The Picture of Dorian Gray - Knowledge (XXG)

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despite Basil's warnings, but "eventually recognizes its limitations". Through Lord Henry's dialogue, Wilde is suggesting, as professor Dominic Manganiello pointed out, that creating art inacts the innate ability to conjure criminal impulses. Dorian's immersion in the elite social circles of Victorian London exposes him to a culture of superficiality and moral hypocrisy. Supporting this idea, Sheldon W. Liebman offered the example of Wilde's inclusion of a great psychological intellect held by Lord Henry. Before Sybil's death, Henry was also a firm believer in vanity as the origin of a human being's irrationality. This concept is broken for Henry after Sybil is found dead, the irony being that Dorian is the cause of her death and his motives are exactly as Lord Henry has taught them to him.

568: 253: 366: 560:, where, unbeknownst to him, James Vane is present. James is seeking vengeance upon Dorian ever since Sibyl's death but had no leads to pursue as the only thing he knew about Dorian was the nickname she called him. There, however, he hears someone refer to Dorian as "Prince Charming". James accosts Dorian, who deceives him into believing he is too young to have known Sibyl, as his face is still that of a young man. James relents and releases Dorian but is then approached by a woman from the den who reproaches James for not killing Dorian. She confirms Dorian's identity and explains that he has not aged in eighteen years. 1072: 709:

a person that may "evoke a change of heart" in Dorian. However, at this point in the novel, Dorian has spent far too much time under Lord Henry's wing and brushes Basil off in "appositeness", leading Basil to claim that man has no soul but art does. Dorian's journey serves as a cautionary tale about the dangers of succumbing to the temptations of hedonism and moral relativism, highlighting the importance of personal responsibility and moral accountability in navigating the complexities of human existence.

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and the slow decay of his portrait reflects the deception of societal expectations. Additionally, the few female characters in the story, such as Sybil, are portrayed in ways that critique the limited roles and harsh judgments reserved for women during that era. The novel's exploration of these themes provides commentary on the structures of Victorian society, revealing the performative side of gender roles that restrict and define both men and women.

358: 545:. Dorian does not deny his debauchery, and takes Basil to see the portrait. The portrait has become so hideous that Basil can only identify it as his by the signature on it. Horrified, Basil beseeches Dorian to pray for salvation. Furious, Dorian blames his fate on Basil and kills him. Dorian then blackmails an old friend, scientist Alan Campbell, into using his knowledge of chemistry to destroy Basil's body. Alan later kills himself. 564:

heart of Hetty Merton, his current romantic interest. Dorian wonders if his newly found goodness has rescinded the corruption in the picture but when he looks at it, he sees an even uglier image of himself. From that, Dorian understands that his true motives for the self-sacrifice of moral reformation were the vanity and curiosity of his quest for new experiences, along with the desire to restore beauty to the picture.

44: 4978: 3449: 549: 5052: 5028: 2856: 5040: 5016: 597: 728:. The novel begins with a conversation between Lord Henry and Basil, where Basil reveals his artistic admiration for Dorian, setting the scene for a story with themes such as beauty, art, and the consequences of vanity. The interaction introduces the characters and foreshadows the complicated relationship between the artist and his muse. 409:

Sibyl Vane character, thus emphasising Dorian's selfishness and foreshadowing James's accurate perception of the essentially immoral character of Dorian Gray; thus, he correctly deduced Dorian's dishonourable intent towards Sibyl. The sub-plot about James Vane's dislike of Dorian gives the novel a Victorian tinge of class struggle.

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and innocence that Dorian possesses at the start of the story. Throughout, Lord Henry appears unaware of the effect of his actions upon the young man; and so frivolously advises Dorian, that "the only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing."

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a temptation (ageless beauty) is placed before the protagonist, which he indulges. In each story, the protagonist entices a beautiful woman to love him, and then destroys her life. In the preface to the novel, Wilde said that the notion behind the tale is "old in the history of literature", but was a

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James begins to stalk Dorian, who starts to fear for his life. During a shooting party, a hunter accidentally kills James, who was lurking in a thicket. On returning to London, Dorian tells Lord Henry that he will live righteously from now on. His new probity begins with deliberately not breaking the

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impressed Stoddart, but he told the publisher, George Lippincott, "in its present condition there are a number of things an innocent woman would make an exception to." Fearing that the story was indecent, Stoddart deleted around five hundred words without Wilde's knowledge prior to publication. Among

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In December, 1887, I gave a sitting to a Canadian artist who was staying with some friends of hers and mine in South Kensington. When the sitting was over, and I had looked at the portrait, I said in jest, 'What a tragic thing it is. This portrait will never grow older and I shall. If it was only the

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The novel presents other relationships that influence Dorian's way of life and his perception of the world, proving the influence of society and its values on a person. While Lord Henry is clearly a persona that fascinates and captures Dorian's attention, Manganiello also suggests that Basil is also

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Sibyl Vane – a talented actress and singer, she is a beautiful girl from a poor family with whom Dorian falls in love. Her love for Dorian ruins her acting ability, because she no longer finds pleasure in portraying fictional love as she is now experiencing real love in her life. She commits suicide

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Dorian invites Basil and Lord Henry to see Sibyl perform in a play. Sibyl, too enamoured with Dorian to act, performs poorly, which makes Basil and Lord Henry think Dorian has fallen in love with Sibyl because of her beauty instead of her talent. Embarrassed, Dorian rejects Sibyl, saying that acting

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The reference is in chapter 19. Lord Henry asks "By the way, what has become of that wonderful portrait did of you?" Dorian's response, a few lines later, includes 'I am sorry I sat for it. The memory of the thing is hateful to me. Why do you talk of it? It used to remind me of those curious lines

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influence the relationships between characters and form their expectations and behaviors; in particular, the expectations of masculinity and the critique of the Victorian ideal of manhood are seen throughout the narrative. Dorian, with his eternal youth and beauty, challenges traditional male roles

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Throughout the novel, Wilde delves into the themes of morality and influence, exploring how societal values, individual relationships, and personal choices intersect to shape one's own moral compass. Dorian initially falls under Lord Henry's influence and "narcissistic perspective on art and life",

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world view corrupts Dorian, who then successfully emulates him. To the aristocrat Harry, the observant artist Basil says, "You never say a moral thing, and you never do a wrong thing." Lord Henry takes pleasure in impressing, influencing, and even misleading his acquaintances (to which purpose he

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references, to simplify the moral message of the story. In the magazine edition (1890), Basil tells Lord Henry how he "worships" Dorian, and begs him not to "take away the one person that makes my life absolutely lovely to me." In the magazine edition, Basil focuses upon love, whereas, in the book

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Wilde's textual additions were about the "fleshing out of Dorian as a character" and providing details of his ancestry that made his "psychological collapse more prolonged and more convincing." The introduction of the James Vane character to the story develops the socio-economic background of the

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James Vane – Sibyl's younger brother, a sailor who leaves for Australia. He is very protective of his sister, especially as their mother cares only for Dorian's money. Believing that Dorian means to harm Sibyl, James hesitates to leave, and promises vengeance upon Dorian if any harm befalls her.

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Conscience-stricken and lonely, Dorian decides to reconcile with Sibyl, but is too late; she has killed herself. Dorian understands that, where his life is headed, lust and beauty shall suffice. Dorian locks the portrait up, and for eighteen years, he experiments with every vice, influenced by a

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For the fuller 1891 novel, Wilde retained Stoddart's edits and made some of his own, while expanding the text from thirteen to twenty chapters and added the book's famous preface. Chapters 3, 5, and 15–18 are new, and chapter 13 of the magazine edition was divided into chapters 19 and 20 for the

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His servants awaken on hearing a cry from the locked room; on the street, a passerby who also heard it calls the police. On entering the locked room, the servants find an old man stabbed in the heart, his figure withered and decrepit. They identify the corpse as Dorian only by the rings on the

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In response to such criticism, Wilde aggressively defended his novel and the sanctity of art in his correspondence with the British press. Wilde also obscured the homoeroticism of the story and expanded the personal background of the characters in the 1891 book edition.

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Alan Campbell – chemist and one-time friend of Dorian who ended their friendship when Dorian's libertine reputation devalued such a friendship. Dorian blackmails Alan into destroying the body of the murdered Basil Hallward; Campbell later shoots himself

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The honest ratepayer and his healthy family have no doubt often mocked at the dome-like forehead of the philosopher, and laughed over the strange perspective of the landscape that lies beneath him. If they really knew who he was, they would tremble. For

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When Dorian tells Lord Henry about his new love Sibyl Vane, he mentions the Shakespeare plays in which she has acted, and refers to her by the name of the heroine of each play. In the 1891 version, Dorian describes his portrait by quoting

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bends his considerable wit and eloquence) but appears not to observe his own hedonistic advice, preferring to study himself with scientific detachment. His distinguishing feature is total indifference to the consequences of his actions.

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him of wrongdoing, Dorian decides to destroy the last vestige of his conscience and the only piece of evidence remaining of his crimes – the portrait. Furious, he takes the knife with which he murdered Basil and stabs the picture.

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In a 2009 review, critic Robin McKie considers the novel to be technically mediocre, saying that the conceit of the plot guaranteed its fame, but the device is never pushed to its full. On the other hand, in March 2014,

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plays in a dingy, working-class theatre. Dorian courts her and soon proposes marriage. The enamoured Sibyl calls him "Prince Charming". Her brother, James, warns that if "Prince Charming" harms her, he will murder him.

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in Ottawa, where he visited her studios. In 1887, Richards moved to London where she renewed her acquaintance with Wilde and painted his portrait. Wilde described that incident as being the inspiration for the novel:

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and then, a month later, in the book version of the novel. The content, style, and presentation of the preface made it famous in its own right as a literary and artistic manifesto in support of artists' rights and

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It was published in full as the first 100 pages in both the American and British editions of the July 1890 issue, first printed on 20 June 1890. Later in the year the publisher of Lippincott's Monthly Magazine,

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is her beauty; without that, she no longer interests him. Returning home, Dorian notices that the portrait has changed; his wish came true, and the man in the portrait bears a subtle sneer of cruelty.

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Basil Hallward – a deeply moral man, the painter of the portrait, and infatuated with Dorian, whose patronage realises his potential as an artist. The picture of Dorian Gray is Basil's masterpiece.

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Adrian Singleton – A youthful friend of Dorian's, whom he evidently introduced to opium addiction, which induced him to forge a cheque and made him a total outcast from his family and social set.

400:, whom Wilde respected, did write several letters to him "and in consequence of what he said I did modify one passage" that was "liable to misconstruction". A number of edits involved obscuring 456:

Following the criticism of the magazine edition of the novel, Wilde wrote a preface in which he indirectly addressed the criticisms in a series of epigrams. The preface was first published in

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was "first published to some scandal." Such book reviews achieved for the novel a "certain notoriety for being 'mawkish and nauseous', 'unclean', 'effeminate' and 'contaminating'." Such

927:(1826), as "a kind of homage from one outsider to another". The name of Dorian Gray's love interest, Sibyl Vane, may be a modified fusion of the title of Disraeli's best known novel ( 1035:

wrote of the book "it is exceptionally good-in fact, one of the strongest and most haunting of English novels", while noting that the reputation of the novel was still questionable.

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worldview: that beauty and sensual fulfillment are the only things worth pursuing in life. Newly understanding that his beauty will fade, Dorian expresses the desire to

3351: 2136: 967:, the book critic said that Wilde's novel contains "one element ... which will taint every young mind that comes in contact with it." In the 5 July 1890 issue of the 2325: 405:

edition (1891), he focuses upon his art, saying to Lord Henry, "the one person who gives my art whatever charm it may possess: my life as an artist depends on him."

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him, but a hunter accidentally kills James. The brother's pursuit of vengeance upon the lover (Dorian Gray), for the death of the sister (Sibyl) parallels that of

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contains much of me in it — Basil Hallward is what I think I am; Lord Henry, what the world thinks me; Dorian is what I would like to be — in other ages, perhaps.

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in 1890. For instance, in one scene, Basil Hallward confesses to have worshipped Dorian Gray with a "romance of feeling", and that he had never loved a woman.

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novel. Revisions include changes in character dialogue as well as the addition of the preface, more scenes and chapters, and Sibyl Vane's brother, James Vane.

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by the Belknap Press. This edition includes the roughly 500 words of text deleted by J. M. Stoddart, the story's initial editor, prior to its publication in

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who espouses a philosophy of self-indulgent hedonism. Initially Basil's friend, he neglects him for Dorian's beauty. The character of witty Lord Harry is a

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the pre-publication deletions were: (i) passages alluding to homosexuality and to homosexual desire; (ii) all references to the fictional book title

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offended the moral sensibilities of British book reviewers, to the extent, in some cases, of saying that Wilde merited prosecution for violating

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is subtle yet present by manifesting itself through interactions between male characters in a way that challenges the strict social norms of

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other way!' The moment I had said this it occurred to me what a capital plot the idea would make for a story. The result is 'Dorian Gray.'

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listed it among the 100 best novels ever written in English, calling it "an arresting, and slightly camp, exercise in late-Victorian

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England, Lord Henry Wotton observes artist Basil Hallward painting the portrait of Dorian Gray, a young man who is Basil's ultimate

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has come to attract a great deal of academic and popular interest, and has been the subject of many adaptations to film and stage.

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Plaque commemorating the dinner between Wilde, Doyle and the publisher on 30 August 1889 at 1 Portland Place, Regent Street, London

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to explain the role of the artist in society, the purpose of art, and the value of beauty. It traces Wilde's cultural exposure to

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held a similarly negative opinion about the novel. Afterwards, critics began to view is it as a masterpiece of Wilde's oeuvre.

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Wilde's only novel, it was subject to much controversy and criticism in its time but has come to be recognized as a classic of

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experiences while staying young and beautiful; all the while, his portrait ages and visually records every one of Dorian's

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As such, the devilish Lord Henry is "leading Dorian into an unholy pact, by manipulating his innocence and insecurity."

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Under Lord Henry's influence, Dorian fully explores his sensuality. He discovers the actress Sibyl Vane, who performs

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and its author, Catulle Sarrazin; and (iii) all "mistress" references to Gray's lovers, Sibyl Vane and Hetty Merton.

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is the only aspect of life worth pursuing, prompting Dorian to wish that his portrait would age instead of himself.

282:, was in London to solicit novellas to publish in the magazine. On 30 August 1889, Stoddart dined with Oscar Wilde, 5177: 5087: 4922: 4824: 4685: 4661: 4392: 4082: 3632: 3414: 3408: 3278: 3041: 2692: 1835: 1196: 1162:; the original award was a simple certificate with an image of Wilde along with a graphic of hands holding a black 1147: 5102: 4437: 3738: 3665: 3616: 3311: 2991: 2896: 773: 541:

One night, before leaving for Paris, Basil goes to Dorian's house to ask him about rumours of his self-indulgent

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Original manuscript of one of the 1891 novel's new chapters; here labeled chapter 4, it would end up as chapter 5

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The edits have been construed as having been done in response to criticism, but Wilde denied this in his 1895

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CLAUSSON, NILS (2006). "Lady Alroy's Secret: 'Surface and Symbol' in Wilde's 'The Sphinx without a Secret'".

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It has been noted by scholars that Wilde possibly chose the protagonist's name, Dorian, in reference to the

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spent his life in preaching the great creed of Inaction, and in pointing out the uselessness of all things.

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The novel was considered a poorly written novel and unworthy of critical attention until about the 1980s.

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Though not initially a widely appreciated component of Wilde's body of work following his death in 1900,

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and has been described as "a preliminary sketch of some of its major themes", including homosexuality.

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Victoria, Lady Henry Wotton – Lord Henry's wife, whom he treats disdainfully; she later divorces him.

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The painter Basil Hallward and the aristocrat Lord Henry Wotton observe the picture of Dorian Gray.

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Wilde does not name the book, but at his trial he conceded that it was, or almost , Huysmans's

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The Complete Works of Oscar Wilde, Vol. 3: The Picture of Dorian Gray: The 1890 and 1891 Texts

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The Complete Works of Oscar Wilde, Vol. 3: The Picture of Dorian Gray: The 1890 and 1891 Texts

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The anonymous "poisonous French novel" that leads Dorian to his fall is a thematic variant of

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Lord Fermor – Lord Henry's uncle, who tells his nephew, Lord Henry Wotton, about the family

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Wilde is purported to have said, "in every first novel the hero is the author as Christ or

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with poison on learning that Dorian no longer loves her; at that, Lord Henry likens her to

217:. Through Basil, Dorian meets Lord Henry Wotton and is soon enthralled by the aristocrat's 4605: 4504: 4444: 4181: 4141: 3906: 3899: 3160: 2810: 2789: 2699: 2528: 2329: 1277:'s introduction to the 1986 Penguin Classics edition. It reproduces the 1891 book edition. 1118: 1111: 1075: 1024: 973:, a reviewer asked "Why must Oscar Wilde 'go grubbing in muck-heaps?'" The book critic of 963: 885: 494: 420:. In the decade after Wilde's death, the authorized edition of the novel was published by 616:. He indulges in every pleasure and virtually every 'sin', studying its effect upon him. 5020: 4981: 4928: 4773: 4462: 4428: 4368: 4339: 4232: 4050: 3971: 3963: 3844: 3839: 3765: 3434: 3235: 3184: 3176: 2765:"Party Pics: Hollywood Gay and Lesbian Entertainment Critics Association Winners Toast" 2511:– a synopsis of the novel and a short biography of Oscar Wilde. (retrieved 6 July 2006) 1810:"The Picture of Dorian Gray – Oscar Wilde, Nicholas Frankel – Harvard University Press" 1291:. Edited with an introduction and notes by Norman Page. Based on the 1891 book edition. 1050: 969: 736: 349:, published a collection of complete novels from the magazine, which included Wilde's. 275: 213:

painted by Basil Hallward, a friend of Dorian's and an artist infatuated with Dorian's

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in which the eyes in the portrait of a "beautiful being" move when its subject dies.

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In 1913, it was adapted to the stage by writer G. Constant Lounsbery at London's

896:... to a correspondent, he wrote that he had played a "fantastic variation" upon 776:. Scholars generally accept that Lord Henry is partly inspired by Wilde's friend 5032: 4224: 3849: 3824: 3494: 3429: 2912: 2870: 1887: 1475: 1138: 1008: 923: 844: 747: 623: 526: 477: 393: 196:-length version was published in the July 1890 issue of the American periodical 189: 60: 2720:"The 100 best novels: No 27 – The Picture of Dorian Gray by Oscar Wilde (1891)" 2159:

SCHWAB, ARNOLD T. (2010). "Symons, Gray, and Wilde: A Study in Relationships".

1773:. By Wilde, Oscar (Oxford World's Classics ed.). Oxford University Press. 1416:"Oscar Wilde on the Origin of "The Picture of Dorian Gray": A Recovered Letter" 1371:"The 100 best novels: No 27 – The Picture of Dorian Gray by Oscar Wilde (1891)" 5051: 4938: 4757: 4733: 3200: 1401: 740: 542: 519: 515: 401: 370: 287: 218: 214: 171: 2663: 2609: 2021: 1975: 1689: 1654: 1613: 1566: 3882: 2091:"FEMININITY AND FEMALE PRESENCE IN OSCAR WILDE'S THE PICTURE OF DORIAN GRAY" 997: 645: 557: 308:

on 7 April 1890, seven months after having commissioned the novel from him.

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Music based on the works of Oscar Wilde § The Picture of Dorian Gray

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A 19th-century London opium den (based on fictional accounts of the day)

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After Sibyl's suicide, James becomes obsessed with killing Dorian, and

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An Inquiry into Oscar Wilde's Revisions of 'The Picture of Dorian Gray

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wrote that "parts of the novel are wooden, padded, self-indulgent";

2843: 2655: 1558: 3802: 1070: 802: 627: 566: 547: 480:). Before writing the preface, Wilde had written a book review of 251: 1651:"Differences between the 1890 and 1891 editions of "Dorian Gray"" 2523:– an introduction and overview the book (retrieved 5 July 2006) 2406:"The 100 best novels: No 11 – Sybil by Benjamin Disraeli (1845)" 858:, in which the eponymous character impels his potential suitor ( 437: 3761: 3467: 2885: 2185:

The Belknap Press of Harvard University Press, London 2011, p68

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The Picture of Dorian Gray: An Annotated, Uncensored Edition

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The Picture of Dorian Gray: An Annotated, Uncensored Edition

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The Picture of Dorian Gray: An Annotated, Uncensored Edition

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The Picture of Dorian Gray: An Annotated, Uncensored Edition

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Works originally published in Lippincott's Monthly Magazine

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fingers, while the portrait beside him is beautiful again.

2112:"Your handwriting fascinates me and your praise charms me" 644:– of Britain at the end of the 19th century. Lord Harry's 571:

The death of Dorian Gray (Eugène Dété, after Paul Thiriat)

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A Thousand Words: Portraiture, Style, and Queer Modernism

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morally poisonous French novel that Lord Henry gave him.

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To communicate how the novel should be read, Wilde used

202:. The novel-length version was published in April 1891. 1960:"Ethics and Aesthetics in "The Picture of Dorian Gray"" 1127:. In 2009, the novel was loosely adapted into the film 772:

Hallward is supposed to have been formed after painter

2346:

Wilde, Oscar (17 April 2008) . Bristow, Joseph (ed.).

2197:"Ten Famed Literary Figures Based on Real-Life People" 1474:

Frankel, Nicholas (2011) . "Textual Introduction". In

300:, which was published in the February 1890 edition of 4992: 3988:

Exploits and Opinions of Dr. Faustroll, Pataphysician

814:

thematic subject to which he had "given a new form".

19:"Dorian Gray" redirects here. For the character, see 2783:/ "Single Man, Glee, Grey Gardens Top Dorian Awards" 900:, and someday must write it down. The references in 556:

To escape the guilt of his crime, Dorian goes to an

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Whistler and Montesquiou: The Butterfly and the Bat

161: 149: 137: 123: 115: 105: 92: 74: 66: 56: 2816:Replica of the 1890 Edition & Critical Edition 2594:"Character Design in "the Picture of Dorian Gray"" 2006:"Character Design in "the Picture of Dorian Gray"" 2332:– a summary of and a commentary on Chapter II of 1769:Bristow, Joseph (12 October 2006). Introduction. 904:to specific chapters are deliberately inaccurate. 3353:Gross Indecency: The Three Trials of Oscar Wilde 2045:"Homoerotic codes in The Picture of Dorian Gray" 1397: 1395: 1393: 1324:in some play—"Hamlet," I think—how do they run?— 2844:The Picture of Dorian Gray (20-chapter version) 2829:The Picture of Dorian Gray (13-chapter version) 1927:. Oxford: Oxford University Press. p. lvi. 766: 490: 267: 1469: 1467: 1465: 1463: 1461: 1459: 950:Even after the removal of controversial text, 838:In the preface, Wilde speaks of the sub-human 3773: 3479: 2897: 2693:"Classics Corner: The Picture of Dorian Gray" 1836:"Uncensored Picture of Dorian Gray published" 1798:. London: T. Werner Laurie. pp. 347–349. 1639:. London: T. Werner Laurie. pp. 108–110. 1541:Lawler, Donald L.; Knott, Charles E. (1976). 1536: 1534: 1151:, which aired on Showtime from 2014 to 2016. 917:was influenced by the British Prime Minister 8: 5153:British novels adapted into television shows 3010:Lord Arthur Savile's Crime and Other Stories 1923:Wilde, Oscar (2005). Bristow, Joseph (ed.). 1764: 1762: 1158:is named in honor of Wilde, in reference to 36: 1517:. Ohio State University Press. p. 40. 1269:. Edited with an introduction and notes by 612:young man enthralled by Lord Henry's "new" 304:. Stoddart received Wilde's manuscript for 29:The Picture of Dorian Gray (disambiguation) 4788: 4407: 3780: 3766: 3758: 3486: 3472: 3464: 2904: 2890: 2882: 2154: 2152: 2150: 1678:"Paradox and the Preface to "Dorian Gray"" 1448:Wilde, Oscar (1979). R. Hart-Davis (ed.). 42: 35: 2568:Oscar Wilde: Interviews and Recollections 1714:Oscar Wilde: Interviews and Recollections 1087:Academy Award for Best Supporting Actress 1063:Adaptations of The Picture of Dorian Gray 1004:from its bookstalls in railway stations. 622:Lord Henry "Harry" Wotton – an imperious 48:The story was first published in 1890 in 5198:LGBT-related controversies in literature 4349:2nd movement "Quasi-Faust" (1847, Alkan) 1862:"Thursday: The Uncensored "Dorian Gray"" 595: 364: 356: 4999: 4166:The Black Bonspiel of Wullie MacCrimmon 3274:Music based on the works of Oscar Wilde 1756:(Penguin Classics) – A Note on the Text 1349: 1301: 1015:, who specialized in literary erotica. 921:'s (anonymously published) first novel 381:with decorative lettering, designed by 2781:, January 20, 2010, by Lisa Horowitz, 2521:CliffsNotes:The Picture of Dorian Gray 1452:. Oxford University Press. p. 95. 913:Some commentators have suggested that 5168:Obscenity controversies in literature 5098:Novels first published in serial form 4807:The Devil's Hands Are Idle Playthings 4043:The Year the Yankees Lost the Pennant 3625:The League of Extraordinary Gentlemen 2877:Internet Speculative Fiction Database 2181:Wilde, Oscar; Frankel, Nichols (ed.) 2084: 2082: 2080: 1999: 1997: 1995: 1993: 1964:The Canadian Journal of Irish Studies 1953: 1951: 1949: 1947: 1829: 1827: 1211:The Uncensored Picture of Dorian Gray 1145:portrays Dorian Gray in John Logan's 1078:as Sibyl Vane in the film adaptation 476:and to the philosophy of Chuang Tsǔ ( 432:The original typescript submitted to 7: 2480:"Wilde's Portrait of Subtle Control" 2139:. The Modern Library. Archived from 996:Due to controversy, retailing chain 3256:Memorial triptych sculpture, Dublin 2732:from the original on 12 August 2018 2195:Riess, Jeanie (13 September 2012). 3017:The Happy Prince and Other Stories 2478:Battersby, Eileen (7 April 2010). 2404:McCrum, Robert (2 December 2013). 1890:(2011) . Frankel, Nicholas (ed.). 673:' vengeance against Prince Hamlet. 14: 5133:British novels adapted into plays 4670:El extraño caso del doctor Fausto 4512:The Mephistopheles of Los Angeles 4059:The Devil to Pay in the Backlands 2412:. Guardian News and Media Limited 1359:(Penguin Classics) – Introduction 1124:League of Extraordinary Gentlemen 1085:. Lansbury was nominated for the 961:In the 30 June 1890 issue of the 956:the laws guarding public morality 416:published the revised version of 5050: 5038: 5026: 5014: 5002: 4977: 4976: 4534:The Laboratory of Mephistopheles 4265:Doctor Faustus Lights the Lights 3448: 3447: 2854: 2718:McCrum, Robert (24 March 2014). 2691:McKie, Robin (25 January 2009). 1369:McCrum, Robert (24 March 2014). 821:, the gentleman Dorian makes no 5158:Irish novels adapted into plays 5138:Irish novels adapted into films 4347:Grande sonate 'Les quatre âges' 4158:Will Success Spoil Rock Hunter? 3247:A Conversation with Oscar Wilde 3144:The Importance of Being Earnest 2953:The Soul of Man Under Socialism 2565:Mikhail, E. H. (17 June 1979). 2313:(Penguin Classics) – Chapter II 1834:Flood, Alison (27 April 2011). 1711:Mikhail, E. H. (17 June 1979). 1414:Scharnhorst, Gary (July 2010). 1336:Yes: that is what it was like.' 1121:played Dorian Gray in the film 985:scandal arose from the novel's 764:Wilde wrote in an 1894 letter: 700:Morality and societal influence 311:In July 1889, Wilde published " 5163:LGBT-related horror literature 4833:When the Devil Calls Your Name 4498:The Devil Went Down to Georgia 4289:Historia von D. Johann Fausten 4115:Johannes Cabal the Necromancer 3867:Historia von D. Johann Fausten 2571:. Springer. pp. 280–281. 2383:. Vintage Books. p. 316. 1328:Like the painting of a sorrow, 717:The novel's representation of 713:Homoeroticism and gender roles 1: 4958:Mephistopheles and Margaretta 3323:The Importance of Being Oscar 2752:Retrieved February 19th, 2023 1958:Manganiello, Dominic (1983). 1273:. Included as an appendix is 1002:Lippincott's Monthly Magazine 434:Lippincott's Monthly Magazine 280:Lippincott's Monthly Magazine 199:Lippincott's Monthly Magazine 99:Lippincott's Monthly Magazine 50:Lippincott's Monthly Magazine 5193:British philosophical novels 4598:The Devil and Daniel Webster 4012:The Devil and Daniel Webster 2592:Liebman, Sheldon W. (1999). 2301:(Penguin Classics) – Preface 2137:"The Picture of Dorian Gray" 2004:Liebman, Sheldon W. (1999). 1602:Victorian Periodicals Review 884:(1989), the literary critic 205:The story revolves around a 25:Dorian Gray (disambiguation) 2864:public domain audiobook at 2767:Retrieved November 29, 2017 2638:Oates, Joyce Carol (1980). 2431:Disraeli, Benjamin (1826). 2352:. Oxford World's Classics. 1796:Bibliography of Oscar Wilde 1653:. Github.io. Archived from 1637:Bibliography of Oscar Wilde 909:Possible Disraeli influence 37:The Picture of Dorian Gray 5214: 5188:Novels adapted into comics 5148:Novels adapted into operas 5073:The Picture of Dorian Gray 4825:The Devil and Daniel Mouse 4354:Scenes from Goethe's Faust 3692:The Picture of Dorian Gray 3617:The Picture of Dorian Gray 3588:The Picture of Dorian Gray 3580:The Picture of Dorian Gray 3564:The Picture of Dorian Gray 3548:The Picture of Dorian Gray 3540:The Picture of Dorian Gray 3532:The Picture of Dorian Gray 3524:The Picture of Dorian Gray 3500:The Picture of Dorian Gray 3415:Manuscripts of Oscar Wilde 3409:The Letters of Oscar Wilde 3284:Themes and derivatives of 3279:Biographies of Oscar Wilde 3042:The Ballad of Reading Gaol 2928:The Picture of Dorian Gray 2872:The Picture of Dorian Gray 2861:The Picture of Dorian Gray 2806:The Picture of Dorian Gray 2349:The Picture of Dorian Gray 2334:The Picture of Dorian Gray 2323:The Picture of Dorian Gray 2311:The Picture of Dorian Gray 2299:The Picture of Dorian Gray 2255:The Picture of Dorian Gray 2234:, New York and Paris: The 1771:The Picture of Dorian Gray 1754:The Picture of Dorian Gray 1596:LORANG, ELIZABETH (2010). 1402:The Picture of Dorian Gray 1357:The Picture of Dorian Gray 1281:The Picture of Dorian Gray 1251:The Picture of Dorian Gray 1229:The Picture of Dorian Gray 1189:The Picture of Dorian Gray 1160:The Picture of Dorian Gray 1107:The Picture of Dorian Gray 1095:The Picture of Dorian Gray 1081:The Picture of Dorian Gray 1060: 979:The Picture of Dorian Gray 952:The Picture of Dorian Gray 915:The Picture of Dorian Gray 811:The Picture of Dorian Gray 418:The Picture of Dorian Gray 396:, only ceding that critic 379:The Picture of Dorian Gray 334:The Picture of Dorian Gray 317:The Picture of Dorian Gray 306:The Picture of Dorian Gray 181:The Picture of Dorian Gray 167:The Picture of Dorian Gray 18: 5183:19th-century Irish novels 4972: 4726:Faust: Love of the Damned 3666:A Portrait of Dorian Gray 3443: 3313:The Trials of Oscar Wilde 2992:The Portrait of Mr. W. H. 2377:Ellmann, Richard (1988). 1744:(New York: Garland, 1988) 1717:. Springer. p. 279. 1422:. July 2010 (37): 12–15. 1114:, who played Sibyl Vane. 805:." In both the legend of 774:Charles Haslewood Shannon 428:2011 "uncensored" novella 313:The Portrait of Mr. W. H. 260:In 1882, Oscar Wilde met 41: 16:1890 novel by Oscar Wilde 5123:Fiction about narcissism 3996:The Master and Margarita 3949:The Devil and Tom Walker 3403:Oscar Wilde bibliography 3116:A Woman of No Importance 2336:(retrieved 29 July 2006) 1900:Harvard University Press 1896:Cambridge, Massachusetts 1488:Harvard University Press 1484:Cambridge, Massachusetts 1283:(Broadview Press, 1998) 1237:Norton Critical Editions 759: 755:Influences and allusions 575:Deciding that only full 323:Publication and versions 4393:Bagatelle sans tonalité 4297:Faustus, the Last Night 3746:Phantom of the Paradise 3733:Dorian Gray (character) 3088:Vera; or, The Nihilists 3024:A House of Pomegranates 2354:Oxford University Press 2328:7 February 2009 at the 2098:University of Barcelona 1332:A face without a heart. 1197:Oxford World's Classics 788:in creating Dorian Gray 518:Lord Henry thinks that 332:The literary merits of 21:Dorian Gray (character) 5173:Novels with gay themes 4550:The Damnation of Faust 4477:Sympathy for the Devil 4438:Beethoven's Last Night 2820:University of Victoria 2468:Disraeli (1853) p101-2 1794:Mason, Stuart (1914). 1635:Mason, Stuart (1914). 1090: 1057:Legacy and adaptations 906: 770: 601: 572: 553: 499: 458:The Fortnightly Review 414:Ward, Lock and Company 385: 362: 347:Ward, Lock and Company 284:Sir Arthur Conan Doyle 272: 257: 23:. For other uses, see 5093:British Gothic novels 4750:Shortcut to Happiness 4742:I Was a Teenage Faust 4630:Marguerite de la nuit 4582:The Student of Prague 4566:The Student of Prague 4332:Gretchen am Spinnrade 4209:La damnation de Faust 4067:That Hell-Bound Train 3177:Vyvyan Wilde Holland 3102:Lady Windermere's Fan 2985:The Canterville Ghost 2875:title listing at the 2527:19 March 2012 at the 2252:Wilde, Oscar (1969). 2089:Brias Aliaga, Nuria. 1676:PUDNEY, ERIC (2012). 1511:Hovey, Jaime (2006). 1074: 946:Contemporary response 890: 786:Robert de Montesquiou 599: 570: 551: 488:", Oscar Wilde said: 368: 360: 255: 79:Philosophical fiction 5128:Novels about suicide 5108:Works by Oscar Wilde 4864:Randy Newman's Faust 4622:Beauty and the Devil 4558:Faust and Marguerite 4542:Faust and Marguerite 4241:Faust and Marguerite 4099:The Devil's Own Work 4075:For a Breath I Tarry 3980:The Sorrows of Satan 3941:Melmoth the Wanderer 3934:Daniel and the Devil 3789:Works based on Faust 3659:Dorian, an Imitation 3516:Dorian Grays Portræt 3169:Cyril Wilde Holland 3130:La Sainte Courtisane 3109:A Florentine Tragedy 3095:The Duchess of Padua 2960:The Critic as Artist 2788:7 March 2016 at the 2698:24 June 2013 at the 2598:Studies in the Novel 2450:(28). JSTOR: 24–32. 2202:Smithsonian Magazine 2010:Studies in the Novel 1939:The Artist as Critic 1089:for her performance. 817:Unlike the academic 486:The Critic as Artist 297:The Sign of the Four 5143:British LGBT novels 5118:Novels about ageing 5083:1890 fantasy novels 5078:1890 British novels 4614:The Legend of Faust 4484:Friend of the Devil 4273:The Rake's Progress 4260:(1916–1925, Busoni) 4035:The Devil in Velvet 3830:Theophilus of Adana 3813:Deal with the Devil 3652:The Happy Hypocrite 3420:Lord Alfred Douglas 3236:Merrion Square home 3228:Oscar Wilde Centre 2163:(36). JSTOR: 2–27. 2143:on 31 January 2013. 1866:The Washington Post 1737:Lawler, Donald L., 1657:on 26 December 2013 1490:). pp. 38–64. 1308:More specifically, 880:. In the biography 878:Joris-Karl Huysmans 866:Joris-Karl Huysmans 823:deal with the Devil 186:philosophical novel 87:decadent literature 38: 4694:Oh, God! You Devil 4372:(1854–1857, Liszt) 4276:(1951, Stravinsky) 4083:The Damnation Game 3818:in popular culture 3808:Johann Georg Faust 3739:Look Back in Anger 3250:(London sculpture) 3241:Tomb and gravesite 3056:The Harlot's House 2946:The Decay of Lying 2509:The Modern Library 2209:on 5 December 2013 2071:Utrecht University 1174:Editions include: 1102:Vaudeville Theatre 1091: 1013:Charles Carrington 602: 573: 554: 463:art for art's sake 422:Charles Carrington 386: 375:Ward Lock & Co 363: 339:Le Secret de Raoul 258: 5178:1890 debut novels 5088:1890s LGBT novels 4990: 4989: 4843: 4842: 4574:Rapsodia satanica 4521: 4520: 4491:Bohemian Rhapsody 4364:(1906–07, Mahler) 3755: 3754: 3716:The Oval Portrait 3683:Matthew Bourne's 3461: 3460: 3387: 3377: 3367: 3357: 3347: 3337: 3336:(1985 miniseries) 3327: 3317: 3307: 3297: 3251: 3231: 3230:(academic centre) 3212: 3204: 3201:Jane Elgee Wilde 3196: 3188: 3180: 3172: 3164: 2849:Project Gutenberg 2834:Project Gutenberg 2578:978-1-349-03926-5 2490:on 5 October 2018 2043:Muriqi, Luljeta. 1909:978-0-674-05792-0 1898:: Belknap Press ( 1812:. Hup.harvard.edu 1724:978-1-349-03926-5 1524:978-0-8142-1014-7 1497:978-0-674-05792-0 1486:: Belknap Press ( 1289:978-1-55111-126-1 1033:Joyce Carol Oates 919:Benjamin Disraeli 778:Lord Ronald Gower 636:Victorian culture 242:Gothic literature 177: 176: 106:Publication place 5205: 5103:Victorian novels 5055: 5054: 5043: 5042: 5031: 5030: 5029: 5019: 5018: 5007: 5006: 5005: 4998: 4980: 4979: 4789: 4470:Cross Road Blues 4408: 4377:Mephisto Waltzes 4357:(1853, Schumann) 4335:(1814, Schubert) 4249:Faust up to Date 4019:None but Lucifer 3782: 3775: 3768: 3759: 3488: 3481: 3474: 3465: 3451: 3450: 3385: 3383:The Happy Prince 3375: 3365: 3355: 3345: 3335: 3325: 3315: 3305: 3295: 3265:Based on Wilde's 3249: 3229: 3210: 3202: 3194: 3186: 3178: 3170: 3162: 3161:Constance Wilde 3137:An Ideal Husband 2906: 2899: 2892: 2883: 2858: 2857: 2851: 2836: 2792: 2774: 2768: 2759: 2753: 2748: 2742: 2741: 2739: 2737: 2715: 2709: 2689: 2683: 2682: 2680: 2678: 2644:Critical Inquiry 2635: 2629: 2628: 2626: 2624: 2589: 2583: 2582: 2562: 2556: 2555: 2553: 2551: 2537: 2531: 2518: 2512: 2506: 2500: 2499: 2497: 2495: 2486:. 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3427: 3422: 3417: 3412: 3405: 3399: 3397: 3393: 3392: 3390: 3389: 3379: 3369: 3363:The Judas Kiss 3359: 3349: 3339: 3329: 3319: 3309: 3299: 3289: 3281: 3276: 3270: 3268: 3267:life and works 3262: 3261: 3259: 3258: 3253: 3243: 3238: 3233: 3224: 3222: 3218: 3217: 3215: 3214: 3206: 3198: 3193:William Wilde 3190: 3182: 3174: 3166: 3157: 3155: 3151: 3150: 3148: 3147: 3140: 3133: 3126: 3119: 3112: 3105: 3098: 3091: 3083: 3081: 3077: 3076: 3074: 3073: 3066: 3063:Poems in Prose 3059: 3052: 3045: 3037: 3035: 3031: 3030: 3028: 3027: 3020: 3013: 3005: 3003: 2999: 2998: 2996: 2995: 2988: 2980: 2978: 2974: 2973: 2971: 2970: 2963: 2956: 2949: 2941: 2939: 2935: 2934: 2932: 2931: 2923: 2921: 2917: 2916: 2911: 2909: 2908: 2901: 2894: 2886: 2880: 2879: 2868: 2852: 2839: 2837: 2824: 2822: 2813: 2800: 2799:External links 2797: 2794: 2793: 2769: 2754: 2743: 2710: 2684: 2656:10.1086/448106 2650:(2): 419–428. 2630: 2604:(3): 296–316. 2584: 2577: 2557: 2532: 2513: 2501: 2470: 2461: 2438: 2423: 2396: 2389: 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Magnum Books 2244: 2242:, 1995, p. 13. 2228:Munhall, Edgar 2220: 2187: 2174: 2146: 2128: 2116:natlib.govt.nz 2103: 2076: 2054: 2035: 2016:(3): 296–316. 1989: 1943: 1930: 1915: 1908: 1879: 1868:. 4 April 2011 1853: 1823: 1801: 1786: 1779: 1758: 1746: 1730: 1723: 1703: 1668: 1642: 1627: 1588: 1559:10.1086/390676 1553:(4): 389–398. 1530: 1523: 1503: 1496: 1455: 1440: 1406: 1389: 1361: 1348: 1347: 1345: 1342: 1339: 1338: 1316: 1300: 1299: 1297: 1294: 1293: 1292: 1278: 1271:Robert Mighall 1248: 1226: 1208: 1186: 1183:Joseph Bristow 1171: 1168: 1148:Penny Dreadful 1137:as Dorian and 1058: 1055: 1029:Édouard Roditi 1020: 1017: 970:Scots Observer 947: 944: 942: 939: 910: 907: 867: 864: 835: 832: 798: 793: 761: 758: 756: 753: 737:ancient Greece 714: 711: 701: 698: 696: 693: 692: 691: 688: 685: 678: 674: 662: 650: 620: 617: 608:– a handsome, 593: 590: 503: 500: 453: 450: 429: 426: 412:In April 1891 354: 351: 329: 326: 324: 321: 276:J. M. Stoddart 249: 246: 175: 174: 163: 159: 158: 155: 147: 146: 143: 138: 135: 134: 129: 121: 120: 117: 113: 112: 110:United Kingdom 107: 103: 102: 94: 90: 89: 83:Gothic fiction 76: 72: 71: 68: 64: 63: 58: 54: 53: 47: 15: 13: 10: 9: 6: 4: 3: 2: 5210: 5199: 5196: 5194: 5191: 5189: 5186: 5184: 5181: 5179: 5176: 5174: 5171: 5169: 5166: 5164: 5161: 5159: 5156: 5154: 5151: 5149: 5146: 5144: 5141: 5139: 5136: 5134: 5131: 5129: 5126: 5124: 5121: 5119: 5116: 5114: 5111: 5109: 5106: 5104: 5101: 5099: 5096: 5094: 5091: 5089: 5086: 5084: 5081: 5079: 5076: 5074: 5071: 5070: 5068: 5058: 5053: 5048: 5046: 5041: 5036: 5034: 5024: 5022: 5017: 5012: 5010: 5000: 4996: 4983: 4975: 4974: 4971: 4965: 4962: 4960: 4959: 4955: 4954: 4952: 4948: 4941: 4940: 4936: 4933: 4931: 4927: 4924: 4921: 4918: 4916: 4912: 4909: 4908: 4904: 4903: 4901: 4897: 4890: 4889: 4888:Disco Inferno 4885: 4882: 4881: 4877: 4874: 4873: 4869: 4866: 4865: 4861: 4858: 4857: 4853: 4852: 4850: 4846: 4835: 4834: 4830: 4827: 4826: 4822: 4821: 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4345: 4342: 4341: 4337: 4334: 4333: 4329: 4328: 4326: 4322: 4316: 4315:Faust ballets 4313: 4312: 4310: 4306: 4299: 4298: 4294: 4291: 4290: 4286: 4283: 4282: 4278: 4275: 4274: 4270: 4267: 4266: 4262: 4259: 4258: 4254: 4251: 4250: 4246: 4243: 4242: 4238: 4236:(1869, Hervé) 4235: 4234: 4230: 4228:(1868, Boito) 4227: 4226: 4222: 4219: 4218: 4214: 4211: 4210: 4206: 4204:(1816, Spohr) 4203: 4202: 4198: 4197: 4195: 4191: 4184: 4183: 4179: 4176: 4175: 4171: 4168: 4167: 4163: 4160: 4159: 4155: 4152: 4151: 4147: 4144: 4143: 4139: 4138: 4136: 4132: 4125: 4124: 4120: 4117: 4116: 4112: 4109: 4108: 4104: 4101: 4100: 4096: 4093: 4092: 4088: 4085: 4084: 4080: 4077: 4076: 4072: 4069: 4068: 4064: 4061: 4060: 4056: 4053: 4052: 4048: 4045: 4044: 4040: 4037: 4036: 4032: 4029: 4028: 4024: 4021: 4020: 4016: 4013: 4009: 4006: 4005: 4001: 3998: 3997: 3993: 3990: 3989: 3985: 3982: 3981: 3977: 3974: 3973: 3969: 3966: 3965: 3961: 3958: 3957: 3953: 3950: 3946: 3943: 3942: 3938: 3935: 3931: 3928: 3924: 3923: 3921: 3917: 3909: 3908: 3904: 3902: 3901: 3897: 3896: 3894: 3893: 3888: 3885: 3884: 3880: 3877: 3876: 3872: 3869: 3868: 3864: 3863: 3861: 3859:Seminal works 3857: 3851: 3848: 3846: 3843: 3841: 3838: 3836: 3833: 3831: 3828: 3826: 3823: 3819: 3816: 3815: 3814: 3811: 3809: 3806: 3804: 3801: 3800: 3798: 3794: 3790: 3783: 3778: 3776: 3771: 3769: 3764: 3763: 3760: 3748: 3747: 3743: 3740: 3736: 3734: 3731: 3730: 3728: 3724: 3717: 3713: 3711: 3708: 3707: 3705: 3701: 3694: 3693: 3689: 3687: 3686: 3681: 3680: 3678: 3674: 3668: 3667: 3663: 3661: 3660: 3656: 3654: 3653: 3649: 3648: 3646: 3642: 3635: 3634: 3630: 3627: 3626: 3622: 3619: 3618: 3614: 3613: 3611: 3609: 3605: 3598: 3597: 3593: 3590: 3589: 3585: 3582: 3581: 3577: 3574: 3573: 3569: 3566: 3565: 3561: 3558: 3557: 3553: 3550: 3549: 3545: 3542: 3541: 3537: 3534: 3533: 3529: 3526: 3525: 3521: 3518: 3517: 3513: 3512: 3510: 3506: 3502: 3501: 3496: 3489: 3484: 3482: 3477: 3475: 3470: 3469: 3466: 3454: 3446: 3445: 3442: 3436: 3433: 3431: 3428: 3426: 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920: 916: 908: 905: 903: 899: 895: 889: 887: 883: 879: 875: 874: 865: 863: 861: 857: 856: 849: 847: 846: 841: 833: 831: 828: 824: 820: 815: 812: 808: 804: 797: 794: 792: 791: 787: 783: 779: 775: 769: 765: 754: 752: 749: 744: 742: 738: 734: 729: 727: 724: 720: 719:homoeroticism 712: 710: 706: 699: 694: 689: 686: 683: 679: 675: 672: 668: 663: 660: 656: 651: 647: 643: 642: 641:Fin de siècle 637: 633: 629: 625: 621: 618: 615: 611: 607: 604: 603: 598: 591: 589: 585: 582: 578: 569: 565: 561: 559: 550: 546: 544: 539: 535: 531: 528: 523: 521: 517: 513: 509: 501: 498: 496: 489: 487: 483: 482:Herbert Giles 479: 475: 471: 466: 464: 459: 451: 449: 447: 443: 439: 435: 427: 425: 423: 419: 415: 410: 406: 403: 399: 395: 390: 384: 380: 376: 372: 367: 359: 352: 350: 348: 342: 340: 335: 327: 322: 320: 318: 314: 309: 307: 303: 299: 298: 293: 292:Langham Hotel 289: 285: 281: 277: 271: 266: 263: 254: 247: 245: 243: 238: 236: 232: 228: 224: 223:sell his soul 220: 216: 212: 208: 203: 201: 200: 195: 191: 187: 183: 182: 173: 169: 168: 164: 160: 156: 154: 152:LC Class 148: 144: 141: 140:Dewey Decimal 136: 133: 130: 128: 122: 118: 114: 111: 108: 104: 101: 100: 95: 91: 88: 84: 80: 77: 73: 69: 65: 62: 59: 55: 51: 45: 40: 34: 30: 26: 22: 4956: 4937: 4929: 4914: 4905: 4886: 4878: 4870: 4862: 4856:Damn Yankees 4854: 4831: 4823: 4772: 4764: 4756: 4748: 4740: 4732: 4724: 4716: 4708: 4700: 4692: 4684: 4676: 4668: 4660: 4652: 4644: 4638:Damn Yankees 4636: 4628: 4620: 4612: 4604: 4596: 4588: 4580: 4572: 4564: 4556: 4548: 4540: 4532: 4443: 4436: 4427: 4420: 4391: 4383: 4375: 4367: 4352: 4338: 4330: 4295: 4287: 4279: 4271: 4263: 4257:Doktor Faust 4255: 4252:(1888, Lutz) 4247: 4244:(1855, Lutz) 4239: 4231: 4223: 4215: 4207: 4199: 4180: 4172: 4164: 4156: 4150:Damn Yankees 4148: 4140: 4121: 4113: 4105: 4097: 4089: 4081: 4073: 4065: 4057: 4049: 4041: 4033: 4025: 4017: 4002: 3994: 3986: 3978: 3970: 3962: 3954: 3939: 3905: 3898: 3895:(1808 play) 3891: 3886:(1602, play) 3881: 3873: 3865: 3744: 3703:Inspirations 3690: 3684: 3664: 3657: 3650: 3631: 3623: 3615: 3594: 3586: 3578: 3570: 3562: 3554: 3546: 3538: 3530: 3522: 3514: 3499: 3498: 3425:Ada Leverson 3407: 3382: 3376:(2013 opera) 3372: 3362: 3352: 3342: 3332: 3322: 3312: 3302: 3292: 3285: 3246: 3142: 3135: 3128: 3121: 3114: 3107: 3100: 3093: 3086: 3068: 3061: 3047: 3040: 3022: 3015: 3008: 2967:De Profundis 2927: 2926: 2871: 2860: 2842: 2827: 2804: 2776: 2772: 2757: 2746: 2734:. Retrieved 2725:The Guardian 2723: 2713: 2705:The Guardian 2703: 2687: 2675:. Retrieved 2647: 2643: 2633: 2621:. Retrieved 2601: 2597: 2587: 2567: 2560: 2548:. Retrieved 2544: 2535: 2516: 2504: 2492:. Retrieved 2488:the original 2483: 2473: 2464: 2447: 2441: 2432: 2426: 2414:. Retrieved 2410:The Guardian 2409: 2399: 2379: 2372: 2348: 2341: 2333: 2318: 2310: 2306: 2298: 2294: 2282:. Retrieved 2280:. Britannica 2272: 2260:. Retrieved 2254: 2247: 2231: 2223: 2211:. Retrieved 2207:the original 2200: 2190: 2182: 2177: 2160: 2141:the original 2131: 2119:. Retrieved 2115: 2106: 2097: 2070: 2057: 2048: 2038: 2013: 2009: 1970:(2): 25–33. 1967: 1963: 1938: 1933: 1924: 1918: 1891: 1888:Wilde, Oscar 1882: 1870:. Retrieved 1865: 1856: 1844:. Retrieved 1840:The Guardian 1839: 1814:. Retrieved 1804: 1795: 1789: 1770: 1753: 1749: 1738: 1733: 1713: 1706: 1681: 1671: 1659:. Retrieved 1655:the original 1645: 1636: 1630: 1608:(1): 19–41. 1605: 1601: 1591: 1550: 1546: 1513: 1506: 1479: 1476:Wilde, Oscar 1449: 1443: 1431:. Retrieved 1419: 1409: 1380:. 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