lawrence 703:Hans Schmoller 689:Jan Tschichold 666: 663: 613:fall of France 574: 571: 555:belles lettres 520:Ian Ballantine 413: 410: 309: 308: 292: 288: 287: 284: 277: 276: 266: 262: 261: 258: 254: 253: 244: 238: 237: 232: 228: 227: 225: 224: 215: 208:Allison Dobson 206: 197: 188: 179: 167: 165: 161: 160: 133: 129: 128: 122: 118: 117: 115:United Kingdom 112: 108: 107: 105: 104: 101: 98: 92: 90: 86: 85: 72: 68: 67: 64: 60: 59: 53: 51:Parent company 47: 46: 43: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6175: 6164: 6161: 6159: 6156: 6154: 6151: 6149: 6146: 6144: 6141: 6139: 6136: 6134: 6133:Penguin Books 6131: 6129: 6126: 6125: 6123: 6108: 6100: 6099: 6096: 6089: 6086: 6083: 6080: 6077: 6074: 6071: 6069: 6066: 6063: 6060: 6056: 6053: 6052: 6051: 6048: 6046: 6043: 6042: 6040: 6036: 6025: 6021: 6018: 6017: 6016: 6013: 6010: 6007: 6006: 6004: 6000: 5994: 5991: 5989: 5986: 5984: 5981: 5979: 5976: 5975: 5973: 5969: 5963: 5960: 5958: 5955: 5953: 5950: 5948: 5945: 5943: 5940: 5938: 5935: 5933: 5930: 5929: 5927: 5923: 5915: 5912: 5910: 5907: 5905: 5902: 5901: 5900: 5897: 5895: 5892: 5891: 5889: 5885: 5875: 5872: 5870: 5869:Jonathan Cape 5867: 5865: 5862: 5860: 5857: 5855: 5852: 5851: 5849: 5845: 5837: 5834: 5832: 5829: 5828: 5826: 5822: 5819: 5817: 5814: 5813: 5812: 5809: 5805: 5802: 5800: 5797: 5795: 5792: 5791: 5789: 5788: 5786: 5782: 5774: 5771: 5769: 5766: 5765: 5764:PRH Children 5763: 5759: 5756: 5754: 5751: 5750: 5748: 5746: 5743: 5741: 5740:Penguin Books 5738: 5736: 5733: 5732: 5730: 5726: 5720: 5717: 5714: 5711: 5709: 5706: 5704: 5701: 5699: 5696: 5694: 5691: 5690: 5688: 5686: 5682: 5679: 5675: 5665: 5662: 5661: 5659: 5655: 5649: 5646: 5644: 5641: 5639: 5636: 5634: 5633:Books on Tape 5631: 5630: 5628: 5624: 5618: 5615: 5613: 5610: 5608: 5605: 5603: 5600: 5598: 5595: 5593: 5590: 5588: 5585: 5583: 5580: 5578: 5575: 5574: 5572: 5570:Young Readers 5569: 5565: 5555: 5552: 5550: 5547: 5545: 5542: 5540: 5537: 5535: 5532: 5530: 5527: 5526: 5524: 5520: 5514: 5511: 5509: 5506: 5504: 5501: 5499: 5496: 5494: 5491: 5489: 5486: 5484: 5481: 5479: 5476: 5475: 5472: 5469: 5466: 5462: 5454: 5451: 5449: 5446: 5445: 5443: 5439: 5436: 5434: 5431: 5429: 5426: 5424: 5421: 5419: 5416: 5414: 5411: 5409: 5406: 5405: 5404: 5401: 5399: 5396: 5394: 5391: 5389: 5386: 5384: 5381: 5379: 5376: 5374: 5371: 5369: 5368:Boom! Studios 5366: 5364: 5361: 5359: 5356: 5355: 5353: 5351: 5347: 5341: 5338: 5336: 5333: 5331: 5328: 5325: 5322: 5320: 5317: 5315: 5312: 5311: 5309: 5305: 5302: 5298: 5295: 5293: 5287: 5271: 5267: 5261: 5258: 5253: 5247: 5244: 5237: 5234: 5227: 5224: 5217: 5214: 5209: 5203: 5200: 5195: 5189: 5186: 5179: 5176: 5169: 5166: 5161: 5155: 5153: 5149: 5144: 5140: 5136: 5132: 5126: 5123: 5117: 5110: 5107: 5106: 5102: 5099: 5096: 5093: 5092: 5088: 5086:The Immigrant 5085: 5083: 5080: 5078: 5075: 5073: 5070: 5068:United States 5067: 5066: 5063: 5060: 5058: 5055: 5052: 5051: 5048: 5045: 5042: 5039: 5036: 5033: 5030: 5027: 5026: 5022: 5019: 5017: 5014: 5011: 5010: 5006: 5003: 5000: 4997: 4996: 4992: 4990: 4987: 4984: 4983: 4979: 4976: 4973: 4970: 4969: 4965: 4962: 4959: 4956: 4954: 4951: 4949: 4946: 4943: 4940: 4939: 4935: 4932: 4931: 4928: 4925: 4922: 4921: 4917: 4914: 4911: 4908: 4905: 4903: 4900: 4898: 4895: 4892: 4890: 4887: 4885: 4882: 4880:Dancing Ledge 4879: 4876: 4875: 4873: 4871: 4867: 4860: 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