284:, Bennett's most political to date, Bennett uses his signature silk-screening technique and serial formats to engage in a conversation surrounding institutional racism and continued disruption within the black community in America. Utilizing images of highly politicized figures and printing them in an orange color reminiscent of prison jumpsuits, Bennett identifies factual wrongdoing and abuse dating back to the 1930s.
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2015 marked the centennial of Coca-Cola's revolutionary bottle design. Bennett took this opportunity to celebrate not only the company but also Warhol's iconic image of the Coca-Cola bottle, updating the design to reflect its contemporary branding. Bennett first exhibited works from this series
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grabbing his groin, keeping the body and altering the meaning of the image by changing the face, Using historic and contemporary figures . In his new iteration of the image, Bennett emphasizes the defiance and courage of the icons he selects.
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who later announced his intention to run for public office. For
Bennett, this controversial image illustrates the perils of power as it pertains to both Eastern and Western political, cultural, and economic systems.
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and identity politics, that plague
American society. His production techniques, use of the same image in serial repetition, and even some of the images themselves, are inspired by
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The subject of
Bennett's art often surrounds appropriated photographs of famous creatives that he alters in different ways to emphasize social issues, like
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In 2012, Bennett began working with appropriation techniques and quotations of Warhol in his series
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139:, Bennett started collecting fine art and taught himself various production processes, including
631:"Kendrick Lamar Visits Knowledge Bennett's Art Series At Windmark Recording Studio | The Source"
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135:. In 2014, he relocated to Los Angeles. Motivated by an entrepreneurial spirit and interest in
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with contemporary and historical imagery. His provocative hybrid painting of
Chairman
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For this series, Bennett appropriates the famous 1989 photograph taken by
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581:"Knowledge Bennett reinterprets pop art in exhibit at Gallery Guichard"
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To maximize his political statement, Bennett combined an image of
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In 2016, Bennett exhibited several paintings from his
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and exhibited internationally at art fairs including
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585:Rolling Out
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192:gun control
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141:photography
137:art history
83:Los Angeles
41:Nationality
897:Categories
882:2018-03-31
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