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The typical hemispherical shape with an angled "offset" lip and a low foot of only 1–2 cm height was an Attic development. The interior of the cups is black, only a narrow stripe or band below the lip is left in the base clay colour. The foot and the exterior of the handles are also black. The
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first specimens were quite large, but throughout the period of their production, the cups became gradually smaller. The most important painters of Komast cups formed the so-called
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The name is derived from the artists' preferred theme, the
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65:) is a cup shape at the beginning of the development of
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72:. Komast cups were widespread especially in
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230:Griechische Vasenmalerei. Eine Einführung
232:, Theiss, Stuttgart 2002, p. 108f.
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105:as its most significant member.
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406:Ancient Greek pot shapes
365:Brygos cup of Würzburg
123:"Beazley, Komast Cups"
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380:Oxford Palmette Class
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291:Chalcidianising cup
360:Berlin Foundry Cup
350:Typology of shapes
306:Little-master cups
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42:Komast cup by the
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31:Attic komast cup,
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16:(Redirected from
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375:Merrythought cup
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200:. Archived from
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44:Falmouth Painter
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173:"Beazley, Cups"
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148:"Beazley, Cups"
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93:vase painting.
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204:on 2017-11-08
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70:drinking cups
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296:Dionysus Cup
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220:Bibliography
206:. Retrieved
202:the original
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181:. Retrieved
177:the original
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156:. Retrieved
152:the original
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131:. Retrieved
127:the original
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99:Comast Group
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324:Gordion cup
101:, with the
370:Komast cup
329:Kassel cup
208:2016-07-12
183:2016-07-12
158:2016-07-12
133:2016-07-12
109:References
103:KX Painter
63:Comast cup
59:Komast cup
53:BC, Louvre
51: 560
18:Komast Cup
385:Siana cup
319:Droop cup
400:Category
314:Band cup
283:Eye-cups
91:Etruscan
334:Lip cup
275:Kylikes
78:Corinth
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61:(also
33:Louvre
343:Other
86:kōmos
74:Ionia
67:Attic
234:ISBN
76:and
57:The
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