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Kip Williams

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and Matthew Backer, was the second part of Williams' trilogy of Victorian Gothic adaptations, further expanding his signature interweaving of live performance, live video, and prerecord video. The work received a rare five star review from the Sydney Morning Herald, which praised the work's
442:, using an ensemble of 18 actors to perform the marathon work across two nights of theatre. The production was nominated for 11 Sydney Theatre Awards, winning Best Production, Best New Australian Work for Mulvany, and Best Direction for Williams. It was nominated for a further six 407:
and Weaving respectively. Later, it was nominated for a further nine Sydney Theatre Awards, again for Best Production and Best Director for Williams, and winning four awards including Best Actor for Weaving, Best Stage Design for Robert Cousins, and Best Supporting Actor for
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for Malthouse Theatre, Melbourne, and the Sydney Theatre Company. The production garnered Williams a second nomination for the Helpmann Award for Best Direction of a Play, as well as Best Director nominations from the Sydney Theatre Awards, and Melbourne's Green Room Awards.
649:"mind-boggling virtuosity". The production was nominated for six Sydney Theatre Awards, including Best Production and Best Original Score, and winning three awards including Best Director for Williams. Williams also directed and adapted a new production of Shakespeare's 330:
for the Melbourne Theatre Company. It was his second time combining live video and stage action. The production was nominated for eight Green Room Awards, winning Best Production, Best Digital Media Design and Integration, and Best Director for Williams.
364:, Williams' second professional production of a Churchill play. The production was nominated for nine Sydney Theatre Awards, including Best Production and Best Director for Williams. It was also nominated for two 1127: 675:, was designed by Jake Nash and was praised by The Guardian for its "outstanding" performances and "revolutionary approach" to the script, which interpolated texts from other Shakespeare works including 129:. He was then appointed Resident Director in 2013, before being named Artistic Director and Co-CEO in November 2016. In April 2024 he announced his resignation from STC with effect from late that year. 605:, Best Production for Young People and Best Supporting Actor for Mitchell. Following Sydney's second lockdown, Williams reopened STC's theatres with an innovative production of William Shakespeare's 1806: 1440: 1938: 1463: 572:, winning Best Production, Best Director for Williams, Best Performer for Norvill, and Best Stage Design for Designer Marg Horwell. The production's Melbourne season was nominated for six 1175: 1503: 1996: 824:. The production involved singers lip synching and performing multiple characters in a radical reframing of Britten's original piece. The production was a co-production between 344:
for Sydney Theatre Company. The production featured an ensemble cast of 32, including a chorus of students from NIDA, with set design by David Fleischer. Hailed "a triumph" by
1569: 1370: 1244: 2197: 1630: 1711: 1397: 1308: 1117: 556:, opening in Rising Festival and presented by Michael Cassel Group. The production received further five star reviews in Melbourne and Adelaide, including from 1773: 1675: 1285: 2005: 926: 133: 121:
Williams has been a resident artist with Sydney Theatre Company (STC) since 2012. He was appointed Directing Associate in 2012 by then Artistic Directors
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in order to amplify the voices of Caliban and Miranda. The production was nominated for six Sydney Theatre Awards, winning Best Supporting Actor for
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Williams has directed for many of Australia's leading theatre companies and festivals, including Sydney Theatre Company, Melbourne Theatre Company,
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was nominated for two Helpmann Awards; Jason Chong for Best Actor, and Williams for Best Direction of a Play. This was followed by a staging of
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as Big Daddy. The production marked Weaving and Williams' third time collaborating. This was followed by a gender blind staging of
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as Mark Antony, using live video filmed by the performers on mobile phones and displayed on a giant flying cube of LED screens.
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at Malthouse Theatre, Melbourne, as part of the Helium Festival. In 2014, for Sydney Theatre Company he directed productions of
2187: 548:, the show received a slew five star reviews and was extended twice. The production was reprised in 2022, first touring to the 1882: 1534: 324:, for which he was nominated for Best Director at the Sydney Theatre Awards. He also adapted and directed a production of 2135: 1758: 1149: 1075: 576:, winning Best Production, Best Director for Williams, Best Performer for Norvill, and Best Costume Design for Horwell. 310: 209: 890: 1693: 1225: 1358: 1050: 1004: 534: 265: 196: 176: 73: 2070: 2034: 1868: 1490: 1253: 1122: 157: 403:, including Best Production, Best Director for Williams, and winning Best Supporting Actress and Best Actor for 683: 223:
Williams' first production for Sydney Theatre Company came in 2012, where at age 25 he directed Dylan Thomas's
552:, then playing a sold out return season in Sydney, followed by a sold out ten week season in Melbourne at the 426: 611:. Adapted by Williams, the production was performed at The Wharf Theatre in-the-round by just three actors, 590: 369: 280:, using a blend of live video and stage action. The production earned him a Best Director nomination at the 284:, and won him the Helpmann Award for Best Direction of a Play. He also directed the Australian premiere of 2182: 1554: 854: 844: 781: 760: 719: 689: 598: 110: 57: 1015: 992: 981: 969: 837: 773: 700: 668: 602: 569: 553: 539: 479: 432: 281: 243:, focussing the text on Juliet, again at the Sydney Opera House; as well as an all female production of 234: 166: 80: 1648: 1519: 538:. The one-person show saw actor Eryn Jean Norvill play 26 characters in a two-hour performance at the 454:, featuring his signature use of live video. Staged at the Sydney Opera House, the production starred 1912: 1539: 935: 870: 820: 755: 751: 607: 509:
as Ralph, the production featured an ensemble including Joseph Althouse, Justin Amankwa, Nyx Calder,
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in the autumn of 2020, but the production was unable to proceed due to the Coronavirus pandemic.
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praised the work as bringing "Shakespeare's revered classic right up to the very minute", while
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played to five star reviews and standing ovations at His Majesty's Theatre as part of the
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is an Australian theatre and opera director. Williams is the current Artistic Director of
1712:"Julius Caesar review: Shakespeare's tragedy goes viral for era of smartphone narcissism" 638:, 2022 saw Williams write and direct an acclaimed adaptation of Robert Louis Stevenson's 1336: 2161: 1472: 1449: 1406: 1379: 1180: 882: 727: 506: 409: 386: 360: 346: 217: 122: 2171: 2088: 2076: 2058: 2022: 1959: 1916: 1676:"'Hamilton' and 'The Picture of Dorian Gray' dominate the 2021 Sydney Theatre Awards" 833: 816: 672: 568:, which declared it a "reinvention of theatre". The production was nominated for six 542:
that incorporated Williams' signature use of live video. Hailed a "tour de force" by
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In 2017 he co-directed with Elizabeth Gadsby a gender bending reinterpretation of
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as Prospero. The production, featuring an ensemble including Guy Simon,
601:'s newly renovated Wharf Theatres. The production was nominated for two 1845: 1574:
review – Eryn Jean Norvill dazzles in ambitious, whip-smart production"
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In 2016, for STC Williams directed a revival of the Australian classic
255: 2156: 1118:"Kip Williams finds his feet at the top of the Sydney Theatre Company" 695: 597:
and Guy Simon in supporting roles, and was the reopening work of the
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In 2015, Williams directed a radical staging of Tennessee Williams's
1272:"STC productions have dominated this year's Sydney Theatre Awards" 885:. Williams is a direct descendant of the former Sydney Lord Mayor 1978: 1730:"'We sit spellbound': Five stars for STC's new Jekyll and Hyde" 1883:"NIDA congratulates alumni nominated in Sydney Theatre Awards" 1486:"Hugo Weaving's fresh take on Brecht's despot is irresistible" 1176:"Kip Williams leaps from STC to Sydney Chamber Opera and back" 836:. It was revived in June 2018 for Dark Mofo and played at the 1441:"Politics of sexual identity disturbing in Caryl Churchill's 372:. Later in 2017 he directed an adaptation by Andrew Upton of 718:
played a third sold out season in Sydney, before touring to
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At the start of 2023, Williams revived his adaptations of
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declared Williams a "technological innovator in theatre".
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in the titular role. The production was nominated for six
1150:"KIP WILLIAMS — SYDNEY THEATRE COMPANY ARTISTIC DIRECTOR" 1833:"'We are on track for an incredible Adelaide Festival'" 1520:"The Harp in the South review | Theatre in Sydney" 412:. Next Williams directed a 6 hour stage adaptation of 334:
In 2017, Williams directed the Australian premiere of
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is a sometimes riotous look at life coming to nought"
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to direct her adaptation of Ruth Park's cult classic
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In 2020 Williams wrote and directed an adaptation of
237:. In 2013 he adapted and directed a reimagining of 63: 52: 44: 30: 23: 1504:"STC and Bangarra triumph at 2018 Helpmann Awards" 420:. The highly acclaimed production brought to life 1759:"Sydney Theatre Awards: The winners on the night" 1535:"STC Wins Big at the 2018 Sydney Theatre Awards" 1555:"A Cheery Soul review | Theatre in Sydney" 220:, Auckland Arts Festival, and Rising Festival. 1694:"2021 Sydney Theatre Award Nominees Announced" 1391: 1389: 730:. It then played Her Majesty's Theatre at the 414:The Harp in the South: Part One & Part Two 1990: 1266: 1264: 1111: 1109: 1089:"Kip Williams is STC's new Artistic Director" 8: 190:for Sydney Theatre Company. He won the 2023 180:for Sydney Theatre Company. He won the 2022 170:for Sydney Theatre Company. He won the 2021 146:for Sydney Theatre Company. He won the 2016 2006:Helpmann Award for Best Direction of a Play 889:, and the great great nephew of politician 754:(SCO) since 2011, including productions of 134:Helpmann Award for Best Direction of a Play 1997: 1983: 1975: 579:In 2021 Williams reunited with playwright 20: 2198:National Institute of Dramatic Art alumni 1909:"Alumnus Kip Williams hits the big stage" 525:, Contessa Treffone, and Nikita Waldron. 483:, in a contemporary adaptation featuring 1850:, production notes, Sydney Chamber Opera 1294:dominate the 2021 Sydney Theatre Awards" 900: 194:for Best Director for his production of 184:for Best Director for his production of 174:for Best Director for his production of 164:for Best Director for his production of 150:for Best Director for his production of 2140: 1331: 1329: 1068: 1351:Director Documentaries: Kip Williams, 1174:Westwood, Matthew (14 November 2014). 750:Williams has directed extensively for 722:, playing the Tiri Te Kanawa Theatre. 1028:Strange Case of Dr Jekyll and Mr Hyde 881:Williams is the grandson of actress 712:Strange Case of Dr Jekyll and Mr Hyde 641:Strange Case of Dr Jekyll and Mr Hyde 187:Strange Case of Dr Jekyll and Mr Hyde 95:Strange Case of Dr Jekyll and Mr Hyde 7: 1864:: Benjamin Britten's 'problem' work" 1193: 1191: 1169: 1167: 1078:, sydneytheatre.com.au, 21 July 2022 634:In addition to the national tour of 1568:Tongue, Cassie (29 November 2020). 1230:Australian Broadcasting Corporation 1674:Maher, Alannah (1 February 2022). 1533:Justine Nguyen (21 January 2019). 1130:from the original on 6 August 2017 867:National Institute of Dramatic Art 35:National Institute of Dramatic Art 14: 1243:Francis, Hannah (28 March 2017). 424:'s celebrated trilogy of novels, 2155: 2143: 1116:Peter Munro (20 December 2016). 1076:"Kip Williams Artistic Director" 392:The Resistible Rise of Arturo Ui 88:The Resistible Rise of Arturo Ui 1772:Dow, Steve (20 November 2022). 1606:returns to the stage this year" 1600:Boon, Maxim (1 February 2022). 1506:, artshub.com.au, 16 July 2018 1439:McCallum, John (10 July 2017). 1422:"Helpmann Awards Nominees 2017" 1396:Mccallum, John (9 March 2017). 1307:Pitt, Helen (23 January 2023). 1224:King, Brendan (30 July 2015). 1198:Story, Hannah (5 April 2024). 865:Williams is a graduate of the 1: 1915:. 23 May 2012. Archived from 1375:is fresh, exciting and vivid" 832:, and premiered in Sydney at 458:, with an ensemble including 2178:Australian theatre directors 1962:, Yellow Creative Management 1649:"The Picture of Dorian Gray" 210:Malthouse Theatre, Melbourne 200:for Sydney Theatre Company. 2193:University of Sydney alumni 2124:and S. Shakthidharan (2019) 891:Thomas Alfred John Playfair 843:Williams was set to direct 804:, consisting of works from 644:. The production, starring 619:as Cassius and Caesar, and 385:In 2018, Williams directed 16:Australian theatre director 2214: 1604:The Picture of Dorian Gray 1572:The Picture of Dorian Gray 1398:"Sydney Theatre Company's 1292:The Picture of Dorian Gray 1051:The Picture of Dorian Gray 1005:The Picture of Dorian Gray 736:The Picture of Dorian Gray 708:The Picture of Dorian Gray 535:The Picture of Dorian Gray 473:2019 saw Williams take on 197:The Picture of Dorian Gray 177:The Picture of Dorian Gray 74:The Picture of Dorian Gray 48:Theatre and opera director 2012: 1943:www.sydneyaldermen.com.au 1869:The Sydney Morning Herald 1491:The Sydney Morning Herald 1313:The Sydney Morning Herald 1254:The Sydney Morning Herald 1245:"Green Room Awards 2016: 1123:The Sydney Morning Herald 703:'s performance of Ariel. 589:. The production starred 311:A Midsummer Night's Dream 158:Melbourne Theatre Company 1361:, Sydney Theatre Company 927:Best Direction of a Play 1508:(subscription required) 593:and Sophia Nolan, with 2188:Helpmann Award winners 1093:Sydney Theatre Company 855:English National Opera 720:Auckland Arts Festival 690:The Merchant of Venice 599:Sydney Theatre Company 136:for his production of 132:Williams won the 2015 111:Sydney Theatre Company 58:Sydney Theatre Company 2094:Michael Kantor (2014) 1371:"MTC's production of 1016:Sydney Theatre Awards 993:Sydney Theatre Awards 982:The Harp in the South 970:Sydney Theatre Awards 838:Theatre Royal, Hobart 796:for SCO and the 18th 671:, Megan Wilding, and 669:Claude Scott-Mitchell 603:Sydney Theatre Awards 570:Sydney Theatre Awards 554:Arts Centre Melbourne 540:Roslyn Packer Theatre 480:Cat on a Hot Tin Roof 433:The Harp in the South 282:Sydney Theatre Awards 167:The Harp in the South 81:The Harp in the South 56:Artistic director of 1913:University of Sydney 1862:The Rape of Lucretia 1698:cityhubsydney.com.au 1353:Suddenly Last Summer 936:Suddenly Last Summer 871:University of Sydney 821:The Rape of Lucretia 756:Peter Maxwell Davies 752:Sydney Chamber Opera 591:Catherine Văn-Davies 291:Love and Information 278:Suddenly Last Summer 182:Sydney Theatre Award 172:Sydney Theatre Award 162:Sydney Theatre Award 143:Suddenly Last Summer 39:University of Sydney 1811:The West Australian 1718:. 19 November 2021. 1557:. 11 November 2018. 1247:Matilda the Musical 785:and Jack Symmonds' 487:, Harry Greenwood, 266:Children of the Sun 1813:. 13 February 2023 1476:, 13 November 2017 1470:by John McCallum, 1274:. 21 January 2019. 798:Biennale of Sydney 772:, and stagings of 770:An Index of Metals 621:Geraldine Hakewill 586:Playing Beatie Bow 475:Tennessee Williams 263:and Maxim Gorky's 231:Sydney Opera House 160:. He won the 2018 138:Tennessee Williams 2131: 2130: 2029:Michael Blakemore 1939:"Thomas Playfair" 1889:. 12 January 2022 1847:Through the Gates 1700:. 4 January 2022. 1602:"STC's smash-hit 1522:. 27 August 2018. 1488:by Joyce Morgan, 1060: 1059: 1039:Green Room Awards 947:Green Room Awards 802:Through the Gates 732:Adelaide Festival 724:Jekyll & Hyde 574:Green Room Awards 550:Adelaide Festival 502:Lord of the Flies 439:Poor Man's Orange 250:Lord of the Flies 214:Adelaide Festival 104: 103: 2205: 2160: 2159: 2148: 2147: 2146: 2139: 2083:Benedict Andrews 2065:Benedict Andrews 2017:Benedict Andrews 1999: 1992: 1985: 1976: 1971: 1970: 1968:Official website 1947: 1946: 1935: 1929: 1928: 1926: 1924: 1905: 1899: 1898: 1896: 1894: 1879: 1873: 1872:, 17 August 2017 1866:by Nick Galvin, 1857: 1851: 1843: 1837: 1836: 1829: 1823: 1822: 1820: 1818: 1803: 1797: 1796: 1794: 1792: 1769: 1763: 1762: 1755: 1746: 1745: 1743: 1741: 1736:. 11 August 2022 1726: 1720: 1719: 1708: 1702: 1701: 1690: 1684: 1683: 1671: 1665: 1664: 1662: 1660: 1645: 1639: 1638: 1627: 1621: 1620: 1618: 1616: 1597: 1591: 1590: 1588: 1586: 1565: 1559: 1558: 1551: 1545: 1544: 1530: 1524: 1523: 1516: 1510: 1509: 1501: 1495: 1483: 1477: 1461: 1455: 1454: 1436: 1430: 1429: 1418: 1412: 1411: 1393: 1384: 1368: 1362: 1355: 1347: 1341: 1340: 1333: 1324: 1323: 1321: 1319: 1304: 1298: 1297: 1296:. 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Index

National Institute of Dramatic Art
University of Sydney
Sydney Theatre Company
The Picture of Dorian Gray
The Harp in the South
The Resistible Rise of Arturo Ui
Strange Case of Dr Jekyll and Mr Hyde
Sydney Theatre Company
Cate Blanchett
Andrew Upton
Helpmann Award for Best Direction of a Play
Tennessee Williams
Suddenly Last Summer
Green Room Award
Miss Julie
Melbourne Theatre Company
Sydney Theatre Award
The Harp in the South
Sydney Theatre Award
The Picture of Dorian Gray
Sydney Theatre Award
Strange Case of Dr Jekyll and Mr Hyde
Green Room Award
The Picture of Dorian Gray
Malthouse Theatre, Melbourne
Adelaide Festival
Perth Festival
Under Milk Wood
Sydney Opera House
Jack Thompson

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