Knowledge (XXG)

Kitty Foyle (film)

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268: 321:) warns against getting carried away with her fantasies. Ironically, Kitty meets the embodiment of her dreams in an acquaintance of his: Wynnewood Strafford VI, the scion of a wealthy Main Line family. Wyn offers her a secretarial job at his fledgling magazine. The two fall in love, but when the magazine folds, he does not have the will to defy his family's expectations by proposing to a woman who is far beneath him socially. 489: 336:
Five years later, Kitty reluctantly agrees to open a Philadelphia branch store for her friend Delphine. By chance, she waits on Wyn's wife and meets their son. Kitty takes the opportunity to entrust the secret return of the family heirloom ring to the boy, prompting Wyn to visit and woo her one final
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wrote "Despite its episodic, and at times, vaguely defined motivation, picture on whole is a poignant and dramatic portraiture of a typical Cinderella girl's love story. Several good comedy sequences interline the footage, deftly written and directed. Ginger Rogers provides strong dramatic portrayal
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With the death of her father and no prospect of marriage to Wyn, Kitty goes to work in New York City for Delphine. One day, she presses the burglar alarm button by mistake at Delphine's fashion store. She pretends to faint to cover her blunder and is attended to by Dr. Mark Eisen. Mark, aware that
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Wyn finally breaks down, finds Kitty in New York City, and proposes to her, presenting her with a family heirloom ring. She agrees to marry him on the condition that they not live in Philadelphia. When he introduces her to his family, she gets a chilly reception. She also learns that Wyn would be
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Kitty returns to New York City, where she takes up with Mark again, but she soon discovers that she is pregnant with Wyn's child. Wyn arranges to meet her, raising her hopes for a reconciliation, but they are dashed when she sees a newspaper announcement of Wyn's engagement to someone of his own
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Kitty Foyle is typical, in every aspect of the adaptation, of the daydream character of film characterization. The glamorizing process carries through from the casting of Ginger Rogers and the Hollywood wardrobe provided her, to such added incidents as Wyn renting an entire nightclub for a
532:"I am inclined to think that it's Miss Ginger alone who makes 'Kitty Foyle' a better-than-average film and Kitty herself a proper model for those hundreds of thousands of young things who will now be adding a touch of white to their neckline," 329:
disinherited if he does not remain in Philadelphia and work in the family banking business. Though Wyn is willing to give up his inheritance, she decides that he is not strong enough to deal with poverty. She walks out, and they are divorced.
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night...While the film retains a scene or two of Kitty's crowded apartment shared with two other girls, such scenes are played for comedy and no attempt is made to convey the day-to-day monotony and routine of the working girl.
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In 1951, in a series of articles examining film adaptation, Lester Asheim notes that some films "reproduce the costume, housing, and appearance of the novel's prototypes without softening or heightening," but that
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magazine republished a pictorial adaptation that the film's designers had used as models when creating the film. The cover featured Ginger Rogers as the Kitty Foyle character.
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wrote "Very good!...The story is simple but realistic; it has deep human appeal, a stirring romance, and delightful comedy bits; moreover, the performances are excellent."
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time. The film returns to the dilemma Kitty faced at its beginning. When she decides to marry Mark rather than Wyn, her life takes a new and more promising course.
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restrictions, but wrote of the protagonist that "Ginger Rogers plays her with as much forthright and appealing integrity as one can possibly expect."
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called it "one of the most human pictures that has been produced in Hollywood in many, many moons ... a triumph for Ginger Rogers."
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was RKO's top film for 1940, grossing $ 1,710,000 domestically and $ 675,000 foreign, and earning a profit of $ 869,000.
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social standing. She leaves without seeing him and receives a further blow when their baby dies at birth.
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for her portrayal of the title character, and the dress she wore in the film became known as a
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expressed disappointment that the story had been softened from the novel due to
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she is faking unconsciousness, playfully blackmails her into a first date.
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with a rich man she has loved for many years, the married Wyn Strafford (
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in a parade that precedes their annual Assembly Ball. Her father (
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Asheim, Lester (Summer 1951). "From Book to Film: Mass Appeals".
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shows the more typical "glamorizing" process of film adaptation:
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Films featuring a Best Actress Academy Award-winning performance
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was adapted as a radio play on the May 5, 1941 episode of
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The film was adapted from Christopher Morley's novel by
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December 18, 1940. p. 16 1941:Films with screenplays by Dalton Trumbo 772: 780: 778: 776: 286:boutique owned by Delphine Detaille ( 7: 1016:"Ginger Rogers' passion for fashion" 785:Jewell, Richard (August 12, 2006). 740:The story also was adapted into a 14: 1956:Films adapted into radio programs 916:. New York: 6. December 23, 1940. 229:, is a 1940 drama film starring 672:National Board of Review Awards 561:, taking the name of the film. 398:as Molly (as Katharine Stevens) 356:as Wynnewood 'Wyn' Strafford VI 35:The original 1940 cinema poster 1951:Films based on American novels 1906:American black-and-white films 440:as Man at Premier (uncredited) 368:as Giono (as Edward Ciannelli) 253:Academy Award for Best Actress 226:The Natural History of a Woman 1: 1468:The Re-Creation of Brian Kent 830:. 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Stevens 335: 331: 327: 323: 312: 308:Philadelphia 304:flashes back 277: 246: 225: 224: 216: 215: 214: 173:Running time 149:Release date 122:Henry Berman 64: 18: 1772:Kitty Foyle 1732:Stablemates 1205:Kitty Foyle 1193:Kitty Foyle 1181:Kitty Foyle 1163:Kitty Foyle 1150:Kitty Foyle 1139:Kitty Foyle 1128:Kitty Foyle 1117:Kitty Foyle 1025:February 7, 867:December 2, 712:Kitty Foyle 698:Adaptations 578:Nominee(s) 546:Kitty Foyle 534:John Mosher 494:Kitty Foyle 483:Kitty Foyle 426:Kay Linaker 360:James Craig 315:Main Liners 292:James Craig 248:Kitty Foyle 241:, based on 239:James Craig 217:Kitty Foyle 209:$ 2,385,000 177:108 minutes 102:James Craig 80:Produced by 66:Kitty Foyle 41:Directed by 24:Kitty Foyle 1891:1940 films 1885:Categories 1820:Guest Wife 1620:Prosperity 1452:The Female 1050:August 13, 1045:Oscars.org 972:(4): 341. 913:Film Daily 767:References 681:(also for 666:Nominated 651:Nominated 621:Nominated 606:Nominated 520:Film Daily 456:Stage Door 446:Production 390:Mary Treen 206:Box office 160:1940-12-27 70:1939 novel 1836:Heartbeat 1788:Kings Row 1724:Lord Jeff 1284:Sick Abed 986:1549-0076 895:March 23, 808:March 23, 797:(1): 55. 744:starring 733:starring 601:RKO Radio 575:Category 536:wrote in 478:Reception 222:subtitled 201:$ 738,000 164: (US) 118:Edited by 1756:Our Town 1708:Madame X 1324:The Snob 1248:Sam Wood 1144:AllMovie 1002:56138080 752:See also 617:Sam Wood 472:Sam Wood 190:Language 132:Roy Webb 128:Music by 90:Starring 61:Based on 45:Sam Wood 1748:Raffles 1684:Whipsaw 1492:Rookies 1153:at the 1131:at the 1077:July 5, 994:1209664 888:Variety 581:Result 514:Variety 496:trailer 193:English 182:Country 158: ( 1871:(1950) 1868:Ambush 1863:(1949) 1855:(1948) 1847:(1947) 1839:(1946) 1831:(1945) 1823:(1945) 1815:(1944) 1807:(1943) 1799:(1942) 1791:(1942) 1783:(1941) 1775:(1940) 1767:(1940) 1759:(1940) 1751:(1939) 1743:(1939) 1735:(1938) 1727:(1938) 1719:(1937) 1711:(1937) 1703:(1937) 1695:(1936) 1687:(1935) 1679:(1935) 1671:(1935) 1663:(1934) 1655:(1934) 1647:(1933) 1639:(1933) 1631:(1933) 1623:(1932) 1615:(1932) 1612:Huddle 1607:(1931) 1599:(1931) 1591:(1931) 1583:(1930) 1575:(1930) 1567:(1930) 1559:(1930) 1551:(1930) 1543:(1929) 1535:(1929) 1527:(1928) 1519:(1928) 1511:(1927) 1503:(1927) 1495:(1927) 1487:(1926) 1479:(1926) 1471:(1925) 1463:(1924) 1455:(1924) 1447:(1924) 1439:(1924) 1431:(1923) 1423:(1923) 1415:(1923) 1407:(1922) 1399:(1922) 1391:(1922) 1383:(1922) 1375:(1922) 1367:(1922) 1359:(1921) 1351:(1921) 1343:(1921) 1335:(1921) 1327:(1921) 1319:(1920) 1311:(1920) 1303:(1920) 1295:(1920) 1287:(1920) 1279:(1920) 1271:(1920) 1263:(1920) 1000:  992:  984:  834:  572:Award 392:as Pat 374:as Pop 237:, and 198:Budget 1444:Bluff 990:JSTOR 599:(for 1580:Paid 1122:IMDb 1098:Life 1079:2021 1052:2011 1027:2012 998:OCLC 982:ISSN 897:2022 869:2015 832:ISBN 810:2022 705:Life 691:Won 636:Won 466:and 341:Cast 263:Plot 1844:Ivy 1208:on 1196:on 1184:on 1166:at 1142:at 1120:at 974:doi 799:doi 504:of 72:by 1887:: 1095:. 1068:. 1043:. 1018:. 996:. 988:. 980:. 968:. 885:. 858:. 818:^ 795:14 793:. 789:. 775:^ 737:. 603:) 474:. 310:. 259:. 233:, 220:, 1239:e 1232:t 1225:v 1081:. 1054:. 1029:. 1004:. 976:: 970:5 899:. 871:. 840:. 812:. 801:: 731:, 687:) 162:)

Index


Sam Wood
Dalton Trumbo
Kitty Foyle
Christopher Morley
David Hempstead
Ginger Rogers
Dennis Morgan
James Craig
Robert De Grasse
Henry Berman
Roy Webb
RKO Radio Pictures
subtitled
Ginger Rogers
Dennis Morgan
James Craig
Christopher Morley
Kitty Foyle
Academy Award for Best Actress
Kitty Foyle dress

Ginger Rogers
Ginger Rogers
New York City
Odette Myrtil
James Craig
South America
Dennis Morgan
flashes back

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