596:'s music scene, had built an electronic violin that intrigued Schneider. Flür was an interior design student who had drummed for a Düsseldorf band called The Beathovens. Flür stated he found initial jam sessions with the group somewhat strange but soon developed a rapport with his bandmates. Conny Plank is credited as the engineer on the album but he had a key contribution to its sound. Roeder later stated: "Plank played a decisive role. He mixed everything and assembled individual sounds into a whole. That was, I believe the last time that Conny did that. He then told me he did know what Kraftwerk would sound like when he was no longer there."
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dimension to most our musical lives." Van Matre described the title track as "an impression of the sounds and sensory perceptions of the road, at times nerve-wracking, at times as repetitious as the center dividing strip, but chiefly hypnotic"; and called the track "by far the finest and most accessible thing on the album". Van Matre also said the remaining tracks on the album are "more experimental, less catchy – but it makes the whole thing worthwhile". Some critics such as Gerry Baker of
605:
1020:, he called his initial reaction "a bad mistake, a grave injustice and a sad example of the rock snobbery I always bemoan in others". Provick said the album "works on two levels – as pleasing background atmosphere" and "upon closer listening as lovely escape route for the mind", finding "Kraftwerk opting for calm competence rather than spectacular gimmickry – a nice change in the world of electronic music". Gary Deane of
704:"Autobahn" was co-written by Schult, whom Hütter asked to write some lyrics. The song's lyrics are in German; Schneider reflected on this, stating: "Part of our music is derived from the feeling of our language ... our method of speaking is interrupted, hard-edged if you want; a lot of consonants and noises". According to Hütter, their language was used like a musical instrument; he said: "we are not singers in the sense of
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music background, and they moved to pop music by adding lyrics because "There is no pop music without lyrics apparently". The change in musical direction was influenced by Schult, who was not trained as a musician but has an ear for melody and chose effective parts of improvised sessions, and led Hütter and
Schneider to explore by simplifying their own musical sessions. There are very few vocals on
1323:, saying the title track is its main attraction and called the tracks "freckled with warmth: sunny vocal harmonies ("...mit Glitzerstrahl"), a carefree flute solo (Schneider) and clever modulations (denoting gear-changes) to break the tension", Cavanagh called the remastering of the album a fiasco, and said it is worse than the compact discs previously released by EMI.
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and some of their earlier material. The group had difficulties with their initial road crew, who were fired and replaced during the
American tour. Issues also arose with the group's equipment; synthesizers had to be turned on in the afternoon to be tuned for the evening, and lighting from rigs was
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was
Kraftwerk's "most ambitious and coherent to date", and that the track "Autobahn" is repetitive due to its running time but added: "the effect is deliberate and the periodic familiarly of the Autobahn's scenery keeps the work together as a whole. It's really quite fascinating and offers a new
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to release both the single and the album in the US. The single cut of "Autobahn" became an international hit song in early 1975; only a small portion of the song was played on top-40 radio. The single version of "Autobahn" is three-and-a-half minutes long; Hütter stated cutting down the track was
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music. The album was recorded primarily on synthesizer and drum machine, with occasional flute and guitar. Brocker commented on the group's simple melodies and harmonies suggest pop music. According to Bartos, the group's change in style occurred because Hütter and
Schneider came from a classical
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in 1975, "far too often much of what has been profferred has been either boring, painfully self-indulgent, or just plain painful". In comparison, Van Matre found "Autobahn" to be "what you might call middle-of-the-road electronics". Comparing the albums sounds to the group's earlier work, Michael
948:, "omething like that doesn't even deserve to be released". Flür said of the album's initial critical reception: "In Germany, artists are often not well regarded unless they've scored great achievements abroad" and "Our success in the US finally brought good headlines in the German newspapers".
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was generally ignored by the mainstream German music press. The group invited members of the German rock press to drive with them and played "Autobahn" from the car's speakers. Schult recalled the general response from these journalists was an emphatic "So what!" The only major publication that
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is not as strong as
Kraftwerk's four subsequent albums but that it has "enormous historical significance". Witter said: "In the glam era of glitter and guitars, Kraftwerk were four besuited squares playing keyboards", and that the group was "Mentally and sonically decades ahead of their
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region, which is symbolized by the flute in the song. Other sounds of road travel are heard throughout the song; according to Hütter, the group included "car sounds, horns, basic melodies and tuning motors. Adjusting the suspension and tyre pressure, rolling on the asphalt, that gliding
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I had the feeling that it was changing. For the first time, it was music that was impossible to touch – not being made up with the usual components of rock." Codenys said the music was made by only one person, which helped encourage him to make music on his own. Music critic
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42:
545:, Karl Dallas noted Kraftwerk's music and look were "as far as you get from the Gothic romanticism of Tangerine Dream" and that "visually they also present a completely different image", comparing Tangerine Dream's Froese's "untidy red locks", and bandmates
858:. Kraftwerk toured the US for three months, starting in April 1975. The US tour was followed by a seventeen-date tour of the UK in September. Bartos noted poor ticket sales for the British shows, recalling the group played to mostly empty halls in
944:, in which reviewer Hans-Joachim Krüger called the album "varied, and above all entertaining jaunt which particularly impresses listeners wearing headphones". In a review of a later Kraftwerk album, a reviewer credited as "N.N." said of
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on any subsequent album in the 1970s but were one of the most commercially successful groups in their style, selling well throughout Europe. Hütter and
Schneider later dismissed Kraftwerk's earlier music; according to Hütter,
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680:, stating it was an "exciting experience that makes you run through a huge variety of feelings. We tried to convey through music what it felt like." Flür later described "Autobahn" as a journey from Düsseldorf to
708:, we use our voices as another instrument. Language is just another pattern of rhythm, it is one part of our unified sound." In a 1991 interview, Hütter stated that there was no expectations for the release of
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records." In 2014, it was inducted into the Grammy Hall of Fame, a diverse collection to represent historically significant recordings that reflect the changing climate of music through the decades.
738:" ("Morning Walk") was influenced by the group's early morning walk when leaving their studio after late-night sessions, when they observed the silence of their surroundings. The two-part "
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is when
Kraftwerk's muzak-of-the-sphere starts to matter". Reynolds said the title track "sounds like a pastoral symphony, even as it hymns the exhilaration of cruising down the freeway".
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539:, consulted the band on their themes and image. This led to Kraftwerk having small, carefully staged promotional images for the rest of their career. In a 1975 interview published in
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simple because it was "loosely constructed, so making a short version was easy because you don't have to worry so much about boundaries and continuity". Following the popularity of
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as the third of the group's three-album deal with the label. The album was released in the United States in
January 1975, and the group's first album to be released in the US.
961:. Rogers cited examples such as Barry Miles' live review of the band that was titled "This is what your fathers fought to save you from", and an interview between Hütter and
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radio station, leading it to spread across the United States. In 1975, the song became an international hit and
Kraftwerk's first release of their music in the US. "Autobahn"
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You've gone crazy!'. We just put records out and see what happens, otherwise we'd end up over-calculating this or that." The album's four other tracks are shorter
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was released on CD, digital download and heavyweight vinyl in
October–November 2009. The beginning of Kometenmelodie 2 was moved to the end of Kometenmelodie 1.
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music", referencing the pioneering electronic soundtrack to the television series. Hütter stated in 1975 Kraftwerk got the idea for the album by driving on the
1343:, noting tracks on the album are a showcase for Kraftwerk's "gift for simple, wistful melodies" but said the themes explored on the album were done better on
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as an influence. Bowie said: "the preponderance of electronic instruments convinced me that this was an area that I had to investigate a little further".
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included the album in their "Honorable Mentions" sections of their year-end lists. Later reception was unanimously enthusiastic; Simon Witter wrote in
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was digitally remastered for released on CD, LP and cassette in 1985. In 2009, Kraftwerk remastered and released eight of their albums, including
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At the end of 1974, Kraftwerk had a short tour in West Germany; where the group remained a quartet, retaining Wolfgang Flür and hiring
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with a blue-and-white motorway logo rather than Schult's painted cover. The UK cover became the default sleeve on later reissues.
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1960:
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first heard Kraftwerk's "Autobahn" when working at record store in high school; he later used a medley of the group's songs for "
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424:. Other critics found the track "Autobahn" hypnotic and arresting for its imagery of driving on the autobahn. Critics from the
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370:", featuring lyrics by Schneider, Hütter, and Schult. The song was inspired by the group's joy of driving on Germany's
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Kraftwerk later signed with EMI to establish the Kling Klang company. This worldwide licensing deal placed them with
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but said it was made "for unmitigated simpletons, sort of, and yet in my mitigated way I don't entirely disapprove".
637:; critic Van Matre described the album as "simply an impression of the sounds and sensory perceptions of the road".
4724:
4159:
3789:"Kraftwerk: Autobahn (1974), Radio-Activity (1975), Trans Europe Express (1977), The Man-Machine (1978) (Mute/EMI)"
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heralded the future of music, and said "Autobahn" was the bridge between five minutes of unchanging rhythms of
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sound—phhhwwtphhhwwt—when the wheels go onto those painted stripes. It's sound poetry, and also very dynamic."
446:
said the album is where Kraftwerk's music really starts to matter. Musicians of the 1970s and 1980s, including
426:
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3999:
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Brocker, Carsten (2011). "5. Kraftwerk: Technology and Composition". In Albiez, Sean; Pattie, David (eds.).
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radio station was the first to play the single release of "Autobahn", which it had received as an import.
484:, electronic music did not develop a popular following in the United States with a few exceptions such as
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strong enough to put the instruments out of tune. They also experienced problems with the differences in
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1469:, critic Michael Hooker noted the increasing interest in synthesizer composition since the release of
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775:
374:, and recorded music that reflected a trip emulating the sounds of a vehicle. The album's release in
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1303:(1995): "Esoterics will claim they prefer the first three albums: they're excellent, but truthfully
565:
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1948:
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662:), specifically referencing a modern version of German regional musical traditions rather than the
531:. Kraftwerk became more conscious of their visual image and, under the guidance of their associate
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for Germany, Austria and Switzerland, EMI in the United Kingdom, Vertigo in the United States and
319:. The album marked several personnel changes in the band, which was initially a duo consisting of
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4424:"Techno-Rock: Six Teutons And What Do You Get — A Programmed Sequencer And The Doppler Effect"
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1493:, and led him to starting thinking about adding voices on tracks; he said: "on Harmonia's
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the album is a "pop landmark" and a "blueprint for their entire enterprise". Tom Ewing of
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included the album in their honorable mentions on their lists of the best albums of 1975.
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saw little press attention. "Autobahn" was released as a single and received airplay at a
367:
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was "really the first", and Schneider called the earlier music "history, archaeology".
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printed Bangs' interview, a photograph of the group was superimposed over an image of a
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1987:
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Florian Schneider – voice, vocoder, electronics, synthesizer, flute, electronic drums
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and said that the route included musical pieces such as the industrial sounds of the
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on percussion. The album also completed the group's transition from the experimental
79:
3965:"Kraftwerk, Autobahn and New Era of Electronic Music: "It's Like an Artificial Joke"
3940:"Kraftwerk, Autobahn and New Era of Electronic Music: "It's Like an Artificial Joke"
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was Conny Plank's final work with Kraftwerk. At the home studio where he worked on
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According to Kraftwerk biographer Uwe Schütte, on its initial release in Germany,
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was made on Plank's equipment. Accompanying Schneider and Hütter on the album are
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in which Bangs asked if Kraftwerk were "the final solution" for music. When the
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4261:
Robins, Wayne (28 December 1975). "Here Are the Best From the Class of 1975".
1527:
1466:
958:
842:, who replaced Roeder in the group. Bartos was a 22-year old music student at
672:
624:, Kraftwerk completed the transition from their earlier style of experimental
213:
106:
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3303:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 170.
612:
stated the album was influenced by the excitement of driving on the autobahn.
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and peaked at number 5 on 3 May 1975. In the UK, the album was released by
241:
830:(1973). Philips released "Kometenmelodie 2" as the album's second single.
4343:
4007:
3487:
1685:
1544:
1413:, which was released in 1975. Kraftwerk did not repeat the high sales of
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gave the album a negative review, finding it not as good as the music of
677:
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also includes lyrics and a new look for the group that was suggested by
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whose music was based around sophisticated jam sessions. When I bought
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In early 1974, like their German contemporaries, Kraftwerk purchased a
432:
379:
89:
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Barker, Gerry (28 December 1975). "Year End Brings Best Album List".
1861:
Ralf Hütter – voice, electronics, synthesizer, organ, piano, guitar,
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contemporaries", noting their unique rhythms, textures and melodies.
815:
in New Jersey imported a large quantity of the studio album, leading
4389:
Modulations: A History of Electronic Music: Throbbing Words on Sound
850:. Bartos had played percussion at concerts in Germany with works by
3694:
Calder, Jeff (11 November 1977). "Andrea Remains True to Herself".
2988:
2986:
535:, they began redesigning their look. Schult, who had studied under
4094:
Hooker, Michael (30 July 1976). "Crosby and Nash Subtly Growing".
1551:. Author Thomas Jerome Seabrook named the album among the "finest
1540:
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synthesizer, which they used alongside customized versions of the
386:
success led to the band touring the United States with new member
49:
3267:(Vinyl side B label). EMI-Parlophone. 1985. AUTO 1/EJ 24 0070 1B.
940:
covered the album was the November 1974 issue of German magazine
712:, and that "We played it to our friends, and a few of them said '
416:
who felt the music was inferior to earlier electronic music from
4968:
1522:, in the early 1970s most "creative groups, were virtuosos like
1451:
846:, Düsseldorf, who was hoping to become a percussionist with the
685:
390:, who replaced Röder, followed by a tour of the United Kingdom.
4526:
3633:"Kraftwerk Announce Massive Eight-Disc Box Set, Reissue Series"
4456:
1285:
967:
580:'s new studio in a farmhouse outside Cologne. The majority of
438:
3660:. Translated by Patterson, Michael. Continuum International.
1564:
All tracks are written by Ralf Hütter & Florian Schneider
1349:. Other later album reviews, such as a four-star rating from
881:
During the tour, the material consisted mostly of music from
824:
in the US, Vertigo also released Kraftwerk's earlier album
4522:
4103:
Hunt, Dennis (28 December 1975). "Cruising with Kraftwerk".
1886:
4275:"Why Kraftwerk Are Still The World's Most Influential Band"
1857:
The 2009 remaster contained further changes and additions:
999:
gave the album a C+ rating, comparing it with the music of
3030:
3028:
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was initially hesitant about the group, stating he mocked
4218:
Provick, Bill (24 April 1975). "Autobahn Fine Cruising".
2871:
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2425:
2423:
2421:
2419:
2406:
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989:, who "hasn't been in the Top Ten in months and months".
4408:"Electronic Album 'Autobahn' Making Clangor on Airwaves"
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Wolfgang Flür – electronic drums on "Kometenmelodie 1–2"
3488:"British album certifications – Kraftwerk – Autobahn"
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and the 24-hour concerts by avant-garde musicians like
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valley, the conveyor belts of the mining towns such as
670:. In Britain, electronic music was popularly known as "
442:
the album is of "enormous historical significance" and
3452:"French album certifications – Kraftwerk – Autobahn"
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3367:(in Dutch). Hung Medien. Retrieved 18 February 2017.
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2699:
2697:
2695:
2517:
2515:
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1430:, Plank later worked with groups and artists such as
1337:
commented positively on the album in their review of
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called some English-language responses to the album
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4083:Hooker, Michael (3 November 1975). "Pop Briefs".
1806:– vocals, electronics, music, concept, production
1800:– vocals, electronics, music, concept, production
1365:Christgau upgraded his initial ranking of C+ for
640:Hütter repeatedly described Kraftwerk's music as
4193:"Album Review: Kraftwerk – Autobahn: Remastered"
366:Most of the album is taken up by the 22-minute "
2130:Shipments figures based on certification alone.
1788:Credits adapted from the original album label.
1379:"...a landmark in avant-garde pop minimalism".
3988:Deane, Gary (11 April 1975). "Deane's Discs".
2992:
1874:Klaus Röder – electric violin on "Mitternacht"
1201:
732:, which passed by Earth in 1973. Hütter said "
4538:
397:was mixed; it received negative reviews from
8:
4387:(2000). "Hip-Hop". In Shapiro, Peter (ed.).
3349:"Offiziellecharts.de – Kraftwerk – Autobahn"
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765:was released in Germany in November 1974 by
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641:
498:. According to critic Lynn Van Matre of the
343:sound consisting mostly of synthesizers and
3429:. Hung Medien. Retrieved 18 February 2017.
3379:. Hung Medien. Retrieved 18 February 2017.
3185:Bowie in Berlin: A New Career in a New Town
2962:
2126:Sales figures based on certification alone.
647:
592:on percussion. Roeder, who was a member of
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4545:
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3560:"Top Billboard 200 Albums – Year-End 1975"
3441:. Hung Medien. Retrieved 22 October 2020.
3427:"Swedishcharts.com – Kraftwerk – Autobahn"
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3513:"RPM Top 100 of 1975 – December 27, 1975"
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1877:Johann Zambryski – artwork reconstruction
3926:1001 Albums You Must Hear Before You Die
3439:"Swisscharts.com – Kraftwerk – Autobahn"
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3004:
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1499:you can hear an echo of that". Producer
1372:1001 Albums You Must Hear Before You Die
572:was recorded at the group's home studio
515:is more traditional compared to that of
450:, cited the album as a major influence.
363:, an associate of Schneider and Hütter.
351:facility, but was predominantly made at
3365:"Dutchcharts.nl – Kraftwerk – Autobahn"
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2566:
2554:
2494:
2453:
2441:
2429:
2410:
2354:
2306:
2269:
2197:
2122:
1769:
1665:
1391:Kraftwerk performing "Autobahn" in 2013
1355:and a three-and-a-half star rating in
1016:at first, but upon listening to it and
347:. Recording started at the group's own
3215:
3169:
3082:
3058:
2950:
2938:
2732:
2705:
2533:
2521:
2482:
2330:
2318:
2252:
527:rather than the "monotonous pulse" of
4352:. No. 192. London. p. 110.
3919:Dalton, Stephen (2005). "Kraftwerk -
3787:Clayton-Lea, Tony (30 October 2009).
3157:
3106:
3046:
2926:
2860:
2813:
2801:
2774:
2759:
2747:
2686:
2618:
2581:
2506:
2395:
2383:
2366:
2342:
1770:
1741:"Kometenmelodie 2" ("Comet Melody 2")
1730:"Kometenmelodie 1" ("Comet Melody 1")
1666:
1637:"Kometenmelodie 2" ("Comet Melody 2")
1626:"Kometenmelodie 1" ("Comet Melody 1")
1056:
908:
744:" was described as "post-psychedelic
307:is the fourth studio album by German
7:
5049:Albums produced by Florian Schneider
4491:from the original on 30 January 2022
4464:from the original on 30 January 2022
4435:from the original on 30 January 2022
4322:Kraftwerk: Future Music from Germany
4288:from the original on 30 January 2022
4178:from the original on 30 January 2022
4140:"Gear Rundown: Kraftwerk's Autobahn"
4116:Larsen, Crystal (18 December 2014).
4070:from the original on 30 January 2022
4041:from the original on 30 January 2022
4014:from the original on 30 January 2022
3906:from the original on 30 January 2022
3877:from the original on 30 January 2022
3822:Coleman, Mark; Randall, Mac (2004).
3643:from the original on 30 January 2022
3618:from the original on 30 January 2022
3142:
3019:
2977:
2717:
2630:
2207:
1763:"Morgenspaziergang" ("Morning Walk")
1659:"Morgenspaziergang" ("Morning Walk")
494:and the works of fellow German band
4346:(November 2009). "Gut Vibrations".
4118:"Grammy Hall Of Fame Class of 2015"
3963:Dalton, Stephen (19 August 2016b).
3938:Dalton, Stephen (19 August 2016a).
3607:"Kraftwerk: 2 a.m. Newcastle Hotel"
3604:Barton, Geoff (20 September 1975).
2162:German Albums (Offizielle Top 100)
1450:, as well as German groups such as
1283:In 1985, Simon Witter wrote in the
1203:
728:" ("Comet Melody") was inspired by
474:, who had released an album titled
4421:Walker, Jeff (15 September 1978).
3861:Dallas, Karl (27 September 1975).
3570:from the original on 10 April 2021
3540:from the original on 17 April 2021
3377:"Charts.nz – Kraftwerk – Autobahn"
798:, as part of a compilation called
773:charted in the US for 22 weeks on
339:style of their earlier work to an
29:1974 studio album by Kraftwerk
25:
4406:Van Matre, Lynn (23 April 1975).
4054:Hemingway, David (October 2003).
3836:The New Rolling Stone Album Guide
3677:Kraftwerk: Man, Machine and Music
1403:in France. Kraftwerk followed-up
1358:The New Rolling Stone Album Guide
1253:
1196:The New Rolling Stone Album Guide
1165:
1127:
1077:
975:. Among contemporaneous reviews,
620:, Carsten Brocker said that with
608:The Autobahn in Germany in 2007.
568:King drum machines on the album.
4992:
4991:
4272:Rogers, Jude (27 January 2013).
4191:Power, Chris (12 October 2009).
3182:Seabrook, Thomas Jerome (2008).
1272:
1267:
1262:
1257:
1252:
1222:
1217:
1212:
1207:
1202:
1184:
1179:
1174:
1169:
1164:
1146:
1141:
1136:
1131:
1126:
1096:
1091:
1086:
1081:
1076:
4367:Depeche Mode: Some Great Reward
3631:Breihan, Tom (19 August 2009).
3389:"Official Albums Chart Top 100"
3301:Australian Chart Book 1970–1992
1840:Barbara Niemoller – photography
315:, released in November 1974 by
5054:Albums produced by Ralf Hütter
4027:Ewing, Tom (1 December 2009).
3890:Dalton, Stephen (April 2004).
3864:"Kraftwerk: Synthetic Rockers"
3417:. Retrieved 18 February 2017.
3395:. Retrieved 18 February 2017.
2154:Canadian Albums (RPM Top 100)
1699:
1610:
1573:
1:
4499:– via Rock's Backpages.
4477:Witter, Simon (6 June 1991).
4472:– via Rock's Backpages.
4448:Witter, Simon (6 July 1985).
4443:– via Rock's Backpages.
4303:German Pop Music: A Companion
4296:– via Rock's Backpages.
4239:Spin Alternative Record Guide
4186:– via Rock's Backpages.
4138:McNiece, Sam (14 June 2021).
4078:– via Rock's Backpages.
3914:– via Rock's Backpages.
3885:– via Rock's Backpages.
3626:– via Rock's Backpages.
3492:British Phonographic Industry
3355:. Retrieved 6 November 2020.
3324:"Top RPM Albums: Issue 3949a"
3188:. Jawbone Press. p. 85.
1300:Spin Alternative Record Guide
1234:Spin Alternative Record Guide
5059:Electroacoustic music albums
5044:1970s German-language albums
3923:". In Dimery, Robert (ed.).
3759:"Christgau's Consumer Guide"
3739:. Rowman & Littlefield.
3530:"Top 100 Album-Jahrescharts"
2058:
2046:
2020:
1994:
1980:
1965:
1953:
1941:
1929:
3334:Library and Archives Canada
1845:The 1985 re-release added:
5075:
4725:Tour de France Soundtracks
4369:. Sidgwick & Jackson.
4057:"Kraftwerk: Tour de Force"
3405:"Kraftwerk Chart History (
3336:. Retrieved 4 April 2022.
2993:Coleman & Randall 2004
1752:"Mitternacht" ("Midnight")
1648:"Mitternacht" ("Midnight")
1489:had an impact on his band
1369:to a B−. In the 2005 book
1313:gave the 2009 remaster of
844:Robert Schumann Hochschule
588:on violin and guitar, and
480:in October 1973. Prior to
4986:
4560:
4391:. Caipirnha Productions.
4107:. p. 67 – via
3658:Kraftwerk: Music Non-Stop
2169:
2161:
2153:
2148:
2145:
2123:
2108:
2093:
2085:
2082:
2079:
2051:
2039:
2032:
2029:
2013:
2006:
2003:
1985:
1970:
1958:
1946:
1934:
1920:
1908:
1901:
1898:
1865:, artwork reconstruction.
1759:
1748:
1737:
1726:
1711:
1703:
1655:
1644:
1633:
1622:
1614:
1585:
1577:
1473:. Other artists, such as
1064:
1061:
916:
913:
848:Berlin Symphony Orchestra
715:Fahren auf der Autobahn!?
618:Kraftwerk: Music Non-Stop
553:'s "long, lank tresses".
454:Background and production
331:on guitar and flute, and
327:; later, the group added
296:
266:
251:
239:
235:
226:
189:
39:
4232:(1995). "Kraftwerk". In
4000:Erlewine, Stephen Thomas
3893:"Kraftwerk: OK Computer"
3737:Experiencing David Bowie
3596:Fort Worth Star-Telegram
3353:GfK Entertainment Charts
2235:"Great Rock Discography"
2221:"Great Rock Discography"
1375:, Stephen Dalton called
1034:Fort Worth Star-Telegram
951:In 2013, Jude Rogers of
458:Prior to the release of
427:Fort Worth Star-Telegram
4365:Thompson, Dave (1995).
4236:; Marks, Craig (eds.).
3393:Official Charts Company
1921:Canada Top Albums/CDs (
899:Contemporaneous reviews
783:Top LPs and Tapes chart
643:Industrielle Volksmusik
279:Released: February 1975
246:2009 remastered edition
5034:Vertigo Records albums
5029:Philips Records albums
4004:"Autobahn – Kraftwerk"
3679:. SAF Publishing Ltd.
3675:Bussy, Pascal (2004).
1392:
1317:a five-star rating in
740:
734:
724:
714:
642:
613:
4451:"Kraftwerk: Autobahn"
4320:Schütte, Uwe (2020).
4301:Schütte, Uwe (2017).
4165:"Kraftwerk: Autobahn"
3735:Chapman, Ian (2015).
3710:"Kraftwerk: Reissues"
3454:(in French). InfoDisc
1390:
1052:Retrospective ratings
1047:Retrospective reviews
852:Karlheinz Stockhausen
666:sound of groups like
657:industrial folk music
607:
393:Initial reception to
5039:1970s concept albums
4831:Trans-Europe Express
4685:Trans-Europe Express
4480:"Kraftwerk: Robopop"
4413:The Bradenton Herald
3975:on 20 September 2016
3840:Simon & Schuster
3249:(Album back cover).
1959:New Zealand Albums (
1346:Trans-Europe Express
1037:and Wayne Robins of
1006:Bill Provick of the
904:Contemporary ratings
748:" by Chris Power in
4887:Tour de France 2003
3931:Cassell Illustrated
3285:. 2009. CDSTUMM303.
3253:. 1974. SRM-1-1154.
3235:. 1974. SRM-1-1154.
2076:
2054:Schweizer Hitparade
1823:Additional personal
1606:
1569:
1053:
905:
890:between countries.
860:Newcastle-upon-Tyne
564:Rhythm Unit 10 and
511:noted the music of
288:Released: July 1975
4946:Kling Klang Studio
4873:The Telephone Call
4585:Falk Grieffenhagen
4519:(list of releases)
4221:The Ottawa Citizen
3950:on 8 December 2018
3722:on 5 December 2010
2995:, pp. 468–69.
2656:on 29 January 2020
2075:
2042:Offizielle Top 100
1937:Offizielle Top 100
1909:Australia Albums (
1899:Chart (1974–1975)
1604:
1567:
1393:
1051:
903:
874:, Birmingham, and
614:
551:Christopher Franke
285:"Kometenmelodie 2"
5006:
5005:
4982:
4981:
4752:3-D The Catalogue
4628:Fernando Abrantes
4593:Florian Schneider
4335:978-0-14-198675-3
4312:978-3-11-042571-0
4267:. pp. 20–21.
4205:on 26 August 2011
4105:Los Angeles Times
4096:Los Angeles Times
4086:Los Angeles Times
3764:The Village Voice
3755:Christgau, Robert
3746:978-1-4422-3751-3
3697:The Tampa Tribune
3667:978-1-4411-6507-7
3534:GfK Entertainment
3281:(Booklet notes).
3231:(Vinyl sticker).
3195:978-1-906002-08-4
2188:
2187:
2181:
2180:
2136:
2135:
2131:
2127:
2063:
2062:
2025:
2024:
2016:Sverigetopplistan
1999:
1998:
1911:Kent Music Report
1804:Florian Schneider
1780:
1779:
1676:
1675:
1600:
1599:
1461:In his review of
1281:
1280:
933:
932:
924:The Village Voice
735:Morgenspaziergang
668:Throbbing Gristle
508:Los Angeles Times
468:Florian Schneider
321:Florian Schneider
300:
299:
231:Alternative cover
222:
221:
169:Florian Schneider
16:(Redirected from
5066:
5024:Kraftwerk albums
4995:
4994:
4926:
4866:Musique Non-Stop
4661:Ralf und Florian
4547:
4540:
4533:
4524:
4500:
4498:
4496:
4482:
4473:
4471:
4469:
4453:
4444:
4442:
4440:
4426:
4417:
4402:
4380:
4361:
4339:
4316:
4297:
4295:
4293:
4277:
4268:
4257:
4225:
4214:
4212:
4210:
4201:. Archived from
4198:Drowned in Sound
4187:
4185:
4183:
4167:
4162:(19 June 1975).
4160:Mendelsohn, John
4155:
4153:
4151:
4142:. Archived from
4134:
4132:
4130:
4112:
4099:
4090:
4079:
4077:
4075:
4063:Record Collector
4059:
4050:
4048:
4046:
4023:
4021:
4019:
3995:
3984:
3982:
3980:
3971:. Archived from
3959:
3957:
3955:
3946:. Archived from
3934:
3915:
3913:
3911:
3895:
3886:
3884:
3882:
3866:
3857:
3838:(4th ed.).
3832:Hoard, Christian
3828:Brackett, Nathan
3818:
3816:
3814:
3805:. Archived from
3783:
3781:
3779:
3757:(7 April 1975).
3750:
3731:
3729:
3727:
3718:. Archived from
3701:
3690:
3671:
3652:
3650:
3648:
3627:
3625:
3623:
3609:
3600:
3580:
3579:
3577:
3575:
3556:
3550:
3549:
3547:
3545:
3526:
3520:
3519:
3517:
3509:
3503:
3502:
3500:
3498:
3484:
3478:
3476:
3463:
3461:
3459:
3448:
3442:
3436:
3430:
3424:
3418:
3402:
3396:
3386:
3380:
3374:
3368:
3362:
3356:
3346:
3337:
3321:
3315:
3314:
3293:
3287:
3286:
3275:
3269:
3268:
3261:
3255:
3254:
3243:
3237:
3236:
3225:
3219:
3213:
3207:
3206:
3204:
3202:
3179:
3173:
3167:
3161:
3155:
3146:
3140:
3134:
3128:
3122:
3116:
3110:
3104:
3098:
3092:
3086:
3080:
3074:
3068:
3062:
3056:
3050:
3044:
3038:
3032:
3023:
3017:
3008:
3002:
2996:
2990:
2981:
2975:
2966:
2963:Clayton-Lea 2009
2960:
2954:
2948:
2942:
2936:
2930:
2924:
2918:
2912:
2903:
2897:
2891:
2885:
2879:
2873:
2864:
2858:
2849:
2843:
2834:
2828:
2817:
2811:
2805:
2799:
2790:
2784:
2778:
2772:
2763:
2757:
2751:
2745:
2736:
2730:
2721:
2715:
2709:
2703:
2690:
2684:
2678:
2672:
2666:
2665:
2663:
2661:
2652:. Archived from
2640:
2634:
2628:
2622:
2616:
2597:
2591:
2585:
2579:
2570:
2564:
2558:
2552:
2537:
2531:
2525:
2519:
2510:
2509:, p. 55–56.
2504:
2498:
2492:
2486:
2480:
2469:
2463:
2457:
2451:
2445:
2439:
2433:
2427:
2414:
2408:
2399:
2393:
2387:
2381:
2370:
2364:
2358:
2352:
2346:
2340:
2334:
2328:
2322:
2316:
2310:
2304:
2298:
2292:
2273:
2267:
2256:
2250:
2239:
2238:
2231:
2225:
2224:
2217:
2211:
2205:
2143:
2129:
2125:
2109:United Kingdom (
2077:
2027:
2014:Swedish Albums (
2001:
1896:
1887:
1863:electronic drums
1853:on "Mitternacht"
1837:– Cover painting
1818:– violin, guitar
1773:
1701:
1696:
1669:
1612:
1607:
1575:
1570:
1509:Afrika Bambaataa
1277:
1276:
1275:
1271:
1270:
1266:
1265:
1261:
1260:
1256:
1255:
1227:
1226:
1225:
1221:
1220:
1216:
1215:
1211:
1210:
1206:
1205:
1189:
1188:
1187:
1183:
1182:
1178:
1177:
1173:
1172:
1168:
1167:
1151:
1150:
1149:
1145:
1144:
1140:
1139:
1135:
1134:
1130:
1129:
1108:Drowned in Sound
1101:
1100:
1099:
1095:
1094:
1090:
1089:
1085:
1084:
1080:
1079:
1054:
1018:Ralf and Florian
997:Robert Christgau
906:
827:Ralf and Florian
751:Drowned in Sound
743:
737:
727:
720:electro-acoustic
717:
696:, and the rural
664:industrial music
661:
658:
655:
652:
649:
645:
513:Ralf und Florian
486:Michael Oldfield
477:Ralf und Florian
414:Robert Christgau
411:
385:
309:electronic music
289:
286:
280:
277:
244:
196:Ralf and Florian
191:
190:
136:
135:
131:
44:
32:
21:
18:Kometenmelodie 2
5074:
5073:
5069:
5068:
5067:
5065:
5064:
5063:
5009:
5008:
5007:
5002:
4978:
4957:
4917:
4912:Minimum-Maximum
4899:
4804:
4777:
4758:
4744:Minimum-Maximum
4731:
4693:The Man-Machine
4632:
4579:Henning Schmitz
4556:
4551:
4507:
4494:
4492:
4476:
4467:
4465:
4447:
4438:
4436:
4420:
4416:. p. A-14.
4405:
4399:
4383:
4377:
4364:
4342:
4336:
4319:
4313:
4300:
4291:
4289:
4271:
4260:
4254:
4230:Reynolds, Simon
4228:
4217:
4208:
4206:
4190:
4181:
4179:
4158:
4149:
4147:
4146:on 29 June 2021
4137:
4128:
4126:
4115:
4102:
4093:
4082:
4073:
4071:
4053:
4044:
4042:
4029:"The Catalogue"
4026:
4017:
4015:
3998:
3991:The Leader-Post
3987:
3978:
3976:
3962:
3953:
3951:
3937:
3918:
3909:
3907:
3889:
3880:
3878:
3860:
3850:
3821:
3812:
3810:
3794:The Irish Times
3786:
3777:
3775:
3753:
3747:
3734:
3725:
3723:
3706:Cavanagh, David
3704:
3693:
3687:
3674:
3668:
3655:
3646:
3644:
3630:
3621:
3619:
3603:
3592:
3589:
3584:
3583:
3573:
3571:
3558:
3557:
3553:
3543:
3541:
3528:
3527:
3523:
3515:
3511:
3510:
3506:
3496:
3494:
3486:
3485:
3481:
3474:
3457:
3455:
3450:
3449:
3445:
3437:
3433:
3425:
3421:
3403:
3399:
3387:
3383:
3375:
3371:
3363:
3359:
3347:
3340:
3322:
3318:
3311:
3295:
3294:
3290:
3277:
3276:
3272:
3263:
3262:
3258:
3251:Mercury Records
3245:
3244:
3240:
3233:Mercury Records
3227:
3226:
3222:
3214:
3210:
3200:
3198:
3196:
3181:
3180:
3176:
3168:
3164:
3156:
3149:
3141:
3137:
3129:
3125:
3117:
3113:
3105:
3101:
3093:
3089:
3081:
3077:
3069:
3065:
3057:
3053:
3045:
3041:
3033:
3026:
3018:
3011:
3003:
2999:
2991:
2984:
2976:
2969:
2961:
2957:
2949:
2945:
2937:
2933:
2925:
2921:
2913:
2906:
2900:Mendelsohn 1975
2898:
2894:
2886:
2882:
2874:
2867:
2859:
2852:
2844:
2837:
2829:
2820:
2812:
2808:
2800:
2793:
2785:
2781:
2773:
2766:
2758:
2754:
2746:
2739:
2731:
2724:
2716:
2712:
2704:
2693:
2685:
2681:
2673:
2669:
2659:
2657:
2642:
2641:
2637:
2629:
2625:
2617:
2600:
2592:
2588:
2580:
2573:
2565:
2561:
2553:
2540:
2532:
2528:
2520:
2513:
2505:
2501:
2493:
2489:
2481:
2472:
2464:
2460:
2452:
2448:
2440:
2436:
2428:
2417:
2409:
2402:
2394:
2390:
2382:
2373:
2365:
2361:
2353:
2349:
2341:
2337:
2329:
2325:
2317:
2313:
2305:
2301:
2293:
2276:
2268:
2259:
2251:
2242:
2233:
2232:
2228:
2219:
2218:
2214:
2206:
2199:
2194:
2189:
2141:
2139:Year-end charts
2128:
2087:Certified units
2073:
2067:
2040:German Albums (
2034:
2008:
1935:German Albums (
1903:
1894:
1884:
1851:electric violin
1844:
1825:
1794:
1786:
1781:
1771:
1682:
1677:
1667:
1601:
1561:
1516:Patrick Codenys
1477:, began noting
1385:
1352:The Irish Times
1273:
1268:
1263:
1258:
1223:
1218:
1213:
1208:
1185:
1180:
1175:
1170:
1147:
1142:
1137:
1132:
1120:The Irish Times
1097:
1092:
1087:
1082:
1049:
1023:The Leader-Post
977:John Mendelsohn
973:Nuremberg rally
901:
896:
836:
817:Vertigo Records
767:Philips Records
760:
659:
656:
653:
650:
602:
521:Morton Subotnik
501:Chicago Tribune
496:Tangerine Dream
456:
409:
383:
317:Philips Records
292:
287:
284:
283:
278:
271:
270:
247:
217:
208:
199:
133:
129:
128:
112:electroacoustic
65:1 November 1974
57:
30:
23:
22:
15:
12:
11:
5:
5072:
5070:
5062:
5061:
5056:
5051:
5046:
5041:
5036:
5031:
5026:
5021:
5011:
5010:
5004:
5003:
5001:
5000:
4987:
4984:
4983:
4980:
4979:
4977:
4976:
4971:
4965:
4963:
4959:
4958:
4956:
4955:
4948:
4943:
4938:
4932:
4930:
4923:
4919:
4918:
4916:
4915:
4907:
4905:
4901:
4900:
4898:
4897:
4890:
4883:
4876:
4869:
4862:
4859:Tour de France
4855:
4848:
4841:
4834:
4827:
4820:
4812:
4810:
4806:
4805:
4803:
4802:
4794:
4785:
4783:
4779:
4778:
4776:
4775:
4766:
4764:
4760:
4759:
4757:
4756:
4748:
4739:
4737:
4733:
4732:
4730:
4729:
4721:
4713:
4705:
4701:Computer World
4697:
4689:
4681:
4677:Radio-Activity
4673:
4665:
4657:
4649:
4640:
4638:
4634:
4633:
4631:
4630:
4625:
4620:
4618:Michael Rother
4615:
4610:
4605:
4600:
4595:
4589:
4588:
4581:
4576:
4569:
4561:
4558:
4557:
4552:
4550:
4549:
4542:
4535:
4527:
4521:
4520:
4506:
4505:External links
4503:
4502:
4501:
4474:
4445:
4418:
4403:
4397:
4381:
4375:
4362:
4340:
4334:
4317:
4311:
4305:. De Gruyter.
4298:
4269:
4258:
4252:
4234:Weisbard, Eric
4226:
4215:
4188:
4156:
4135:
4113:
4109:Newspapers.com
4100:
4091:
4080:
4051:
4024:
3996:
3985:
3960:
3935:
3916:
3887:
3858:
3848:
3819:
3809:on 2 July 2017
3784:
3751:
3745:
3732:
3702:
3691:
3685:
3672:
3666:
3653:
3628:
3601:
3599:. p. 3-F.
3588:
3585:
3582:
3581:
3551:
3521:
3504:
3479:
3443:
3431:
3419:
3397:
3381:
3369:
3357:
3338:
3316:
3309:
3288:
3270:
3256:
3238:
3220:
3208:
3194:
3174:
3162:
3147:
3145:, p. 115.
3135:
3123:
3121:, p. 124.
3111:
3099:
3095:Hemingway 2003
3087:
3075:
3063:
3061:, p. 318.
3051:
3039:
3037:, p. 216.
3024:
3009:
3007:, p. 215.
2997:
2982:
2967:
2955:
2943:
2931:
2919:
2904:
2892:
2880:
2878:, p. 298.
2865:
2850:
2835:
2831:Christgau 1975
2818:
2806:
2791:
2779:
2764:
2752:
2737:
2722:
2710:
2691:
2679:
2667:
2635:
2623:
2598:
2586:
2571:
2559:
2538:
2526:
2511:
2499:
2487:
2470:
2458:
2446:
2444:, p. 105.
2434:
2432:, p. 104.
2415:
2413:, p. 103.
2400:
2388:
2371:
2359:
2347:
2335:
2323:
2311:
2299:
2295:Van Matre 1975
2274:
2257:
2240:
2237:. p. 471.
2226:
2223:. p. 471.
2212:
2196:
2195:
2193:
2190:
2186:
2185:
2179:
2178:
2175:
2167:
2166:
2163:
2159:
2158:
2155:
2151:
2150:
2147:
2140:
2137:
2134:
2133:
2121:
2120:
2117:
2114:
2106:
2105:
2102:
2099:
2091:
2090:
2084:
2081:
2072:
2071:Certifications
2069:
2064:
2061:
2060:
2057:
2052:Swiss Albums (
2049:
2048:
2045:
2037:
2036:
2031:
2023:
2022:
2019:
2011:
2010:
2005:
1997:
1996:
1993:
1983:
1982:
1979:
1968:
1967:
1964:
1956:
1955:
1952:
1947:Dutch Albums (
1944:
1943:
1940:
1932:
1931:
1928:
1918:
1917:
1914:
1906:
1905:
1900:
1893:
1890:
1885:
1883:
1880:
1879:
1878:
1875:
1872:
1869:
1866:
1855:
1854:
1849:Klaus Röder –
1842:
1841:
1838:
1832:
1824:
1821:
1820:
1819:
1813:
1807:
1801:
1793:
1790:
1785:
1782:
1778:
1777:
1774:
1768:
1767:
1764:
1761:
1757:
1756:
1753:
1750:
1746:
1745:
1742:
1739:
1735:
1734:
1731:
1728:
1724:
1723:
1720:
1713:
1709:
1708:
1705:
1702:
1694:
1681:
1678:
1674:
1673:
1670:
1664:
1663:
1660:
1657:
1653:
1652:
1649:
1646:
1642:
1641:
1638:
1635:
1631:
1630:
1627:
1624:
1620:
1619:
1616:
1613:
1602:
1598:
1597:
1594:
1587:
1583:
1582:
1579:
1576:
1562:
1560:
1557:
1483:Michael Rother
1444:The Eurythmics
1410:Radio-Activity
1384:
1381:
1311:David Cavanagh
1295:Simon Reynolds
1279:
1278:
1249:
1241:
1240:
1237:
1229:
1228:
1199:
1191:
1190:
1161:
1153:
1152:
1123:
1115:
1114:
1111:
1103:
1102:
1073:
1067:
1066:
1063:
1059:
1058:
1048:
1045:
1009:Ottawa Citizen
931:
930:
927:
919:
918:
915:
911:
910:
900:
897:
895:
892:
888:mains voltages
856:Mauricio Kagel
835:
832:
759:
756:
741:Kometenmelodie
730:Comet Kohoutek
725:Kometenmelodie
694:Castrop-Rauxel
630:electronic pop
601:
598:
566:Vox Percussion
505:Hooker of the
455:
452:
444:Simon Reynolds
341:electronic pop
298:
297:
294:
293:
291:
290:
281:
267:
264:
263:
253:
252:
249:
248:
245:
237:
236:
233:
232:
228:
227:
224:
223:
220:
219:
210:
201:
187:
186:
179:
178:
177:
176:
171:
164:
158:
157:
152:
146:
145:
142:
138:
137:
126:
122:
121:
120:
119:
114:
109:
107:Electronic pop
102:
96:
95:
94:
93:
83:
71:
67:
66:
63:
59:
58:
53:
46:
45:
37:
36:
28:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5071:
5060:
5057:
5055:
5052:
5050:
5047:
5045:
5042:
5040:
5037:
5035:
5032:
5030:
5027:
5025:
5022:
5020:
5017:
5016:
5014:
4999:
4998:
4989:
4988:
4985:
4975:
4972:
4970:
4967:
4966:
4964:
4960:
4954:
4953:
4949:
4947:
4944:
4942:
4939:
4937:
4934:
4933:
4931:
4927:
4924:
4920:
4914:
4913:
4909:
4908:
4906:
4902:
4895:
4891:
4888:
4884:
4881:
4877:
4874:
4870:
4867:
4863:
4860:
4856:
4853:
4852:Computer Love
4849:
4846:
4842:
4839:
4835:
4832:
4828:
4825:
4824:Radioactivity
4821:
4818:
4814:
4813:
4811:
4807:
4800:
4799:
4798:The Catalogue
4795:
4792:
4791:
4787:
4786:
4784:
4780:
4773:
4772:
4768:
4767:
4765:
4761:
4754:
4753:
4749:
4746:
4745:
4741:
4740:
4738:
4734:
4727:
4726:
4722:
4719:
4718:
4714:
4711:
4710:
4709:Electric Café
4706:
4703:
4702:
4698:
4695:
4694:
4690:
4687:
4686:
4682:
4679:
4678:
4674:
4671:
4670:
4666:
4663:
4662:
4658:
4655:
4654:
4650:
4647:
4646:
4642:
4641:
4639:
4637:Studio albums
4635:
4629:
4626:
4624:
4621:
4619:
4616:
4614:
4611:
4609:
4606:
4604:
4603:Wolfgang Flür
4601:
4599:
4596:
4594:
4591:
4590:
4587:
4586:
4582:
4580:
4577:
4575:
4574:
4573:Fritz Hilpert
4570:
4568:
4567:
4563:
4562:
4559:
4555:
4548:
4543:
4541:
4536:
4534:
4529:
4528:
4525:
4518:
4514:
4513:
4509:
4508:
4504:
4490:
4486:
4481:
4475:
4463:
4459:
4458:
4452:
4446:
4434:
4430:
4425:
4419:
4415:
4414:
4409:
4404:
4400:
4398:1-891024-06-X
4394:
4390:
4386:
4382:
4378:
4376:0-283-06243-6
4372:
4368:
4363:
4359:
4355:
4351:
4350:
4345:
4341:
4337:
4331:
4327:
4326:Penguin Books
4323:
4318:
4314:
4308:
4304:
4299:
4287:
4283:
4282:
4276:
4270:
4266:
4265:
4259:
4255:
4253:0-679-75574-8
4249:
4245:
4244:Vintage Books
4241:
4240:
4235:
4231:
4227:
4224:. p. 73.
4223:
4222:
4216:
4204:
4200:
4199:
4194:
4189:
4177:
4173:
4172:
4171:Rolling Stone
4166:
4161:
4157:
4145:
4141:
4136:
4125:
4124:
4123:Grammy Awards
4119:
4114:
4110:
4106:
4101:
4098:. p. 14.
4097:
4092:
4089:. p. 13.
4088:
4087:
4081:
4069:
4065:
4064:
4058:
4052:
4040:
4036:
4035:
4030:
4025:
4013:
4009:
4005:
4001:
3997:
3994:. p. 16.
3993:
3992:
3986:
3974:
3970:
3966:
3961:
3949:
3945:
3941:
3936:
3932:
3928:
3927:
3922:
3917:
3905:
3901:
3900:
3894:
3888:
3876:
3872:
3871:
3865:
3859:
3855:
3851:
3849:0-7432-0169-8
3845:
3841:
3837:
3833:
3829:
3825:
3820:
3808:
3804:
3800:
3796:
3795:
3790:
3785:
3774:
3770:
3766:
3765:
3760:
3756:
3752:
3748:
3742:
3738:
3733:
3721:
3717:
3716:
3711:
3707:
3703:
3700:. p. 11.
3699:
3698:
3692:
3688:
3686:0-946719-70-5
3682:
3678:
3673:
3669:
3663:
3659:
3654:
3642:
3638:
3634:
3629:
3617:
3613:
3608:
3602:
3598:
3597:
3591:
3590:
3586:
3569:
3565:
3561:
3555:
3552:
3539:
3535:
3532:(in German).
3531:
3525:
3522:
3514:
3508:
3505:
3493:
3489:
3483:
3480:
3477:
3470:
3466:
3453:
3447:
3444:
3440:
3435:
3432:
3428:
3423:
3420:
3416:
3415:
3410:
3408:
3401:
3398:
3394:
3390:
3385:
3382:
3378:
3373:
3370:
3366:
3361:
3358:
3354:
3351:(in German).
3350:
3345:
3343:
3339:
3335:
3331:
3330:
3325:
3320:
3317:
3312:
3310:0-646-11917-6
3306:
3302:
3298:
3292:
3289:
3284:
3280:
3274:
3271:
3266:
3260:
3257:
3252:
3248:
3242:
3239:
3234:
3230:
3224:
3221:
3217:
3212:
3209:
3197:
3191:
3187:
3186:
3178:
3175:
3171:
3166:
3163:
3160:, p. 62.
3159:
3154:
3152:
3148:
3144:
3139:
3136:
3132:
3127:
3124:
3120:
3115:
3112:
3109:, p. 70.
3108:
3103:
3100:
3096:
3091:
3088:
3084:
3079:
3076:
3073:, p. 76.
3072:
3067:
3064:
3060:
3055:
3052:
3048:
3043:
3040:
3036:
3035:Reynolds 1995
3031:
3029:
3025:
3021:
3016:
3014:
3010:
3006:
3005:Reynolds 1995
3001:
2998:
2994:
2989:
2987:
2983:
2979:
2974:
2972:
2968:
2964:
2959:
2956:
2952:
2947:
2944:
2940:
2935:
2932:
2928:
2923:
2920:
2916:
2911:
2909:
2905:
2901:
2896:
2893:
2890:, p. 65.
2889:
2884:
2881:
2877:
2872:
2870:
2866:
2863:, p. 58.
2862:
2857:
2855:
2851:
2848:, p. 64.
2847:
2842:
2840:
2836:
2832:
2827:
2825:
2823:
2819:
2816:, p. 67.
2815:
2810:
2807:
2804:, p. 66.
2803:
2798:
2796:
2792:
2789:, p. 72.
2788:
2783:
2780:
2777:, p. 65.
2776:
2771:
2769:
2765:
2762:, p. 64.
2761:
2756:
2753:
2750:, p. 63.
2749:
2744:
2742:
2738:
2734:
2729:
2727:
2723:
2720:, p. 67.
2719:
2714:
2711:
2707:
2702:
2700:
2698:
2696:
2692:
2689:, p. 61.
2688:
2683:
2680:
2676:
2671:
2668:
2655:
2651:
2650:
2645:
2639:
2636:
2633:, p. 66.
2632:
2627:
2624:
2621:, p. 69.
2620:
2615:
2613:
2611:
2609:
2607:
2605:
2603:
2599:
2596:, p. 63.
2595:
2590:
2587:
2583:
2578:
2576:
2572:
2568:
2563:
2560:
2556:
2551:
2549:
2547:
2545:
2543:
2539:
2535:
2530:
2527:
2523:
2518:
2516:
2512:
2508:
2503:
2500:
2497:, p. 55.
2496:
2491:
2488:
2484:
2479:
2477:
2475:
2471:
2468:, p. 19.
2467:
2466:Thompson 1995
2462:
2459:
2456:, p. 86.
2455:
2450:
2447:
2443:
2438:
2435:
2431:
2426:
2424:
2422:
2420:
2416:
2412:
2407:
2405:
2401:
2398:, p. 57.
2397:
2392:
2389:
2386:, p. 56.
2385:
2380:
2378:
2376:
2372:
2369:, p. 54.
2368:
2363:
2360:
2356:
2351:
2348:
2345:, p. 52.
2344:
2339:
2336:
2332:
2327:
2324:
2320:
2315:
2312:
2309:, p. 60.
2308:
2303:
2300:
2296:
2291:
2289:
2287:
2285:
2283:
2281:
2279:
2275:
2272:, p. 42.
2271:
2266:
2264:
2262:
2258:
2254:
2249:
2247:
2245:
2241:
2236:
2230:
2227:
2222:
2216:
2213:
2209:
2204:
2202:
2198:
2191:
2184:
2176:
2173:
2168:
2164:
2160:
2156:
2152:
2146:Chart (1975)
2144:
2138:
2132:
2118:
2115:
2112:
2107:
2103:
2100:
2097:
2092:
2088:
2083:Certification
2078:
2070:
2068:
2065:
2055:
2050:
2043:
2038:
2030:Chart (2020)
2028:
2017:
2012:
2004:Chart (1985)
2002:
1992:
1990:
1984:
1977:
1973:
1969:
1962:
1957:
1950:
1949:Album Top 100
1945:
1938:
1933:
1926:
1925:
1919:
1915:
1912:
1907:
1897:
1892:Weekly charts
1891:
1889:
1888:
1881:
1876:
1873:
1870:
1867:
1864:
1860:
1859:
1858:
1852:
1848:
1847:
1846:
1839:
1836:
1833:
1830:
1827:
1826:
1822:
1817:
1814:
1811:
1810:Wolfgang Flür
1808:
1805:
1802:
1799:
1796:
1795:
1791:
1789:
1783:
1775:
1772:Total length:
1765:
1762:
1758:
1754:
1751:
1747:
1743:
1740:
1736:
1732:
1729:
1725:
1721:
1718:
1714:
1710:
1697:
1693:
1691:
1687:
1679:
1671:
1668:Total length:
1661:
1658:
1654:
1650:
1647:
1643:
1639:
1636:
1632:
1628:
1625:
1621:
1608:
1595:
1592:
1588:
1584:
1571:
1565:
1559:Track listing
1558:
1556:
1554:
1550:
1546:
1542:
1538:
1533:
1529:
1525:
1521:
1517:
1514:According to
1512:
1510:
1506:
1502:
1498:
1497:
1492:
1488:
1484:
1480:
1476:
1472:
1468:
1464:
1459:
1457:
1453:
1449:
1445:
1441:
1437:
1433:
1429:
1425:
1421:
1416:
1412:
1411:
1406:
1402:
1401:Pathé-Marconi
1398:
1389:
1382:
1380:
1378:
1374:
1373:
1368:
1364:
1360:
1359:
1354:
1353:
1348:
1347:
1342:
1341:
1340:The Catalogue
1336:
1332:
1331:
1326:
1322:
1321:
1316:
1312:
1308:
1306:
1302:
1301:
1297:wrote in the
1296:
1291:
1288:
1287:
1250:
1248:
1247:
1243:
1242:
1238:
1236:
1235:
1231:
1230:
1200:
1198:
1197:
1193:
1192:
1162:
1160:
1159:
1155:
1154:
1124:
1122:
1121:
1117:
1116:
1112:
1110:
1109:
1105:
1104:
1074:
1072:
1069:
1068:
1060:
1057:Review scores
1055:
1046:
1044:
1042:
1041:
1036:
1035:
1029:
1025:
1024:
1019:
1015:
1011:
1010:
1004:
1002:
1001:Mike Oldfield
998:
994:
993:
992:Village Voice
988:
984:
983:
982:Rolling Stone
978:
974:
970:
969:
964:
960:
956:
955:
949:
947:
943:
938:
928:
926:
925:
921:
920:
912:
909:Review scores
907:
898:
893:
891:
889:
884:
879:
877:
873:
869:
865:
861:
857:
853:
849:
845:
841:
833:
831:
829:
828:
823:
818:
814:
810:
805:
803:
802:
801:The Catalogue
797:
793:
789:
785:
784:
779:
777:
772:
768:
764:
757:
755:
753:
752:
747:
742:
736:
731:
726:
721:
716:
711:
707:
702:
699:
695:
691:
687:
683:
679:
675:
674:
669:
665:
644:
638:
636:
631:
627:
623:
619:
611:
606:
599:
597:
595:
591:
590:Wolfgang Flür
587:
583:
579:
575:
571:
567:
563:
559:
554:
552:
548:
547:Peter Baumann
544:
543:
538:
534:
530:
526:
522:
518:
514:
510:
509:
503:
502:
497:
493:
492:
491:Tubular Bells
487:
483:
479:
478:
473:
469:
466:consisted of
465:
461:
453:
451:
449:
445:
441:
440:
435:
434:
429:
428:
423:
422:Mike Oldfield
419:
415:
408:
407:
406:Village Voice
402:
401:
400:Rolling Stone
396:
391:
389:
381:
377:
373:
369:
364:
362:
358:
354:
350:
346:
345:drum machines
342:
338:
334:
333:Wolfgang Flür
330:
326:
322:
318:
314:
310:
306:
305:
295:
282:
275:
269:
268:
265:
262:
258:
254:
250:
243:
238:
234:
229:
225:
216:
215:
211:
207:
206:
202:
198:
197:
193:
192:
188:
184:
180:
175:
172:
170:
167:
166:
165:
163:
159:
156:
153:
151:
147:
143:
139:
127:
123:
118:
115:
113:
110:
108:
105:
104:
103:
101:
97:
91:
87:
84:
81:
77:
74:
73:
72:
68:
64:
60:
56:
51:
47:
43:
38:
33:
27:
19:
4990:
4974:Organisation
4950:
4910:
4796:
4788:
4769:
4763:Compilations
4750:
4742:
4723:
4715:
4707:
4699:
4691:
4683:
4675:
4668:
4667:
4659:
4651:
4643:
4613:Klaus Dinger
4583:
4578:
4571:
4564:
4510:
4493:. Retrieved
4484:
4466:. Retrieved
4455:
4437:. Retrieved
4428:
4411:
4388:
4366:
4347:
4321:
4302:
4290:. Retrieved
4281:The Observer
4279:
4262:
4238:
4219:
4207:. Retrieved
4203:the original
4196:
4180:. Retrieved
4169:
4148:. Retrieved
4144:the original
4127:. Retrieved
4121:
4104:
4095:
4084:
4072:. Retrieved
4061:
4043:. Retrieved
4032:
4016:. Retrieved
3989:
3977:. Retrieved
3973:the original
3968:
3952:. Retrieved
3948:the original
3943:
3925:
3920:
3908:. Retrieved
3897:
3879:. Retrieved
3870:Melody Maker
3868:
3852:– via
3835:
3811:. Retrieved
3807:the original
3792:
3778:23 September
3776:. Retrieved
3767:. New York.
3762:
3736:
3724:. Retrieved
3720:the original
3713:
3695:
3676:
3657:
3645:. Retrieved
3636:
3620:. Retrieved
3611:
3594:
3572:. Retrieved
3563:
3554:
3542:. Retrieved
3524:
3507:
3495:. Retrieved
3482:
3472:
3468:
3464:
3456:. Retrieved
3446:
3434:
3422:
3413:
3406:
3400:
3384:
3372:
3360:
3327:
3319:
3300:
3291:
3283:Mute Records
3278:
3273:
3264:
3259:
3246:
3241:
3228:
3223:
3211:
3199:. Retrieved
3184:
3177:
3165:
3138:
3133:, p. 5.
3131:Dalton 2016b
3126:
3119:Chapman 2015
3114:
3102:
3090:
3078:
3071:Schütte 2020
3066:
3054:
3042:
3000:
2958:
2946:
2934:
2922:
2915:Provick 1975
2895:
2888:Schütte 2020
2883:
2876:Schütte 2020
2846:Schütte 2020
2809:
2787:Schütte 2020
2782:
2755:
2713:
2682:
2675:Breihan 2009
2670:
2658:. Retrieved
2654:the original
2647:
2638:
2626:
2594:Schütte 2020
2589:
2567:Dalton 2016b
2562:
2557:, p. 4.
2555:Dalton 2016a
2529:
2502:
2495:Schütte 2020
2490:
2461:
2454:Schütte 2017
2449:
2442:Brocker 2011
2437:
2430:Brocker 2011
2411:Brocker 2011
2391:
2362:
2355:McNiece 2021
2350:
2338:
2326:
2314:
2307:Schütte 2020
2302:
2270:Schütte 2020
2229:
2215:
2182:
2171:
2124:
2066:
1988:
1922:
1856:
1843:
1829:Konrad Plank
1812:– percussion
1787:
1689:
1683:
1563:
1531:
1524:King Crimson
1518:of the band
1513:
1501:Arthur Baker
1494:
1486:
1478:
1470:
1462:
1460:
1432:Killing Joke
1427:
1423:
1419:
1414:
1408:
1404:
1394:
1376:
1370:
1366:
1362:
1356:
1350:
1344:
1338:
1328:
1318:
1314:
1309:
1304:
1298:
1289:
1284:
1282:
1244:
1232:
1194:
1156:
1118:
1106:
1038:
1032:
1027:
1021:
1017:
1013:
1007:
1005:
990:
987:Wendy Carlos
980:
966:
963:Lester Bangs
954:The Observer
952:
950:
945:
941:
936:
934:
922:
882:
880:
837:
825:
821:
806:
799:
795:
791:
781:
774:
770:
762:
761:
749:
709:
703:
671:
639:
634:
621:
617:
616:In the book
615:
586:Klaus Roeder
581:
569:
555:
542:Melody Maker
540:
537:Joseph Beuys
528:
525:Edgar Froese
516:
512:
506:
499:
489:
481:
475:
459:
457:
437:
431:
425:
418:Wendy Carlos
404:
398:
394:
392:
376:West Germany
365:
356:
303:
302:
301:
260:
212:
204:
203:
194:
50:Studio album
26:
5019:1974 albums
4941:Conny Plank
4936:Discography
4904:Videography
4894:Aerodynamik
4736:Live albums
4653:Kraftwerk 2
4623:Klaus Röder
4608:Emil Schult
4598:Karl Bartos
4566:Ralf Hütter
4495:16 November
4468:15 November
4439:20 November
4385:Toop, David
4292:16 November
4182:15 November
4129:9 September
4074:16 November
4045:28 November
4018:16 November
3979:23 November
3954:23 November
3910:15 November
3881:17 November
3854:Archive.org
3824:"Kraftwerk"
3726:16 November
3647:20 November
3622:20 November
3497:25 February
3458:25 February
3297:Kent, David
3216:Larsen 2014
3170:Calder 1977
3083:Walker 1978
3059:Dalton 2005
2951:Robins 1975
2939:Barker 1975
2733:Hooker 1976
2706:Rogers 2013
2660:17 November
2644:"Kraftwerk"
2534:Witter 1991
2522:Barton 1975
2483:Dalton 2004
2331:Dallas 1975
2319:Hooker 1975
2253:Witter 1985
1835:Emil Schult
1816:Klaus Röder
1798:Ralf Hütter
1688:edition of
1549:Terry Riley
1537:Simon Frith
1505:Planet Rock
1475:David Bowie
864:Bournemouth
840:Karl Bartos
813:Jem Records
706:Rod Stewart
610:Ralf Hütter
578:Conny Plank
574:Kling Klang
533:Emil Schult
472:Ralf Hütter
448:David Bowie
388:Karl Bartos
361:Emil Schult
355:'s studio.
353:Conny Plank
349:Kling Klang
329:Klaus Röder
325:Ralf Hütter
174:Ralf Hütter
88:'s Studio (
76:Kling Klang
5013:Categories
4952:Tone Float
4838:The Robots
4771:Exceller 8
4150:11 January
3929:. London:
3797:. Dublin.
3469:and click
3158:Bussy 2004
3107:Bussy 2004
3047:Ewing 2009
2927:Deane 1975
2861:Bussy 2004
2814:Bussy 2004
2802:Bussy 2004
2775:Bussy 2004
2760:Bussy 2004
2748:Bussy 2004
2687:Bussy 2004
2619:Bussy 2004
2582:Power 2009
2507:Bussy 2004
2396:Bussy 2004
2384:Bussy 2004
2367:Bussy 2004
2343:Bussy 2004
2192:References
1831:– engineer
1686:remastered
1465:(1976) by
959:xenophobic
862:, London,
673:Doctor Who
594:Düsseldorf
214:Exceller 8
185:chronology
80:Düsseldorf
4880:Expo 2000
4845:The Model
4790:Klang Box
4645:Kraftwerk
4554:Kraftwerk
4358:1351-0193
4344:Snow, Mat
4034:Pitchfork
3803:0791-5144
3773:0042-6180
3637:Pitchfork
3564:Billboard
3467:KRAFTWERK
3414:Billboard
3407:Billboard
3143:Toop 2000
2978:Snow 2009
2718:Hunt 1975
2649:Billboard
2631:Hunt 1975
2172:Billboard
2149:Position
2035:position
2009:position
1989:Billboard
1972:UK Albums
1904:position
1792:Kraftwerk
1553:kosmische
1520:Front 242
1463:Sequencer
1440:Brian Eno
1397:Electrola
1335:Pitchfork
1327:wrote in
894:Reception
876:Liverpool
788:Phonogram
776:Billboard
746:kosmische
722:pieces. "
626:krautrock
464:Kraftwerk
412:s critic
372:autobahns
337:krautrock
313:Kraftwerk
261:Autobahn
183:Kraftwerk
117:kosmische
55:Kraftwerk
4997:Category
4929:Articles
4817:Autobahn
4782:Box sets
4669:Autobahn
4512:Autobahn
4489:Archived
4462:Archived
4433:Archived
4429:Waxpaper
4286:Archived
4176:Archived
4068:Archived
4039:Archived
4012:Archived
4008:AllMusic
3921:Autobahn
3904:Archived
3875:Archived
3834:(eds.).
3813:18 March
3641:Archived
3616:Archived
3574:17 April
3568:Archived
3544:17 April
3538:Archived
3299:(1993).
3279:Autobahn
3265:Autobahn
3247:Autobahn
3229:Autobahn
3201:25 April
3020:Cavanagh
2208:Erlewine
2104:100,000
2094:France (
1717:Autobahn
1690:Autobahn
1680:Re-issue
1591:Autobahn
1545:AM radio
1532:Autobahn
1491:Harmonia
1487:Autobahn
1479:Autobahn
1471:Autobahn
1428:Autobahn
1424:Autobahn
1420:Autobahn
1415:Autobahn
1405:Autobahn
1377:Autobahn
1367:Autobahn
1363:Autobahn
1325:Mat Snow
1315:Autobahn
1305:Autobahn
1290:Autobahn
1071:AllMusic
1028:Autobahn
1014:Autobahn
946:Autobahn
937:Autobahn
883:Autobahn
822:Autobahn
796:Autobahn
792:Autobahn
771:Autobahn
763:Autobahn
710:Autobahn
678:autobahn
635:Autobahn
622:Autobahn
582:Autobahn
570:Autobahn
558:Minimoog
529:Autobahn
517:Autobahn
482:Autobahn
460:Autobahn
395:Autobahn
368:Autobahn
357:Autobahn
304:Autobahn
274:Autobahn
205:Autobahn
162:Producer
141:Language
62:Released
52: by
35:Autobahn
4962:Artists
4922:Related
4809:Singles
4717:The Mix
4517:Discogs
4264:Newsday
3587:Sources
3465:Select
2119:60,000
2116:Silver
2089:/sales
2080:Region
1784:Credits
1539:stated
1485:stated
1467:Synergy
1436:Clannad
1040:Newsday
995:critic
872:Cardiff
809:Chicago
758:Release
698:Münster
690:Bottrop
682:Hamburg
651:
576:and at
562:Farfisa
549:'s and
433:Newsday
380:Chicago
257:Singles
218:(1975)
209:(1974)
200:(1973)
155:Philips
90:Cologne
4801:(2009)
4793:(1997)
4774:(1975)
4755:(2017)
4747:(2005)
4728:(2003)
4720:(1991)
4712:(1986)
4704:(1981)
4696:(1978)
4688:(1977)
4680:(1975)
4672:(1974)
4664:(1973)
4656:(1972)
4648:(1970)
4395:
4373:
4356:
4332:
4309:
4250:
4209:9 July
3846:
3801:
3771:
3743:
3683:
3664:
3612:Sounds
3475:
3307:
3192:
2183:
1882:Charts
1707:Length
1618:Length
1605:Side B
1581:Length
1568:Side A
1507:" for
1496:Deluxe
1383:Legacy
1065:Rating
1062:Source
942:Sounds
917:Rating
914:Source
384:'s
144:German
125:Length
70:Studio
3969:Uncut
3944:Uncut
3899:Uncut
3826:. In
3715:Uncut
3516:(PDF)
3409:200)"
2101:Gold
1776:42:48
1722:22:47
1704:Title
1672:42:48
1615:Title
1596:22:47
1578:Title
1541:disco
1407:with
1320:Uncut
1246:Uncut
1026:said
600:Music
410:'
311:band
259:from
150:Label
100:Genre
86:Conny
4969:Neu!
4497:2021
4470:2021
4441:2021
4393:ISBN
4371:ISBN
4354:ISSN
4349:Mojo
4330:ISBN
4307:ISBN
4294:2021
4248:ISBN
4211:2011
4184:2021
4152:2021
4131:2023
4076:2021
4047:2021
4020:2021
3981:2021
3956:2021
3912:2021
3883:2021
3844:ISBN
3815:2017
3799:ISSN
3780:2020
3769:ISSN
3741:ISBN
3728:2021
3681:ISBN
3662:ISBN
3649:2021
3624:2021
3576:2021
3546:2021
3499:2024
3460:2024
3305:ISBN
3203:2019
3190:ISBN
2662:2021
2174:200
2096:SNEP
2033:Peak
2007:Peak
1961:RMNZ
1902:Peak
1766:4:02
1755:3:45
1744:5:31
1733:6:41
1662:4:02
1651:3:45
1640:5:47
1629:6:26
1526:and
1454:and
1452:Neu!
1448:Devo
1446:and
1330:Mojo
1239:9/10
1158:Mojo
1113:9/10
868:Bath
854:and
834:Tour
692:and
686:Ruhr
648:lit.
523:and
470:and
430:and
420:and
403:and
323:and
4515:at
4485:NME
4457:NME
3329:RPM
2177:84
2170:US
2165:18
2157:35
2111:BPI
2059:77
2047:19
2021:27
1991:200
1986:US
1976:OCC
1954:11
1924:RPM
1700:No.
1611:No.
1574:No.
1528:Yes
1456:DAF
1286:NME
979:of
968:NME
628:to
488:'s
439:NME
5015::
4487:.
4483:.
4460:.
4454:.
4431:.
4427:.
4410:.
4328:.
4324:.
4284:.
4278:.
4246:.
4242:.
4195:.
4174:.
4168:.
4120:.
4066:.
4060:.
4037:.
4031:.
4010:.
4006:.
4002:.
3967:.
3942:.
3902:.
3896:.
3873:.
3867:.
3842:.
3830:;
3791:.
3761:.
3712:.
3708:.
3639:.
3635:.
3614:.
3610:.
3566:.
3562:.
3536:.
3490:.
3471:OK
3411:.
3391:.
3341:^
3332:.
3326:.
3150:^
3027:^
3012:^
2985:^
2970:^
2907:^
2868:^
2853:^
2838:^
2821:^
2794:^
2767:^
2740:^
2725:^
2694:^
2646:.
2601:^
2574:^
2541:^
2514:^
2473:^
2418:^
2403:^
2374:^
2277:^
2260:^
2243:^
2200:^
2113:)
2098:)
2056:)
2044:)
2018:)
1995:5
1981:4
1978:)
1966:7
1963:)
1951:)
1942:7
1939:)
1930:5
1927:)
1916:9
1913:)
1760:5.
1749:4.
1738:3.
1727:2.
1712:1.
1684:A
1656:5.
1645:4.
1634:3.
1623:2.
1586:1.
1511:.
1458:.
1442:,
1438:,
1434:,
929:C+
878:.
870:,
866:,
807:A
804:.
780:s
754:.
462:,
134:27
130:42
4896:"
4892:"
4889:"
4885:"
4882:"
4878:"
4875:"
4871:"
4868:"
4864:"
4861:"
4857:"
4854:"
4850:"
4847:"
4843:"
4840:"
4836:"
4833:"
4829:"
4826:"
4822:"
4819:"
4815:"
4546:e
4539:t
4532:v
4401:.
4379:.
4360:.
4338:.
4315:.
4256:.
4213:.
4154:.
4133:.
4111:.
4049:.
4022:.
3983:.
3958:.
3933:.
3856:.
3817:.
3782:.
3749:.
3730:.
3689:.
3670:.
3651:.
3578:.
3548:.
3518:.
3501:.
3473:.
3462:.
3313:.
3218:.
3205:.
3172:.
3097:.
3085:.
3049:.
3022:.
2980:.
2965:.
2953:.
2941:.
2929:.
2917:.
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