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record of the color content in black and white was thereby created and could be reconstituted by projecting the film through an identical filter. The three colored stripes (red, green and blue-violet) of the filter had to be precisely oriented parallel to the film length. When an exposure was made, the varying proportion of each color reflected from the subject passed through the filter and was recorded on the film beneath each of the embossed lenticular bands as areas of strips in groups of three, each strip varying in density according to the received color value. (
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the film through the gate (frame-advance) requires additional time. The later Super
Sensitive Kodacolor could be used "outdoors in any good photographic light, and even indoors under favourable conditions." Because an iris diaphragm might interfere with the projected area of the filter bands, when exposure control was required in very bright light, it had to be accomplished with neutral density filters, which were provided as part of the filter set.
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While
Kodacolor was a popular color home movie format, it had several drawbacks. It was not possible to make duplicates, special film was necessary to shoot with, and while the additive image was colorful and clear, the greater light absorption from the use of additive filters required brighter light
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Filming required the camera to be used at f/1.9 only, so that the striped filter worked correctly. The original
Kodacolor film required an exposure of about a 1/30 second at f/1.9 in bright sunlight representing a film 'speed' (sensitivity) in modern terms of about 0.5 ISO. The physical movement of
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away from the lens. The film base was embossed along the length of the film with microscopic lenticular bands. These lenticles were precisely shaped to focus light directly onto the emulsion in parallel strips along the length of the film from three color strips in a filter placed over the lens. A
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To project the film a projector was required fitted with the
Kodacolor Projection Filter, which is identical in effect to the filter fitted to the camera. The black and white lenticular image on the film is reconstituted into a natural color picture on the screen. As with most color processes
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involving a lenticular image, the pattern intrudes as visible lines on the projected image. Due to the fact that each color band in the filter is sharp-cutting, two-thirds of the light from the projection source is absorbed, so there is noticeable light loss.
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Kodacolor: The Rosenberg Library Collection - Pageant of Pulchritude and Oleanders (1931).
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Film shot in lenticular
Kodacolor: 'Gardens at Aberthau', 1932, City of Vancouver Archives
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George
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Lenticular
Kodacolor was phased out after the introduction of 16 mm
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used similar principles, but had the filter as part of the film itself).
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Forever 16: Kodak celebrates 80 years of 16 mm film
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290:black-and-white film stock, oriented with the
258:brand was originally associated with an early
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16:For other uses of the "Kodacolor" brand, see
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166:introducing citations to additional sources
57:Learn how and when to remove these messages
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372:, kodak.com. Article retrieved 2006-12-02.
359:, kodak.com. Article retrieved 2006-12-02.
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235:Learn how and when to remove this message
122:Learn how and when to remove this message
156:Relevant discussion may be found on the
98:by replacing them with more appropriate
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81:too closely associated with the subject
357:Chronology of MP Films - 1889 to 1939
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1361:You Press the Button, We Do the Rest
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1285:Kodak v. Image Technical Services
404:Texas Archive of the Moving Image
38:This article has multiple issues.
274:. The process was based on the
149:relies largely or entirely on a
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79:may rely excessively on sources
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270:, first introduced in 1928 for
46:or discuss these issues on the
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942:Kodacolor (still photography)
278:system of color photography.
268:color motion picture process
693:Z712 IS ZOOM digital camera
286:The process used a special
177:"Kodacolor" filmmaking
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328:List of color film systems
18:Kodacolor (disambiguation)
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1388:Film and video technology
718:Cine Special 16mm Cameras
333:Color motion picture film
1393:Kodak photographic films
1008:Carousel slide projector
688:Z612 Zoom Digital Camera
473:ESL Federal Credit Union
1355:Union of Kodak Workers
1339:Eastman Color Positive
1334:Eastman Color Negative
937:Kodacolor (filmmaking)
1226:Eastman Business Park
1180:Leopold Godowsky Jr.
1053:Kodacolor Technology
1013:Cinema Digital Sound
398:George Eastman House
162:improve this article
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1241:Kodak Park Railroad
963:High-Speed Infrared
1185:Thomas J. Hargrave
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1367:Sponsorships
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1195:Kenneth Mees
1121:The Brownies
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927:Eastmancolor
446:Subsidiaries
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288:panchromatic
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94:Please help
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40:Please help
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1270:Court cases
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1073:Picture CD
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906:Ektachrome
796:Instamatic
713:Ciné-Kodak
549:400 series
544:300 series
344:References
338:Dufaycolor
316:Kodachrome
297:Dufaycolor
260:lenticular
188:newspapers
96:improve it
86:verifiable
43:improve it
1302:Processes
1132:standards
1088:Starmatic
1058:Kodascope
1043:KAF-10500
1028:Ektaprint
806:Starflash
739:Retinette
594:EasyShare
584:Pro SLR/n
579:Pro SLR/c
497:DC series
272:16mm film
256:Kodacolor
158:talk page
100:citations
49:talk page
1098:Versamat
1023:Colorama
744:Kodak 35
322:See also
292:emulsion
218:May 2015
112:May 2015
1348:Related
1083:S-mount
1048:Keykode
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956:B&W
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1107:Media
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706:Movie
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559:D6000
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505:DC215
209:JSTOR
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181:news
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