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and also criticised for being too complicated and strained. This together with his growing disappointments with the left wing partly led to isolation. However he is probably still regarded as the most important new-thinker of Danish drama of the inter-war period. In
European dramatic literature he
204:" limited by old-fashioned conventions, and it is a fantasy about the mental emancipation of "the little man". A young, disrespectful attitude together with both lyric and imaginative dialogue has let it remain his most popular work. Some of its song lines have become classics.
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in that it utilizes non-verbal and unrealistic elements, undoubtedly inspired by ballet. The first production of this play was in 1935 in
Copenhagen followed by a production a year later in London by the
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Hailed in his prime as a fresh and humorous reformer, critic and teaser of Danish theatre and later respected for his anti-fascist attitudes. After the war Abell was accused of being a
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also takes place in the head of a man, while his former love is threatened by death. Again the message is to break one's isolation and to accept life. Abell died in
Copenhagen.
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occupation of
Denmark, Abell used his plays to protest the loss of freedom. Themes in these plays explore freedom and escapism as self-annihilation. These works include
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among Danish playwrights with his use of a flash back
Chinese box system and a growing use of symbols and parallel actions.
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both takes place among the
Olympic mythological goddesses and in the brain of a suicidal scientist, it warns against the
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Abell worked as a stagehand and a costume designer in Paris before he got his big break as a playwright in 1935 with
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191:, 1939), which is a playful comedy about spiritual disorientation in a technological society; it is also
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235:, 1943). Abell spent much of his time during the occupation in hiding due to his anti-Nazi activism.
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as a necessary means against tyranny and a criticism of passive
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Danish playwright, screenwriter, and theatrical designer
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and urge for death. Perhaps he is the first consequent
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Following the war many of his plays took on complex
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480:. 2. ed. Copenhagen, 1965 (entirely in Danish)
282:, English translation 1961). The much debated
120:(25 August 1901 – 5 March 1961) was a Danish
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457:The Cambridge Guide to Theatre
246:elements. These plays include
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362:Eva is Serving Her Child Duty
167:and c) criticism of post-war
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562:Sprinchorn, Evert, editor.
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187:1935, (English translation
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478:Dansk litteratur 1918-1952
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163:conventions, b) fighting
473:. Gloucester, Mass. 1976.
428:The Lady of the Camellias
268:The Lady of the Camellias
551:The Melody that Got Lost
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189:The Melody That Got Lost
523:Encyclopædia Britannica
462:Hartnoll, Phyllis, ed.
185:Melodien, der blev vœk
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455:Banham, Martin, ed.
146:Royal Danish Theatre
334:English Translation
202:white-collar worker
415:The Blue Pekingese
409:Den blå pekingeser
375:Anna Sophie Hedvig
369:Anna Sophie Hedvig
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260:The Blue Pekingese
256:Den blå pekingeser
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213:Anna Sophie Hedvig
108:Anna Sophie Hedvig
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57:(1961-03-05)
606:1961 deaths
601:1901 births
580:Kjeld Abell
471:Kjeld Abell
118:Kjeld Abell
23:Kjeld Abell
595:Categories
485:References
441:The Scream
288:atomic war
280:The Scream
142:Copenhagen
122:playwright
83:Occupation
62:Copenhagen
35:1901-08-25
317:in 1960.
304:Giraudoux
262:, 1954),
254:, 1947),
237:Silkeborg
179:Biography
173:modernist
169:pessimism
87:dramatist
244:mystical
221:humanism
217:violence
450:Sources
435:Skriget
308:Anouilh
276:Skriget
134:ballets
130:Denmark
66:Denmark
46:Denmark
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389:Judith
383:Judith
274:) and
227:, and
165:Nazism
150:London
111:(1939)
378:1944
351:1939
321:Works
272:Dumas
584:IMDb
531:ISBN
438:1961
425:1959
412:1954
399:1947
386:1940
372:1939
359:1936
345:1935
331:Year
328:Name
306:and
209:Nazi
148:and
126:Ribe
52:Died
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